- Series: Vintage International
- Paperback: 336 pages
- Publisher: Vintage; Reprint edition (January 5, 2016)
- Language: English
- ISBN-10: 0307455793
- ISBN-13: 978-0307455796
- Product Dimensions: 5.2 x 0.7 x 8 inches
- Shipping Weight: 12.6 ounces (View shipping rates and policies)
- Average Customer Review: 930 customer reviews
- Amazon Best Sellers Rank: #22,279 in Books (See Top 100 in Books)
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The Buried Giant (Vintage International) Paperback – January 5, 2016
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“Spectacular. . . . The Buried Giant has the clear ring of legend, as graceful, original and humane as anything Ishiguro has written.” —The Washington Post
“An exceptional novel. . . . The Buried Giant does what important books do: It remains in the mind long after it has been read, refusing to leave.” —Neil Gaiman, The New York Times Book Review
“Lush and thrilling, rolling the gothic, fantastical, political, and philosophical into one.” —The New Republic
“Mesmerizing. . . . A provocative, multilayered mosaic. . . . Lifetimes of myth, allegory, and epic discoveries are contained within.” —The Christian Science Monitor
“A literary tour de force so unassuming that you don't realize until the last page that you're reading a masterpiece.” —USA Today
“Splendid. . . . Excellent. . . . The Buried Giant is a simple and powerful tale of love, aging and loss.” —The Wall Street Journal
“Ishiguro is a master of the uncanny. . . . Few write about the mysteries of the human experience with such grace as Ishiguro, and his prodigious gifts are evident throughout the novel.” —San Francisco Chronicle
“Devastating . . . As emotionally ruinous an ending as any I’ve read in a very long time, and it made me circle back to the opening pages, to re-enter the strange mist of this sad and remarkable book.” —Mark O’Connell, Slate
“A profound meditation on trauma, memory, and the collective lies nations and groups create to expiate their guilt.” —The Boston Globe
“If forced at knife-point to choose my favorite Ishiguro novel, I’d opt for The Buried Giant. It uses the tropes of fantasy to set up a smoke-screen which the book then, by twists and turns, dispels. This reveal gives the book a shadow-plot, and layers of mystery . . . An ideas-enabler, a metaphor-animator.” —David Mitchell, author of Cloud Atlas and The Bone Clocks
“Ishiguro is a deft gut-renovator of genres, bringing fresh life and feeling to hollowed-out conventions. . . . The love story at its center shimmers with a mythic and melancholy grace.” —Vulture
“A beautiful, heartbreaking book about the duty to remember and the urge to forget.” —The Guardian (London)
“Powerful and disturbing. . . . Provokes strong emotions—and lingers long in the mind.” —The Economist
“A beautiful fable with a hard message at its core. . . . There won’t, I suspect, be a more important work of fiction published this year than The Buried Giant.” —John Sutherland, The Times (London)
“A novel of imaginative daring that, in its subtleties of tone, mood and reflection, could be the work of no other writer. . . . In the manner of Cormac McCarthy’s The Road, Ishiguro has created a fantastical alternate reality in which, in spite of the extremity of its setting and because of its integrity and emotional truth, you believe unhesitatingly.” — Financial Times
About the Author
Kazuo Ishiguro’s seven previous books have won him wide renown and numerous honors. His work has been translated into more than forty languages. Both The Remains of the Day and Never Let Me Go have sold more than one million copies, and both were adapted into highly acclaimed films.
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Top customer reviews
This novel takes place in England and the time period is right after the reign of the legendary King Arthur - which is all somewhat deliberately vague. The storyline centers around the travels of 5 main characters.
The first two characters we meet - and indeed in many ways the central two characters - are an elderly couple who leave their village in search of their son. Their memories are fading and they are not sure where their son is or even what he looks like anymore. Their reason for leaving their village are hazy as well; ostensibly something to do with their being denied a candle by other villagers.
The other characters are a young boy, a brave warrior and a valiant old knight.
So much of the storyline is dreamlike and vague and I believe your ultimate enjoyment and satisfaction of this novel is based on the premise that the less you know the better, so I will only say a bit more without causing any spoilers.
We know that the characters all unite at some point. We know that they are all on different missions. Their goals are seemingly unclear but will become clear at the end.
I loved this book. At the same time I have to say that it was not a quick read for me and there were points up until midway when I thought about giving up on it. Part of this was that I am not usually a fan of books that are somewhat "dreamlike" or surreal and I usually like my stories more straight-forward and grounded. There are lots of points in this book where you feel your own memory is fading; indeed what it might be like to have dementia. That Ishiguro pulls this off so effectively is impressive but daunting for the reader.
So for me, this book took a bit of work, but I was so glad by the time I finished that I had read it. The prose, as with any of the other book by this author, is just gorgeous. You really don't want to skip one word and you really shouldn't.
I do promise you that it all comes together beautifully by the end, and it was quite an emotional read for me. The storyline is so heartfelt and very mythic in feel and Ishiguro has some poignant and powerful things to say about love and vengeance, morals and ethics and about memory and reflection. Just amazing.
We follow an elderly couple (now known as Beatrice and Axl though Axl once had another name), who seem elaborately devoted to one another, and who are the central figures. After some mild ill-treatment in their cave-warren village they go on a journey to find their son, who for some reason is not living with them. Along the way they meet two heroic knights (Sir Gawain himself and Wistan the warrior) and some strange monks and some strange animals, including a most unusual dragon. Nothing is quite what it seems, and everything is sinister, with some magic in the background though just what is never clear.
Hints are dropped as to what is "really" going on, and as to a possibly different state of relations between Beatrice and Axl. The end of the book makes many things somewhat clearer, and packs a real emotional punch.
The language is oddly stilted though beautiful, and the dreamy misty quality of events and circumstances will either appeal to you or drive you nuts. I was driven nuts at first, but the strangeness of the story and the occasional dramatic and exciting passage rescued the book for me.
If you're waiting for Ishiguro to return to something like The Remains of the Day you'll just have to keep waiting. If you like historical fantasy with all the danger and dirt left in, of if the question of what memory means is important to you, you want to read this book.
Ishiguro writes with a rhythmic repetition that mimics thoughts and conversations running in circles. The story ranges in scope from matters of politics down to an individual’s internal struggles. An elderly couple struggle to remember circumstances of their separation from a son. A knight wrestles with the morality of his life’s work. A warrior revives forgotten injustices to foment war. An orphan channels painful memories of his mother into a questionable quest. Characters pursue their threads to conclusion even when the road ahead appears ominous. There are no victories or defeats here, only inevitabilities.