- Series: Business and Legal Forms Series
- Paperback: 192 pages
- Publisher: Allworth Press; 1 edition (February 5, 2013)
- Language: English
- ISBN-10: 1581159234
- ISBN-13: 978-1581159233
- Product Dimensions: 8.5 x 8.6 x 11 inches
- Shipping Weight: 2 pounds (View shipping rates and policies)
- Average Customer Review: 3 customer reviews
- Amazon Best Sellers Rank: #397,528 in Books (See Top 100 in Books)
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Business and Legal Forms for Theater, Second Edition (Business and Legal Forms Series) 1st Edition
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"Finally! For years we've searched in vain for a practical and usable reference and form book to recommend to our many theater clients and volunteer attorneys. Thank you, Charles Grippo, for your clarity and practical advice. Allworth Press --- you've done it again --- thanks for the newest addition to our reference library!"
Elena M. Paul, Esq., executive director, Volunteer Lawyers for the Arts
"Business and Legal Forms for Theater is a comprehensive collection of readable and (thanks to a CD-ROM) easily adaptable model contracts that will be a useful resource for anyone involved in theater production."
Joan Channick, deputy director, Theatre Communications Group and lecturer in theater management, Yale School of Drama
"Enhances the profession of the theatre by encouraging methodical and clear business practices. All readers can find immediate value in the subdiscipline that aligns most closely with their own work, but the other agreements readily teach about other theatre jobs. As a reference, it merits a place on any arts manager's or theatre professional's bookshelf."
Patrick Donnelly, Theatre Design & Technology
About the Author
Charles Grippo is an attorney, producer, and playwright. He owns New Lincoln Theatre Productions, Holiday Road, and Charles Grippo Productions. In Chicago, he has produced plays by Neil Simon, David Mamet, and Kathleen Tolan. His plays, which include Sex Marks the Spot, Bedroom Follies, A Wife's Tale, Santa's Children, The Tooth of the Matter, Salvage Job, and Wait for the Wind, have been produced by theater companies in New York, Chicago, and California. His adaptation of Wait for the Wind was published in Hardboiled Detective in 1995. He has written articles on theater law for the Chicago Alliance for Playwrights and is currently working on a novel in the legal thriller genre about a female attorney. A member of the Dramatists Guild and director emeritus of Chicago Alliance for Playwrights, he practices entertainment and real estate law.
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Much of this book is based on Union workers, but again can be easily altered. My only quibble is the writers contract. I wish there was a better writers contract, something more simple. The one in this book will definitely cover most if not all the bases.
For the price, this book is totally worth having around. Especially if you are working in production