Image Unavailable
Image not available for
Color:
Color:
-
-
-
- Sorry, this item is not available in
- Image not available
- To view this video download Flash Player
Butterfly
Double vinyl
$46.01$46.01
See all 11 formats and editions
Hide other formats and editions
| Listen Now with Amazon Music |
|
Butterfly
"Please retry" | Amazon Music Unlimited |
| Price | New from | Used from |
|
MP3 Music, March 1, 2003
"Please retry" | $12.49 | — |
|
Audio CD, Import, August 28, 2000
"Please retry" | $39.99 | $44.75 |
|
Vinyl, September 23, 2016
"Please retry" | $46.01 | — | $46.01 |
Customers who viewed this item also viewed
Page 1 of 1 Start overPage 1 of 1
Track Listings
Disc: 1
| 1 | Dear Eloise (Mono) |
| 2 | Away Away Away (Mono) |
| 3 | Maker (Mono) |
| 4 | Pegasus (Mono) |
| 5 | Would You Believe (Mono) |
| 6 | Wishyouawish (Mono) |
Disc: 2
| 1 | Postcard (Mono) |
| 2 | Charlie and Fred (Mono) |
| 3 | Try It (Mono) |
| 4 | Elevated Observations (Mono) |
| 5 | Step Inside (Mono) |
| 6 | Butterfly (Mono) |
Disc: 3
| 1 | Dear Eloise (Stereo) |
| 2 | Away Away Away (Stereo) |
| 3 | Maker (Stereo) |
| 4 | Pegasus (Stereo) |
| 5 | Would You Believe (Stereo) |
| 6 | Wishyouawish (Stereo) |
Disc: 4
| 1 | Postcard (Stereo) |
| 2 | Charlie and Fred (Stereo) |
| 3 | Try It (Stereo) |
| 4 | Elevated Observations (Stereo) |
| 5 | Step Inside (Stereo) |
| 6 | Butterfly (Stereo) |
Editorial Reviews
package contains both mono and stereo versions
Product details
- Product Dimensions : 12 x 12.6 x 1 inches; 8 Ounces
- Manufacturer : Rhino/Parlophone
- Original Release Date : 2016
- Date First Available : July 13, 2016
- Label : Rhino/Parlophone
- ASIN : B01G642UKG
- Number of discs : 2
- Best Sellers Rank: #329,983 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #140,019 in Rock (CDs & Vinyl)
- #211,928 in Pop (CDs & Vinyl)
- Customer Reviews:
Customer reviews
4.4 out of 5 stars
4.4 out of 5
53 global ratings
How customer reviews and ratings work
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Reviewed in the United States on July 21, 2014
This cd was the last album with Graham Nash. In the albums that followed, you can hear the influential loss after his departure. Though this album wasn't all that great, they, in my opinion, went into a slump and Terry Sylvester is no magical replacement. I kinda like this album for a few songs like "Dear Eloise", "Try It" and a couple others.By the way, That is Nash's voice you hear at the opening of Dear Eloise. I think he felt I am almost out of here so I will tone it down some. Would I still suggest purchasing this cd? Unless you really are a die-hard fan of the Hollies like I am, I would have to say no. So I say - you make the call.
2 people found this helpful
Report abuse
Reviewed in the United States on March 12, 2007
Some of the better tracks come later on the album. You have to already be a Hollies fan before listening to this, otherwise get the greatest hits first...and if you're not a Hollies fan at least be a fan of the albums that came out in 67-68. This is probably their best album, which is saying something as they were not much an album group. This is more of a Graham Nash vehicle. I liked it better on the second listen. Don't let Dear Eloise scare you, while its "the hit" it is not the best thing on here. And yes, I am a huge Hollies fan, no one could sing like that.
2 people found this helpful
Report abuse
Reviewed in the United States on March 1, 2019
An absolute treasure of a reissue very good sound quality if the psychedelic period of the hollies is something that interests you definitely don't pass this one up the production, mono and stereo mixes are a joy to listen to
I would recommend this album to any 60s music aficionado
I would recommend this album to any 60s music aficionado
Reviewed in the United States on April 20, 2018
All the way from Israel and in perfect condition. I could not be happier. recommend you to anyone. Thanks so much
Reviewed in the United States on January 10, 2015
Good album, but terrible drop-out on "Elevated Observations".
Reviewed in the United States on March 9, 2017
As described
Reviewed in the United States on December 1, 2014
Excellent cd.
Reviewed in the United States on January 21, 2007
"Butterfly" is often regarded the strongest album by the Hollies. Released in 1967 it was to be last to feature high-pitch vocalist Graham Nash, who left in late 1968 to join David Crosby and Steve Stills. Sadly the Hollies were never quite the same after his departure - they did record some fine album later, but some of the magic somehow had gone.
With the "For Certain Because" (1966) the Holles had begun to write all their material for their albums, and the this continued on the following two albums "Evolution" and "Butterfly". All 3 album contains some of the finest songwriting the Hollies ever did. Their playing and singing is impeccable like on most of their recordings - some might say that their lyrics at times tend to be a little too naive or silly.
"Butterfly" is their most adventurous album and the closest the Hollies ever came to psychedelia. Apart from "Dear Eloise" which was released as a single in some countries it is very much an "album" - not just a collection of songs built up around 3 or 4 hit singles.
It seems the Nash was the dominating force at this point, taking the lead vocal on more songs than usual lead-singer Clarke. Nash abilities as lead-singer are obvíous here, but it's usually a pleasure to listen to all singer, not least when they change lead-vocals or join in on harmonies.
It's hard to bring forward particular tracks, because all are great. Tony Hicks cute "Pegasus" was always a favourite, but the songs like "Try it", "Would You Believe" and "Dear Eloise" with Allan Clarke up-front are all classic Hollies. Nash's laid back-songs like "Wish You a Wish" are "Postcard" are close to the sound of Simon & Garfunkel. On the instrumental side, there is a lot experimenting with various instruments like citar, different keyboards and several tracks feature string-arrangements.
The Hollies actually recorded at least an albums worth of material before Nash finally left. With strong material like "Wings", "Open Up Your Eyes" , "Tomorrow When it Comes", "Man With No Expression", "Do the Best You" and the two fine singles "Listen to Me" and Jennifer Eccles" another fine Hollies album (with Nash) could have been made; insted they gave us the deeply disappointing "Hollies Sing Dylan"
"Butterfly" is probably their finest moment.
Here we have as bonus-tracks most of these potential final-album songs. The Nash version of "Blowing in the Wind" was another possible inclusion. As song called "Ashes to Ashes" is also said to have been recorded.
The music on this release is all great, but the lack of additional notes is very disappointing.
With the "For Certain Because" (1966) the Holles had begun to write all their material for their albums, and the this continued on the following two albums "Evolution" and "Butterfly". All 3 album contains some of the finest songwriting the Hollies ever did. Their playing and singing is impeccable like on most of their recordings - some might say that their lyrics at times tend to be a little too naive or silly.
"Butterfly" is their most adventurous album and the closest the Hollies ever came to psychedelia. Apart from "Dear Eloise" which was released as a single in some countries it is very much an "album" - not just a collection of songs built up around 3 or 4 hit singles.
It seems the Nash was the dominating force at this point, taking the lead vocal on more songs than usual lead-singer Clarke. Nash abilities as lead-singer are obvíous here, but it's usually a pleasure to listen to all singer, not least when they change lead-vocals or join in on harmonies.
It's hard to bring forward particular tracks, because all are great. Tony Hicks cute "Pegasus" was always a favourite, but the songs like "Try it", "Would You Believe" and "Dear Eloise" with Allan Clarke up-front are all classic Hollies. Nash's laid back-songs like "Wish You a Wish" are "Postcard" are close to the sound of Simon & Garfunkel. On the instrumental side, there is a lot experimenting with various instruments like citar, different keyboards and several tracks feature string-arrangements.
The Hollies actually recorded at least an albums worth of material before Nash finally left. With strong material like "Wings", "Open Up Your Eyes" , "Tomorrow When it Comes", "Man With No Expression", "Do the Best You" and the two fine singles "Listen to Me" and Jennifer Eccles" another fine Hollies album (with Nash) could have been made; insted they gave us the deeply disappointing "Hollies Sing Dylan"
"Butterfly" is probably their finest moment.
Here we have as bonus-tracks most of these potential final-album songs. The Nash version of "Blowing in the Wind" was another possible inclusion. As song called "Ashes to Ashes" is also said to have been recorded.
The music on this release is all great, but the lack of additional notes is very disappointing.
13 people found this helpful
Report abuse
Top reviews from other countries
Morten Vindberg
5.0 out of 5 stars
Their Finest Moment + 10
Reviewed in the United Kingdom on June 2, 2011
"Butterfly" is often regarded the strongest album by the Hollies. Released in 1967 it was to be last to feature high-pitch vocalist Graham Nash, who left in late 1968 to join David Crosby and Steve Stills. Sadly the Hollies were never quite the same after his departure - they did record some fine album later, but some of the magic somehow had gone.
With the "For Certain Because" (1966) the Holles had begun to write all their material for their albums, and the this continued on the following two albums "Evolution" and "Butterfly". All 3 album contains some of the finest songwriting the Hollies ever did. Their playing and singing is impeccable like on most of their recordings - some might say that their lyrics at times tend to be a little too naive or silly.
"Butterfly" is their most adventurous album and the closest the Hollies ever came to psychedelia. Apart from "Dear Eloise" which was released as a single in some countries it is very much an "album" - not just a collection of songs built up around 3 or 4 hit singles.
It seems the Nash was the dominating force at this point, taking the lead vocal on more songs than usual lead-singer Clarke. Nash abilities as lead-singer are obvíous here, but it's usually a pleasure to listen to all singer, not least when they change lead-vocals or join in on harmonies.
It's hard to bring forward particular tracks, because all are great. Tony Hicks cute "Pegasus" was always a favourite, but the songs like "Try it", "Would You Believe" and "Dear Eloise" with Allan Clarke up-front are all classic Hollies. Nash's laid back-songs like "Wish You a Wish" are "Postcard" are close to the sound of Simon & Garfunkel. On the instrumental side, there is a lot experimenting with various instruments like citar, different keyboards and several tracks feature string-arrangements.
The Hollies actually recorded at least an albums worth of material before Nash finally left. With strong material like "Wings", "Open Up Your Eyes" , "Tomorrow When it Comes", "Man With No Expression", "Do the Best You" and the two fine singles "Listen to Me" and Jennifer Eccles" another fine Hollies album (with Nash) could have been made; insted they gave us the deeply disappointing "Hollies Sing Dylan"
"Butterfly" is probably their finest moment.
Here we have as bonus-tracks most of these potential final-album songs. The Nash version of "Blowing in the Wind" was another possible inclusion. As song called "Ashes to Ashes" is also said to have been recorded.
The music on this release is all great, but the lack of additional notes is very disappointing.
With the "For Certain Because" (1966) the Holles had begun to write all their material for their albums, and the this continued on the following two albums "Evolution" and "Butterfly". All 3 album contains some of the finest songwriting the Hollies ever did. Their playing and singing is impeccable like on most of their recordings - some might say that their lyrics at times tend to be a little too naive or silly.
"Butterfly" is their most adventurous album and the closest the Hollies ever came to psychedelia. Apart from "Dear Eloise" which was released as a single in some countries it is very much an "album" - not just a collection of songs built up around 3 or 4 hit singles.
It seems the Nash was the dominating force at this point, taking the lead vocal on more songs than usual lead-singer Clarke. Nash abilities as lead-singer are obvíous here, but it's usually a pleasure to listen to all singer, not least when they change lead-vocals or join in on harmonies.
It's hard to bring forward particular tracks, because all are great. Tony Hicks cute "Pegasus" was always a favourite, but the songs like "Try it", "Would You Believe" and "Dear Eloise" with Allan Clarke up-front are all classic Hollies. Nash's laid back-songs like "Wish You a Wish" are "Postcard" are close to the sound of Simon & Garfunkel. On the instrumental side, there is a lot experimenting with various instruments like citar, different keyboards and several tracks feature string-arrangements.
The Hollies actually recorded at least an albums worth of material before Nash finally left. With strong material like "Wings", "Open Up Your Eyes" , "Tomorrow When it Comes", "Man With No Expression", "Do the Best You" and the two fine singles "Listen to Me" and Jennifer Eccles" another fine Hollies album (with Nash) could have been made; insted they gave us the deeply disappointing "Hollies Sing Dylan"
"Butterfly" is probably their finest moment.
Here we have as bonus-tracks most of these potential final-album songs. The Nash version of "Blowing in the Wind" was another possible inclusion. As song called "Ashes to Ashes" is also said to have been recorded.
The music on this release is all great, but the lack of additional notes is very disappointing.
7 people found this helpful
Report abuse
Thomas H
5.0 out of 5 stars
Great album
Reviewed in the United Kingdom on January 27, 2020
An album for any hollies fan. Brought back great memories of the 1960/2970s q
One person found this helpful
Report abuse
Brianig
5.0 out of 5 stars
Excellent reproduction
Reviewed in the United Kingdom on June 1, 2017
Excellent reproduction of original album with both mono and stereo lips in gatefold sleeve. Excellent pressing and full analogue signal path it would seem.
3 people found this helpful
Report abuse
Mehaudy S. Roberto
4.0 out of 5 stars
Butterflies are free
Reviewed in the United Kingdom on March 16, 2011
This period of the Hollies musical history is a special one. Much of the album's production was done in Italy (including promotional videos).I regret so say the album was underrated in a way or not well promoted even thoug the songs are beautiful. However, I like it very much. Roberto from Argentina
2 people found this helpful
Report abuse
MR M KNIGHT
5.0 out of 5 stars
Five Stars
Reviewed in the United Kingdom on November 3, 2017
Very nice to hear again after all these years.
2 people found this helpful
Report abuse
Open Web Player





