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THE CREEK Paperback – January 19, 2021
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Purchase options and add-ons
- Print length100 pages
- LanguageEnglish
- Publication dateJanuary 19, 2021
- Dimensions6 x 0.25 x 9 inches
- ISBN-13979-8596796131
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Product details
- ASIN : B08TFZ3DMK
- Publisher : Independently published (January 19, 2021)
- Language : English
- Paperback : 100 pages
- ISBN-13 : 979-8596796131
- Item Weight : 5.6 ounces
- Dimensions : 6 x 0.25 x 9 inches
- Best Sellers Rank: #2,305,217 in Books (See Top 100 in Books)
- #8,703 in Magical Realism
- #13,249 in Occult Fiction
- Customer Reviews:
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About the author

Rayne King is an author of horror fiction, with several short stories and the novella, THE CREEK, to his name. As an autodidact, he has learned to write through trial and tribulation. His influences are widespread, ranging from magical realism to cosmic horror. Because of this, his writing borrows elements from a multitude of genres, as he feels comfortable using whatever tools necessary to tell his dark tales. He lives in the Hudson Valley with his family.
Find him on Twitter via @Channel_King.
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Wiley leads a solitary existence in the secluded hamlet of Phoenicia, NY, preferring the company of a good book and his loyal dog, Rhea, to that of his alcoholic father. That is, until Ruby moves to town. The daughter of a preacher to a nomadic religious congregation, she crosses paths with Wiley (by fate or chance) while sunbathing in the Esopus creek. Her trauma finds solace in his, and their paths become one in the same. But as Wiley is drawn deeper into Ruby’s father’s congregation, he’ll be forced to confront his past, make a dire choice for his future, and reconsider what he knows about the very fabric of his reality.
King’s affinity for the Hudson Valley shines through in his adoring and accurate descriptions of the valley’s woodlands and the banks of the Esopus, and it creates the perfect backdrop for his story to play out. There’s a dreamlike quality about King’s perception of the Valley – one that echoes Irving’s opening description of the ethereal haze that envelops Tarrytown in “Sleepy Hollow” – that complements the increasing unreality of Wiley’s world. But before things get culty and weird, King allows us to revel in the beauty of Wiley and Ruby’s relationship. If you remember being seventeen and losing yourself in something – someone – unexpected and exciting and new – the way your every waking moment becomes devoted to breathing in every atom of that person’s being and wishing each moment could last for an eternity – then “The Creek” will absolutely make you feel some type of way. And the real kicker – the thing that will keep the lump firmly planted in your throat – is that you know from the start that this relationship will somehow end in tragedy. And so you flip through every page, hoping that the two of them have just one more day together, that the next page is not the one where it all comes crashing down.
Poignant, powerful, and pulsating with dread, it’s hard to believe that “The Creek” is a debut offering. And if, like me, the hundred-ish pages fly by and leave you wanting more, King also includes his short story “Husk” as an added bonus. Another tale from the HV, two aimless twentysomethings get more than they bargained for when they come across a mysterious treasure map. Read this one and tell me you can’t visualize it as an episode of Hulu’s adaptation of Nathan Ballingrud’s “Monsterland,” starring Mary Elizabeth Winstead’s character from “Fargo.” You won’t be able to… unless you haven’t seen those shows, in which case, you’ve got some more work to do. But first thing’s first… read “The Creek,” and go from there.
The story centers around Wiley, a loner-type young man, and Ruby, a girl who has recently moved into a nearby campground with her parents and formulated religious group. Wiley finds himself struck by this girl, enamored and shy, as most boys are. While they quickly form a bond, there is sinister stuff also formulating on the side of Ruby's family.
What I mostly appreciated was the growth of Wiley. I read feedback for The Creek which critiqued the fast-paced change in Wiley's character - going from a very shy, lonely kid, to doing drugs and being intimate with Ruby. While I think this is valid criticism, I think it also overlooks the influences of cult mentality. Wiley is overtaken by this religion and by a girl he is in love with. These are two very powerful things going up against a young, impressionable teenager. Wiley also struggles with family life, making him even more susceptible. And while refuting this small critique, I hope to also emphasize how real I feel Wiley is presented. Wiley could have easily been me as a teen (though a male), or any other reader. He is the embodiment of a teenage boy; taken by love, impressionable to ideology.
Rayne King writes in a way that reminds me of my own brother's poetry, and that is not a bad thing. His poetic descriptions allow the reader to really step into the emotion of Wiley and his romance. He also describes the feeling of the forest and setting beautifully, though I may have had an advantage in picturing scenes in my head due to my upbringing in the area. His characters are highly believable, and described just enough to allow the reader to take liberty in picturing them. One other aspect of this story that I enjoyed is that, while the story is linear, the ending was satisfying. Wiley is impressionable, but he is not an idiot. Thank God.
Overall, I recommend buying this little book. It is short, but long enough to give attachment to characters and dedication to the plot. I can't wait to see what else King puts out, and I will be sure to keep an eye out for more!
-Thanks to Jeff for recommending this to me!
PS sorry about the headline, I just had to
Top reviews from other countries
The additional short story is also very good, containing so least one standout creepy moment. Overall, this comes very much recommended.
Neither The Creek nor Husk broke new ground as far as ideas are concerned, but both were well written, and that's what counts if you're looking for future potential. I won't bore you with my reasons for this judgement, but it's the little things...his use of verbs, the way he creates an atmosphere (which is very well done, and has stayed with me since finishing the story) etc. Suffice it to say, I sense the potential in my bones.
I preferred The Creek to the short story that followed, because the idea behind The Husk was a little bit Scooby Doo for my liking. Having said that, I enjoyed the cyclical element and loved the ending. The Creek was very much a tale of religion gone wrong which is right up my street. I also found King to be quite insightful about the human condition, quite perceptive.
As far as editing goes, there were a few minor creases that needed ironing but nothing that couldn't be easily sorted.
Mark my words... we'll be seeing this writer go from strength to strength.
⭐️⭐️⭐️⭐️
As for Husk, nothing better than an extra story included! Very original and spooky! Everyone’s dream to find a treasure map but this story will make you question that now!
Both The Creek and bonus story Husk are fantastic and make for really easy reads, despite the dread and suspense they brilliantly conjure in their own individual ways.
Wiley is a really well written character in The Creek, conscious of his own insecurities and his issues over his broken home and the awkwardness of teenage love, which makes him relatable.
The cult arriving in town gave me the same sense of intrigue and apprehension as I did when the carnival arrives in Something Wicked This Way Comes, with Eleanor as the milky eyed oracle to Bradbury's Dust Witch.
Really looking forward to reading more from Rayne King in the future.




