- Hardcover: 320 pages
- Publisher: Viking; 1st edition (May 3, 2011)
- Language: English
- ISBN-10: 0670021040
- ISBN-13: 978-0670021048
- Product Dimensions: 6.2 x 1 x 9.2 inches
- Shipping Weight: 1.8 pounds (View shipping rates and policies)
- Average Customer Review: 821 customer reviews
- Amazon Best Sellers Rank: #451,704 in Books (See Top 100 in Books)
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
Caleb's Crossing: A Novel Hardcover – May 3, 2011
|New from||Used from|
Frequently bought together
Customers who bought this item also bought
Amazon Best Books of the Month, May 2011: When Pulitzer Prize winner Geraldine Brooks came to live on Martha's Vineyard in 2006, she ran across a map by the island's native Wampanoag people that marked the birthplace of Caleb, first Native American to graduate of Harvard College--in 1665. Her curiosity piqued, she unearthed and fleshed out his thin history, immersing herself in the records of his tribe, of the white families that settled the island in the 1640s, and 17th-century Harvard. In Caleb's Crossing, Brooks offers a compelling answer to the riddle of how--in an era that considered him an intellectually impaired savage--he left the island to compete with the sons of the Puritanical elite. She relates his story through the impassioned voice of the daughter of the island's Calvinist minister, a brilliant young woman who aches for the education her father wastes on her dull brother. Bethia Mayfield meets Caleb at twelve, and their mutual affinity for nature and knowledge evolves into a clandestine, lifelong bond. Bethia's father soon realizes Caleb's genius for letters and prepares him for study at Harvard, while Bethia travels to Cambridge under much less auspicious circumstances. This window on early academia fascinates, but the book breathes most thrillingly in the island's salt-stung air, and in the end, its questions of the power and cost of knowledge resound most profoundly not in Harvard's halls, but in the fire of a Wampanoag medicine man. --Mari Malcolm
Praise for Caleb's Crossing
“Caleb’s Crossing could not be more enlightening and involving. Beautifully written from beginning to end, it reconfirms Geraldine Brooks’s reputation as one of our most supple and involving novelists.” —Jane Smiley, The New York Times Book Review
“Brooks filters the early colonial era through the eyes of a minister’s daughter growing up on the island known today as Martha’s Vineyard…[Bethia’s] voice – rendered by Brooks with exacting attention to the language and rhythm of the seventeenth century – is captivatingly true to her time.” —The New Yorker
“A dazzling act of the imagination. . .Brooks takes the few known facts about the real Caleb, and builds them into a beautifully realized and thoroughly readable tale…this is intimate historical fiction, observing even the most acute sufferings and smallest heroic gestures in the context of major events.” —Matthew Gilbert, The Boston Globe
“In Bethia, Geraldine Brooks has created a multidimensional, inspiring yet unpredictable character…Bethia’s forbearance, her quiet insistence, the way she creates her life using the best of whatever is handed to her, puts the struggles of American women today in perspective.” —Susan Salter Reynolds, The Los Angeles Times
“Original and compelling. . .[Brooks’ characters] struggle every waking moment with spiritual questions that are as real and unending as the punishing New England winters.”—Paul Chaat Smith, The Washington Post
Top customer reviews
Geraldine Brooks poignantly explores these questions in her latest novel, Caleb's Crossing. The story is based on sketchy knowledge of the life of Caleb Cheeshahteaumauk - the first Native American to graduate from Harvard College -- and a member of the Wampanoag tribe in what is now Martha's Vineyard.
This is truly a work of imagination since the sources on Caleb's brief, tragic, and remarkable life are scant. The voice belongs to the fictional Bethia Mayfield, a minister's quick-minded daughter who gently (and sometimes, not so gently) defies the rigid expectations of a Calvinistic society that demand silence and obedience from its womenfolk.
As outsiders, both Bethia and Caleb - who meet on the cusp of adolescence - quickly bond and form a lifelong friendship. On the sly, Bethia absorbs the language and the cultures of the Wopanaak tribe while out in the field; at home, she secretly absorbs lessons that are meant for her brother Makepeace.
Eventually, both serendipitously find themselves at Cambridge. Caleb's Harvard education - conducted in the classical languages of Latin, Greek and Hebrew - is funded by rich English patrons as an experiment as to whether "salvages" can be indoctrinated into Christian culture alongside the dismissive colonial elite. Bethia goes along with Caleb and Makepeace as indentured help, striving to remain in close proximity to scholars and avoid her fate as yet another small settlement farm wife.
There are plenty of twists and turns, trauma and heartbreak, celebrations and sadness along the way; after all, Geraldine Brooks already has a reputation as an absorbing story teller who is able to imaginatively use history to fictional ends. And it would be unfair to even allude to some of these page-turning plot developments.
The themes, though, are fair game. This novel particularly shines when it touches upon matters of faith, which rely heavily upon John Cotton, Jr.'s account of his conversations with native islanders in the 1660s missionary journals (according to the author in her epilogue). The pantheistic view of the medicine men is placed in a high-stakes battle against strict and judgmental Calvinism time and again. Bethia muses, "It galls me, when I catch a stray remark from the master, or between the older English pupils, to the effect that the Indians are uncommonly fortunate to be here. I have come to think it is a fault in us, to credit what we give in such a case, and never to consider what must be given up in order to receive it."
Ms. Brooks drums that point home - sometimes a bit too firmly, not relying enough on the reader to form his or her own conclusions. Still, there is intense observation in the "civilizing" of Caleb's crossing to the world inhabited uneasily by Bethia. She reflects, "In that shimmering, golden light I saw the wild boy I had met here four summers past, no longer wild, nor boy. The hair was cut short and plain, the fringed deer hide leggings replaced with sensible black serge. The wampum ornaments were gone, the bare mahogany arms sheathed now in billowing linen. Yet neither was the youth who stood before me some replica of a young Englishman..." The story of Caleb and Bethia is part of an age-old battle of repressive and misguided individuals who callously use religion to assert dominancy, superiority, and control over others.
As a result, destiny and preordination wrestle as the boundaries of both cultures are movingly explored in a voice that may be described as "period language." From the natural beauty of an early Martha's Vineyard to the drafty dormitories of Harvard College, this fictional work includes a wallop of historical fact. Those who have thrilled to other Geraldine Brooks' absorbingly told novels - March, Year of Wonders, People of the Book--will find yet one more reason to rejoice.
Due to circumstances beyond her control, Bethia ends up an indentured servant when her father dies, following her brother and Caleb to Boston and Harvard, to help finance her brother's scholarship. While she has surreptitiously absorbed her father's drilling in Latin, the Bible and the letters while at the family hearth faster than her brother, she is expected to hide her learning and toil to advance her brother's status. Meanwhile she gets to keep an eye on her friend Caleb and act as a mother to the younger students being tutored at the house she is indentured to.
While this is an excellent lesson about early New England history and mores, it failed to grab me in the manner of Ms. Brook's earlier People of the Book. Perhaps it was the total sweep of history and cultures that was revealed bit by bit in that previous book that made me love it, everything from contemporary times to Jewish persecution in Spain during the Inquisition to Arab scholars in World War II. This is a nice read but I heartily recommend the earlier work if you have not devoured it already.