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Called Out of Darkness: A Spiritual Confession Hardcover – Bargain Price, October 7, 2008
| Anne Rice (Author) Find all the books, read about the author, and more. See search results for this author |
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Christ the Lord: The Road to Cana followed.
And now, in her powerful and haunting memoir, Rice tells the story of the spiritual transformation that produced a complete change in her literary goals.
She begins with her girlhood in New Orleans as the devout child in a deeply religious Irish Catholic family. She describes how, as she grew up, she lost her belief in God, but not her desire for a meaningful life.
She writes about her years in radical Berkeley, where her career as a novelist began with the publication of Interview with the Vampire, soon to be followed by more novels about otherworldly beings, about the realms of good and evil, love and alienation, pageantry and ritual, each reflecting aspects of her often agonizing moral quest.
She writes about loss and tragedy (her mother’s drinking; the death of her daughter and, later, her beloved husband, Stan Rice); about new joys; about the birth of her son, Christopher; about the family’s return in 1988 to the city of New Orleans, the city that inspired so much of her work. She tells how after an adult lifetime of questioning, she experienced the intense conversion and consecration to Christ that lie behind her most recent novels.
For her readers old and new, this book explores her continuing interior pilgrimage.
- Print length245 pages
- LanguageEnglish
- PublisherKnopf
- Publication dateOctober 7, 2008
- Dimensions5.85 x 1 x 8.65 inches
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From Booklist
Review
“Rice couples her writing talents with the zeal of a recent convert.” —Christianity Today
“Rice could rival C.S. Lewis as a popular apologist for the faith.” —Time
“Rice’s memoir shows what true belief really involves. It exacts a price. James Agee had a lovely term for this. He called it ‘cruel radiance.’” —Los Angeles Times
“Anne Rice is not a convert but a revert. . . . A loving reconstruction of the pre–Vatican II Church of the 1940s and 1950s. . . . [After] twenty-five years and twenty-one books . . . Rice entrusts both herself and the people she loves to God.” —First Things
“Called Out of Darkness is rich in both poetic simplicity and liberating confessionals. This memoir is not to be missed.” —East Bay Literary Examiner
“I am not a Christian and I normally don’t read what I would call Christian books. They don’t appeal to me, they don’t interest me and I normally pass them by in the bookstore. . . . [But] I picked up [Called Out of Darkness] up this afternoon and it’s beyond wonderful.” —Jamieson Wolf
“As a long-time reader of Anne Rice’s, the impetus she presents here makes me want to re-read many of her prior works. I highly recommend this book to anyone who seeks the inspiration and motivation behind the bestselling novels they’ve read.”—BookReporter.com
“Nothing short of magnificent. . . . What a real blessing, what a vulnerable sharing.” —Flos Carmeli
“A lovely, intelligent book.” —PopMatters
“Even if you don’t consider yourself to be a religious person—even if you are not a Christian—read this book. Anyone can appreciate the message contained in Called Out of Darkness. . . . It is a thinking person’s approach to faith.” —Edge (Provincetown, MA)
From the Trade Paperback edition.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
This book is about faith in God.
For more than twenty centuries, Christianity has given us dazzling works of theology, yet it remains a religion in which the heart is absolutely essential to faith.
The appeal of Jesus Christ was first and foremost to the heart.
The man knocked on his back on the Road to Damascus experienced a transformation of the heart. St. Francis of Assisi, giving away all of his clothes as he turned to follow Christ, was reflecting a decision of the heart. Mother Teresa founded her world-famous order of nuns because of a decision of the heart.
The immensity of these figures finds an imperfect student in me, but not an inattentive one.
I want to tell, as simply as I can—and nothing with me as a writer has ever really been simple—the story of how I made my decision of the heart.
So here is the story of one path to God.
The story has a happy ending because I have found the Transcendent God both intellectually and emotionally. And complete belief in Him and devotion to Him, no matter how interwoven with occasional fear and constant personal failure and imperfection, has become the true story of my life.
If this path to God is an illusion, then the story is worthless. If the path is real, then we have something here that may matter to you as well as to me.
2
Before I can describe how I returned to faith, at the age of fifty-seven, I want to describe how I learned about God as a child.
What strikes me now as most important about this experience is that it preceded reading books. Christians are People of the Book, and our religion is often described as a Religion of the Book. And for two thousand years, all that we believe has been handed down in texts.
But no doubt many children learned about God as I did—from my mother and from the experience of church which had little or nothing directly to do with knowing how to read.
Over the years, I turned out to be a consistently poor reader, and I don’t think I ever read a novel for pleasure until I was in the sixth grade. Even in my college years, I was a poor reader and, in fact, couldn’t major in English because I could not read the amounts of Chaucer or Shakespeare assigned in the classes. I graduated with a bachelor of arts degree in political science, principally because I could understand the historic background I received for political ideas through good lectures.
I was twenty-seven before I began to make up an undergraduate degree in English, and thirty-one before I received a master’s in English. Even then I read so slowly and poorly that I took my master’s orals on three authors, Shakespeare, Virginia Woolf, and Ernest Hemingway, without having read all of their works. I couldn’t possibly read all of their works.
The reason I’m emphasizing this is because I believe that what we learn through reading is essentially different from what we learn in other ways. And my concept of God came through the spoken words of my mother, and also the intensely beautiful experiences I had in church.
It’s important to stress here that my earliest experiences involved beauty; my strongest memories are of beautiful things I saw, things which evoked such profound feeling in me that I often felt pain.
In fact I remember my early childhood as full of beauty, and no ugly moment from that time has any reality for me. The beauty is the song of those days.
I vividly remember knowing about God, that He loved us, made us, took care of us, that we belonged to Him; and I remember loving Jesus as God; and praying to Him and to His Blessed Mother, the Virgin Mary, when I was very small.
I can’t really associate any one image with Jesus because there were so many around me, from small highly sentimental holy pictures, which we treasured at home, to magnificent images of Jesus in St. Alphonsus Church.
I’ll describe the church in a minute, as it takes considerable describing, but first I want to mention a small place where we went often to pray. This was the Chapel of Our Mother of Perpetual Help on Third and Prytania streets, a consecrated Catholic chapel with a tabernacle and an altar, in which Mass was celebrated every day. The chapel was a huge room inside an old Garden District mansion, set in spacious gardens, that was also a high school.
My mother had graduated from this high school many years before, and I recall going to a garden party on the grounds when I was a little child. The building itself was impressive, with a central doorway, floor-length windows on the front and on both sides, and colonnettes along the front porch that held up the porch above.
Much later in life—during the 1990s—when I was a well-known author, I actually bought this building, as it had tremendous meaning for me. Not only had my mother gone to school there, but my aunts and cousins had gone to school there as well. Some cousins had been married in the chapel. And my strongest religious memories were centered on this place. The story of that purchase and what it meant requires a book, and indeed I wrote a novel using the building as a key backdrop, but that is not my concern just now.
This is what it was like in the 1940s to go to the Chapel of Our Mother of Perpetual Help.
We left our house at St. Charles and Philip, and walked up the avenue, under the oaks, and almost always to the slow roar of the passing streetcars, and rumble of traffic, then crossed over into the Garden District, a very special neighborhood filled with immense Greek Revival–style homes, many of which had been built before the Civil War. This was an immediate plunge into a form of quiet, because though traffic did move steadily on Prytania Street, it was nothing as loud as the traffic of the avenue. The oaks were bigger and more ancient, and the enormous houses with their Corinthian or Doric columns were monuments in themselves. Everywhere there were flowers. Purple lantana and ice blue plumbago burst through the pickets of black iron fences, and beyond in the more groomed gardens grew the flowers I associated with rich people: multi-petaled camellias and gorgeously defined roses in black beds. It was fine to pick the soft fragrant lantana, and the bunches of plumbago. The finer flowers one left alone.
It was often evening when we made this short walk, and I remember the pavements as clearly as I remember the cicadas singing in the trees. The pavements varied; some were herringbone brick, very dark, uneven, and often trimmed in velvet green moss. Other sidewalks were purple flagstone, just like the purple flagstones of our own front yard. Even the rare stretches of raw cement were interesting because the cement had broken and buckled in so many places over the roots of the giant magnolias and the oaks.
The walk was two and a half blocks.
The chapel stood behind a high black picket fence with its gate permanently open, and a short flight of white marble steps led up to the white marble porch. I don’t recall the chapel ever being locked.
The sky during these trips was often bloodred, or purple, and the trees were so thick that one could only see hundreds of fragments of the sky amid clusters of darkening leaves. The color of the sky seemed to me to be connected with the song of the cicadas, and the drowsy shadows playing everywhere on the margins of what was visible, and the distinct feel of the humid air. Even in winter the air was moist, so that the world itself seemed to be pulsing around us, enfolding us, holding us as we moved through it.
The chapel had an immense and ornate doorway.
Immediately on entering, one smelled the wax of the flickering candles, and the lingering incense from the Tuesday night benediction service and from the daily or Sun- day Mass.
These fragrances were associated in my mind with the utter quiet of the chapel, the glow of the candlelight, and the faces of the tall plaster saints that surrounded us as we moved up the aisle.
We went right past the many rows of dark wooden pews on either side, up to the Communion railing, which I think was white marble, and there we knelt on the leather-cushioned step as we said our prayers. We laid down there the flowers we’d picked on our walk. I think my mother told us that Mr. Charlie, who took care of the chapel, would put these flowers in some proper place.
The great altar against the back wall, just beyond us, was a masterpiece of white and gilt plasterwork, and the altar proper, the place where Mass was said, was always covered with an ornate lace-bordered white cloth.
In a long horizontal glass case in the lower body of the altar, there sat a long series of small plaster statues around a table making up the Last Supper, with Our Lord in the center, and six Apostles on either side. I knew this was Jesus there at the table, facing us. And in later years, I came to realize the figures were arranged in imitation of Da Vinci’s Last Supper. It was detailed and artful and complete.
The Body and Blood of Jesus were in the golden tabernacle on the altar above. This was the Blessed Sacrament. A candle burning in a red glass lamp nearby told us that the Blessed Sacrament was there. This was called the sanctuary light.
On account of this Presence of Our Lord in the chapel, we moved with reverence, whispering if we had to speak, and kneeling as was proper. This chapel required all the same respect as any large Catholic church.
I remember the gold tabernacle had a concave front, and carved doors. The tabernacle was set in a lavish plaster edifice that included small white columns, but the details are now gone from my mind.
We said our prayers as we knelt there. We paid our “visit.” And we left as quietly as we had come.
I don’t remember being particularly puzzled by these truths, that Our Lord was in the tabernacle, in the form of bread, which was in fact His Body and Blood. I just remember ...
Product details
- ASIN : B002U0KO18
- Publisher : Knopf (October 7, 2008)
- Language : English
- Hardcover : 245 pages
- Item Weight : 12.8 ounces
- Dimensions : 5.85 x 1 x 8.65 inches
- Best Sellers Rank: #3,425,336 in Books (See Top 100 in Books)
- #12,315 in Deals in Books
- #17,187 in Author Biographies
- #18,868 in Religious Leader Biographies
- Customer Reviews:
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About the author

Anne Rice was born and raised in New Orleans, Louisiana. She holds a Master of Arts Degree in English and Creative Writing from San Francisco State University, as well as a Bachelor's Degree in Political Science. Anne has spent more of her life in California than in New Orleans, but New Orleans is her true home and provides the back drop for many of her famous novels. The French Quarter provided the setting for her first novel, Interview with the Vampire. And her ante-bellum house in the Garden District was the fictional home of her imaginary Mayfair Witches.
She is the author of over 30 books, most recently the Toby O'Dare novels Of Love and Evil, and Angel Time; the memoir, Called Out of Darkness;and her two novels about Jesus, Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana. (Anne regards Christ the Lord: The Road to Cana as her best novel.) ---- Under the pen name, A.N. Roquelaure, Anne is the author of the erotic (BDSM) fantasy series, The Sleeping Beauty Trilogy. Under the pen name Anne Rampling she is the author of two erotic novels, Exit to Eden and Belinda.
Anne publicly broke with organized religion in July of 2010 on moral grounds, affirming her faith in God, but refusing any longer to be called "Christian." The story attracted surprising media attention, with Rice's remarks being quoted in stories all over the world. Anne hopes that her two novels about Jesus will be accepted on their merits by readers and transcend her personal difficulties with religion. "Both my Christ the Lord novels were written with deep conviction and a desire to write the best novels possible about Jesus that were rooted in the bible and in the Christian tradition. I think they are among the best books I've ever been able to write, and I do dream of a day when they are evaluated without any connection to me personally. I continue to get a lot of very favorable feedback on them from believers and non believers. I remain very proud of them."
Anne is very active on her FaceBook Fan Page and has well over a million followers. She answers questions every day on the page, and also posts on a variety of topics, including literature, film, music, politics, religion, and her own writings. Many indie authors follow the page, and Anne welcomes posts that include advice for indie authors. She welcomes discussion there on numerous topics. She frequently asks her readers questions about their response to her work and joins in the discussions prompted by these questions.
Her novel, "The Wolves of Midwinter," a sequel to "The Wolf Gift" and part of a werewolf series set in Northern California in the present time, will be published on October 15, 2013. In these books --- The Wolf Gift Chronicles -- Anne returns to the classic monsters and themes of supernatural literature, similar to those she explored in her Vampire Chronicles, and tales of the Mayfair Witches. Her new "man wolf" hero, Reuben Golding, is a talented young man in his twenties who suddenly discovers himself in possession of werewolf powers that catapult him into the life of a comic book style super hero. How Reuben learns to control what he is, how he discovers others who possess the same mysterious "wolf gift," and how he learns to live with what he has become --- is the main focus of the series. "The Wolves of Midwinter" is a big Christmas book --- a book about Christmas traditions, customs, and the old haunting rituals of Midwinter practiced in Europe and in America. It's about how the werewolves celebrate these rituals, as humans and as werewolves. But the book also carries forward the story of Reuben's interactions with his girl friend, Laura, and with his human family, with particular focus on Reuben's father, Phil, and his brother, Jim. As a big family novel with elements of the supernatural, "The Wolves of Midwinter" has much in common with Anne's earlier book, "The Witching Hour." Among the treats of "The Wolves of Midwinter" is a tragic ghost who appears in the great house at Nideck Point, and other "ageless ones" who add their mystery and history to the unfolding revelations that at times overwhelm Reuben.
In October of 2014, with the publication of "Prince Lestat," Anne returned to the fabled "Brat Prince" of the Vampire Chronicles, catching up with him in present time. This is the first of several books planned focusing on Lestat's new adventures with other members of the Vampire tribe. When the publication of "Prince Lestat" was announced on Christopher Rice's "The Dinner Party Show," a weekly internet radio broadcast, it made headlines in the US and around the world. "Prince Lestat" debuted at #3 on the New York Times Best Seller list and ran for nine weeks during the height of the competitive Fall-Winter season, with another week on the extended NYTBSL. ----
"Beauty's Kingdom," is the fourth in her "Sleeping Beauty Erotica Series," and the first to be launched in hardcover. Though the first three novels were published in the 1980's under the pseudonym, A.N. Roquelaure, the name, Anne Rice, was added to the series in the 1990's. About her erotica, Anne has this to say: "I believe in the erotic imagination. I believe men and women have a right to write and read erotic fantasies. My goal with the "Sleeping Beauty" books is to provide the most authentic erotica that I can for those who share BDSM fantasies."
"Prince Lestat and the Realms of Atlantis" was published on November 29th, 2016 revealing a new adventure in the life of the Brat Prince of the vampires, and the entire tribe --- as they confront the most difficult challenge they've ever faced. This novel may introduce Lestat and extend his appeal to science fiction readers and fantasy readers who love differing versions of the lost kingdom of Atlantis. The novel does justice to both themes: Atlantis and Lestat. So far, as of early 2016, this novel has received a remarkably positive response with Amazon reviewers.
Anne's first novel, Interview with the Vampire, was published in 1976 and has gone on to become one of the best-selling novels of all time. She continued her saga of the Vampire Lestat in a series of books, collectively known as The Vampire Chronicles, which have had both great mainstream and cult followings.
Interview with the Vampire was made into a motion picture in 1994, directed by Neil Jordan, and starring Brad Pitt, Tom Cruise, Kirsten Dunst and Antonio Banderas. The film became an international success. Anne's novel, Feast of All Saints about the free people of color of ante-bellum New Orleans became a Showtime mini series in 2001 and is available now on dvd. The script for the mini series by John Wilder was a faithful adaptation of the novel.
Near the end of 2016, the theatrical rights to the Vampire Chronicles reverted fully and completely to Anne. She and her son, Christopher Rice, are now developing outlines and scripts for a new television series based on the adventures of The Vampire Lestat. Anne's announcement of this on FB reached well over 2 million people. "The reception in the Hollywood community" has been very simply wonderful," says Anne. "We have high hopes that we will see the Lestat television series go into production before the end of 2017."
Anne Rice is also the author of other novels, including The Witching Hour, Servant of the Bones, Merrick, Blackwood Farm, Blood Canticle, Violin, and Cry to Heaven. She lives in Palm Desert, California, but misses her home in New Orleans. She hopes to obtain a pied a terre in the French Quarter there some time in the near future.
Anne has this to say of her work: "I have always written about outsiders, about outcasts, about those whom others tend to shun or persecute. And it does seem that I write a lot about their interaction with others like them and their struggle to find some community of their own. The supernatural novel is my favorite way of talking about my reality. I see vampires and witches and ghosts as metaphors for the outsider in each of us, the predator in each of us...the lonely one who must grapple day in and day out with cosmic uncertainty."
------
Anne's announcement of the Vampire Chronicles series as it appeared on FB.
"The theatrical rights to the Vampire Chronicles are once again in my hands, free and clear! I could not be more excited about this! --- A television series of the highest quality is now my dream for Lestat, Louis, Armand, Marius and the entire tribe. In this the new Golden Age of television, such a series is THE way to let the entire story of the vampires unfold. --- My son Christopher Rice and I will be developing a pilot script and a detailed outline for an open ended series, faithfully presenting Lestat’s story as it is told in the books, complete with the many situations that readers expect to see. We will likely begin with “The Vampire Lestat” and move on from there. ----- When we sit down finally to talk to producers, we will have a fully realized vision of this project with Christopher as the executive producer at the helm. I will also be an executive producer all the way. ---- Again, I cannot tell you how happy it makes me to be able to announce this. ---- As many of you know, Universal Studios and Imagine Entertainment had optioned the series to develop motion pictures from it, and though we had the pleasure of working with many fine people in connection with this plan, it did not work out. It is, more than ever, abundantly clear that television is where the vampires belong. ---- Over the years you all have told me how much you want to see a “Game of Thrones” style faithful rendering of this material, and how much you want for the series to remain in my control. Well, I have heard you. I have always heard you. What you want is what I want. --- You, the readers, made these books a success before any movie was ever made based on them, and I will never forget that fact. ---- Christopher and I will be posting many questions on the page for your input in the days to come. ----- I am filled with optimism this morning about the future for my beloved Brat Prince. What better way to start a tour for the new book!"
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PLACE: I am reminded of a line from the song "The Circle of Life" from Disney's "The Lion King", which reads "...til we find our place on the path unwinding..." In old New Orleans, before the Civil Rights Era, the idea of place was that you were put in the equivalent of a strait jacket once you grew up and went to work. Your education, your skills, and (sadly) your race defined your place as well. I get the impression from Anne that she is content to have the comfort of her Garden District/Uptown neighborhood around her. Still, I have a sense that she seeks to encourage others to look beyond the old strait jacket, and keep New Orleans ever growing, ever changing, ever astonishing the rest of the world (the rest of the world that does not expect anything much from New Orleans).
FAMILY: In reading Anne's novels, and this equivalent of "The Confessions of St. Augustine", it has become clear to me that to her, even if all else is falling apart around you, the family is what you cling to. New Orleans is an extended family. You know when you arrive here that you have come home.
GOD: In her novels, Anne struggles over and over with forming an image of God that makes sense in both the material and the spiritual sense. Here, in Called Out of Darkness, I get the impression that she is still searching. I wish her well.
BTW: You don't need faith in Atheism as you asserted. Please consider the following suggestion; another statement by Jesus as he left from the Sermon on the Mount. The so-called intellectuals mocked Jesus for his statements about his divinity. Jesus said "If you don't believe in the things I say then believe in the works I do." Go do some works!
Having taken many Bible studies over the years I find that although I see where Anne is coming from in her assessment of the totality of embracing all faiths, all peoples, I still very much believe that as the scriptures clearly state we are to love our fellow man but we are also to speak truth. Therefore truth comes from the Word of God, these are the words of Jesus. John 3:16 "For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life." Then verses 17 & 18 "For God did not send his Son into the world to condemn the world but to save the world through him. Whoever believes in him is not condemned, but whoever does not believe stands condemned already because he has not believed in the name of God's one and only Son."
This speaks so clearly that to have eternal life with our Father in heaven , it is through his Son Jesus. We can't pretend otherwise!!
We are all sinners yet we always strive to abide by His word, loving one another, speaking truth in love, though others might perish, therefore allowing light to come into any darkness.
Through this book much 'light' has come into mine and for that I thank you. It truly blessed me!!
In His Joy, Linda Morris














