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Camo Girl Hardcover – January 4, 2011
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Ella and Z have been friends forever, both of them middle school outsiders in their Las Vegas suburb. Ella is the only black girl in her grade and gets teased for the mottled colors of her face. (Her deceased father was white.) Z is the classic “weird kid” who maintains an elaborate—and public—fantasy life, starring himself as a brave knight.
Though Z is content with his imagined world, Ella wishes for a larger group of friends, so she’s thrilled when Bailey, another black kid, arrives at their school. He’s popular and wants to befriend Ella—but to join the cool crowd, Ella would have to ditch Z. Does she stay loyal to the boy who has been her best and only friend for years, or jump at the chance to realize her dream of popularity?
Author Kekla Magoon deftly navigates the muddy waters of racial and cultural identities in this contemporary exploration of one girl’s attempt to find herself.
- Reading age8 - 14 years
- Length
224
Pages
- Language
EN
English
- Grade level3 - 9
- Lexile measure600L
- Dimensions
5.5 x 1.0 x 8.3
inches
- PublisherAladdin
- Publication date
2011
January 4
- ISBN-101416978046
- ISBN-13978-1416978046
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Editorial Reviews
From School Library Journal
(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
From Booklist
Review
-"Library Media Connection", May/June 2011
"Magoon writes with insight, wit, and compassion. Characters are appealing; action is well paced; and adolescent angst is palpable. Although Ella's skin condition and Z's psychological problems are not clearly defined, the trauma of both is conveyed. Ella is caught between a desire to hang out with Bailey and the popular crowd or remain loyal to eccentric Z, and her actions, musings, and guilt will resonate with readers.-Gerry Larson, Durham School of the Arts, NC
"-SLJ, January 2011"
"This elegantly crafted story features strong writing and solid characterizations of both main and secondary characters. Ella and Bailey's racial identity is one element in a full and richly textured narrative. An out-of-the-ordinary setting--just outside of Las Vegas--and the nuanced picture of young teens and families under stress make this an outstanding follow-up to Magoon's Coretta Scott King/John Steptoe Award-winning debut, " The Rock and the River" (2009).
-"KIRKUS, "December 2010, *STAR
"This novel, by the author of The Rock and the River (2009), is a sensitive, quietly powerful look at discovering inner strength, coping, and thriving--or not--in the face of tragedy."-- Heather Booth
"
"BOOKLIST, "February 2011
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I call him zachariah. he calls me eleanor, but the way he says it, it comes out sounding like Ellie-nor.
These are not our real names.
Most people, the sort of people who don’t need extra names, can get away with doing simple things like looking in a mirror or taking a bathroom pass out of the cafeteria in the middle of lunch hour. We are not most people.
Z and I have learned how not to see the things we don’t want to. It’s not that hard, but it makes us seem strange to everybody else. Z, especially, is . . . different . . . from the other kids in our class. Good different, as far as I’m concerned, but the kind of different that makes other people raise their eyebrows and sort of laugh under their breath, as if he’s not to be believed.
I’ve been gone maybe five minutes, but it’s too long. Heading back toward our table, I can almost hear that silly Sesame Street song humming in the air, converging on him. “One of these things is not like the others. One of these things just doesn’t belong . . .”
Z’s in trouble. I’m walking toward him and I see it, know I should never have left him alone, but some things can’t be helped. Our eyes lock across the room, and there’s nothing in his gaze but stark terror. I should never have left him alone.
Zachariah. Eleanor.
These are not our real names. These are our shadow names, our armor, our cloaks. They are larger than we can ever hope to be; they cause things to bounce off us so we can never be hurt. By anyone. Anything. Ever.
It doesn’t always work.
“Zachariah!” I practically scream it, running toward him.
“Ellie-nor,” he says, gazing at me with alarm.
These are not our real names, but none of that matters now. For the moment I simply throw my arms up over his head to stop the food from hitting him.
Spaghetti with mystery meat sauce.
Tiny rolling peas.
Vanilla pudding with cookies.
A carton of chocolate milk, unopened, thank goodness.
Z’s whole tray overturned by laughing hands. The bulk of it catches me in my shoulders, neck, and back.
Beneath me, Z sits stock still, clean but immobile, gazing innocently at the blank space of the table in front of him. He survived.
This, this is my superpower. My only power, to protect him. He wouldn’t understand what had happened. He would pretend not to see. Then he’d make up a story about how he had to crawl through a tunnel lined with bloody, mangled earthworms to get to freedom. He would smile, gooey strings of pasta hanging from his hair, and murmur, “All in a day’s work.”
Jonathan Hoffman tosses the soiled green tray onto the tabletop. He smiles at me in that way that is so infuriating. Is he proud of himself? As if no one else in the history of time ever thought to dump a lunch tray on someone’s head.
“Way to take the bullet, C. F.,” he says.
My face flushes with rage. I stand with my hands on my hips, ignoring the fact that I’m the one dripping with red sauce and noodles. I am Eleanor, Goddess of Everything, fearless in the face of danger.
“Do you ever get tired of being a gigantic jerk?” I snap.
Jonathan stretches lazily. “My work is exhausting,” he says, then saunters off to accept the high fives from his table of cronies.
I sink into the seat beside Z and let my head fall onto the table.
“Ellie-nor,” he says. “Ellie-nor.”
His small hand covers mine. I manage to look up, into his close-to-tearful face.
“Ellie-nor,” he says, but I’m not her anymore. Now I’m just Ella. Plain old everyday Ella, the girl with drying pasta goo in her hair, on her skin and clothes. I think some of the peas rolled into my shoe. Little cold mush balls sitting in there.
“You fought the dragon and won,” Z says. “You fought the dragon and won.”
I smile sadly. “Yeah, I did.”
Z taps the table in a drumming rhythm. “Brave, brave, fair lady. You fought the dragon and won.”
It’ll work for him to pretend. Z’s not like other kids. He knows what happened, but he can’t admit what it was, what it means about us in the real world. He believes, really believes, that we sit alone at lunch by choice.
I shove my own lunch tray toward him. “Eat this,” I say. “I’m really not hungry. Anyway, I have to go change.”
Z’s hand falls on my sleeve, tugging me to stay with him.
“You would cast aside this badge of honor?” His eyes bug out, incredulous. “You fought the dragon and won!”
Sighing, I unwrap the napkin from his spork and use it to wipe my neck. I left him alone once already today. So, I sit here, watching him eat—he polishes off everything on the tray and some of what fell on the table—until the end-of-lunch bell rings.
People look at me funny as they clear their trays, but it’s not only because of the food mess. They’d be looking, anyway. If Z and I were business-minded, we’d build a wall around our table, and a window. We could charge admission for each single peek in. We’d either make a fortune or be left alone. Win-win.
I try to become Eleanor again. Smile as they pass, like I know something they don’t. Make them uncomfortable.
“Ellie-nor.” Z reaches up under his shirt and pulls out two fluffy rolls. On spaghetti day, you have to pay ten cents extra for rolls. Z does not have ten cents, let alone twenty. He hands me one.
“Thanks,” I say, accepting the stolen roll. The lunch ladies don’t pay enough attention. Not when we go through the line, and not when we get food dumped on us. I guess it’s only fair.
I keep two changes of clothes in my locker. It’s important to be prepared for occasions like this. I keep an extra shirt for Z, too, but he’d never actually use it. He meant what he said about the badge of honor. I go along with a lot of his fantasies, but I can’t quite get on board with that one.
Z’s waiting outside the girls’ bathroom for me. He observes my change with large, thoughtful eyes. Then he pushes up his glasses with his pebble of a fist, ready to move on. I tug at the hem of my clean shirt, feeling guilty. Maybe it’s a form of surrender, I don’t know. I haven’t figured it out yet. What the right thing to do is when things fall out of the sky and hit you.
© 2011 Kekla Magoon
Product details
- Publisher : Aladdin; First Edition (January 4, 2011)
- Language : English
- Hardcover : 224 pages
- ISBN-10 : 1416978046
- ISBN-13 : 978-1416978046
- Reading age : 8 - 14 years
- Lexile measure : 600L
- Grade level : 3 - 9
- Item Weight : 11.2 ounces
- Dimensions : 5.5 x 1 x 8.25 inches
- Best Sellers Rank: #4,561,985 in Books (See Top 100 in Books)
- Customer Reviews:
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About the author

Kekla Magoon is the author of over a dozen books for young readers, including THE SEASON OF STYX MALONE, THE ROCK AND THE RIVER, HOW IT WENT DOWN, X: A NOVEL (with Ilyasah Shabazz), and the Robyn Hoodlum Adventures series. She has received an NAACP Image Award, the John Steptoe New Talent Award, two Coretta Scott King Honors, The Walter Award Honor, the In the Margins Award, and been long listed for the National Book Award. She also writes non-fiction on historical topics. Kekla conducts school and library visits nationwide and serves on the Writers’ Council for the National Writing Project. Kekla holds a B.A. from Northwestern University and an M.F.A. in Writing from Vermont College of Fine Arts, where she now serves on faculty. Visit her online at www.keklamagoon.com.
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Bailey James is used to being the new kid at school because his family moves around a lot. He's accepted by the popular crowd with no problem, but he's nothing like the ones who bully Z and Ella. He likes Ella and wants to be her friend, but that might be difficult, seeing that Z has claimed her as his own.
Ella's friend, Z, spent most of his time in a fantasy world, using his imagination to escape reality and this made him look strange in the eyes of everyone else at school. I liked that he had a great imagination; actually, a gift is what I'd call it. And it's okay to pretend, but escaping reality all together, that has to be a sign that a serious problem needs to be addressed. I was scared for Z sometimes, expecting someone to do more than throw food on him. Ella quickly came to his rescue when others bullied him and she joined him in his fantasy world because that was what he needed from her. She'd answer to milady and pretend to ride a horse because she truly cared about Z. And even when she was frustrated by the way he'd withdraw into his imaginary world when it was important to her that he deals with reality, she couldn't stay angry at him for long. Ella knew what it meant to be a true friend to Z, and I loved that. It's a shame, though, that it took a big scare before his issues were taken seriously.
Ella was the only black student in the school before Bailey came along, but I don't think that's the reason she was bullied (not that anything justifies such cruel behavior). And I don't think it was only because she was Z's friend. I think the discoloration of her skin was what made her a target, because that was what really made her appear different to other students. Her face was described as dark brown in some places and light brown in others. I figured this discoloration made her feel bad the way a case of acne would affect a teenage girl's self-esteem, but after reading chapter four, I could see that it was much more serious than that for Ella. She was so disgusted by her face that she could barely look in the mirror, and I hurt for her. I'm not sure she would have wanted to leave the house if it wasn't for her mother and her Grammie. She received lots of hugs and encouraging words from these two strong, hardworking women. She knew she was loved unconditionally and that was beautiful.
Bailey was a likable guy. He was there for Ella the way she was there for Z. Even though he was the popular basketball player, he was dealing with his own issues and in the end it turned out that all three - two unpopular, one popular -had more in common than they thought.
Camo Girl is a well-written story with short chapters and clever sentences. There are parts that saddened me and parts that made me smile. It is entertaining and insightful.
Although I have not read it myself, but, decided to write this review based on the fact that last night she said "I am in the middle of reading a really good book mom" and when I asked what it was, it was this book, yay!!! As a mom I am always happy to hear that my daughter is reading a really good book (in her opinion)!
This story deals so eloquently with subjects such as autism, race and bullying in such a way that the author never has to put a label on any of it. It entertains and teaches about what it means to be a good person, and a true friend.
And it also lets our girls know that we are all beautiful in our own ways - so important for todays young girls.
It's a good one to read to 5th through 8th grade and discuss in class what lessons come from it.
When a new student, Bailey arrives at school, Ella feels a spark of hope. Bailey joins Ella as the only other African American student at their school, but he is also, confident and kind. Ella soon finds out that she and Bailey have more in common than being the only African American students at their school. Ella, Bailey and even Zechariah have all lost their fathers in very different, but equally life-altering ways.
Camo Girl is a heart-wrenching, heart-warming story about loss, friendship, growing up and finding hope. The vocabulary, themes and characters are rich and work well for instruction or pleasure reading.






