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[Appearance] This item is in Very good condition. There are small scratches on the body. There is no noticeable scratch, haze, fungus. Please check on the photos for detailed condition of the product. [Functional] This Lens completely works. This Lens works fine with no problems. There is no problem or impact when taking photos. You can enjoy taking photos with the Lens in good condition. [Accessories] Lens cap, Rear cap. ・No Warranty ・Accessories please check photo. That's all. ・Please note that the instruction manual is not included in the product. You need to download the English manual.

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Canon 10-22M Lens Perfect For Wide Angle Shots!Honest Reviews

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Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs

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4.7 717 ratings

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Brand	Canon
Focal Length Description	10-22mm
Lens Type	Wide Angle
Compatible Mountings	Canon EF-S
Camera Lens Description	10

About this item

10-22mm wide-angle zoom lens with f/3.5-4.5 maximum aperture for EOS digital SLR cameras
Superior AF performance and speed, with full-time manual focus with the turn of a ring
Close focusing to 9.5 inches; fills the frame with subjects as small as 3.6 x 5.4 inches
Circular aperture design produces natural highlights
1-year warranty

This product is available as Renewed.

Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs (Renewed) $361.49 & FREE Shipping
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From the manufacturer

This exciting zoom lens provides ultra wide-angle coverage to the EOS 20D, 30D, 40D, 50D and Digital Rebel SLRs. Equivalent to a 16-35mm zoom, it offers excellent performance and optics designed from the ground-up for digital SLR use. Three Aspherical lens elements, plus a Super-UD element, assure image quality. Its ring-type USM means fast and silent AF along with full-time manual focus. It focuses as close as 9.5 inches.

Excellent optical quality and true wide-angle coverage with select digital SLRs
Superior AF performance and speed, with full-time manual focus by simply turning ring
Close-focusing to 9.5 inches -- fill the frame with subjects as small as 3.6 x 5.4 inches
Relatively compact size and light weight for an ultra-wide zoom lens
Inner focusing system (no front element rotation); length doesn't change if zoomed
Circular aperture design -- natural highlights, even stopped down two stops

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		Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens (Renewed)	Canon EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens for SLR Cameras	Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras, Black - 1242B002	Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens (Renewed)

Customer Rating	(717)	(331)	(926)	(646)	(75)
Price		$200.49	$799.00	$799.00	$188.98
Sold By	Amazon.com	6ave	Wholesale Photo	ThePixelConnection	TEKlinq
Item Dimensions LxWxH	5 x 5 x 5 inches	2.83 x 2.95 x 2.95 inches	3.82 x 3.31 x 3.31 inches	4.37 x 3.31 x 3.31 inches	2.95 x 2.83 x 2.95 inches
Item Weight	1.00 lbs	0.56 lbs	1.10 lbs	1.42 lbs	0.53 lbs
Lens Type	Wide Angle	Wide Angle	Wide Angle	Wide Angle	Wide Angle
Maximum Aperture	3.5	f/4.5	4	2.8	f/4.5
Maximum Focal Length	22 millimeters	18 millimeters	40 millimeters	55 millimeters	18.00 millimeters
Maximum Aperture Range	F3.5 - F4.5	—	F4.0	F2.8	—
Maximum Format Size	APS-C / DX	APS-C	35mm full frame	APS-C / DX	APS-C
Minimum Aperture	4.5	5.6	22	22	5.6
Minimum Focal Length	10 millimeters	10 millimeters	17 millimeters	17 millimeters	10.00 millimeters
Minimum Operating Distance	0.24 meters	—	0.28 meters	0.35 meters	—
Photo Filter Thread Size	77 millimeters	—	77 millimeters	77 millimeters	—

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What's in the box

EF-S 10-22mm f/3.5-4.5 USM Lens, Instruction Book, One Year Limited Warranty Card

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Product Description

This exciting zoom lens provides ultra wide-angle coverage. Equivalent to a 16-35mm zoom, it offers excellent performance and optics designed from the ground-up for digital SLR use. Three Aspherical lens elements, plus a Super-UD element, assure image quality. Its ring-type USM means fast and silent AF along with full-time manual focus. It focuses as close as 9.5 inches. Compatible with EOS 7D Mark II, 7D, 80D, 77D, 70D, 60D, 60Da, 50D, 40D, 30D, 20D, 20Da, Rebel T6s, T7i, T6i, T5i, T4i, T3i, T2i, T1i, SL2, SL1, T7, T6, T5, T3, SXi, SX and all versions of EOS Digital Rebel only.

Product guides and documents

Product Documentation (PDF)

User Manual (PDF)

Product information

Product Dimensions

5 x 5 x 5 inches

Item Weight

1 pounds

ASIN

B0002Y5WXE

Item model number

9518A002

Batteries

1 A batteries required.

Customer Reviews

4.7 717 ratings

4.7 out of 5 stars

Best Sellers Rank

#563 in SLR Camera Lenses

Is Discontinued By Manufacturer

Date First Available

June 6, 2006

Manufacturer

Canon Cameras US

Country of Origin

Japan

Warranty & Support

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4.7 out of 5

717 global ratings

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P.K. Frary

Impressive IQ for a wide zoom

Reviewed in the United States on April 28, 2013

Verified Purchase

The ultra wide zoom has been a mainstay of pros, especially photojournalists, since the early 1990s. Sweeping landscapes, operation in tight quarters and ease of hand holding are hallmarks of this range. The EF-s 10-22 3.5-4.5 USM is the first lens to bring this range to APS-C (1.6X crop) cameras like the 7D, 60D, 70D and Rebel.

CONSTRUCTION: My initial impression was it's a little plasticy and zoom and focus rings are slightly coarse and stiff. After a year, it loosened up nicely but is still a notch below the smoothness of my EF-s 15-85 3.5-5.6 IS USM. However, it's light and petite: easy to slip in a coat pocket and ideal for travel or hiking. The metal mount and polycarbonate barrel make it durable yet lightweight. The front element moves slightly during operation so a UV filter is needed to seal the front from dust.

AUTO FOCUS: Ring-type USM drives an internal lens group and, thus, AF blazes and is silent to human ears. The front element doesn't rotate during focus and zoom operations. It has FTM, allowing manual focus without switching out of AF mode. This AF design is optimized for stills and not ideal for video: the built-in mics on my 60D and 70D picked up a high pitched stutter from the motor and contrast focus is jerky during video recording. The workaround is to use an external mic and/or focus manually. If video is your main thing, buy the Canon EF-S 10-18mm f/4.5-5.6 IS STM instead as the STM drive is stepless and silent to the camera mic.

OPTICAL PERFORMANCE: Basically, this lens features optical quality of an L series wide zoom in a prosumer barrel. Wide open, this zoom is sharp and contrasty in the middle of the frame with slight softening towards edges. The wide side is the sharpest with slight degradation as you zoom towards 22mm. Sharpness across the frame improves as you stop down. By F8 it is pin sharp from edge to edge. I'm going for increased depth of field for landscapes and cityscapes, so I leave this lens at F8 most of the time. I only shoot wide open for occasional low light snaps.

Distortion is well corrected. There is a wee bit of barreling at the wide end and slight pincushion ate the long end. But less distortion than my EF-s 15-85 3.5-5.6 IS USM and a little better than the 17-40 4L USM. Like any wide angle optic, you need to compose carefully to avoid perspective distortion, e.g., noses appearing too large or buildings falling over.

Chromatic aberration is a reality with zooms and this one is not exempt, with magenta fringing along high contrast edges. e.g., tree branches against a bright sky. However, it is mild and easy to remove in DPP, LR or Aperture. In normal light you will never notice magenta fringing.

Flare is well controlled for a zoom: no problems with sunsets or streetlights. Nevertheless, a lens hood is recommended for protection and to shade the front element from glare. Speaking of hoods...

HOOD NOT INCLUDED: The recommended EW-83E hood is bulky and (looks like a dish) and costs $32. Worse of all, it's so shallow it offers little protection. I have an EW-83H that came with an EF 24-105 4L IS USM. The bayonet mount is the same size as the EW-83E but the hood is longer and narrower, offering increased protection. I thought the longer length might vignette but, amazingly, it doesn't vignette at any focal length, has better protection from glare and less bulk than the EW-83E. If you're going to spend money on an expensive hood for the 10-22 3.5-4.5, get the EW-83H instead of the EW-83E. If you're on tight budget, check out the Vello EW-83H clone/knockoff.

LAST BLURB: This zoom is a specially lens and a bit wide for casual use. After all, 10mm covers 107 degrees! Nevertheless, I reach for this lens to shoot cityscapes, landscapes or in tight quarters. It has ideal coverage for spacious cathedrals or mammoth train stations. If you need an ultra wide zoom on APS-C, this is among the best in terms of image quality: sharp, fast to focus and easy on the shoulder.

30 people found this helpful

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A lens worth buying a digital slr for

Reviewed in the United States on September 2, 2005

Verified Purchase

I've been more or less addicted to wide angle photography for the last 20 years or thereabouts. Unfortunately, ultra wide angle shooters have been left out of reasonably accessible digital slr photography until very recently. Now there are several viable name brand options available, namely the Canon 10-22mm f3.5-4.5 reviewed here, the Nikon 12-24mm f4, and the Zuiko 7-14mm f4. Because of the 3 different crop factors involved, these lenses end up being pretty close in (35mm equivalent) effective range; 16-35 for the Canon, 18-36 for the Nikon, and 14-28 for the Olympus. Many will caution against purchasing these lenses since they cannot cover the full frame 24x36 format, and cannot even be mounted on a regular body. In the Olympus' case, it doesn't matter since the company has staked its fortunes on the smaller 4/3rds sensor format, and has opened it up to other manufacturers such as Fuji and Panasonic. With the Nikon and Canon, you are taking a leap of faith that the companies will continue to produce 1.5 and 1.6 crop factor sensors into the future so that you will be able to take your crop-only lenses to upgraded digital bodies down the line. To my mind, Olympus has already demonstrated the desirable technical characteristics of a smaller sensor format, so there is good reason to believe that smaller than full frame sensors are here to stay. By extending the glass beyond the mount and into the body, and/or covering a smaller circle, Canon and Nikon are providing those same technical benefits to users of their smaller sensor cameras, namely sharp, extra wide angle in a compact package. Besides which, I'm much more concerned with the photos I couldn't take if I stayed away from the product, than I am with its unknown future upgrade path.

While the Olympus lens and 4/3rds system was intriguing, I felt that the 7-14mm wasn't worth more than double the price of the Canon for 2 extra mm at the wide end. It's also double the weight - making it impractical for use as an everyday lens, and negating the advantages of the E-1 body. So, I was pretty much down to the Canon or the Nikon (or the always available Waitsomemore).

At this point, I should say I'm platform agnostic. In the 80's I happily used Minolta equipment. In the 90's I bought some Nikon gear to use their 15mm prime lens. Basically, if it suits my purposes, I don't care what the label is.

Back to the lenses. The Nikon is more expensive and less wide, but it does have the continuous maximum apeture throughout the range. The Canon is wider, a tad lighter, and a tiny amount faster at the wide end. Both appear to be excellent choices, but I could not consider them independently of the cameras they would be mated to. Since I did not already own a digital body, it also came down to a decision between the Canon 20d & Nikon D70s. Here, the Canon wins for me on quality of sensor and a host of other details.

In practice, the lens is a joy to use. It's sharp. The zoom allows it to be as wide as you need it, which is an improvement over my previous favorite Minolta 20mm 2.8, though it does lack the depth of field scales which the Minolta has. The zoom also allows for keeping the lens mounted without switching as often, and that's important for keeping out dust. It's a very solidly built, quality instrument. Focus is fast if you're into that sort of thing, and nearly silent with the ultrasonic motor. The lens does not extend in length for zooming or focusing, though the front elements do move slightly inside the barrel. Mated to the 20d it's a tool that exceeds my previous film cameras in just about every way imaginable. I'm finally free to make the ultrawide photos that I want to make in the digital domain and the initial results have been outstanding.

If you're into ultrawide and want to go digital, the 20d with 10-22 is a fantastic setup. If you've already gone digital and want to try wide angle, (assuming your camera can use ef-s lenses) this is a true bargain - you get a 16mm, 20mm, 24mm, 28mm, and 35mm all rolled into one. It makes me positively giddy. Thank you, Canon!

80 people found this helpful

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ソラ君

レンズ綺麗

Reviewed in Japan on April 10, 2023

Verified Purchase

レンズが綺麗で、良かったです🤗

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Client d'Amazon

Un grand angle à ma mesure!!!

Reviewed in Canada on September 26, 2022

Verified Purchase

J'utilise cet objectif ici sur mon Canon M50MarkII, bien sûr, j'ai besoin d'un adaptateur EF-M, mais cet objectif se prête très bien à ce genre d'appareil (APS-C). La qualité des photos est excellente. La mise au point est rapide et silencieuse. À vous de vous amuser!

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Amazon カスタマー

何かよく分からない汚れがある

Reviewed in Japan on September 9, 2023

Verified Purchase

カメラと接合する部分によく分からない汚れがついていて気持ち悪い…
10年以上使っている自分のカメラのレンズにもこんな汚れがついてないのに、なんの汚れ？？
そんなこと一言も書いてなかったのに、これをカメラに付けてもカメラに影響ない？何かこの汚れがカメラに移ったら嫌なんだけど

One person found this helpful

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Gavin

Faulty product

Reviewed in the United Kingdom on August 24, 2022

Verified Purchase

Bought this Canon lens so my wife could take sunset photos with her new Canon 90D camera as part of a once in a life time trip to the Caribbean. Assumed it would work. When we went to use it we would get an Error 01. Basically the Lens want talking to the camera. the contacts were all clean, so only explanation was faulty lens. We could take one photo at a time without disconnecting then re-connecting the lens and sometimes it would work. In the end we had to live with the 18-55mm lens for our landscapes - not ideal!
I cannot explain how disappointing this is as we came back from the holiday before I could return the lens. Not what I expected from a name like Canon.

Jordi Membrado

Buen objetivo. Buena construcción.

Reviewed in Spain on November 25, 2016

Verified Purchase

La calidad de los materiales del objetivo son muy buenos teniendo en cuenta que es un objetivo para el sistema apsc de canon. Se nota que es de fabricación antigua, del mismo estilo que el 17-55 2.8. No obstante, con la canon eos 80D me esta dando ciertos problemas de enfoque si utilizas todos los puntos. Se hecha de menos el IS, pero en objetivos angulares es dificil de encontrar. Comparado con el 10-18 de canon, solo puedo decir que se nota mucho la diferencia en calidad de construcción, pero no existen claras diferencias en cuanto a calidad y el 10-18 sí tiene estabilizador de imagen.
El envío correcto como siempre.

2 people found this helpful

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Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs

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