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Canon EOS 5DS Digital SLR (Body Only)
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- Newly designed 50.6 Megapixel full-frame CMOS helps deliver ultra-high resolution images
- EOS Scene Detection System features a 150,000-pixel RGB+IR Metering Sensor
- 61-Point High Density Reticular AF including up to 41 cross-type AF points and EOS iTR
- Advanced mirror control mechanism and new user-selectable shutter release time lag
- Full HD 30p movie capability and Time Lapse Movie function
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|Auto Focus Technology|
|Battery Average Life||700 Photos|
|Compatible Devices||canon eos 5ds|
|Compatible Mountings||Canon EF|
|Continuous Shooting Speed||5 fps|
|Display Fixture Type||Fixed|
|Display Resolution Maximum||1040000|
|Display Size||3.2 inches|
|Expanded ISO Maximum||12,800|
|Expanded ISO Minimum||50|
|Exposure Control Type|
|External Memory Included||No|
|File Format||JPEG (Exif v2.3, DPOF v2.0), Raw (Canon CR2, 14-bit)|
|Flash Memory Type||SD/SDHC/SDXC (UHS-I compatible), CompactFlash|
|Flash Sync Speed||1/200 sec|
|Flash Type||via hot shoe and PC sync port|
|Focus Description||Phase detection with AF-dedicated CMOS sensor|
|Focus Type||Includes Manual Focus|
|Form Factor||Mid-size SLR|
|ISO Range||Auto, 100-6400 (expandable to 50-12800)|
|Image Aspect Ratio||3:2, 16:9|
|Item Dimensions||4.57 x 2.99 x 5.98 inches|
|Item Weight||2.05 pounds|
|Lithium Battery Energy Content||7.2 Watt Hours|
|Manufacturer Warranty Description|
|Material Type||Magnesium alloy|
|Maximum Shutter Speed||1/8000 of a second|
|Maximum horizontal resolution||8,688|
|Metering||Multi, Center-weighted, Spot, Partial|
|Minimum Shutter Speed||30 seconds|
|Optical Sensor Technology||CMOS|
|Photo Sensor Technology||CMOS|
|Processor Description||Dual DIGIC 6|
|Remote Control Description||Wired and wireless|
|Sensor Cleaning Method||Ultrasonic|
|Shipping Weight||3.8 pounds|
|Style Name||Body Only|
|Supported Battery Types||LP-E6 lithium-ion battery & charger|
|Total USB 3.0 Ports||1|
|Video Capture Format||H.264|
|Video Capture Resolution||1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p), 640 x 480 (30p, 25p)|
|Viewfinder Type||Optical (pentaprism)|
|Weather Resistance||dust and water-resistent|
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|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Sold By||Amazon.com||Amazon.com||Amazon.com||Adorama Camera||Adorama Camera||Amazon.com|
|Continuous Shooting||5||5||5 frames_per_second||3||10||—|
|Screen Size||3.2 in||3 in||3 in||3.2 in||3 in||3 in|
|Focus Type||Includes Manual Focus||Includes Manual Focus||manual-and-auto||Includes Manual Focus||Includes Manual Focus||—|
|Image stabilization||None||None||Image Stabilization||None||None||Optical|
|ISO Range||Auto, 100-6400 (expandable to 50-12800)||Auto, 100, 200, 400, 800, 1600, 3200, 6400, 12800, 25600 (with boost)||100 to 25600||AUto, ISO 100-204800||Auto, ISO 100-16000 (expandable to 51200)||—|
|Item Dimensions||2.99 x 5.98 x 4.57 in||2.99 x 4.88 x 3.86 in||3.86 x 4.88 x 2.99 in||4.84 x 6.14 x 4.61 in||3.07 x 5.87 x 4.41 in||4.13 x 5.63 x 3 in|
|Item Weight||2.05 lbs||0.95 lb||0.98 lb||3.42 lbs||2.01 lbs||1.7 lbs|
|Megapixels||50.6 megapixels||24.2 megapixels||24.2 megapixels||51.4 megapixels||20.2 megapixels||42.4 megapixels|
|Optical Sensor Resolution||—||24.2 megapixels||24.2 megapixels||—||20.2 megapixels||42.4 megapixels|
|Photo Sensor Size||Full frame (36 x 24 mm)||APS-C||CMOS (23.5 x 15.6mm)||Medium format (44 x 33 mm)||APS-C (22.4 x 15mm)||Full Frame|
|Style Name||Body Only||w/ 18-55mm||w/18-55mm +70-300mm||—||Body||—|
|Video Capture Resolution||1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p), 640 x 480 (30p, 25p)||1080p_hd||1920 x 1080 (Full HD), 1280 x 720 (HD)||1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p,24p)||1080p_hd||other|
|Viewfinder||Optical (pentaprism)||Optical (pentamirror)||Eye-level Pentamirror Single-Lens Reflex||Optical (pentaprism)||Optical (pentaprism)||electronic viewfinder|
EOS 5DS Body, Eyecup Eg, Battery Pack LP-E6N, Battery Charger LC-E6, Cable Protector, USB Interface Cable IFC-150U II, Wide Strap EW-EOS5DS EOS Digital Solution Disk, Software Instruction Manual
From the Manufacturer
The Freedom of High Resolution
Marking a new standard in high-resolution digital SLR photography, the Canon EOS 5DS camera shatters the status quo with a new 50.6 Megapixel, full-frame CMOS sensor. Perfect for commercial and fine art photography, or any other application that calls for extremely high-resolution, the EOS 5DS is the ultimate combination of EOS performance and ultra-high megapixel capture. It features an advanced, 61-point High Density Reticular AF system that includes 41 cross-type AF points and EOS iTR AF for precise AF in numerous situations. An anti-flicker function helps provide consistent exposure and color during continuous shooting under certain lighting conditions, while a built-in bulb timer and intervalometer expands creative opportunities without the need for an additional remote control. A refined mirror control mechanism reduces vibration and a Time Release Lag setting minimizes camera shake for sharp image capture when using mirror lock-up. New features like a crop function of 1.3x and 1.6x and a Custom Quick Control screen are complemented by advanced, multi-featured Full HD Movie capture, with Time Lapse Movie, and much more. With EOS performance and 50.6 Megapixel Capture, the EOS 5DS revolutionizes high-resolution photography!
The EOS 5DS camera has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.
More Resolution for Bigger Images
New 50.6 Megapixel Full-frame CMOS sensor
The EOS 5DS camera features Canon's newest full-frame CMOS sensor. At 50.6 Megapixels, it's the highest resolution sensor in the history of EOS. It captures 8712 x 5813 effective pixels, delivering images with an unprecedented level of realism perfect for large-scale commercial printing, fine art, significant crops and any number of other high-end applications. Thanks to this amazing sensor, engineered to work in concert with dual DIGIC 6 Image Processors, the EOS 5DS is a remarkable, high-resolution camera with impressive performance.
New Fine Detail mode in Picture Style
Taking advantage of its sensor's high-resolution capturing power, the EOS 5DS camera has a new Picture Style called Fine Detail mode. Fine Detail emphasizes fine edges and patterns or textures by setting the camera's Sharpness sub-settings, fineness and threshold to their minimum and by lowering contrast settings as well. Prioritizing minute details in the image allows for better gradations, more detailed textures and fine edges for smoother, more polished photographs.
Speed and Accuracy with Intelligent Scene Recognition and Analysis
EOS Scene Detection System with RGB+IR Metering Sensor
The EOS 5DS camera has an amazing iSA Intelligent Scene Analysis system that employs an independent RGB+IR light sensor with approximately 150,000-pixel resolution. This sensor enables Canon's Intelligent Tracking and Recognition system (iTR AF) that detects and tracks subjects, automatically switching the AF point to optimize tracking. With new tracking algorithms tailored to recognize faces and colors, this system serves as a brilliant foundation to the EOS 5DS's AF system.
Precise and Fast AF for High Resolution Detail
61-point High Density Reticular AF
For fast, precise AF with sophisticated tracking performance, the EOS 5DS camera has an advanced, 61-point High Density Reticular AF system with up to 41 cross-type AF points. The EOS 5DS's AF system is incredibly sensitive to changes in composition, making adjustments quickly to help ensure consistent, sharp AF. A new RGB+IR AF (with approximately 150,000 pixels) sensor monitors subject motion, and Canon's iTR Intelligent Tracking and Recognition system synchronizes the active AF point with the subject's motion, helping to ensure that AF precision is maintained. With focus modes dedicated to the particulars of the shooting environment, the EOS 5DS realizes a level of focus accuracy befitting its 50.6 Megapixel sensor.
Mirror Vibration Control for Sharper images
Advanced Mirror control mechanism and shutter release time lag
The camera shake that occurs from the impact of an SLR's mirror can leave blurred details in the recorded image. This effect is magnified when working with a super high-resolution sensor like the one found in the EOS 5DS camera. To counter the effects of conventional, spring-driven SLR mirrors, the EOS 5DS features a newly developed Mirror Vibration Control system. The camera's mirror is not controlled by springs but instead is driven by a small motor and cams. This system suppresses the impact typical of the camera's mirror, significantly reducing impact and its effects on the image. A new Time Release Lag setting, easily accessed on the EOS 5DS's menu system, offers added protection against camera shake by setting the shutter release time intentionally longer so the camera does not begin the exposure until after the impact of the camera's mirror has diffused.
Better Accuracy in More Situations
With Canon's Anti-flicker function, the EOS 5DS camera is able to deliver accurate results under cycling lighting situations. Under flickering light, such as fluorescent lighting, a fast shutter speed may result in an irregular exposure. The EOS 5DS's Anti-flicker function detects the frequency and phase of the flicker and captures images near the point of peak brightness when the subject is most likely well illuminated.
Specialty Controls, Built Right In
Built-in intervalometer and bulb timer
The EOS 5DS camera offers time-lapse fixed-point shooting and long exposures without the need for a remote control. The EOS 5DS's interval timer takes from 1 to 99 shots at preselected intervals (from 1 second to 99 hours 59 minutes 59 seconds, or unlimited), ideal for shooting flowers as they bloom or clouds drifting through the sky. Captured exposures can even be collected and saved as an HD movie. Its built-in bulb timer keeps the shutter open for a designated amount of time, perfect for night photography, to capture the flow of traffic on a street corner, or any other situation where long exposure photography is warranted.
Simple Cropped Shooting, In Camera
1.3x and 1.6x crop shooting
For still photography, the EOS 5DS camera features the flexibility of a cropping feature that extends the shooting effect 1.3x and 1.6x. With 50.6 Megapixel capture, cropped shots are possible with plenty of resolution to spare. Images recorded at 1.3x (APS-H) are approximately 30.5 Megapixels (6768 x 4512) Large/Fine JPEG, while images recorded at 1.6x (APS-C) are approximately 19.6 Megapixels (5424 x 3616) Large/Fine JPEG. Particularly useful in extending the range of telephoto lenses, the crop function also improves the EOS 5DS's subject tracking capability with almost the entire frame covered with AF points. Image cropping can be displayed in the viewfinder either masked or overlaid with an outline showing the cropped area, and in Live View shooting the image is cropped by the effect chosen. Aspect ratios can also be defined, with the EOS 5DS shooting in 1:1, 4:3, and 16:9 ratios, in addition to the default 3:2.
Comprehensive Information, Right in the Viewfinder
Intelligent Viewfinder II
The EOS 5DS camera's Intelligent Viewfinder II makes it easy to both shoot, change and confirm camera settings and shooting modes all without looking away from the viewfinder. Displaying approximately 100% of the composition, the viewfinder can show settings like shooting mode, exposure level, white balance, drive mode, AF operation, metering mode, recording format, an electronic level and more. All of this information can be displayed by or superimposed easily over the image for review while shooting, and multiple views are customizable through the EOS 5DS's simple user interface.
Sophisticated Moviemaking with EOS
Full HD 30p movie capability
The EOS 5DS camera is a sophisticated movie-making machine, capturing Full HD movies with numerous manual controls at multiple frame rates and compressions. Featuring movie capture and manual controls, the EOS 5DS's shutter button can be programmed to capture still images when pressed during movie shooting.
|ALL-I||Compresses each frame. Although the file size is larger than IPB, each frame is not affected by the previous and next frames, making it suitable for editing and extracting frames.|
|IPB||Compresses the movie frame by referencing the previous and next frames. High compression is used, making it suitable for recording long movies.|
|Movie-recording Size||Total Recording Time||File Size |
|4GB Card||8GB Card||16GB Card|
|29.97 fps |
|ALL-I||5 min.||11 min.||23 min.||654|
|29.97 fps |
|IPB||16 min.||33 min.||1 h. 7 min.||225|
|59.94 fps |
|ALL-I||6 min.||13 min.||26 min.||583|
|59.94 fps |
|IPB||19 min.||38 min.||1 h. 17 min.||196|
|29.97 fps |
|IPB||48 min.||1 h. 37 min.||3 h. 14 min.||78|
* If the recording time reaches 29 min. 59 sec., the movie shooting will stop automatically.
* There is no 4 GB file size limit for when the shooting stops automatically.
|29.97 fps||ALL-I||1920x1080 |
|59.94 fps||ALL-I||1280x720 |
|29.97 fps||IPB||640x480 |
Time Lapse Movie function
An EOS first, the EOS 5DS camera even has a time-lapse movie feature that takes still photos at set intervals and joins them to create a silent movie. Perfect for showing the moving clouds across the sky, growth of a plant, changes in scenery, the flow of people walking and more, the EOS 5DS's Time Lapse Movie function creates professional-quality movies, in camera, without the need for a computer, saving precious time when out in the field.
Fast-Action Shots are Easy to Capture
High-speed continuous shooting
The EOS 5DS camera can continuously shoot up to 5.0 frames per second. Thanks to its speedy dual DIGIC 6 Image Processors plus its enhanced shutter mechanism and mirror drive, the EOS 5DS is capable of capturing full 50.6 Megapixels images at high speed with superb quality. This sophisticated balance between high pixel count and shooting speed ensures the EOS 5DS is always ready for the next shot.
Easy, Low-reflection Viewing
3.2-inch ClearView II LCD Monitor
The 3.2-inch ClearView II LCD monitor has 1,040,000 dots, anti-reflective construction and features Canon's ClearView technology for a bright, sharp display in any number of shooting situations. It's ideal for reviewing settings and images, as well as for shooting in Live View mode. In Live View, grid lines can be displayed in 9 sections, 24 sections, or 9 sections with diagonals, as can the electronic level, which helps ensure accurate level by displaying roll. For image review, the EOS 5DS camera has a dedicated Magnify/Reduce button for zooming in or out (up to 16x) simply by pressing the button and turning the Main Dial. Images can be protected or erased quickly, individually or in batches, and slideshows can be created with some or all images and can be sequenced by date, folders, movies, stills or rating. A clear and simple feature guide found in the camera's menu provides detailed reference information whenever needed.
Customizable, Easily Accessible Settings for Speedy Performance
Quick Control Screen
In addition to a conventional Quick Control screen, the EOS 5DS camera features a Quick Control button that enables the photographer to quickly and easily access the settings critical for the task at hand. The user can specify features to display, as well as their location and size on the screen. With the level of customization the Custom Quick Control screen offers, the EOS 5DS can work perfectly with the style of any photographer.
Quick and Easy Transfers, Plus Advanced Connectivity with USB 3.0
The EOS 5DS camera features a USB 3.0 digital terminal for fast transfer to PCs and printers, plus offers connectivity to Canon's WFT-E7 (Version 2) for wireless transfer and Wi-Fi compatibility.
NOTE: For connecting an interface cable to the USB 3.0 terminal, a cable protector is included with the EOS 5DS, and must be used at all times to protect the camera's circuit board.
Top customer reviews
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1) The build and feel is 99% identical to a 5D3, which is fantastic ergonomically, and experienced Canon shooters will feel right at home with this one. It's solid, study. weather sealed, and the mode dial got a nice little upgrade with raised icons and what seems like a bit more solid grip. The new LPE6N battery provides longer life but I'm using my old LPE6 (standard) in it just fine right now. Dual Digic 6 chip do suck up a lot of juice.
2) The lag time between the shutter and the jpg preview popping up on the rear LCD is a little longer than the 5D3, but that's to be expected as we're talking 70MB RAW files here. Yes, 70MB.
3) Speaking of the shutter, the sexiest thing about this camera (besides the red "R") is the new shutter and it's new sound. It's like a sniper rifle with a silencer. It's very stealth and sleek with it's new all motor driven mechanism (as opposed to the old standard motor lift and spring return). By the way, the RGB+IR metering system they brought down from the 1DX for this? Awesome. Love it. I feel like the metering has been more accurate than my 5D3, and I've even used the 1DX many times myself.
4) I've been handheld shooting with a Canon 135 f2 L. First of all, what a lethal combo with this new 5DSR. Wow. Resolution is off the charts good. I found handheld shooting certainly requires a bit more care than the 5D3 to get the most out of the sensor, but we all knew that going in. This is a studio/tripod loving camera. HOWEVER, you can get really good results going about 4-5 times focal length with your shutter speed. (50mm lens x 5 = 1/250th second). Of course, having IS on your lens really helps. By the way, add "Mirror LockUp" to your custom menu (the green tabs). This way you can go in quickly and alter your shutter release lag time if need be, which is precisely why they built the new shutter. That way, you press the button, and the mirror flips up and the camera waits anywhere from 1/8 to 1 second before dropping the curtains on the sensor. You can set it in that range or just turn it off, or engage traditional old manual mirror lock up with the first button press lifting the mirror and the second button press dropping the curtains.
5) I can't get this thing to Moire. I have deliberately shot some really small fabric patterns and weaves, brickwalls, so on and so forth, I can't get it to create the negative artifact. Without the Low Pass Filter effect (this camera has TWO LFPs that cancel each other out to raise sharpness) the propensity for generating Moire and Aliasing goes up.... THAT SAID, at 50MP even the smallest details can get resolved well, so artifacts don't really seem to be a problem so far. Now I know I have some dancers I shoot that wear silky shiny dresses with tight fabric weaves and I suspect I may encounter some color moire there. However... Lightroom's Moire tool does a really good job to easily and quickly remove it if need be.
6) This is NOT NOT NOT a general use, everyday camera. Please get a Canon 5D Mark III (5D3) for that or the amazing 6D for half the price of 5D3. The 5DS and 5DSR really are for professionals who need the ultra high resolving capabilities for a variety of reasons such as Large Print work, studio work, pictures of large groups, architecture and landscapes, and the ability to shoot wide and crop in post without losing details. You don't want to buy this camera to take family pictures. It's overkill and the file sizes, as I mentioned before, are enormous. I own both the 5D3 and 6D. Both are excellent cameras and both are excellent general purpose cameras.
7) Buy Glass. Don't buy this camera expecting the world from even your 24-105 F4 L lens. I have one. Good lens. 5DSR DOES make it look better than on a 5D3... BUT, if you really want to take advantage of what this machine can do, you need to look into some of the upper level L glass like the the new 16-35 f4 L or the 70-200 f2.8 IS II. The 135 f2 L is STILL one of the sharpest lenses ever made and looks gorgeous on this, as do the new Sigma ART lenses. (Everything I just mentioned, I own and have shot on this 5DSR now)
8) ISO performance - Ok it's a studio and landscape camera. It's meant to be shot at or near base ISO, right? (100-800). Well last night I shot a bunch of stuff in my house handheld at 6400 ISO. Lemme tell ya... It looks...really....nice. For all the flak on how much this camera would suck at higher ISOs I think it looks no worse than a 5D3 and maybe even a bit better (again, mostly dependent on your technique.) I would suggest as I always do with higher ISO... ETTR. Expose To The Right. Push your camera exposure compensation UP one stop and pull back highlights in post if need be. I think the 5DSR images at 6400 are really very clean for that sensitivity, but everyone has their own personal feelings about what is "usable" Not here to debate. That's just me. I'd put the 6400 ISO performance on par with a 6D. I'm perfectly happy with it.
9) If you're a pro who needs the juice. Buy this. You will not regret it. It's an excellent and well built professional tool. I can't wait to do a REAL studio test with this. I will update as I do.
UPDATE: 6/24 - Posting pictures shot with this seems futile given how images are compressed to post on the review, but here ya go: (Handheld shot using the Canon 16-35 f4 L on the Boat and Canon 135 f2 L on the girl)
UPDATE: 6/26 - I have run across an owner or two who have gotten very minute amounts of Moire in some extreme situations (wildlife in this case). But nothing that wasn't quickly corrected in Lightroom without any damage to the image quality. That said, I still have not had the issue. It confirms my second thoughts when I cancelled my initial order of the 5DS in favor of the 5DSR
UPDATE 7/14 - First studio shoot last weekend was a big success so far as I'm concerned. Was amazed by how much detail was retained on the face and hair even from half and full length poses. Headshots were amazing. EVen though you tend to soften the skin in post, the ultra fine details you can retain where you really want to keep it (eyes, eyelashes, eyebrows, hair, etc) is uncanny. Very happy with the results. It's being able to crop in and turn a wider shot into headshot and still have the same resolution in so doing as I would had I just taken a headshot with the 5D3. Loads of flexibility!!!
UPDATE 7/21 - Someone posted a good question about the contrast and saturation compared to other popular current Canon models like the 5D3. Yes, contrast and particularly color saturation seem to be more and richer. Canon previously stated months ago that this camera would be using a better CFA (Color Filter Array) more akin to those of the vaunted and still loved Canon 1Ds III. I just two days ago did direct comparisons between the 5D3 and 5DSR and concur this indeed seems to be the case when I had both cameras in a controlled situation in a studio setup using the same lens, exposure settings, strobe power, and even manually set white balance of 5600k on both cameras. The 5DSR naturally produced a bit warmer and richer color palate (as in zero LightRoom adjustment on both cameras)
UPDATE 7/27 - Took the R to a small play my kids were in. 70-200 f2.8L IS II running in ISO 6400 the whole way through. Keeping at f2.8 I was getting anywhere from 160th to 320th in Aperture Priority mode with changing stage lighting. (Shooting RAW as always) Gotta say I'm still very pleased with the results, and even more so after a bit of NR added in Lightroom in the Luminance channel.
UPDATE 8/3 - DIFFRACTION LIMITS - Ok this is a bit more technical for us geeks but in general, all lenses become diffraction limited around f16, which has in recent history been correct with all our 20MP-ish cameras. Diffraction limits are correlated to pixel size and density though. So at 50MP, the same lens that was DL at f16 on a Canon 5D III is now DL between f11-f14 on a Canon 5DS. I have shot many frames at f11 on my 5DSR and they look amazing (using Canon 16-35L f4 IS). The diffraction effects will start creeping in beyond this, so effectively f11 is the smallest aperture you can stop down to before you begin to LOSE sharpness. a 5D III gets you to f16 because the pixels are much bigger than the 5DS. With the smaller pixels, more fine detail can be resolved so the DL hits sooner (bigger aperture). If you shoot a lot of Macro stuff I don't see much ever done smaller than f11-f14 anyway. So this should not be a problem. As for landscapers, f11 on a serious wide angle lens (assuming you're using good focus point technique) should get you close to infinity focus through the frame anyway. If you really need deeper focus, then consider focus stacking anyway. I don't think I've ever shot anything at f16 more than once or twice even on my 5D III.
Lenses matter with this camera. 50 mpix is unforgiving. The range of lenses I could use so far were the new EOS 16-35mm f/4 IS L, Sigma 50mm F/1.4 ART, EOS 70-200 f/2.8 IS L II and EOS 300mm f/2.8 IS L II. All pictures shown here where taken hand held including the night scenes - so yes you can actually use this camera without a tripod, more about this later.
Handling: Coming from the 5DII/5DIII you will find this camera body very familiar – all the way down to the battery. IT is a big camera even for a DSLR, but not excessive. It is the third generation 5D-series camera based on the 5DII body and accordingly the entire button and screen layout feels very mature and natural. It’s a camera buildt to last many years.
The body is clearly made for still photography. The weight alone makes shooting videos without a tripod a dog because of the combined weight of camera & lens & the fact that the 5DS R can only shoot video using live view. I really miss in-body IS or at least a swivel screen for decent hand held video operation.
The software menu is probably the best Canon has made yet. The layout is an extension of the 5DII/5DIII options, however Canon has added several very useful options such as customizing the auto-rotate focus point individually for vertical and horizontal shooting. Also, the expanded custom settings available for defining your own C1-C3 shooting options are extremely useful. I strongly recommend all users to look into this. I have pre-settings for action, bracketed jpeg shooting and shooting against the sun. Overall, it’s a noticeable step up on the software side.
Battery power is noticeably shorter than for the 5DII/5DIII and most people will probably be well off buying at least one spare. Depending on your shooting habits, you may even want more spares. I could imagine some people going through 3 on an intensive days shooting.
The screen is excellent if not spectacular – and you can easily see if your pictures are sharp. While the screen has some menu options available for how you scroll through your pictures I still find them limited. This is important because @50 mpix you will want to check you results on-screen fairly often to ensure your shots are spot-on.
What irks me a little here is that when Canon decided against a swivel screen they did not at least give the 5DS R a touch screen. Having used one on the 70D I can truly say it’s a blast for changing settings quickly as you can see and change everything at once without fiddling for buttons and sub menus around the camera body.
Exactly when reviewing pictures we confront another of the 5DS R’s shortcomings: it takes time for the pictures to emerge on your screen. For me this is not an issue in spite of all the action shots I take – so it’s not as bad as I see it described sometimes – but scrolling on-screen is not 100% fluid. So if this is key to how you shoot you may want to consider this. At least you can quickly look at your picture at 100% on screen.
Basic Settings & AF: Everything you need and then some. Amongst the essentials the 5DS R has wide auto-bracketing (5 frames) and Canon finally got the implementation of auto-iso right. You can now set the trade-off parameters yourself so you can confidently rely on auto-iso to make your “smart” choices. Finally, as before the "Green" auto-setting also works with RAW files giving extra editing buffer when I hand the camera over to my family members.
AF is one area where the 5DS R is a significant upgrade compared to both the 5DII and 5DIII. Neither of these impressed me much, but the 5DS R is clearly better. It starts with the upgraded AF points and high customizable way you can employ these – like restricting the use to cross-type AF sensors. Combined with its new AF tracking system the 5DS R is especially better than the 5DII/5DIII when shooting moving targets.
The centre AF point is excellent – matching that of the 6D, also in low light. And the 5DS R AF even trumps the 6D centre point by adding a fine centre point option making the 5DS R’s autofocus the best Canon has issued so far.
For video we get face tracking – which works OK. In spite of all its custom glory and improvements Canon’s AF software offerings is still pitiful compared to the completion. Why oh why does Canon not offer a dedicated face and eye AF? This would be even more useful for this camera with its 50 mpix.
Not everything is perfect and some will find the AF points are too narrow in both height and width. I also occasionally feel constrained by the narrow AF span but with 50 mpix going to a longer focus length and cropping afterwards is a real option.
Recording options: 5DS R in fact does have a crop option. Its implementation however makes me wonder how useful it will be for users. When shooting raw the camera does not crop the RAW file. Hmmm. This comes with some penalties and most important of these are that neither the RAW shooting speed or back screen review speed gets any better. So why use it? Ouch. I cannot imagine ever using it myself.
Shooting JPEG’s speeds everything up. But again you don’t really need the crop mode for that anyway because the camera is quick enough handling even full JPEGs. It’s a fail from Canon’s side and I wonder how difficult it would be to offer a real RAW crop mode.
Instead there is the option of shooting a lightly compressed RAW format (MRAW) – but still filling the entire frame crop mode or not. The difference is only that when you open the RAW file in your editor it will open “cropped” but with the full RAW file available.
As you should expect the two card slots can be set individually to record in all modes and combinations. However, the slowest of the two cards will determine your ultimate shooting speed.
That narrow DOF when shooting @50mpix is something I needed to get used to. In fact DOF is the same as before but the ultra high mpix count will make even small differences in DOF more visible than before when you look at shoots @100%. Since I like to shoot wide open and still crave sharpness (an optical contradiction), I have had to reconsider my options compared to shooting with the 5DII/5DIII. This is in fact one reason I got Canon’s new 16-35mm f/4 IS L which may eventually push out my 35mm f/1.4 L.
Costs and comforts of shooting 50 MPIX: Apart from taking ultra high resolution pictures another reason to get 50 mpix is the option to make deep crops. Something I need a lot for my shooting style. This does however beg the question: will the extra pixels you gain be offset by mirror slap and camera and hand shake? If the resulting 50 mpix are not ultra “sharp” why invest in all those pixels and the associated processing challenge?
First the bad news: yes it is an addition challenge shooting the 5DS R hand held compared to the 5DII/5DIII. I get fewer “ultrasharp” shots with the 5DS R than I do with the 5DII/5DIII/6D. But there is also good news: Canons excellent mirror dampening system works very well, so I get as many “ultrasharp” shoots as I did with my 70D (a Canon crop sensor camera). So, if you are shooting hand held there is a potential penalty if you need to enlarge all the way to 100%. Otherwise reducing the picture to 5DII/5DIII size will do away with the difference. And of course you can opt for tripod or monopod support.
Sometimes when I read about this challenge on the web I wonder what people are doing with their cameras to claim that the 5DS R cannot be used hand held. I can and I almost only use it that way with no regrets.
As for processing these files on my computers. I have no difficulties at all. But I do have very powerful CPU's and videocards to match - so YMMV.
Response times: Start up time is very fast.
Shooting speed is 5 fps which is good for almost all kinds of shooting unless you have a very specialised need for rapid firing. However, if fps is what you really need you are not in 5DII/5DIII/5DSR territory anyway as none of them are fast shooters.
One question that gets asked a lot is what kind of memory card to get for the 5DS R’s “enormous” files. Answer: not so fast as you think. So look carefully before buying ultra expensive ultra fast memory cards. Unless you have money to burn go for “fast enough” and use the split to buy more megabytes. I have a “fast” 256 GB Komputerbay compact flash card for the added speed CF cards provide with the 5DSR and a cheap PNY 256 GB to fill when speed is not of the essence. That’s ½ terra byte and with that I never expect to run out of space (shooting one card at a time). You can find tests on the net to guide you on which cards fall into the sweet-spot for 5DSR shooting.
In real life shooting I can do 14-15 full RAW on my 256 GB Class 10 SDXC card. This is the in fact same shooting speed that I get with the currently fastest 128 GB Sandisk SDXC card that I also have. With the CF card I can do 18-19 shoots before the camera slows down. Fortunately Canon has made sure that the camera does not stall altogether. Instead the 5DSR continues to shoot frames – just somewhat slower.
Pic IQ: Overall the 5DS R is as good as digital FF gets right now. Clarity and detail is extremely impressive when the light is good. Canon sensor tech still lags behind some of latitude of the competition (SONY/NIKON), but if the marginal difference is an issue for you I’m sure you won’t be reading this review anyway - except for entertainment. For the rest of us is more than OK - its simply great.
Noise levels are extremely good taking into account the 50 mpix sensor size. If you reduce the files to match the 5DII/5DIII files size it is much better than the 5DII and a – visible – touch better than the 5DIII because of the added detail.
I used to consider iso 800 my practical limit. But I now find myself happily dailing in iso 1600 which still is very good. When the 5DS R was announced I was at first dismissive due to the very low camera high iso max of 6.400 fearing that it signalled rather poor high iso ability. That was unfounded.
For all practical purposes almost all DSLRs hit the ceiling when going >iso 6400 in the sense that you get the same result as simply underexposing for example iso 6400 as turning up the nominal iso to 12800 or 25600. The real life result is that the 5DS R will give you slightly better results (at equal file size) than the 5DIII @ iso 12800 & 25600.
After 1600 iso pic IQ begins to take a visible hit, but I still use the entire span up to iso 6400 when needed. I have not yet used flash with my 5DS R.
Light handling: Camera handles light very well. I have a non-scientific impression that light metering is better than both the 5DII and the 5DIII (which I saw as equal). Sadly, again Canon’s software engineers let their customers down. While the competition for years has offered light metering according to the AF point you select this obvious and very practical option is not available in the 5DS R. It’s a shame and another reminder that Canon’s AF and light metering software lags behind.
I also feel that white balance has improved over the 5DII/5DIII. In fact I find that it is really good which is rare with digital DSLRs. Just remember not to judge the white balance looking at the screen. Grey card is the way to go.
Microadjustment: It worked well during my tests as expected.
Unfortunately Canon's software license does not allow 3.rd party software such as Focal to automatically drive a full AF test. The result is that microadjustment is as time consuming and frustrating as always. Again something one should think Canon would like to offer its customers. I for one would be willing to pay for this and I’m sure may others would too. Canon surely has such software available already for its authorised repair shops. Sell it and make some extra JPY!
Due to the high demands the 50 mpix will place on any lens I highly recommend microadjusting your lenses for the best results. It should be the very first thing to do after inserting the battery or you may be underwhelmed by the picture IQ for no other reason that a slight OOF effect.
Other thoughts: No visible banding so far in my shots (as with the 5DII). Someone out there can probably provoke it. But for most photographers it will be a non-issue. No hot pixels on the sensor.
Dust system works very well (as it should now-a-days). I have not cleaned the sensor yet and I do not expect to do so anytime soon. Manual focus is easy with live view, but holding the camera still is another matter as mentioned under video shooting so the 5DS R will only really work for ultra-sharp pictures with a tripod or with stationary objects.
Deleting a batch of individual pictures (I do this a lot en route) is easy and there are more options on how you delete pictures than before. This can still be further improved and again the lack of a touch screen is a further limiting factor.
There is a non-Canon related issue worth mentioning: Adobe has gotten the calibration files for the 5DS R all wrong. In fact so wrong that I do not recommend anyone to use Adobe’s standard color profiles with the 5DS R until they are updated. To get the best picture IQ you should either make your own profiles or download some on-line. There are good profiles for free and some cheap commercial offerings. If you use LightRoom and PhotoShop for your RAW-processing you will need these.
1. Better out of the box dynamic range that you will notice,
2. Better exposure metering in bright daylight when us average guys shoot,
3. Has a fantastic electronic level so I can finally get my shots straight,
4. Resolution finally exceeds your ability to shoot handheld so this ends the megapixel war (so everyone stop talking about it),
5. There is a usable gain in resolution over the 5D Mark III if you use a tripod and mirror lock up (so this is rare),
6. They put a USB 3 on the side with a cable protector (finally) so you can safely shoot tethered, this was a problem with the Mark III with the slower USB port,
7. It has usable mirror lock up delays that do help get better pictures,
8. The silent shutter is much nicer (pleasing to the ear) and make you bother people less at performances or weddings...
Bottom line, if I had a choice between the 5D Mark III and the 5DS even just for walk around shooting in any light, I would pick the 5DS hands down.