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Can't Get There from Here Paperback – March 6, 2012
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"Strasser's vibrant prose plunges young reads into Maybe's hard life, all without the use of profanity. A very welcome addition to the slice-of-life genre in YA literature that may help to change some real lives."—Kirkus Reviews
"A powerful and disturbing look at the downward spiral of despair that remains too common for too many teens."—School Library Journal
"A true-to-life novel that should hold strong appeal for teen readers--and help keep them off the streets."—Bookpage
About the Author
Todd Strasser has written many critically acclaimed novels for adults, teenagers, and children, including the award-winning Can’t Get There from Here, Give a Boy a Gun, Boot Camp, If I Grow Up, Famous, and How I Created My Perfect Prom Date, which became the Fox feature film Drive Me Crazy. Todd lives in a suburb of New York and speaks frequently at schools. Visit him at ToddStrasser.com.
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" 'You look beautiful to me,' I said.
" 'Oh, Maybe, what would you know? You're even smellier and dirtier than me.'
" 'I am?' Even though I knew that all of us street kids were dirty and smelly, it still made me feel bad to hear Rainbow say it. That wasn't the way I wanted her to think of me.
" 'Aw, look, I hurt your feelings.' Rainbow stuck out her lower lip and pouted. 'I'm sorry, Maybe. But I'm dirty and smelly, too. We're the dirty and smelly twins!' She hooked her arm through mine and started to skip. I tried to keep up with her. It made me happy when she wanted to be with me. Then she let go and did a cartwheel right in the middle of the sidewalk. The regular people looked at her like she was psycho."
Each of them has some real or imagined story about how they got there. But here they are: a small tribe of street urchins hostage to the natural and human elements of a winter on the streets in Manhattan. The story is told by Maybe, a girl with a highly visible skin condition, vitiligo, who has been here since last summer.
CAN'T GET THERE FROM HERE provides a vivid portrait of being there all the time, on your own, on the street, in the filth of alleys and doorways, with the nightly fear of being preyed on and the daily tasks of survival.
"Cold wind ripping
down the alley at dawn
And the morning paper flies,
Dead man lying
by the side of the road
With the daylight in his eyes."
--Neil Young "Don't Let It Bring You Down"
As you could imagine this is an unforgiving environment where twenty-somethings are perceived as old and worn out and there are plenty of kids who don't make it:
Yet every time CAN'T GET THERE FROM HERE threatens to totally veer toward the hopeless and morbid, we are reminded that these are kids. Real kids. Silly kids. Sensitive kids. Stubborn kids. Questioning kids:
" 'Are you serious?' the man asked, nodding at Maggot's 'Money for Maryjuana' sign.
" 'Why not?' Maggot answered. 'If the sign said, "Money for Food," would you believe it? Least I'm honest.'
" 'At least you ought to spell it right,' said the woman.
"Maggot turned the sign around and looked at it. 'I spelled "money" wrong?'
"The man smiled. 'He's got a sense of humor.'
" 'Not for long if I don't score some pot,' Maggot warned them."
A quick online search finds estimates from a few years ago of 12,000-20,000 homeless youth in New York City. Nearly two-thirds are black or Latino. A disproportionate share are gay, lesbian, bisexual, or transgender, because adolescents in those groups are routinely jettisoned by their families and are frequently unwelcome in their schools or in foster homes. Many homeless teens are children of the victims of the mid-1980s crack epidemic. A study found one-third of those street kids surveyed engaged in prostitution in order to obtain money. There is a high expectation among street kids that they will contract AIDS.
CAN'T GET THERE FROM HERE is one of those books to grab me by the throat and slam me against the wall. Like Spaz from Rodman Philbrick's THE LAST BOOK IN THE UNIVERSE, Maybe's "defect" is her savior. That highly visible skin condition ironically leaves her as a less visible target than 2Moro, Rainbow, Tears, Jewel and so many other kids in her position, thus allowing her to be the perfect observer and narrator for the story.
Homeless teens have no voice, no vote, few choices, and zero power. By melding remnants of childhood joy and innocence with the bitter bleakness of life and death in filthy alleys and dumpsters, Todd Strasser has written a story that will be the root of nightmares, prolonged discussions and, hopefully, change.
Language is aimed at teens which I suppose is its market.