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Cantata in Doublespeak
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Olagón: A Cantata in Doublespeak
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Olagón: a Cantata in Doublespeak is the newest album from multiple Grammy Award-winning chamber ensemble Eighth Blackbird. The project finds the innovative new-music sextet collaborating with vocalist Iarla Ó Lionaird of the Irish supergroup The Gloaming; Princeton-based composer-fiddler Dan Trueman; and Pulitzer Prize-winning Irish poet Paul Muldoon. A modern retelling of an ancient Irish epic, Olagón depicts not without irony and humor a privileged power couple mired in envy, greed, and adultery, descending into criminality and addiction as Ireland s Celtic-Tiger economy collapses in the early 21st century. Trueman s score combines elements of the traditional music of Ireland, Norway, and America with the raw urgency and sonorities of contemporary classical music. Muldoon s text interweaves verses in English and Irish Gaelic, seasoned with word-play and wit. Ó Lionaird, whom The Guardian calls one of the most dramatic voices in contemporary music, sings the text in the unique and highly ornamental Irish style known as sean nós. The production incorporates the gorgeous young voices of students of acclaimed Irish sean nós singer Treasa Ní Mhiollain, who also makes an appearance. Eighth Blackbird is one of the smartest, most dynamic contemporary classical ensembles on the planet (Chicago Tribune). Olagón is the new-music sextet s ninth Cedille Records album. Four of their previous Cedille recordings won Grammy Awards in the Best Small Ensemble/Chamber Music Performance category.
- Is Discontinued By Manufacturer : No
- Product Dimensions : 5.63 x 4.92 x 0.67 inches; 5.08 Ounces
- Manufacturer : Cedille
- Date First Available : November 1, 2017
- Label : Cedille
- ASIN : B076TP4ZGW
- Country of Origin : USA
- Number of discs : 2
Best Sellers Rank:
#259,501 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #33,915 in Classical (CDs & Vinyl)
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I found myself effortlessly singing along and memorizing the poem as I listened to it multiple times. To me, that is a sign of well-written music and poetry.
I was lucky to be able to see Olagón live at Princeton University, and wished that I'd been able to stay down there and see it again the next night. It was brilliantly staged, with lots of expressive movement.
In addition to the artistry, Olagón is a commentary on the times we live in, and the human condition.
Not far from Goebbels and Muller's "The Man in the Elevator," Tom Waits' "The Black Rider", or Stu's "Passing Strange" in its structure, Olagon borrows Celtic heroes Queen Medhbh and King Aillil to tell a modern story of dysfunction, treachery, and love. And if the genre fluidity of Nico Muhly's "Seeing is Believing" suits you, then you will be equally carried along with this - again extraordinary - contribution to western music, poetry, and performance.
My God, what a piece of work it is.