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Bel Canto (Harper Perennial Deluxe Editions) Paperback – Deckle Edge, June 10, 2008
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Winner of the PEN/Faulkner Award • Winner of the Orange Prize • National Book Critics Circle Award Finalist
"Bel Canto is its own universe. A marvel of a book." —Washington Post Book World
A beautifully designed Harper Perennial Deluxe Edition of Ann Patchett’s spellbinding novel about love and opera, and the unifying ways people learn to communicate across cultural barriers in times of crisis.
Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of the powerful businessman Mr. Hosokawa. Roxanne Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening—until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds and people from different continents become compatriots, intimate friends, and lovers.
Patchett's lyrical prose and lucid imagination make Bel Canto a captivating story of strength and frailty, love and imprisonment, and an inspiring tale of transcendent romance.
- Print length352 pages
- LanguageEnglish
- PublisherHarper Perennial Modern Classics
- Publication dateJune 10, 2008
- Dimensions5.5 x 0.88 x 8.25 inches
- ISBN-100061565318
- ISBN-13978-0061565311
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Editorial Reviews
Review
“Patchett’s tragicomic novel—a fantasia of guns and Puccini and Red Cross negotiations—invokes the glorious, unreliable promises of art, politics, and love.” — New Yorker
“Elegantly alluring. . . . A novel that begins with a kiss and absolutely deserves one.” — Janet Maslin, New York Times
“One approaches the final pages with a heavy heart for several reasons, not the least of which being that this fine read has come to an end.” — Entertainment Weekly (A-)
“Bel Canto has all the qualities one has come to expect from a classic Ann Patchett novel: grace, beauty, elegance, and magic.” — Madison Smartt Bell
“Patchett’s ability to evoke sense of place. . .is near magical in itself.” — Publishers Weekly
“A novel that showcases [Patchett's] profound understanding of the heart.” — BookForum
“This fluid and assured narrative, inspired by a real incident, demonstrates her growing maturity and mastery of form as she artfully integrates a musical theme within a dramatic story.” — Publisher's Weekly
"Bel Canto by Ann Patchett should be on the list of every literate music lover. The story is riveting, the participants breathe and feel and are alive, and throughout this elegantly-told novel, music pours forth so splendidly that the reader hears it and is overwhelmed by its beauty. Ann Patchett is a special writer who has written a special book." — Lloyd Moss, WXQR
“The most romantic novel in years. A strange, terrific, spellcasting story.” — San Francisco Chronicle
"Bel Canto invites readers to explore new and unfamiliar territory, to take some emotional risks rather than stand with Rolland among those 'already saved.'" — Chicago Tribune
"In more ways than one, Bel Canto is about finding beauty in unexpected places." — New York Magazine
“The author has taken what could have been a variation on the Lord of the Flies scenario and fashions instead a ’Lord of the Butterflies,’ a dreamlike fable in which the impulses toward beauty and love are shown to be as irrepressible as the instincts for violence and destruction.” — New York Magazine
"Patchett can be counted on to deliver novels rich in imaginative bravado and psychological nuance." — Publishers Weekly
"You'll find a few hours of entertainment and maybe even a strange yearning to be kidnapped." — Time Out New York
"A book that works both as a paean to art and beauty and a subtly sly comedy of manners." — The New York Times
"Combining an unerring instinct for telling detail with the broader brushstrokes you need to tackle issues of culture and politics, Patchett creates a remarkably compelling chronicle of a multinational group of the rich and powerful held hostage for months." — Kirkus Reviews
"Bel Canto moves elegantly through its paces, captors and captivates alike stumble on that most elusive liberty: the freedom to be." — New York Daily News
“A provocative and enchanting look at the power art has to suspend real life and to create a better world, one in which the differences between people can be erased and the barriers to our best selves can be hurdled.” — Detroit Free Press
“Blissfully romantic... with engaging wit and brilliant writing about love, Patchett has crafted a seductive, romantically charged novel...” — San Fransisco Chronicle
“Positively spellbinding.” — Seattle Times
“Bel Canto is its own universe. A marvel of a book.” — Washington Post Book World
From the Back Cover
Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of the powerful businessman Mr. Hosokawa. Roxane Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening—until a band of gun-wielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds, and people from different continents become compatriots. Friendship, compassion, and the chance for great love lead the characters to forget the real danger that has been set in motion . . . and cannot be stopped.
About the Author
Ann Patchett is the author of novels, works of nonfiction, and children's books. She has been the recipient of numerous awards including the PEN/Faulkner, the Women's Prize in the U.K., and the Book Sense Book of the Year. Her novel The Dutch House was a finalist for the Pulitzer Prize. Her work has been translated into more than thirty languages. TIME magazine named her one of the 100 Most Influential People in the World. President Biden awarded her the National Humanities Medal in recognition of her contributions to American culture. She lives in Nashville, Tennessee, where she is the owner of Parnassus Books.
Excerpt. © Reprinted by permission. All rights reserved.
Bel Canto
By Ann PatchettHarperCollins Publishers, Inc.
Copyright © 2008 Ann PatchettAll right reserved.
ISBN: 9780061565311
Chapter One
When the lights went off the accompanist kissed her. Maybe he had been turning towards her just before it was completely dark, maybe he was lifting his hands. There must have been some movement, a gesture, because every person in the living room would later remember a kiss. They did not see a kiss, that would have been impossible. The darkness that came on them was startling and complete. Not only was everyone there certain of a kiss, they claimed they could identify the type of kiss: it was strong and passionate, and it took her by surprise. They were all looking right at her when the lights went out. They were still applauding, each on his or her feet, still in the fullest throes of hands slapping together, elbows up. Not one person had come anywhere close to tiring. The Italians and the French were yelling, "Brava! Brava!" and the Japanese turned away from them. Would he have kissed her like that had the room been lit? Was his mind so full of her that in the very instant of darkness he reached for her, did he think so quickly? Or was it that they wanted her too, all of the men and women in the room, and so they imagined it collectively. They were so taken by the beauty of her voice that they wanted to cover her mouth with their mouth, drink in. Maybe music could be transferred, devoured, owned. What would it mean to kiss the lips that had held such a sound?
Some of them had loved her for years. They had every recording she had ever made. They kept a notebook and wrote down every place they had seen her, listing the music, the names of the cast, the conductor. There were others there that night who had not heard her name, who would have said, if asked, that opera was a collection of nonsensical cat screechings, that they would much rather pass three hours in a dentist's chair. These were the ones who wept openly now, the ones who had been so mistaken.
No one was frightened of the darkness. They barely noticed. They kept applauding. The people who lived in other countries assumed that things like this must happen here all the time. Lights go on, go off. People from the host country knew it to be true. Besides, the timing of the electrical failure seemed dramatic and perfectly correct, as if the lights had said, You have no need for sight. Listen. What no one stopped to think about was why the candles on every table went out as well, perhaps at that very moment or the moment before. The room was filled with the pleasant smell of candles just snuffed, a smoke that was sweet and wholly unthreatening. A smell that meant it was late now, time to go to bed.
They continued the applause. They assumed she continued her kiss.
Roxane Coss, lyric soprano, was the only reason Mr. Hosokawa had come to this country. Mr. Hosokawa was the reason everyone else had come to the party. It was not the kind of place one was likely to visit. The reason the host country (a poor country) was throwing a birthday party of unreasonable expense for a foreigner who had to be all but bribed into attending was that this foreigner was the founder and chairman of Nansei, the largest electronics corporation in Japan. It was the fondest wish of the host country that Mr. Hosokawa would smile on them, help them in some of the hundred different ways they needed helping. That could be achieved through training or trade. A factory (and this was the dream so dear its name could hardly be spoken) could be built here, where cheap labor could mean a profit for everyone involved. Industry could move the economy away from the farming of coca leaves and blackhearted poppies, creating the illusion of a country moving away from the base matter of cocaine and heroin, so as to promote foreign aid and make trafficking of those very drugs less conspicuous. But the plan had never taken root in the past, as the Japanese, by nature, erred on the side of caution. They believed in the danger and the rumors of danger countries such as this presented, so to have Mr. Hosokawa himself, not an executive vice president, not a politician, come and sit at the table was proof that a hand might be extended. And maybe that hand would have to be coaxed and begged. Maybe it would have to be pulled from its own deep pocket. But this visit, with its glorious birthday dinner replete with opera star, with several meetings planned and trips to possible factory sites tomorrow, was a full world closer than they had ever come before and the air in the room was sugared with promise. Representatives from more than a dozen countries who had been misled as to the nature of Mr. Hosokawa's intentions were present at the party, investors and ambassadors who might not encourage their governments to put a dime into the host country but would certainly support Nansei's every endeavor, now circled the room in black tie and evening gown, making toasts and laughing.
As far as Mr. Hosokawa was concerned, his trip was not for the purposes of business, diplomacy, or a friendship with the President, as later would be reported. Mr. Hosokawa disliked travel and did not know the President. He had made his intentions, or lack of intentions, abundantly clear. He did not plan to build a plant. He would never have agreed to a trip to a strange country to celebrate his birthday with people he did not know. He was not much for celebrating his birthday with people he did know, and certainly not his fifty-third, which he considered to be a number entirely without note. He had turned down half a dozen strong requests from...
Continues...
Excerpted from Bel Cantoby Ann Patchett Copyright © 2008 by Ann Patchett. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Harper Perennial Modern Classics; Reissue,Deluxe edition (June 10, 2008)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 0061565318
- ISBN-13 : 978-0061565311
- Item Weight : 11.2 ounces
- Dimensions : 5.5 x 0.88 x 8.25 inches
- Best Sellers Rank: #81,438 in Books (See Top 100 in Books)
- #2,002 in Family Saga Fiction
- #6,075 in Literary Fiction (Books)
- #8,853 in Suspense Thrillers
- Customer Reviews:
About the author

Ann Patchett is the author of six novels, including Bel Canto, which won the Orange Prize for Fiction. She writes for the New York Times Magazine, Elle, GQ, the Financial Times, the Paris Review and Vogue. She lives in Nashville, Tennessee.
Customer reviews
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Learn more how customers reviews work on AmazonReviewed in the United States on September 15, 2018
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Top reviews from the United States
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I’ve read this book 4 or 5 times, and it’s different and better each time (I could say the same about several of Ann Patchett’s books).
This book was like a soaring aria that left me in its wake with ears ringing and heart aching to be a part of something true or beautiful. It made me ache to be known, to be loved, and to love.
A+
2020 Commentary:
I love books. This is my favorite book.
When I tried reviewing this book back in 2009, I could only write two sentences before I realized I could never capture what this book means to me. I ended up leaving a huge blank space in my book journal which I never went back to fill. And still, as I type right now, I feel trepidation that I might mischaracterize the book because I don’t have the capacity to describe the impact that the most beautiful works of art can have.
I don’t remember when I first read this book, though it certainly wasn’t 2009. I don’t remember how many times I’ve read the book. What I remember is feeling like every beat of this story is perfectly orchestrated and flawlessly executed. Patchett’s prose makes me feel like my heart is too big for my chest. It just keeps swelling and pounding pushing my stomach and lungs out of the way until it finally leaves me breathless, in tears, aching.
The book is ostensibly about a long-term hostage crisis and the relationships that develop among the hostages and terrorists. But the book is just so much more. Please go read it.
The pace is slow, delicate, lilting. Then a stunning build to a crashing crescendo leaves the reader sitting in silence trying to process the fading ephemeral beauty. I remember feeling like Patchett brought my heart into perfect tune and conducted it like an orchestra. There is a rise and fall to the story that’s akin to the sweeping baton and relaxed outstretched hand of a maestro keeping time and guiding his orchestra with confidence.
Describing this book--as Patchett elsewhere characterizes the process of writing--is like trying to capture the world’s most beautiful butterfly. Once you have the butterfly preserved and displayed, it’s no longer the most beautiful because you’ve robbed it of its life. Bel Canto is that living, breathing marvel that is only truly appreciated when experienced, not analyzed. Please go read it.
I have had this book on my shelf for years. I don't know what took me so long to read it. I loved Run and The Magician's Assistant, titles also by Patchett. A discussion on twitter revealed many others loved Patchett but had not read this book. It also received mixed reviews, those that loved it and those that could not finish it.
I am definitely in the loved it group. Patchett is am amazing writer, very lyrical and beautiful. Opera and terrorism seem to be odd in the same book plot but Patchett made it work. This is not a fast read and is a novel to be savored. It isn't political but about relationships that develop in unusual circumstances. All become used to their situation. Roxane discovers one of the young captors has an amazing voice and wants to help him become an opera star. Gen, Mr. Hosokawa's interpreter becomes the interpreter for the group and learns many secrets and falls for a young woman in the terrorist group. Ruben wants to adopt another of the young captors, a boy who has become like a son to him. They stop thinking about what is happening in the outside world as I did. But a hostage situation can not go on forever. The ending comes suddenly and the very ending surprised me and I'm not sure whether it was believable or inevitable.
Regardless, this was a beautiful story and if it is sitting on your shelf, pick it up and read it already!
my rating 5/5
Top reviews from other countries
If Puccini was alive today, he may well have written this story. This is a book that centers around an opera singer and is written in the style of an opera. It has all the hallmarks: a heroine who all men fall in love with, love affairs between unlikely protagonists, West Side Story style bad gang find common ground (and love) with good gang, poor meet rich, national stereotyping, tragic death (won't tell you who) and a twist in the tale.
It took me a while to enjoy the book. It wasn’t until I switched my mindset to one of sitting high up in a theatre, absorbing an unrealistic story on the stage, suspending reality, and just enjoying the melodrama that the page turns became enjoyable. There are references to the modern TV soap opera, people who discover the world-beating talent that they never knew they had, fathers adopting lost boys, boys who go unnoticed until they reveal themselves to be girls, bad guys with bad skin and a love of chess and even a character called Carmen. All that was needed was for the author to rename the chapters to Acts. The whole opera is played out on a single set of the home of a South American country’s Vice President.
Much of the prose is beautifully written and the characters are memorable and full of personality, so sit back, put on your favorite Verdi or Rossini playlist and wallow in the romanticism and tragedy.
Whilst I was reading the book I was talking to others about it and many people I know have read it.
To my delight I found this book to give me real joy as it is an amazing study of human nature. The action is set in an unspecified South American country where a party is drawn to an abrupt ending by a group of terrorists who then take everyone as hostages.
We then follow the progress of the situation and observe how the relationships develop.
In some ways the writing is immensely claustrophobic with frequent mention of the day to day detail necessary to maintain life and sanity. Surrounding this there is much beauty and love which seems both unlikely and absolutely natural at the same time.
Inside the house the terrorists and the hostages seem content for time to drift as their lives slow down and it's very much the same for the reader. It is odd how such a gripping book took me a long time to read - that's usually a bad sign but with this book I was just savouring it.
As the end approaches the tension for the reader mounts - we know the book is running out of pages but the hostages still have no idea what is going to happen (and I loved the end of the book, it was surprising but completely plausible).
I was particularly curious about how the passing of time was illustrated. It would have been easy for the author to date time chapters (or something similar) but it is handled in a much more subtle way with the reader having to search for clues (clothes needing to be washed and beards having been grown as just two examples). We really only have a vague idea about how long the siege has been underway which is much the same for all those involved.
Music, and opera singing, infuse this novel, and becomes the motivation of many of the events and decisions within the group of hostages, and indeed some of the captors.
The seriousness of the situation, and the humour used to describe the everyday life inside the house, (they all settle down to a comfortable routine) make a curious combination, which wouldn't be to everyone's taste. I enjoyed the book, but was not carried away by it, hence the four stars.
However, this was still a 3 star read for me as I did like the writing style and there were moments I really did like and hoped would develop. The ending was brilliantly written too, although I agree with the general consensus that the epilogue was unnecessary.







