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Carry On, Jeeves (A Jeeves and Bertie Novel) Paperback – June 1, 2000

4.6 out of 5 stars 134 customer reviews
Book 3 of 16 in the Jeeves and Wooster Series

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Editorial Reviews

From Library Journal

So many audio recordings of Wodehouse books are available that only the most prosperous libraries can afford to buy all of them. However, when it comes to Carry On Jeeves, the question is not whether to buy it but which edition to purchase. Any library making a pretense of having a Wodehouse audio collection must have this book. First published in 1925, it collects ten Jeeves stories, including the one in which Jeeves first enters Bertie Wooster's life. It also contains the only story in the entire series narrated by Jeeves himself. Choosing between this excellent Blackstone edition read by Frederick Davidson and the equally fine 1991 Chivers edition read by Jonathan Cecil will be difficult. Cecil's and Davidson's deliciously animated narrations are sufficiently different to make each a special treat. (Libraries might consider attaching small crowbars to this package to help patrons pry out its cassettes.)--R. Kent Rasmussen, Thousand Oaks, CA
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

'Jeeves and Bertie are as immortal as Don Quixote and Sancho Panza, or Falstaff and Prince Hal, and, quite often, a good deal funnier.' - John Mortimer, Daily Telegraph
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Product Details

  • Paperback: 256 pages
  • Publisher: Penguin Books; Reissue edition (June 1, 2000)
  • Language: English
  • ISBN-10: 0140284087
  • ISBN-13: 978-0140284089
  • Product Dimensions: 4.4 x 0.7 x 7.1 inches
  • Shipping Weight: 5 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (134 customer reviews)
  • Amazon Best Sellers Rank: #1,336,492 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Paperback
"Carry On, Jeeeves," a collection of ten short stories first published in 1925 involving the adventures of Jeeves and Bertie Wooster, provides an excellent introduction to the world of P.G. Wodehouse. The collection contains the first Jeeves' story, in which the valet comes to work for Bertie replacing a valet named Meadowes, evidentally a hypocrite who converted to evangelism (as we find out in the story "The Aunt and the Sluggard".) At any rate, Meadowes was sacked by Bertie when the valet was caught stealing his silk socks. The stories take place in New York, briefly in Paris, and, of course, in London, although Wodehouse, as usual, does not delineate any part of New York except to place Bertie in a flat on 57nd Street and mention Washington Square as a place of Bohemianism, and Long Island as rural countryside. The stories contain the usual Wodehousian social parasites living off wealthy aunts, and develops such characters as Aunts Agatha and Dahlia, Bingo Little, Sir Roderick Glossop (the loony doctor) and several of Jeeves' numerous relatives, including a relatively incompetent constable and female model and partime "actress." The charm of the Jeeves-Wooster stories, I have always thought, comes from Bertie as speaker, and Bertie narrates the action in nine of the ten stories. Wodehouse is at his best in characterizing Bertie: Wooster's prose tends to be rich in unusual similes, metaphors and 1920's slang; there is a cadence to Bertie's narration, as well as a refreshingly humorous charm to his perception of the world. Bertie has been termed "a useless blot on the fabric of society" by his former valet, and a "wooden-headed blighter" by others.Read more ›
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Format: Paperback
These ten short Jeeves and Wooster tales originally appeared in 1925 and three-quarters of a century later provide an excellent entry point to Wodehouse's comic series. The Jeeves and Wooster stories generally follow the same template, the young, wealthy airhead Wooster or one of his upper-crust pals gets in some sticky social situation, and it is up to his genius butler Jeeves to devise an ingenious solution to the quandary. Often the stories involve some manner of deception, misunderstanding, or often, mistaken identity-and sometimes, Jeeves' scheme backfires, resulting in even greater hilarity (although as with every comic tale, all is set right by the end). The stories can fairly be compared to contemporary TV sitcoms, as they to reply on recurring (often over the top) characters, a rarefied setting, a single type of humor, and recurring situations. Simply put, if you like one Wooster story (and don't get sick of them), you're going to like them all. Much of this can be explained by Wodehouse's mastery of the language and constant deft turns of phrase, period slang, and comic timing. Those who deride the shallow subject matter and milieu of the Jeeves and Wooster series need to recall the context in which these stories appeared. Only a few years removed from the horrors of World War I-an event that is never alluded to in the series, despite the loss of an entire generation of British young men-the stories can be viewed as a bandage of sorts, an attempt to transport the reader to a world far removed from the traumatic recovery from the Great War. Not to mention Wodehouse's clear depiction of the upper classes as wastrels and idiots of the highest order when compared to the street savvy of the servants (as exemplified by Jeeves). Of course, one doesn't read Wodehouse for social commentary or as a salve these days, but for his dry wit and keen command of the written word.
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Format: Paperback
This volume of ten stories originally hails from 1925. I read them in the 1999- 2000 Penguin paperback edition. While many readers like the covers by Ionicus on earlier Penguin paperbacks, these recent editions with covers by David Hitch are my favorites. They are very well done, reasonably priced and just the right size, which is to say, perfect for the novice or seasoned Wodehouse reader. The stories are also among the absolute tops in the Wooster/ Jeeves canon, and give the back stories that Bertie meditatively refers to in so many of the later books.

As Richard Usborne notes in his invaluable guide, Plum Sauce, five of these stories appeared earlier in My Man Jeeves (1919). Two of the stories there told by Reggie Pepper are here transformed into Bertie's ruminations. Carry On Jeeves was the next collection following the ten stories in The Inimitable Jeeves (1923), and Wodehouse was on a roll. Here's Bertie's first engagement to Florence Craye, and his first encounter with her younger brother, Edwin, the Boy Scout, who rapidly renders unsafe house and home. Enter Biffy and Bingo Little, later fixtures in the Wooster ouvre. Here also Bertie pens his oft- mentioned "piece" for his "good aunt" Dahlia Travers, and her struggling paper, Milady's Boudoir. The last story in this collection is somewhat questionably narrated by Jeeves, but Wodehouse fortunately reverted to telling tales in first person Bertie in the later shorts. Some of these tales also found their way into the Jeeves and Wooster TV shows with even more riotous results. All in all, a capital collection.
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