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Cary Grant: A Biography Paperback – September 27, 2005
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From Publishers Weekly
During a four-decade career filled with outstanding performances (The Awful Truth; The Philadelphia Story; Notorious; North by Northwest; Charade), Grant's greatest creation was the illusion that the suave Cary Grant really existed offscreen. Born Archibald Leach in Bristol, England, in 1904, he was traumatized at 10 when told of his mother's death. Eighteen years later, he learned she was alive (his father had committed her to an asylum). Grant nonetheless succeeded in Hollywood. After making 24 films in five years, he refused to re-sign with Paramount and, in 1936, became one of Hollywood's first freelance actors. On-screen and off, Grant was pursued by women, but his openly gay relationship with Randolph Scott lasted until both were pressured by studios to marry. Eliot, who has coauthored memoirs with Donna Summer, Barry White and Erin Brockovich, convincingly alleges that Grant was pressured by the FBI to spy on his second wife, heiress Barbara Hutton, in 1942 in return for American citizenship. Eliot's fascinating, sympathetic portrait is of a consummate performer who hid inner demons and used filmmaking to distance himself from reality (and four of his five wives). After years of therapy, weekly LSD treatments and retirement from films, he had a daughter (at age 62), a later happy marriage (he was 74, she 25) and some inner peace before his 1986 death. Photos not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Nearly 20 years after his death in 1986, Cary Grant remains the quintessential Hollywood leading man. Although numerous biographies of Grant have appeared, this legendary film icon continues to fascinate and perplex both biographers and readers, and this new treatment by the author of the acclaimed Walt Disney (1993) undoubtedly will garner popular attention. Born in 1904 in working-class Bristol, young Archibald Leach's less-than-idyllic childhood was permanently shattered by his mother's apparent death in 1914. Laboring for many years under the delusion that his mother had died (she was actually involuntarily committed to an asylum and reunited with her bewildered son after 20 years of confinement), Grant spent a lifetime seeking an ever-elusive mother figure. Grant's five high-profile marriages are explored in detail as well as his less publicized but infinitely more intriguing 11-year live-in relationship with actor Randolph Scott. Eliot places Grant firmly in the bisexual camp, providing convincing evidence and arguments that Grant did indeed enjoy both genders as sexual partners. Other topics addressed include the evolution of Grant's comedic style, influenced by turn-of-the-century British music halls and honed on the American vaudeville circuit; his often rocky ascension to superstardom, culminating in his historic break from the repressive Hollywood studio system (a rift that would cost him dearly in terms of Oscar recognition); and his serious psychotherapeutic flirtation with LSD. Emotionally immature and sexually ambivalent, the private Grant still emerges as the ultimate charmer, possessing all the charisma, humor, and dramatic appeal of his legendary screen persona. Margaret Flanagan
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
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Top customer reviews
This is indeed a trashy, self-serving hodgepodge of a book. Nothing is proven and there are mistakes throughout. The boring footnotes, meant to prove how diligent a researcher Marc Eliot is, are nothing but mundane movie factoids to be found on the internet anywhere these days. Beyond that, most of the attributed comments are from personages long dead. Towards the end of his damning book,as Cary Grant ages, moving closer to death, Mr. Eliot finally deigns to ascribe some admirable traits to Mr. Grant.
Too little, too late...The expert movie author doesn't even know that Jessie Royce Landis played Grace Kelly's mother in To Catch a Thief - not her aunt. What else can one say without gagging about an author whose acknowledgements in the back of this weird offering, include some maudlin reveries about his childhood viewing of Cary Grant films in the Bronx?
Those of us who were enchanted by him,will,I believe,all go on admiring Cary Grant and blessing him for the entertainment and visions of grace and class he left us. This will never be said of Marc Eliot.