I applaud anyone who writes a book, because it's lonely, isolating work. But while Amazon has lowered the barrier to entry - hell, even I've got a sci-fi novel on Kindle - that comes with a general lowering of quality. And unfortunately, "Casmir Bridge" is not a quality novel. Which is a shame, esp. as the author admits it took a decade to write, and involved lots of feedback. With such care and attention, this should be a cracker, but it fails to spark.
Part of that seems to be the tension between this being a political thriller and/or a hard science fiction novel. They are not mutually exclusive, of course, but neither aspect takes control, so both are washed out. Ray Hammond's excellent "Emergence" explores similar political themes where technology is upsetting the established order, but sets the bar for how the State might act to their control being usurped by a threat of the kind presented here. Beyer's cast are neophytes by comparison, and their scheming is both shallow and overly complicated. Likewise the science. The novel is set in 2108, but the technology is barely elaborated from now. There are driverless cars that retain steering wheels, but when the protagonist, journalist Mandisa (Mandi) Nkosi, tries to manually drive one, she is barely competent. There is a lot of chopper flights, but they all have human pilots. As for global warming...what's global warming?
Aside from that, the writing style is clunky, with lots of quick chapter-her, chapter-him transitions that started to feel like a flip-book about midway through. Also, some chapters include the date, and some don't, so I lost track of when things were happening, not that it mattered particularly, but it was a strange inconsistency. And the cast seems to be a paint-by-numbers affair: 1) Maverick genius good guy, check. 2) Win at all costs bad guy, check. 3) Beautiful but easily flustered African girl, check. 4) Enigmatic super agent love interest, check! It leads to a leaden emotional tone that is driven by plot mechanics - pretty girl reporter falls for competent guy who keeps saving her - rather than evolving from the situations.
Finally, too much is made of Mandi's Zulu heritage, including her somehow - and it really is random and has no bearing on the plot - participating in the Zulu Reed Dance. It's a bizarre sequence as Mandi is essentially stripped and sent out topless to dance with thousands of other woman. It is astonishingly out of touch with today's #metoo vibe, and since it goes nowhere and impacts nothing, I was left wondering why Beyer had left it in. Perhaps it's meant to be evidence of his global experience, which is mentioned in the author notes, but whatever the reason, I cringed the whole way through.
The whole novel finishes on an obvious cliff hanger, and I'm torn as to whether I will buy any sequel. Many, many aspects of "Casmir Bridge" annoyed me, but I do enjoy a mystery and this one has not been resolved. Probs I will buy if the price is right, and hopefully Beyer's narrative skills improve with practice. In the meantime, I can't really recommend this, because there are heaps better novels to read and life is too short for the merely OK ones.
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