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The Castle of Otranto : A Gothic Story (Annotated) Kindle Edition
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|eBook, February 16, 2014||
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Top Customer Reviews
So he had this dream... A castle, a staircase, a huge armored glove in a gallery.
Then he sat down and wrote a book that he attributes to fictional character, “William Marshal, gentleman, from the Italian of Onuphro Muralto, canon of the Church of St. Nicholas, at Otranto", which Walpole claims to have found and translated from the original Italian. Dating of the of the story is placed between the first and second Crusade, sometime between 1095 A.D. and 1243 A.D., though the fictional book itself was written in the 1500's. The real book was written in English and printed in 1765.
He had a printing press... Yes, young peanut. Self publishing happened earlier then the twenty first century.
The rest is history. The medieval fantasy / gothic horror franchises had opened their doors for business.
Between the prophecy, the knights and castles, the Crusades, the zealous tyrant, the lost heir, the swooning damsels, the dying hermit, the dead knight returning to reclaim his daughter AND gigantic armor that kills people, well how can you turn that down?
My favorite part was when something terrifying happened, it always happened when the Prince of Otranto was out of the room, but many of his staff and servants saw it. They would run to him, arriving breathlessly to warn him of the danger, then start these long rambling tales. He could switch from one person to the other, trying to figure out what happened and still not understand as they would quiver, lead up to the terror and go off on tangents, etc., until he would explode in anger and finally get off his privileged butt to go see what scared them. Funniest thing. Happens three times.
Murder, mistaken identity, lost heirs, Crusaders, freed slaves, prophecies, big men with swords, saints, chases in burial vaults, secret passages, a runaway Princess, long lost parental units, a feisty priest, and a dying hermit with God on his side, not to mention the gigantic killing armor.
highly dramatic, and kind of fun to read. For readers now, I think its value is more for historical than literary purposes. It is an important book and I'm very grateful to have been able to get it.
Oxford Classics always does a great job. The cover fits well and the annotation provided by W. S. Lewis is helpful.
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