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Caught Paperback – April 9, 2019
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Reporter Wendy Tynes is making a name for herself, bringing down sexual offenders on nationally televised sting operations. But when social worker Dan Mercer walks into her trap, Wendy gets thrown into a story more complicated than she could ever imagine.
Dan is tied to the disappearance of a seventeen-year-old New Jersey girl, and the shocking consequences will have Wendy doubting her instincts about the motives of the people around her, while confronting the true nature of guilt, grief, and her own capacity for forgiveness...
- Print length384 pages
- LanguageEnglish
- PublisherDutton
- Publication dateApril 9, 2019
- Dimensions5.5 x 0.75 x 8.25 inches
- ISBN-101524745499
- ISBN-13978-1524745493
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Editorial Reviews
Review
“The thrill-a-minute action zooms on sharp, slippery twists and turns in a white-knuckle race from start to finish.”—#1 New York Times bestselling author Nora Roberts
“With Caught, Harlan Coben knocked another one out of the park!”—#1 New York Times bestselling author Lisa Jackson
“A Tilt-A-Whirl of a story....Buckle up and prepare for whiplash.”—#1 New York Times bestselling author Sandra Brown
“Quite simply, Harlan Coben is one of my favorite authors. His books have it all: nail-biting suspense, roller-coaster plots, relevant social issues, and pitch-perfect characters.”—#1 New York Times bestselling author Kristin Hannah
“Caught is dark-hearted, quintessential Coben...guaranteed to make you both look over your shoulder and sign up with the good guys.”—New York Times bestselling author Luanne Rice
“This is Harlan Coben at his best.”—The Huffington Post
“[A] tour de force of storytelling...All the secrets interlock and reinforce each other like tiles in a grand and seamless mosaic.”—The Washington Post
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I knew opening that red door would destroy my life.
Yes, that sounds melodramatic and full of foreboding and I’m not big on either, and true, there was nothing menacing about the red door. In fact, the door was beyond ordinary, wood and four-paneled, the kind of door you see standing guard in front of three out of every four suburban homes, with faded paint and a knocker at chest level no one ever used and a faux brass knob.
But as I walked toward it, a distant streetlight barely illuminating my way, the dark opening yawning like a mouth ready to gobble me whole, the feeling of doom was unshakeable. Each step forward took great effort as if I were walking not along a somewhat crackled walk but through still-wet cement. My body displayed all the classic symptoms of impending menace: Chill down my spine? Check. Hairs standing up on my arms? Yep. Prickle at the base of the neck? Present. Tingle in the scalp? Right there.
The house was dark, not a single light on. Chynna warned me that would be the case. The dwelling somehow seemed a little too cookie-cutter, a little too nondescript. That bothered me for some reason. This house was also isolated at the tippy end of the cul-de-sac, hunkering down in the darkness as though fending off intruders.
I didn’t like it.
I didn’t like anything about this, but this is what I do. When Chynna called I had just finished coaching the inner-city fourth-grade Newark Biddy Basketball team. My team, all kids who, like me, were products of foster care (we call ourselves the NoRents, which is short for No Parents—gallows humor), had managed to blow a six-point lead with two minutes left. On the court as in life, the NoRents aren’t great under pressure.
Chynna called as I was gathering my young hoopsters for my postgame pep talk, which usually consisted of giving my charges some life-altering insight like “Good effort,” “We’ll get them next time,” or “Don’t forget we have a game next Thursday,” always ending with “Hands in” and then we yell, “Defense,” choosing to chant that word, I suppose, because we play none.
“Dan?”
“Who is this?”
“It’s Chynna. Please come.”
Her voice trembled, so I dismissed my team, jumped in my car, and now I was here. I hadn’t even had time to shower. The smell of gym sweat mixed now with the smell of fear sweat. I slowed my pace.
What was wrong with me?
I probably should have showered, for one thing. I’m not good without a shower. Never have been. But Chynna had been adamant. Now, she had begged. Before anyone got home. So here I was, my gray T-shirt darkened with perspiration and clinging to my chest, heading to that door.
Like most youngsters I work with, Chynna was seriously troubled, and maybe that was what was setting off the warning bells. I hadn’t liked her voice on the phone, hadn’t really warmed to this whole setup. Taking a deep breath, I glanced behind me. In the distance, I could see some signs of life on this suburban night—house lights, a flickering television or maybe computer monitor, an open garage door—but in this cul-de-sac, there was nothing, not a sound or movement, just a hush in the dark.
My cell phone vibrated, nearly making me jump out of my skin. I figured that it was Chynna, but no, it was Jenna, my ex-wife. I hit answer and said, “Hey.”
“Can I ask a favor?” she asked.
“I’m a little busy right now.”
“I just need someone to babysit tomorrow night. You can bring Shelly if you want.”
“Shelly and I are, uh, having trouble,” I said.
“Again? But she’s great for you.”
“I have trouble holding on to great women.”
“Don’t I know it.”
Jenna, my lovely ex, has been remarried for eight years. Her new husband is a well-respected surgeon named Noel Wheeler. Noel does volunteer work for me at the teen center. I like Noel and he likes me. He has a daughter by a previous marriage, and he and Jenna have a six-year-old girl named Kari. I’m Kari’s godfather, and both kids call me Uncle Dan. I’m the family go-to babysitter.
I know this all sounds very civilized and Pollyanna, and I suppose it is. In my case, it could be simply a matter of necessity. I have no one else—no parents, no siblings—ergo, the closest thing I have to family is my ex-wife. The kids I work with, the ones I advocate for and try to help and defend, are my life, and in the end I’m not sure I do the slightest bit of good.
Jenna said, “Earth to Dan?”
“I’ll be there,” I said to her.
“Six thirty. You’re the best.”
Jenna made a smooching noise into the mouthpiece and hung up. I looked at the phone for a moment, remembered our own wedding day. It was a mistake for me to get married. It is a mistake for me to get too close to people, and yet I can’t help it. Someone cue the violins so I can wax philosophical about how it is better to have loved and lost than to never have loved at all. I don’t think that applies to me. It is in humans’ DNA to repeat the same mistakes, even after we know better. So here I am, the poor orphan who scraped his way up to the top of his class at an elite Ivy League school but never really scraped off who he was. Corny, but I want someone in my life. Alas, that is not destiny. I am a loner who isn’t meant to be alone.
“We are evolution’s refuse, Dan. . . .”
My favorite foster “dad” taught me that. He was a college professor who loved to get into philosophical debates.
“Think about it, Dan. Throughout mankind, the strongest and brightest did what? They fought in wars. That only stopped this past century. Before that, we sent our absolute best to fight on the front lines. So who stayed home and reproduced while our finest died on distant battlefields? The lame, the sick, the weak, the crooked, the cowardly—in short, the least of us. That’s what we are the genetic byproduct of, Dan—millenniums of weeding out the premium and keeping the flotsam. That’s why we are all garbage—the worst leftovers from centuries of bad breeding.”
I forgo the knocker and rapped on the door lightly with my knuckles. The door creaked open a crack. I hadn’t realized that it was ajar.
I didn’t like that either. A lot I didn’t like here.
As a kid, I watched a lot of horror movies, which was strange because I hated them. I hated things jumping out at me. And I really couldn’t stand movie gore. But I would still watch them and revel in the predictably moronic behavior of the heroines, and right now those scenes were replaying in my head, the ones where said moronic heroine knocks on a door and it opens a little and you scream, “Run, you scantily clad bimbo!” and she wouldn’t and you couldn’t understand it and two minutes later, the killer would be scooping out her skull and munching on her brain.
I should go right now.
In fact, I will. But then I flashed back to Chynna’s call, to the words she’d said, the trembling in her voice. I sighed, leaned my face toward the opening, peered into the foyer.
Darkness.
Enough with the cloak and dagger.
“Chynna?”
My voice echoed. I expected silence. That would be the next step, right? No reply. I slip the door open a little, take a tentative step forward . . .
“Dan? I’m in the back. Come in.”
The voice was muffled, distant. Again I didn’t like this, but there was no way I was backing out now. Backing out had cost me too much throughout my life. My hesitation was gone. I knew what had to be done now.
I opened the door, stepped inside, and closed the door behind me.
Others in my position would have brought a gun or some kind of weapon. I had thought about it. But that just doesn’t work for me. No time to worry about that now. No one was home. Chynna had told me that. And if they were, well, I would handle that when the moment came.
“Chynna?”
“Go to the den, I’ll be there in a second.”
The voice sounded . . . off. I saw a light at the end of the hall and moved toward it. There was a noise now. I stopped and listened. Sounded like water running. A shower maybe.
“Chynna?”
“Just changing. Out in a second.”
I moved into the low-lit den. I saw one of those dimmer switch knobs and debated turning it up, but in the end I chose to leave it alone. My eyes adjusted pretty quickly. The room had cheesy wood paneling that looked as if it was made from something far closer to vinyl than anything in the timber family. There were two portraits of sad clowns with huge flowers on their lapels, the kind of painting you might pick up at a particularly tacky motel’s garage sale. There was a giant open bottle of no-name vodka on the bar.
I thought I heard somebody whisper.
“Chynna?” I called out.
No answer. I stood, listened for more whispering. Nothing.
I started toward the back, toward where I heard the shower running.
“I’ll be right out,” I heard the voice say. I pulled up, felt a chill. Because now I was closer to the voice. I could hear it better. And here was the thing I found particularly strange about it:
It didn’t sound at all like Chynna.
Three things tugged at me. One, panic. This wasn’t Chynna. Get out of the house. Two, curiosity. If it wasn’t Chynna, who the hell was it and what was going on? Three, panic again. It had been Chynna on the phone—so what had happened to her?
I couldn’t just run out now.
I took one step toward where I’d come in, and that was when it all happened.
A spotlight snapped on in my face, blinding me. I stumbled back, hand coming up to my face.
“Dan Mercer?”
I blinked. Female voice. Professional. Deep tone. Sounded oddly familiar.
“Who’s there?”
Suddenly there were other people in the room. A man with a camera. Another with what looked liked a boom mike. And the female with the familiar voice, a stunning woman with chestnut brown hair and a business suit.
“Wendy Tynes, Eyewitness News. Why are you here, Dan?”
I opened my mouth, nothing came out. I recognized the woman from that TV newsmagazine . . .
“Why have you been conversing online in a sexual manner with a thirteen year-old girl, Dan? We have your communications with her.”
. . . the one that sets up and catches pedophiles on camera for all the world to see.
“Are you here to have sex with a twelve-year-old girl?”
The truth of what was going on here hits me, freezing my bones. Other people flooded the room. Producers maybe. Another cameraman. Two cops. The cameras come in closer. The lights get brighter. Beads of sweat pop up on my brow. I start to stammer, start to deny.
But it’s over.
Two days later, the show airs. The world sees.
And the life of Dan Mercer, just as I somehow knew when I approached that door, is destroyed.
***
When Marcia McWaid first saw her daughter’s empty bed, panic did not set in. That would come later.
She had woken up at six am, early for Saturday morning, feeling pretty terrific. Ted, her husband of twenty years, slept in the bed next to her. He lay on his stomach, his arm around her waist. Ted liked to sleep with a shirt on and no pants. None. Nude from the waist down. “Gives my man down there room to roam,” he would say with a smirk. And Marcia, imitating her daughters’ teenage singsong tone, would say, “T-M-I”—Too Much Information.
Marcia slipped out of his grip and padded down to the kitchen. She made herself a cup of coffee with the new Keurig pod machine. Ted loved gadgets—boys and their toys—but this one actually got some use. You take the pod, you stick it in the machine—presto, coffee. No video screens, no touch pad, no wireless connectivity. Marcia loved it.
They’d recently finished an addition on the house—one extra bedroom, one bathroom, the kitchen knocked out a bit with a glassed-in nook. The kitchen nook offered oodles of morning sun and had thus become Marcia’s favorite spot in the house. She took her coffee and the newspaper and set herself on the window seat folding her feet beneath her.
A small slice of heaven.
She let herself read the paper and sip her coffee. In a few minutes she would have to check the schedule. Ryan, her third grader, had the early Hoops Basketball game at eight am. Ted coached. His team was winless for the second straight season.
“Why do your teams never win?” Marcia had asked him.
“I draft the kids based on two criteria.”
“That being?”
“How nice the father—and how hot the mom.”
She had slapped at him playfully and maybe Marcia would have been somewhat concerned if she hadn’t seen the moms on the sideline and knew, for certain, that he had to be joking. Ted was actually a great coach, not in terms of strategy but in terms of handling the boys. They all loved him and his lack of competiveness so that even the untalented players, the ones who were usually discouraged and quit during the season, showed up every week. Ted even took the Bon Jovi song and turned it around, “You give losing a good name.” The kids would laugh and cheer every basket and when you’re in third grade that’s how it should be.
Marcia’s fourteen-year-old daughter, Patricia, had rehearsal for the freshman play, an abridged version of the musical Les Miserables. She had several small parts, but that didn’t seem to affect the workload. And her oldest child, Haley, the high school senior, was running a “captain’s practice” for the girls’ lacrosse team. Captain’s practices were unofficial, a way to sneak in early practices under the guidelines issued by high school sports. In short, no coaches, nothing official, just a casual gathering, glorified pickup games if you will, run by the captains.
Like most suburban parents, Marcia had a love-hate relationship with sports. She knew the relative long-term irrelevancy and yet still managed to get caught up in it.
A half hour of peace to start the day. That was all she needed.
She finished the first cup, pod-made herself a second, picked up the “Styles” section of the paper. The house remained silent. She padded upstairs and looked over her charges. Ryan slept on his side, his face conveniently facing the door so that his mother could notice the echo of his father.
Patricia’s room was next. She too was still sleeping.
“Honey?”
Patricia stirred, might have made a noise. Her room, like Ryan’s, looked as if someone had strategically placed sticks of dynamite in the drawers, blowing them open; some clothes sprawled dead on the floor, others lay wounded midway, clinging to the armoire like the fallen on a barricade before the French Revolution.
“Patricia? You have rehearsal in an hour.”
“I’m up,” she groaned in a voice that indicated she was anything but. Marcia moved to the next room, Haley’s, and took a quick peek.
The bed was empty.
It was also made, but that was no surprise. Unlike her siblings’ abodes, this one was neat, clean, anally organized. It could be a showroom in a furniture store. There were no clothes on this floor, every drawer fully closed. The trophies—and there were many—were perfectly aligned on four shelves. Ted had put in the fourth shelf just recently, after Haley’s team had won the holiday tournament in Franklin Lakes. Haley had painstakingly divided up the trophies among the four shelves, not wanting the new one to have only one. Marcia was not sure why exactly. Part of it was because Haley didn’t want it to look like she was just waiting for more to come, but more of it was her general abhorrence to disorganization. She kept each trophy equidistant from the others, moving them closer together as more came in, three inches separating them, then two, then one. Haley was about balance. She was the good girl and while that was a wonderful thing—a girl who was ambitious, did her homework without being asked, never wanted others to think badly of her, ridiculously competitive—there was a tightly wound aspect, a quasi-OCD quality, that worried Marcia.
Marcia wondered what time Haley had gotten home. Haley didn’t have a curfew anymore because there had simply never been a need. She was responsible and a senior and never took advantage. Marcia had been tired and gone up to sleep at ten. Ted, in his constant state of “randy,” soon followed her.
Marcia was about to move on, let it go, when something, she couldn’t say what, made her decide to throw in a load of laundry. She started toward Haley’s bathroom. The younger siblings, Ryan and Patricia, believed that “hamper” was a euphemism for “floor” or really “anyplace but the hamper,” but Haley, of course, dutifully, religiously, and nightly put the clothes she’d worn that day into the hamper. And that was when Marcia started to feel a small rock form in her chest.
There were no clothes in the hamper.
The rock in her chest grew when Marcia checked Haley’s toothbrush, then the sink and shower.
All bone-dry.
The rock grew when she called out to Ted, trying to keep the panic out of her voice. It grew when they drove to captain’s practice and found out that Haley had never showed. It grew when she called Haley’s friends while Ted sent out an e-mail blast—and no one knew where Haley was. It grew when they called the local police, who, despite Marcia’s and Ted’s protestations, believed that Haley was a runaway, a kid blowing off some steam. It grew when, forty-eight hours later, the FBI was brought in. It grew when there was still no sign of Haley after a week.
It was as if the earth had swallowed her whole.
A month passed. Nothing. Then two. Still no word. And then finally, during the third month, word came—and the rock that had grown in Marcia’s chest, the one that wouldn’t let her breathe and kept her up nights, stopped growing.
Excerpt from CAUGHT by Harlan Coben © 2010.
Published by Dutton, a member of Penguin Group (USA). All Rights Reserved.
Product details
- Publisher : Dutton; Reprint edition (April 9, 2019)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 1524745499
- ISBN-13 : 978-1524745493
- Item Weight : 10.6 ounces
- Dimensions : 5.5 x 0.75 x 8.25 inches
- Best Sellers Rank: #104,359 in Books (See Top 100 in Books)
- #3,448 in Psychological Thrillers (Books)
- #7,976 in American Literature (Books)
- #10,493 in Suspense Thrillers
- Customer Reviews:
About the author

With over 70 million books in print worldwide, Harlan Coben is the #1 New York Times author of thirty one novels including RUN AWAY, FOOL ME ONCE, TELL NO ONE, NO SECOND CHANCE and the renowned Myron Bolitar series. His books are published in 43 languages around the globe.
Harlan is the creator and executive producer for the Netflix television dramas SAFE starring Michael C. Hall, Audrey Fleurot and Amanda Abbington, and THE FIVE starring Tom Cullen and OT Fagbenle. He is currently filming THE STRANGER, based on his novel, for Netflix starring Richard Armitage, Siobhan Finneran, Jennifer Saunders and Stephen Rea. Harlan was also showrunner and executive producer for two French TV mini-series, UNE CHANCE DE TROP (NO SECOND CHANCE) with Alexandra Lamy and JUST UN REGARD (JUST ONE LOOK) with Virginie Ledoyen. KEINE ZWEIT CHANCE, also based on Harlan’s novel, aired in Germany on Sat1.
Harlan’s novel TELL NO ONE (NE LE DIS A PERSONNE) was turned into the renowned French film, directed by Guillaume Canet and starring Francois Cluzet. The movie was the top box office foreign-language film of the year in USA, won the Lumiere (French Golden Globe) for best picture and was nominated for nine Cesars (French Oscar) and won four, including best actor, best director and best music. The movie with subtitles is now available on Netflix, Amazon Prime and DVD/Blu-Ray.
Winner of the Edgar Award, Shamus Award and Anthony Award – the first author to win all three – international bestselling author Harlan Coben’s critically-acclaimed novels have been called “ingenious” (New York Times), “poignant and insightful” (Los Angeles Times), “consistently entertaining” (Houston Chronicle), “superb” (Chicago Tribune) and “must reading” (Philadelphia Inquirer).
In his first books, Coben immersed himself in the exploits of sports agent Myron Bolitar. Critics loved the series, saying, “You race to turn pages…both suspenseful and often surprisingly funny” (People). After seven books Coben wanted to try something different. “I came up with a great idea that simply would not work for Myron,” says Coben. The result was the critically acclaimed New York Times bestseller TELL NO ONE, which became the most decorated thriller of the year. Two books later, Bookspan, recognizing Coben’s broad international appeal, named NO SECOND CHANCE its first ever International Book of the Month in 2003 – the Main Selection in 15 different countries.
Harlan was the first writer in more than a decade to be invited to write fiction for the NEW YORK TIMES op-ed page. His Father’s Day short story, THE KEY TO MY FATHER, appeared June 15, 2003. His essays and columns have appeared in many top publications including the New York Times, Parade Magazine and Bloomberg Views.
Harlan has received an eclectic variety of honors from all over the world. In Paris, he was awarded the prestigious Vermeil Medal of Honor for contributions to culture and society by the Mayor of Paris. He was won the El Premio del Novela Negra RBA in Spain, the Grand Prix de Lectrices in France, and the CWA/ITV3 Bestseller Dagger for favorite crime novelist in England. On the other end of the spectrum, Little League Baseball inducted Harlan into their Hall of Excellence in 2013, and Harlan is also a member of the New England Basketball Hall of Fame from his playing days at Amherst College.
Harlan was born in Newark, New Jersey. He still lives in New Jersey with his wife, Anne Armstrong-Coben MD, a pediatrician, and their four children.
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The varied solution(s) to the convoluted plotlines are almost as mystifying and brain-teasing as these plotlines themselves.
All that said, I have to admit that I still kept reading, captured by the sheer complexity of the narrative.
"So I'm here to tell you: Don't send me your self involved AA nonsense. I don't care. I don't want to forgive you so you can heal or recover or whatever the hell you call it...."
Wendy hosts a newsmagazine style show called Caught in the Act, which exposes child sexual predators, live and in color, usually at a sting house where the internet chat room lurkers are lured. Her latest exposé ensnares Dan Mercer, a Big Brother type volunteer who coaches and councils troubled inner-city kids. Dan, a divorced Princeton grad, who was a foster child himself, is subsequently arrested and finds his life in ruins. The story jumps three months. Haley McWaid, a teenager and classmate of Wendy's son Charlie, has been missing since around the time of Mercer's arrest. The intermingling of these two unfortunate incidents is what drives the intricate plot of Coben's latest novel.
Harlan Coben is basically a dual mode author. Firstly, he writes a series of private eye thrillers featuring Myron Bolitar, a sort of soft-boiled sports agent who finds himself enmeshed in all sorts of intrigue. And secondly, he writes the more socially conscious mysteries like Caught, which usually take place near his real life home of Ridgewood, New Jersey, a somewhat peaceful, wealthy suburban town, about an hour northwest of NYC. For the most part these New Jersey books are separate entities, but occasionally Coben will reintroduce his more dynamic characters like: Frank Tremont, a main character from his last NJ thriller, Hold Tight, and a minor player in Caught; Windsor Horne Lockwood III, a preppy business and computer whiz who is a childhood friend of Myron Bolitar as well as casual sex interest for reporter Tynes; and Hester Crimstein, a no-nonsense, risible, and caustic New York lawyer, one of my favorite recurring Coben characters.
In Caught, Coben continues to engage his readers in thoughtful social commentary ripped from the morning headlines. The issue this time becomes modern day smear tactics i.e.; viral blogs, viral video, etc... How easy it is in the current technological climate, with the likes of Twitter, Facebook, and You Tube, to spread the word, albeit slanderous, about anyone or anything. There are also subtexts that runs throughout many of the author's thrillers. In this book, one of the questions he tackles asks: how much trust do we give our kids and to what length are we willing to go to protect them? Wendy ponders these hypotheticals as she attends the regular meeting of Kasselton High School's Project Graduation, a gathering of parents scheming to make their kid's graduation experience as enjoyable and safe as possible. She peruses the various booths set up along the hallway: Not In Our House, a campaign against parents hosting underage drinking parties; another booth urged parents to post signs which proclaimed DRIVE SLOWLY WE *heart* OUR CHILDREN (as if you don't); Yet another kiosk handed out drinking pledge contracts, coaxing teens to swear an oath to never drink and drive. As she takes her seat, one of the fathers who sits next to her, gestures to the booths.
"`Safety Overkill' he said. `We're so overprotective don't you think?'
Wendy said nothing..."
But later she wonders,
"...if perhaps Ariana Nasbro's parents should have attended one of the over-the-top orientations, if maybe all this apparent safety overkill would indeed save a life during the next few weeks, so that some other family wouldn't have to deal with what she and Charlie had."
The reader gets the feeling that Coben is frequently weaving his spin into the text, sometimes in a smart-alecky way, but always leaving room for the prevailing ethos. Throughout the book, Coben touches on everything from vigilantism to pseudo Rap music, adding humor in splotches here and there. All of it mixed with a suspenseful plot add up to a satisfying reading experience. Though for me, the essence of this novel returns to the source of Wendy's psychic pain; it's all about our capacity to forgive.
[...] Book Jones 3.5 Stars
In this case the featured character is an investigative TV reporter named Wendy Tynes. Wendy is a youngish widow with a son in high school, a motorcycle-riding father and a successful series on sexual offenders. Her life becomes entwined with a social worker and alleged sexual deviant named Dan Mercer. Dan went to Princeton (which, sorry HC, does not have a medical school) and has been experiencing some nasty reversals in his life, as have a group of his former classmates. Why? What happened in the past? And who is tormenting the Tigers now?
This is classic HC, which is to say, highly engaging, highly entertaining, and just a tad implausible. The good news is that HC has built up an ensemble cast over the years. Legal shark Hester Crimstein plays a significant role here; Win Lockwood plays a smaller but still a pivotal role and we even pass the offices of our oldest HC friend, Myron Bolitar.
This is not The Long Goodbye, The Big Sleep, or Ellroy’s L.A. Quartet, but it is a great deal of fun. The difference is depth of theme, texture and overall weightiness, but HC is not trying to haunt your dreams and alter the shape of your aesthetic life. He is trying to entertain you and hold your attention. That he does masterfully.
Top reviews from other countries
The second thing that started to annoy me, was how Harlen uses the same words over and over again - such as "Bingo" when the character finds the answer to something or "Apropos". How many times does a person in real life actually say "Bingo!"? I don't know anyone who does and it just started to grate on my nerves.
While I did enjoy the twists and turns, there were some parts to the story that were so irrelevant and boring, that I was skipping ahead.
Maybe it's time I found another author....
It was fast-paced & the characters were well drawn. I highly recommend it to all who love a good crime novel/thriller.
