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Cemetery Beach Paperback – June 11, 2019
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Collects CEMETERY BEACH 1 - 7
- Print length176 pages
- LanguageEnglish
- PublisherImage Comics
- Publication dateJune 11, 2019
- Reading age16 years and up
- Dimensions6.5 x 0.3 x 9.9 inches
- ISBN-101534312234
- ISBN-13978-1534312234
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Product details
- Publisher : Image Comics (June 11, 2019)
- Language : English
- Paperback : 176 pages
- ISBN-10 : 1534312234
- ISBN-13 : 978-1534312234
- Reading age : 16 years and up
- Item Weight : 11.9 ounces
- Dimensions : 6.5 x 0.3 x 9.9 inches
- Best Sellers Rank: #1,781,904 in Books (See Top 100 in Books)
- #1,706 in Image Comics & Graphic Novels
- #4,779 in Mystery Graphic Novels
- #6,458 in Fantasy Graphic Novels (Books)
- Customer Reviews:
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About the authors

Warren Ellis is the author of the Amazon Top 100 2016 book NORMAL and the New York Times- bestselling GUN MACHINE, the writer of award-winning graphic novels like TRANSMETROPOLITAN, PLANETARY and FELL, and is the creator and writer of global top ten streaming hit show CASTLEVANIA on Netflix.
The movie RED is based on his graphic novel of the same name, its sequel having been released in summer 2013. His GRAVEL books are in development for film at Legendary Pictures. IRON MAN 3 is based on his Marvel Comics graphic novel IRON MAN: EXTREMIS. He's also written extensively for VICE, WIRED UK and Reuters on technological and cultural matters.
Read and subscribe to his free weekly newsletter with updates on work and likes at https://buttondown.email/orbitaloperations and orbitaloperations.com.
Warren Ellis lives outside London, on the south-east coast of England, in case he needs to make a quick getaway.

Jason Howard is an American comic book artist and writer. He’s a creative force in comics, but he’s probably most known for co-creating and illustrating the groundbreaking and critically acclaimed TREES graphic novel series. He also wrote for the SUPER DINOSAUR animated series, based on the graphic novels he co-created and illustrated. His newest project BIG GIRLS sees Jason taking full creative control both writing and illustrating it.
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I think Cemetery Beach is exactly what it set out to be, a delightfully relentless, Fury Road-ish chase across a 1980s-ish dystopian sci-fi off world colony where everyone is at least as mad as the Mad Hatter. The art is fantastic and, so help me, whenever Warren Ellis puts words to paper or screen, I’m there to read them and I’m never disappointed. No matter where he takes me, I always feel I’m in good, unrelentingly creative hands. And no matter where his stories are set or who is doing the talking, there’s something about his dialogue that feels like home sweet-snarky home.
Our hero Mike has been sent to a lost and forgotten off-Earth colony to see what's up. It's gone all "1984" and Mike hooks up with Grace, a resistance fighter with crazy skilz. They meet cute during their torture and escape in a barrage of bullets and wisecracks. They run around for a while with cutrate Gestapo types chasing them. Safe haven; escape sort of; get ready to return for round two.
The plot made reasonable sense. The action was over the top, in that apparently neither Mike nor Grace can be shot, dropped from great heights, or blowed up with any lasting consequences. But I didn't really care about that because if they die in Issue 1 then the story really loses a lot.
It's a quick fun read with smart writing and a bit of stretched out chase/action padding. The drawing is intentionally a bit angular and old school, but that fit well with the gloomy and crappy Earth colony vibe, so I went with it. A happy find.
(Please note that I had a chance to read a free ecopy of this book without a review requirement, or any influence regarding review content should I choose to post a review. Apart from that I have no connection at all to either the author or the publisher of this book.)
Picture if you will; in the 1920s, a group of industrialists and scientists discovered a method to travel to another world. Not a very *good* world, but for some(many) of us, "another" is reason enough.
It takes about 100 years for the world they left behind to realize this, and send a somewhat suicidal specialist to see what those people found.
And so begins Warren Ellis' version of Mad Max: Fury Road; A man, a woman, a world that has literally gone mad, and a nonstop chase across what is ultimately dubbed Giant Toilet Planet. There will be fistfights, knife fights, gunfights, and every single vehicle shown *will* explode.
I hope Ellis returns to this world to tell more stories just as I hope George Miller returns to his wastelands to do the same, but my only real question is, "Why hasn't Amazon Prime Video made a series out of this?"
Top reviews from other countries
Leider ist die Umsetzung eine schier endlose Wiederholung von schiessen, rennen, etwas explodiert und es geht wieder von vorne los.
Der eher krude Zeichenstil reisst es dann leider für mich auch nicht raus.


