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Cerulean Sins: An Anita Blake, Vampire Hunter Novel by [Hamilton, Laurell K.]
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Cerulean Sins: An Anita Blake, Vampire Hunter Novel Kindle Edition

3.5 out of 5 stars 552 customer reviews

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Length: 426 pages Word Wise: Enabled Enhanced Typesetting: Enabled
Page Flip: Enabled

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Editorial Reviews

Amazon.com Review

Laurell K. Hamilton's legions of eager fans will be pleased to see Cerulean Sins), the eleventh novel in her Anita Blake, Vampire Hunter series, which is set on an alternate Earth where magic works and vampires and werewolves are real. When a sinister stranger tries to hire the magically potent Anita Blake to raise the dead, she finds herself embroiled in the search for a vicious, supernatural serial killer, and also in the clandestine international politics of the vampires. And as she becomes more deeply enmeshed in cruel plots and counterplots, her tangled personal life only becomes more demanding, more wrenching, and more erotically fraught.

With ten previous books in the Anita Blake series, Cerulean Sins is not the place to start. Though author Hamilton artfully reveals the backstory in small doses, the numerous returning characters and the complex history will overwhelm most newcomers (and even the most devoted fans may find that the backfilling slows the pace). Also, the characters frequently stand around talking and psychoanalyzing one another, which makes for static stretches unlikely to hold a new reader's attention. Newcomers should start with the first book, Guilty Pleasures. --Cynthia Ward

From Publishers Weekly

Anita Blake is one the more fascinating fictional heroines since Scarlet O'Hara-and a hell of a lot more fun than most. Despite her satin lingerie, short skirts and high heels, she kicks both human and non-human bad-guy butt-hard. Having gained immense supernatural powers and become an important force in the vampiric and lycanthropic communities of St. Louis in the 10 previous books, Anita begins this fantastic dark adventure by raising the dead and ends it by tackling a murderous monster. In between, she wades (literally) into a bloody investigation of a preternatural serial killer and (metaphysically and physically) into dangerous vampire politics. šber-vampiress Belle Morte has sent her dreaded surrogate, Musette, to demand that Anita's paramour, Jean-Claude, Master Vampire of the City, return the vampire Asher to her-a fate worse than a stake through the heart. In order to save Asher, Anita must be both sexually and psychically creative. Anita and the vampires also need head werewolf Richard to help defeat Belle Morte's designs. But can Richard, who recently dumped Anita because she was more "monster" than human, be relied on? Meanwhile, cop Dolph Storr, who's gone violently anti-preternatural, won't let Anita (now a federal marshal) help stop a series of gruesome murders. If this all seems complicated, it's nothing compared to Anita's sex life. There's plenty of the hot stuff, but it's presented with a certain morality and definite hilarity. After unraveling, to the detriment of writing and plot, some character and story line knots in previous bestseller Narcissus in Chains (2001), the author is back on track with the best Blake yet.
Copyright 2003 Reed Business Information, Inc.

Product Details

  • File Size: 1666 KB
  • Print Length: 426 pages
  • Publisher: Jove (April 2, 2010)
  • Publication Date: April 1, 2010
  • Sold by: Penguin Group (USA) LLC
  • Language: English
  • ASIN: B002YKOXDY
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Enabled
  • Lending: Not Enabled
  • Enhanced Typesetting: Enabled
  • Amazon Best Sellers Rank: #46,923 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Top Customer Reviews

Format: Hardcover
Sheer disappointment. I keep seeing that word, "disappointment," all throughout these reviews, and I don't think that's simply coincidence. These are my personal, major complaints in no particular order:
1) *Shift of plot type*
I got hooked on these books because they were a cool, supernatural combination of the whodunit, detective, and action genres. Don't get me wrong, Anita's love/sex-life has always been part of the stories, but it wasn't ever really the primary plotline. Now it is, and since I don't dig soft-core erotica nor romance novels, I don't care for it.
2) *Apparent metamorphosis of major characters*
When I was reading passages involving Dolph or Richard, I couldn't imagine why they're now such different characters. People go through difficult, sometimes traumatizing times in life, but for pete's sake, these guys are so different from the way they were in the previous books that their names ought to be changed!
3) *The ardeur*
I'm sick of it, sick of it, sick of it. That's about as concisely as I can put it.
4) *Long hair on men*
Okay, Hamilton, so you like long hair on guys. So do I -- on the right guy, of course. But get over it! I'm weary of reading endless descriptions of some man's long, flowing, beautiful, cascading, lustrous, rippling, flaxen, luxurious, blah blah blah hair. Oh, and lets not forget how traumatizing it is for his friends when a man cuts off his long hair!!
5) * "So much meat" *
Might there possibly be any other phrase to describe a human being who's been ripped to shreds? <reaching for thesaurus...> Seriously, I should've kept track of how many times that particular phrase was abused... er, used.
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Format: Hardcover
I know, we don't confuse fiction with reality. Yet, when you read enough about a character, you start relating to "it" (him or her) as if that character were a personal friend. Sadly, I have broken friendship with Anita in this new installment. "Anita" books used to have two major strengths, I think: a good mystery plot which got solved at the end (and if Anita kept pulling increasingly unbelievable tricks out of her sleeve, more power to her), and Anita's coherence as a character. The reader may have gotten a bit bored with her constant moral qualms ("An affair with Jean-Claude, does that make me a monster? Maybe yes...maybe no...yes...no...") and may not have agreed with some of her choices, but at least they used to make sense within Anita's system of beliefs, the way the author described it. In this book, we encounter a new Anita who, while trying to learn self acceptance, also stops making sense. I don't mean it as moral judgment, but Anita's quite brusque transition from "prudish" to "orgiastic" seemed more motivated by real market pressures than the internal logic of a fictional character. Anita is as coherent as a software with a virus: push the button marked l'ardeur, and lo and behold, there's no stopping her. (I have to say that at this point I sympathize a lot more with Merry Gentry from the other series, who at least does what she enjoys best.) To top it off, one of Anita's strong points, her ability to take control of an explosive situation, here turns into the obsession of control: she whines, she complains, she complicates fairly straightforward circumstances. Unfortunately, that doesn't come across as complexity, but rather as a badly constructed character.
My second problem was with the plot of the book.
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Format: Hardcover
What on earth has happened to Anita Blake? What was once an engaging, funny, and human character whose vulnerability in a world of superpowered creatures made her so intriguing is now a hypocritical, self-centered, spoiled, childish, delusional, hateful, mean-spirited, nigh-omnipotent, humorless and unappealing sex fiend. Now, usually I rather like sex fiends, but Anita Blake is perhaps the most irritating, unlikable, and revolting character I have come across in a long time, and no amount of orgasmic sex is going to fix that.
Anita's supporting cast almost holds CS together and makes it palatable, but unfortunately Anita's overbearing presence kills the other characters' appeal. The fact that all of the characters in this book have been reduced to spineless bootlicking sycophants, hateful villains, or pale, zero-personality ghosts with no will of their own doesn't help matters. What LKH has done to Richard and Dolph is atrocious, and Zerbrowski is getting dangerously close to being yet another Anita groupie. The newest male to be added to Anita's ever-growing harem, Micah, is completely useless as a character. Sadly, I actually *like* Richard's sudden raging hatred of Anita, because at least this means he's not another mindless Anita-worshipper. Jason is adorable, as always, and Nathaniel is finally becoming interesting--almost. Jason alone is the bright spot in the hideous morass that is this book.
The ever-escalating superpowers Anita keeps getting are also very tedious: at the rate she's going, Anita will soon be able to control every vampire, ghost, were-animal, and other supernatural creature in the world, and probably not even God will be able to defeat her in combat. Ridiculous.
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