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Character Animation Crash Course!( DVD not included) Paperback – July 15, 2008
| Eric Goldberg (Author) Find all the books, read about the author, and more. See search results for this author |
| Price | New from | Used from |
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- Print length218 pages
- LanguageEnglish
- PublisherSilman-James Press
- Publication dateJuly 15, 2008
- Dimensions8.1 x 0.48 x 10 inches
- ISBN-101879505975
- ISBN-13978-1879505971
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"Eric's book and CD are a first in the industry. They represent a one-of-a-kind bible for artists, teachers and fans of animation from one of the modern masters of the craft." Don Hahn - Producer, The Lion King, Beauty and the Beast
"I can't think of anyone more qualified to put together a book like this. Eric covers everything, from basic nuts and bolts to advanced technique in a clear, simple, entertaining way, just like his animation. This should be on the bookshelf of anyone who wants to know more about this elusive art form." Ron Clements - Director, The Little Mermaid, Aladdin, Hercules
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
When I first started making films, books about character animation were rare, and most were written from the distant, historical perspective of an observer.
Of the meager handful of books that actually discussed how to do animation, only two were really good: Walt Disney's Tips On Animation from the Disneyland Art Corner and the classic Advanced Animation by Preston Blair.
In the half century since, many animation books have been written, but still few are considered indispensable to people interested in doing animation themselves. To that exclusive club we must add the book you now hold in your hand: Character Animation Crash Course.
Among Eric's many achievements is the "Friend Like Me" sequence from Walt Disney Pictures' Aladdin, a chunk of pure cartoon magic so dense that it can be enjoyed two ways: at regular speed or one frame at a time... where every aspect of Eric's astonishing embellishments, caricature, and razor-sharp timing can be savored like fine wine.
In this jam-packed book and CD Eric will show you the rules for getting the most out of your animation. If you learn them well, you'll be good. If you can internalize these rules to the point where you can call upon them without thinking, you'll be exceptional.
And if you learn them as well as Eric, you might even be able to successfully break a few of these rules and add to cumulative knowledge of how to make pencil lines (or pixels, clay, stop-motion models, etc.) come to life.
You might even become accomplished enough to write the next great animation book. Good thing the rest of us don't have to wait until then.
We have this terrific book right now.
Brad Bird -- Writer/Director, The Iron Giant, The Incredibles, Ratatouille
Product details
- Publisher : Silman-James Press; Paperback edition (July 15, 2008)
- Language : English
- Paperback : 218 pages
- ISBN-10 : 1879505975
- ISBN-13 : 978-1879505971
- Item Weight : 1.53 pounds
- Dimensions : 8.1 x 0.48 x 10 inches
- Best Sellers Rank: #517,031 in Books (See Top 100 in Books)
- #247 in Animation Graphic Design (Books)
- #536 in Movie Direction & Production
- #773 in Art of Film & Video
- Customer Reviews:
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For many years, Richard Williams' The Animator's Survival Kit has been the gold standard of animation books, and rightfully so. Lucky for us, fellow animation guru Eric Goldberg's "Character Animation Crash Course" isn't just overlap from Williams' work and teaches us different aspects of animation that other books haven't covered.
Goldberg covers aspects of animation far less academically than Williams and rather focuses on things from a character standpoint, how you could apply a technique to a specific character. He also list several classic cartoons (most if not all of which are on DVD) for examples of each particular technique.
He also covers how control the overall shape volume of what's moving, even for flat, graphic characters, and goes in depth on animation "gimmicks" like smear drawings, zip lines, staggers etc... that are often mentioned, but never properly explained.
Probably the most informative part of the book for me was the section on character construction, covering many of the ins and outs of designing an animatable character that I haven't seen in other books.
"Character Animation Crash Course" also has the one big thing "Animator's Survival Kit" doesn't: A CD-ROM of the animations shown that you can watch and frame through to better understand the lessons in the book.
Hopefully someday other master animators will do what Eric Goldberg's done with "Character Animation Crash Course." Write an animation book that has unique outlook on the artform and that imparts some new pearls of knowledge on the subject. Until then, you have to at least add this book to your shelf. Right next to The Animator's Survival Kit of course.
As a comic artist and animator, this book has both inspired me and truly helped me far greater than anything on that shelf. This book will go though "why" a character acts in a certain way, will explain to you what you should know about your character or a character in general, and will both spell it out and show it to you in the included DvD that holds animation files that support the reading. This book is for the animator, comic artist, and even cartoon enthusiasts who want to know more about why characters are the way they are.
So many times I have read a book where it was like "Heres the technique, now run with it" and that doesn't really work unless you know your character...unless you really are your character and this book really expresses that and shows you how to obtain that feeling.
I would have to rate this book a 5/5 even though it deserves much more. Eric Goldberg is an amazing animator who truly understands, lives, and breaths animation. To be able to have this book in my hand and learn from it is a privilege, and I'm very thankful of him for making this wonderful book!
If you never animated before, this book won't teach you from scratch, and if you already have been through Richard Williams' book entirely, this one will not add too much. It is more like an intermediate book between "Cartoon Animation" by Preston Blair and "The Animator's Survival Kit" by Richard Williams. Besides, it focus too much on "Disney animation" and might be a little useless for stop motion animators for instance.
Only two things really bothered me on the book. One is that the CD-ROM comes in a plastic bag that is binded together with the paper leaves, which makes the book difficult to read and also ruined the binding - it was already breaking when I first opened the book.
The other thing is that many americans talk about each other as if everybody was a genius and had invented the wheel. This book even praises the author for having worked on a movie that haven't been produced yet! Goldberg is an excellent animator, but we don't need to be reminded of that over and over again.
In a nutshell: buy it if you already know how to animate, but is too lazy to read Dick William's book five times, and is looking for some good advice.
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reccomend timing for animation too












