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Children of the Albatross Paperback – January 1, 1959
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Children of the Albatross is divided into two sections: “The Sealed Room” focuses on the dancer Djuna and a set of characters, chiefly male, who surround her; “The Café” brings together a cast of characters already familiar to Nin’s readers, but it is their meeting place that is the focal point of the story.
As always, in Children of the Albatross, Nin’s writing is inseparable from her life. From Djuna’s story, told in “The Sealed Room” through hints and allusions, hazy in their details and chronology, the most important event to emerge is her father’s desertion (like Nin’s) when she was sixteen. By rejecting realistic writing for the experience and intuitions she drew from her diary, Nin was able to forge a novelistic style emphasizing free association, spontaneity, and improvisation, a technique that finds its parallel in the jazz music performed at the café where Nin’s characters meet.
- Print length111 pages
- LanguageEnglish
- PublisherSwallow Press
- Publication dateJanuary 1, 1959
- Dimensions5.25 x 0.3 x 8.25 inches
- ISBN-100804000395
- ISBN-13978-0804000390
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About the Author
Anaïs Nin (1903–1977) is an iconic literary figure and one of the most notable experimental writers of the twentieth century. As one of the first women to explore female erotica, Nin revealed the inner desires of her characters in a way that made her works a touchstone for later feminist writers. Swallow Press is the premier US publisher of books by and about Nin.
Product details
- Publisher : Swallow Press (January 1, 1959)
- Language : English
- Paperback : 111 pages
- ISBN-10 : 0804000395
- ISBN-13 : 978-0804000390
- Item Weight : 5.9 ounces
- Dimensions : 5.25 x 0.3 x 8.25 inches
- Best Sellers Rank: #2,650,674 in Books (See Top 100 in Books)
- #3,340 in American Fiction Anthologies
- #14,922 in Psychological Fiction (Books)
- #97,866 in Literary Fiction (Books)
- Customer Reviews:
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About the author

Anaïs Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she wrote primarily fiction until 1964, when her last novel, Collages, was published. She wrote The House of Incest, a prose-poem (1936), three novellas collected in The Winter of Artifice (1939), short stories collected in Under a Glass Bell (1944), and a five-volume continuous novel consisting of Ladders to Fire (1946), Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Seduction of the Minotaur (1961). These novels were collected as Cities of the Interior (1974). She gained commercial and critical success with the publication of the first volume of her diary (1966); to date, fifteen diary volumes have been published. Her most commercially successful books were her erotica published as Delta of Venus (1977) and Little Birds (1979). Today, her books are appearing digitally, most notably with the anthology The Portable Anais Nin (2011).
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In Nin’s last diary, she expressed disappointment that this book was misunderstood by the man charged with writing its preface. However I came to this book with an admiration of Nin’s style (and, I like to think, a fairly detailed knowledge of her life and art), and although it is beautiful, it is not flawless. In defense of ‘Albatross’, it evidences that only Nin could describe the phosphorescent bedroom where Djuna, Lawrence and Paul retreat to, and from which adults, and adult concerns, are forbidden from entering. Only she could describe the internal monologue of a woman who wakes after a sexual encounter with a man who has only a casual regard for her. ‘Albatross’ is a unique, highly stylised poetic novel that explores the private inner world of woman with rare and valuable insight. However, as the book transitions from childhood to womanhood quite without warning or logic (even an internal logic that would make sense within the context of the book), and because of the patchiness of ‘The Cafe’, I cannot count it with Nin’s very best work.



