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Christmas In The Heart

4.4 4.4 out of 5 stars 1,171 ratings

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Track Listings

1 Here Comes Santa Claus
2 Do You Hear What I Hear?
3 Winter Wonderland
4 Hark the Herald Angels Sing
5 I'll Be Home for Christmas
6 Little Drummer Boy
7 The Christmas Blues
8 O' Come All Ye Faithful (Adeste Fideles)
9 Have Yourself a Merry Little Christmas
10 Must Be Santa
11 Silver Bells
12 The First Noel
13 Christmas Island
14 The Christmas Song
15 O' Little Town of Bethlehem

Editorial Reviews

CHRISTMAS IN THE HEART is Bob Dylan's 47th album. All of his U.S. royalties from sales of these recordings will be donated to Feeding America, guaranteeing that more than four million meals will be provided to more than 1.4 million people in need in this country during the 2009 holiday season. Bob Dylan is also donating all of his future U.S. royalties from this album to Feeding America in perpetuity. Songs performed by Dylan on this new album include, "Here Comes Santa Claus," "Winter Wonderland," "Little Drummer Boy" "Must Be Santa."

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 5.62 x 4.92 x 0.4 inches; 3.84 ounces
  • Manufacturer ‏ : ‎ Legacy Recordings
  • Item model number ‏ : ‎ 8 3 00757323
  • Original Release Date ‏ : ‎ 2009
  • Run time ‏ : ‎ 42 minutes
  • SPARS Code ‏ : ‎ DDD
  • Date First Available ‏ : ‎ August 26, 2009
  • Label ‏ : ‎ Legacy Recordings
  • ASIN ‏ : ‎ B002MW50KO
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.4 4.4 out of 5 stars 1,171 ratings

Customer reviews

4.4 out of 5 stars
1,171 global ratings
THE KEY TO BREAKING THE DYLAN CODE in CHRISTMAS IS IN THE HEART
5 out of 5 stars
THE KEY TO BREAKING THE DYLAN CODE in CHRISTMAS IS IN THE HEART
THE KEY TO BREAKING THE DYLAN CODE in CHRISTMAS IS IN THE HEARTor/ WHY CHRISTMAS IS IN THE HEART IS BEING USED ON DETAINEES INSTEAD OF WATERBOARDINGBy A. J. WebermanMany of the traditional Christmas songs Bob Dylan chose for CHRISTMAS IS IN THE HEART contained a phrase that was either identical with, or closely resembled, a line from Dylan's previously established body of poetry. In Do You Hear What I Hear he sang "A song, a song / High above the tree" In Tonight No Light Will Shine on Me he wrote, "As the wind blows high above the tree" In Have Yourself a Merry Little Christmas he sang "Here we are as in olden days / Happy golden days of yore." In Days of '49 he wrote, "In the days of old in the days of gold often I repine." In Winter Wonderland he sang, "In the meadow we can build a snowman / And pretend that he's a circus clown." In the liner notes to The Times They Are A-Changin' Dylan wrote "An' I walked my road an' sung my song / Like a saddened clown / In the circus a my own world." In Must be Santa Claus he sang "Who's got a beard that is long and white?" In Tarantula he wrote "the soldier with the long beard says go ask questions my son" "Soldier" as "American President" In Gates of Eden Dylan wrote "The savage soldier" sarcastic; General Dwight Eisenhower accused by the far Right of being soft on Soviet Communism "sticks his head in sand" ignores historical precedents, ("sand" as in "the sands of time") like an ostrich "And then complains" then protests Soviet expansionism in Cuba "Unto the shoeless hunter" unto Nikita Khrushchev who took his shoe off and banged it on the Soviet Delegations desk at the United Nations in 1960. "Hunter" as Khrushchev; John Fitzgerald Kennedy: "Khrushchev reminds me of the tiger hunter who has picked a place on the wall to hang the tiger's skin long before he has caught the tiger. This tiger has other ideas." Almost all American Presidents have been soldiers. Must be Santa Claus also contains this verse, "Eisenhower, Kennedy, Johnson, Nixon, Carter, Reagan, Bush, and Clinton." These keys indicate the subcontent of this song concerns American Presidents.In The Christmas Blues he sang "The jingle bells are jingling / The streets are white with snow" In Mr. Tambourine Man he wrote this to his heroin connection "in the jingle jangle morning I'll come following you" and in House Carpenter he wrote "Oh what are those hills yonder my love / They look as white as snow / Those are the hills of heaven my love / You and I'll never know." "Snow" is drug slang for heroin or cocaine. In Christmas on Christmas Island Dylan sang "you will never stray for every day / Your Christmas dreams come true" In I Threw it All Away Dylan wrote "take it to your heart don't let it stray" and in New Morning he wrote, "this must be the day that all my dreams come true." Both these poems appeared on the same LP and were translated as drug related.In The Christmas Song Dylan sang "Will find it hard to sleep tonight" and in The Mighty Quinn he wrote, "Nobody can get any sleep there's someone on everyone's toes / But when Quinn the Eskimo gets here everybody's gonna wanna dose." The Christmas Song also contains the lines "They know that Santa's on his way / He's loaded" slang; drunk or intoxicated "lots of toys" "toys" junkie slang for narcotic paraphernalia, works "and goodies" and dope. The song ends "see if reindeer really know how to fly?" "fly" get high. Dylan's Santa Claus is loaded on smack and bringing dugi to all the little kids to get them addicted. Not since Alistair Crowley composed hymns for the Church of England that covertly praised opium have Christians been hood-winked neither in this fashion nor on a grander scale.In Little Drummer Boy Dylan sang, "I am a poor boy." In If You Gotta Go, Go Now he wrote "I am just a poor boy baby trying to connect." "Poor boy" translates as "Leftist folksinger" in Tarantula he wrote this to the folk fans who witnessed him being jeered at his concerts, "you were also there when they castrated that poor boy in public" In Can't Ya Hear Me Crying 1961 he prayed for a break as a folk singer "Hey, stop you ol' train, Let a poor boy ride." With this key we can break the Dylan code and find out what Dylan is really singing about in Little Drummer Boy."Come they told me" listening to Woody Guthrie records told me "A new born King to see" to visit Woody in the mental hospital where the Communist Party USA had dumped him "Our finest gifts we bring" my finest songs to play for him "To lay before the King" to lay on Woody the King of Folk Music."So to honor Him" so in his honor, not that I ever believed any of the Communist agitprop "When we come" when I met him "Little Baby, I am a poor boy too" I told Woody, who was of diminished capacity that I was a genuine Depression Era folk singer "I have no gift to bring, That's fit to give a King" and that I could never live up to the high artistic and communistic standards set by Woody "Shall I play for you, on my drum" and I asked him if he wanted me to drum up support for the Communists with my music."Mary nodded" the Motherland, the Soviet Union gave Dylan the OK "The ox" the rank and file Communist Tarantula "now the organizers must bring the oxen in & dragging leaflets" "and lamb" and those the Communists who are going to be sacrificed for the cause "kept? time" dug Dylan's folk music beat "I played my drum for Him" I wrote songs to advance Communism "I played my best for Him" that were some of the best ever written "Then He smiled at me, Me and my drum." and then Woody had his fellow travelin' Communists approved of me and gave me the Tom Paine Emergency Civil Liberties award for furthering Communism. Rum ba bum Rum ba bum.
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Top reviews from the United States

Reviewed in the United States on October 22, 2024
I'm a big fan of Dylan and I love a very small number of Christmas records, this being one of them. There is definitely an element of comedy or just sheer bizarreness to this record, which was what first drew me in, but there is also a real warmth to the recordings. In retrospect, it's easy to see how this album laid the way for the series of excellent cover records he would go on to produce. By this time in his life, Bob's voice is even more of an acquired taste than it used to be, so don't expect him to sound like Bing Crosby. But there's a great band at the foundation of these songs and Bob brings a unique and carefully considered approach to his vocal performances, matching a real sincerity with an element of cheerful awareness at how absurd the idea might seem on paper. Joyful music for the festive season. Highly recommended.
Reviewed in the United States on December 13, 2010
Why five stars? Because of the pure joy this album has given me since I first started listening to it a couple of weeks ago. I was in a Barnes and Noble the weekend before Thanksgiving, checking out some sales, surrounded by swirling Christmas shoppers, and then the music started . . . It was "good" Christmas music, by some notable artist or group that hit every note exactly right and sang each song exactly in the spirit traditionally intended. But suddenly the room started spinning and I knew I had to get out. By the time I got home, I told my wife I was through shopping this Christmas (I hadn't even started). I was desperate for an antidote, something to pull me out of the seasonal doldrums. What could there be out there? Then it hit me: what about that Dylan Christmas album that so many people disparaged last year? Surely he would have a different take on things, right? He certainly doesn't disappoint in that regard.

For starters, he sends visual clues before you even play the album. The front is pure, secular Americana. The back is very traditionally religious. And then you open it, and, well . . . if that isn't Betty Page in the most tastefully seductive Christmas outfit I've seen in a long time! So what's on the album musically? Traditional secular songs, traditional religious songs, and some things that are just plain fun.

Then there's the sound. I honestly don't get people complaining about his voice. This is Bob Dylan, after all. Were they really expecting him to suddenly sound like Nat King Cole? (I've tried to imagine how the conversation went at home: "Honey? I bought the new Dylan Christmas album. Guess what? He still sounds like Dylan! Damn!")

He was nearly 70 years old when he recorded this. He's been straining those vocal chords publicly for over 50 years now. Why in the world would you expect anything different? For whatever reason, at this point in his life, he decided to record a Christmas album. Is it possible that this is exactly what the title proclaims--his expression of the varieties of what Christmas means to him, from his heart? Personally, I find some of these to be the most genuinely heartfelt renditions I have ever heard, precisely because they come from Bob Dylan. (One reviewer said that if this was recorded by some nobody named "Bob Smith," we wouldn't care and would agree that this is a "terrible" album. To which I ask, "What's your point?" Objectively speaking, how "good" musically are Johnny Cash's final albums? But those of us who loved his music over the years love those last offerings as well especially because we know he was singing from the heart and soul more than from whatever was left of his voice.)

Maybe I have always been more tolerant of Dylan's voice because of other voices I have loved, especially among the blues artists he admires so much. Listen to Son House, Reverend Gary Davis, Skip James, Robert Pete Williams, etc. Their voices aren't immediately accessible in the usual sense. They don't always hit the right notes, and it's often hard to understand them. But as you do come to understand them, both their music and their words, you discover a depth and an authenticity that far exceeds that of supposedly more accomplished artists. Which is why they, like Dylan, have been so influential on musicians more agreeable to the ears of the general public.

As I write this, 151 people have given this album 5 stars, 110 have given it 1 star. About 100 other people are scattered evenly through the other ratings. Can you imagine anyone other than Bob Dylan so polarizing music fans?

So what's the bottom line? If you like Bob Dylan, the most important thing I want to impress upon you is that you owe it to yourself to give it a sympathetic listen before dismissing it. (Listen carefully for the interesting, often subtle, twists he gives to some of the lyrics.) You may in fact find it to be as horrible as some have delighted in writing. Then again, you may find it a wondrous relief in the midst of another miserable Christmas season. Remember: Dylan has been angering/disappointing/annoying people for almost 50 years. And the odd thing has been that the people he has irritated the most have often been those who proclaim themselves to be his fans. (Notice how many of the 1 star critics attempt to establish their street cred before ripping away. And remember how often his fans have been the bane of his existence.)

The common theme through the years is that whenever he has dared to do something different, something he himself liked for whatever reason, many of his supposed fans, instead of honoring his right as an artist to grow, change, and explore (whether it be going electric, turning religious, exploring country music, or whatever), have felt the right, indeed the need, to pronounce profound and absolute judgment. How many times does this man have to hear someone yell, "Judas!"?

Instead, I say, Merry Christmas, Mr. Dylan, and thank you. God bless us everyone. (Amen.)
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Reviewed in the United States on December 29, 2009
If judging music is always an acquired taste, then how much more so for Bob Dylan's seasonal `Christmas in the Heart'? I hear a clamor of dissent: Naysayers believe that the Bard of Hibbing is overreaching into territory that is clearly not his. I can only try to saw through the objections with some answers that counter the premise that this is not his album, nor is it the material he was meant to master. However, after a sample listening of the C.D., if you still don't think it's your cup of rhyme, then leave it on the table for someone else to savor. I think even Dylan, himself, will understand.

If you're reading this review, you most likely possess and treasure 'Modern Times,' the latest and probably the best of Dylan's tri-Renaissance work. Here on '...in the Heart' we have many of the same players: Tony Garnier on bass and cello; George G. Receli on drums and percussion; and Donnie Herron, the virtuoso, plays on steel guitar, mandolin, violin, and trumpet. And, just as significant, Jack Frost is still at the producing helm.

Frost's production is impeccable: The clarity of the music is crystal clear and emulates the desire that Dylan has consistently coveted throughout his career, and I love the supporting voices that garner nearly every song without going mushy (say, in contrast to Phil Spector's controversial hand with The Beatles' "The Long and Winding Road").

Still, many may find Dylan's voice unsuitable to the material. For me, I've described his gravelly voice of late as being Leon Redbone`s successor, so many of the traditional numbers are given a rustic appeal other renditions lack. "Here Comes Santa Claus," "Winter Wonderland," and "Little Drummer Boy" work in spades for me.

This isn't to say there isn't overreaching. "Hark the Herald Angels Sing" is meant to soar, and Dylan's voice doesn't muster what is necessary to carry it through. With all due respect, I have a feeling that for some of you, my exceptions may prove your rule.

Clearly the best songs are lesser known works which are garnished by Bob Dylan's most excellent supporting band. "The Christmas Blues" (Sammy Cahn & David Jack Holt) gives the dinner club jazz sensibilities inherent in 'Modern Times,' and "Christmas Island" (Lyle Moraine) competes with The Beach Boys' "Melekalikimaka". Perhaps the best song, "Must Be Santa," (William Fredericks and Hal Moore) incorporates what could be described as a ho-down at a Swiss Lodge. It's highly festive and full of good humor. If only all the songs could be this good, we'd have one of the great Christmas classics of all time.

When one hears a C.D. throughout and cannot appreciate it after several listenings, then it's easy to dismiss. I still haven't tired of 'A Christmas in the Heart,' which is still playing in the car, on the C.D. player, and in the I-Pod inside my head alongside the fondest of my most recent Christmas memories.
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P. Larose-Fleury
5.0 out of 5 stars An Essential Buy for Dylan Fans and Christmas Lovers
Reviewed in Canada on December 29, 2023
Dylan approaches each song with respect and reverence for the recording history of each composition. No revisionist takes here, though he does imbue each song with his own unmistakable style. Can't recommend highly enough.
Esteban Rosas
5.0 out of 5 stars Dylan always fantastic
Reviewed in Mexico on January 3, 2022
For fans and admirers of the Noble Price poet, must hear it , Highly recommended
JDVP
3.0 out of 5 stars Décevant
Reviewed in Belgium on August 27, 2024
Ce n'est pas du bon Dylan tel qu'on l'aime.
ds
5.0 out of 5 stars bellissimo! da avere assolutamente
Reviewed in Italy on December 30, 2023
Lo ascolti le prime volte e sembra un disco "un pò fessacchiotto", fatto di corsa come gadget natalizio. Ed invece è veramente bello, più lo senti e più lo apprezzi. Veramente un bell'acquisto.
elisabeth & Co
5.0 out of 5 stars Brilliant Christmas album, late yes, but not too late.
Reviewed in France on January 14, 2016
I am not going to analyze this album song by song. It's the music we used to hear in the shopping-mall's of USA during the festive season, the period before Christmas. My father played this kind of music in november and december each year. Dylan does sing with pleasure and sensitivenes.