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Citizen: An American Lyric Paperback – October 7, 2014
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“[Citizen] is an especially vital book for this moment in time. . . . The realization at the end of this book sits heavily upon the heart: 'This is how you are a citizen,' Rankine writes. 'Come on. Let it go. Move on.' As Rankine's brilliant, disabusing work, always aware of its ironies, reminds us, 'moving on' is not synonymous with 'leaving behind.'” ―The New Yorker
“Citizen is audacious in form. But what is perhaps especially striking about the book is that it has achieved something that eludes much modern poetry: urgency.” ―The New York Times
“So groundbreaking is Rankine's work that it's almost impossible to describe; suffice it to say that this is a poem that reads like an essay (or the other way around) - a piece of writing that invents a new form for itself, incorporating pictures, slogans, social commentary and the most piercing and affecting revelations to evoke the intersection of inner and outer life.” ―Los Angeles Times
“Rankine brilliantly pushes poetry's forms to disarm readers and circumvent our carefully constructed defense mechanisms against the hint of possibly being racist ourselves. . . . Citizen throws a Molotov cocktail at the notion that reduction of injustice is the same as freedom.” ―The New York Times Book Review
“Moving, stunning, and formally innovative-in short, a masterwork.” ―Salon
“Part protest lyric, part art book, Citizen is a dazzling expression of the painful double consciousness of black life in America.” ―The Washington Post
“The book of the year is Claudia Rankine's Citizen. It would have been the book of any year.... Citizen asks us to change the way we look; we have to believe that that might lead to changing the way we live.” ―The New Yorker’s Page-Turner
“[Citizen] is one of the best books I've ever wanted not to read. . . . Its genius . . . resides in that capacity to make so many different versions of American life proper to itself, to instruct us in the depth and variety of our participation in a narrative of race that we recount and reinstate, even when we speak as though it weren't there.” ―Slate
“Marrying prose, poetry, and the visual image, Citizen investigates the ways in which racism pervades daily American social and cultural life, rendering certain of its citizens politically invisible. Rankine's formally inventive book challenges our notion that citizenship is only a legal designation that the state determines by expanding that definition to include a larger understanding of civic belonging and identity, built out of cross-racial empathy, communal responsibility, and a deeply shared commitment to equality.” ―National Book Award Judges’ Citation
“Citizen is an anatomy of American racism in the new millennium, a slender, musical book that arrives with the force of a thunderclap. . . . This work is careful, loving, restorative witness is itself an act of resistance, a proof of endurance.” ―Bookforum
“Accounts of racially charged interactions, insidious and flagrant, transpiring in private and in the public eye, distill the immediate emotional intensity of individual experience with tremendous precision while allowing ambiguity, ambivalence, contradiction, and exhaustion to remain in all their fraught complexity. . . . Once again Rankine inspires sympathy and outrage, but most of all a will to take a deep look at ourselves and our society.” ―Publishers Weekly, starred review
“A prism of personal perspectives illuminates [Rankine's] meditations on race. . . . Powerful.” ―Kirkus Reviews
“Claudia Rankine's Citizen comes at you like doom. It's the best note in the wrong song that is America. Its various realities--'mistaken' identity, social racism, the whole fabric of urban and suburban life--are almost too much to bear, but you bear them, because it's the truth. Citizen is Rankine's Spoon River Anthology, an epic as large and frightening and beautiful as the country and various emotional states that produced it.” ―Hilton Als
About the Author
Claudia Rankine is the author of four previous books, including Don't Let Me Be Lonely: An American Lyric. She currently is a chancellor of the Academy of American Poets and teaches at Pomona College.
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But Rankine does more than remove things from view; she calls forth every person’s complicity in the racist culture of which Americans are all a part. She does this by writing most of the pieces in this book in the second person. The reader is confronted with herself over and over in lines such as “The sky is blue, kind of blue. The day is hot. Is it cold? Are you cold? It does get cool. It is cool? Are you cool?” Rankine seems to be asking the reader, are you cool with this? Will you sit by and allow systematic racism to oppress and destroy an entire people? She lets no one escape her microscope, ultimately showing us that both the victim and the oppressor are damaged by the effects of racism.
Citizen is an essential read for every American, at the very least because it undercuts the idea that there is one single, true American narrative; in reality, the lessons we learn in history class are largely a “fiction of facts.” Black people in America have been continuously oppressed through the language of the white narrative; in this book, Rankine uses lyricism and photographs to reclaim the oppressive linguistic translations of the black experience—she illuminates another side of history.
""You like to think that memory goes far back though remembering was never recommended. Forget all that, the world says. The world's had a lot of practice. No one should adhere to the facts that contribute to narrative, the facts that create lives. To your mind, feelings are what create a person, something unwilling, something wild vandalizing whatever the skull holds. Those sensations form a someone. The headaches begin then. Don't wear sunglasses in the house, the world says, though they soothe, soothe sight, soothe you."
""That time and that time and that time the outside blistered the inside of you, words out maneuvered years, had you in a chokehold, every part roughed up, the eyes dripping."
This is top of my list of all the books I've read this year! Get a copy! You won't be able to put it down, but if you do, maybe you ran out of tissue! LOVE!!!
The book itself is a scrapbook of poetry, creative prose, quotes, verbal collages, and visual art. She almost seems to be scrambling, desperately, for a way to get her message across. At times, she hits it over and over, as she experiences it over and over.
"Haven't you said this to a close friend who early in your friendship, when distracted,
would call you by the name of her black housekeeper? You assumed you two were the only black people in her life. Eventually she stopped doing this, though she never acknowledged her slippage. And you never called her on it (why not?) and yet, you don't forget." These are the daily reminders of the racism inherent in our society but only experienced by those who are not white.
Ranking divides her book into several sections, including ones focusing on her daily encounters with racism, one on the treatment of Williams, and one focusing on headline events such as the killings of Trayvon Martin and James Craig Anderson. In addressing so many forms of racism, Rankine requires a response (and, of course, not to respond is to respond). If you want to feel good about the U.S. (and the world) and race, don't read this book. If, like me, racism is not something personally experience, this book will give you some insight to the pervasiveness and horrendous impact of racism.
One still has the option of giving M&Ms - when all else fails, give Yelawolf. Anyway, just saying - give the gift of literature and music and hope the gift is appreciated. ;