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Citizens: A Chronicle of the French Revolution Paperback – March 17, 1990
| Simon Schama (Author) Find all the books, read about the author, and more. See search results for this author |
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- Print length976 pages
- LanguageEnglish
- PublisherVintage
- Publication dateMarch 17, 1990
- Dimensions6.26 x 1.63 x 9.15 inches
- ISBN-100679726101
- ISBN-13978-0679726104
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Editorial Reviews
From Publishers Weekly
Copyright 1990 Reed Business Information, Inc.
Review
"One of The Best Books Of The Decade." -- Time
"Monumental...a delight to read...Lively descriptions of major events, colorful cameos of leading characters (and obscure ones too), bring them to life here as no other general work has done....Above all, Mr. Schama tells a story, and he tells it well." -- The New York Times Book Review
"Citizens, like the great 19th-century narratives it emulates, makes entertainment and erudition work hand in hand....As no other recent historian of the revolution, Schama brings to life the excitement -- and harrowing terror -- of an epochal human event." -- Newsweek
"A fresh and elegant narrative...A brilliantly readable and beautifully illustrated account." -- Washington Post Book World
"We are in the hands of a master storyteller...Vivid, dramatic, thought-provoking...Schama's portrait of the revolution is often surprising...His splendid recounting convinces us that much of what we thought we knew is wrong." -- Time
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Product details
- Publisher : Vintage; Reprint edition (March 17, 1990)
- Language : English
- Paperback : 976 pages
- ISBN-10 : 0679726101
- ISBN-13 : 978-0679726104
- Item Weight : 3.48 pounds
- Dimensions : 6.26 x 1.63 x 9.15 inches
- Best Sellers Rank: #55,296 in Books (See Top 100 in Books)
- #12 in Scotland History
- #45 in French History (Books)
- #1,042 in World History (Books)
- Customer Reviews:
About the author

Simon Schama is a professor of art history and history at Columbia University, and is the author of numerous award-winning books; his most recent history, Rough Crossings, won the National Book Critics Circle Award for nonfiction. He is a cultural essayist for the New Yorker and has written and presented more than thirty documentaries for the BBC, PBS, and the History Channel, including The Power of Art, which won the 2007 International Emmy for Best Arts Programming.
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An easier book to read, because it uses a common writing style, is Christopher Hibbert's The Days of The French Revolution. Hibbert's book also provides more detail and a more comprehensible explanation of many facts, including a good description of the political storm surrounding the condemnation to the guillotine of the Revolutions leaders such as the Girondins, Desmoulins, Danton, St Just, and Rosbespierre. Hibbert's book, unlike Schama's, provides the reasons why Fouquier-Tinville was depicted (accurately) as a horrendous villan in Baroness Orczy's wonderful book and play, The Scharlet Pimpernel.
A few things apparent are: (1) The Revolution was driven by fear and terror, and (2) humankind, or at lease French humankind, was ready and even eager to send neighbors and associates to the guillotine. Unlike other historians, Schama does not try to gloss over the brutallity, nor does he emphasize it. Schama offers possible explanations for why The Terror happened, but I think he fails. It was almost as if a collective insanity overtook the country, an insanity that craved relief from boredom by feeding on blood and fear.
Of course the spoken targets were the rich, the nobility, and the clergy. But in the end it could not be confined to these groups, but became anybody who remotely seemed like a political opponent. As early as March, 1793 Pierre Vergniaud, who himself eventually went to the guillotine, offered to the tribune this terrible prophecy: "So, citizens, it must be feared that the Revolution, like Saturn, successively devouring its children, will engender, finally, only despostism with the calamities that accompany it". Despotism indeed was the fruit of the Revolution. But it was not Saturn that did the devouring, but the children of Saturn.
In many ways the French Revolution and, for that matter, the monarchy of King Louis XVI, preceeded the social engineering advocated by Lenin and Marx. A social safety net, wage and price controls, and taxation of products, land and incomes, were halmarks of the Revolution. Many of these reforms were later abandoned out of necessity because they caused shortages and economic stagnation.
A primary component of the Revolution, which sought "liberty, justice, and fraternity", was de-Christianization of France. A lesson Schama's and Hibbert's books provide is that when men and women seek social reform by depending on "reason" absent faith in God, then the result of that reform will more often be despotism.
A question that comes to mind: The story of the French Revolution is one of the most terrible episodes in modern history, partly because it was promulgated primarily by the common people rather than an elite leadership such as happened in Germany, Russia, and China. So why has Hollywood not made movies about the Revolution?
Even though the guillotine was abandoned in 1795, the fear lasted for several decades, and likely prevented resistence to the massive military conscription program instituted by Napoleon
Bonapart 20 years later.
One of the reasons the French Revolution excites such interest even today is that it raises questions regarding how, in modern times, such levels of violence could be condoned and even actively promoted at the state level. Schama seems to agree with most historians, on this point at least, that the masses were essentially looking for people to blame for the persistently deplorable economic conditions following the great accumulation of national debt during the 1760s through 1780s. When the initial bloodletting did not improve matters significantly, more bloodshed logically had to follow, to peel back the layers of the supposed mass conspiracy that never truly existed. Eventually, improving military fortunes and the resultant expanding borders brought in the revenue needed to soothe the discontent and to allow the French to step back, assess the horrors that had been perpetrated, and eliminate the irrational headcases that continued to lobby for more bloodshed to no clearly evident practical end.
Where Schama asserts viewpoints counter to the mainstream is in numerous more focused treatments of the Revolution, such as the availability and exercise of royal privilege within the non-gentry (widespread according to Schama) or the significance of social drivers such as class for whether an individual chose to support or oppose the Revolution (insignificant according to Schama). These are argued cogently and usually with ample source material.
For most readers this book would probably rate five stars. I gave it four simply because I prefer a more detached treatment of historical topics, encouraging me to develop my own opinion. I really enjoyed the many hours spent reading this book.
Top reviews from other countries
It is a story about the king, who just wanted to make locks, about the lawyer who planed to create a New Rome and killed all sinister citizens. It is about vagrant doctor, who was insulted by The Academy and became a vicious publisher, who ended his life as new Jesus. Suddenly, subjects were told they had become Citizens; an aggregate of subjects held in place by injustice and intimidation had become a Nation. Don't fear those, who shout loudly, fear those, who are silent, because only these people create a new, bloody regime.
In the first part of XVIII c. France doesn't have own history and live only as Classical country, but during the Terror, it demolished all its heritage and massacred thousands of people. For what? For the Liberty? But..... "Liberty is a bitch who must be bedded on a mattress of corpses."- said Saint-Just. S. Schama is fantastic historian and I proud, that he has connection with Lithuania.









