There are GB books I don't like (particularly Darwin's Radio) and I'm also not a huge fan of fantasy in general. Just like any good Greg Bear fan I'd like to see an Anvil of Stars sequel or a Hull Zero Three prequel, and this ain't it. But I do like metaphors and puzzles and things I have to figure out for myself, and that aspect makes this one of my current favorite books. I thought it was OK on the first reading, not great, but was intrigued (and a little confused) enough that I decided to read it again, finding connections and backward references that I could not have picked up on the first time through. And I'm not talking about the obvious stuff - I'm pretty sure it was the author's intention that I figure out the relationship between Jebrassy / Jack and Tiadba / Ginny just about as soon as the characters were introduced.
So what is this book, for people who want to sort out all the glowing and nasty reviews? I would call it Bear's take on The Golden Compass with other more interesting mythologies in place of the Judeo-Christian religious framework of those books. It's also not accurately described as a hard SF book, which is a disservice by the publisher. It does however make some profound conjectures about the structure of time, completely aside from its multiverse mechanic, the former of which are strangely unmentioned in either the positive or negative reviews I have read. And whereas the multiverse aspect is quite clear in its definition, there's no place in the book where a narrator sits you down and explicitly shows the way in which time isn't what we think it is. You need to figure that out from the characters and their roles.
If that sounds like a slog, you may not enjoy this book.
It is a book clever enough to parody its own hundred-trillion-year pretense. Do you really believe that a thinker of Bear's caliber doesn't understand the corniness of the cats thing? Could it be that this book, being obviously an allegory about books, stories, and writers among other things, used this device as a little in-joke and commentary on writing as are so many other things in the book?
If the pretentiousness of self-parodying one's pretentiousness strikes you as baroque sophistry, you may not enjoy this book.
I believe this is a very personal book for Greg Bear, in which he wrote something for himself based on the things that he thinks are cool, rather than creating something biased by what he thinks readers will buy. And the reviews reflect that. However, I know that some people get it - after I read City I was searching the web and found a long rambling analysis / critique that a guy (Mike Glosson) posted on Bear's web site: a 3-part essay titled "A Fractured Eternity." Turns out this guy (who obviously has a lot of time on his hands) was very insightful and did the research to make the connections - I would highly recommend reading that essay, but not until you've read the book.
In a nutshell, if you like puzzles, philosophy, metaphors, and obscure references and aren't averse to searching Wikipedia for clues, chances are you will like this book. If you're the kind of person who watched Memento and got mad because it wasn't explained to you "what really happened," then you're really going to hate City at the End of Time.
As a math geek with pretentious artistic inclinations, I give it five hyperthumbs up.
W74
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Editorial Reviews
Review
“Represents a return to the sort of big and imaginative science-fiction epic that [Greg Bear’s] many fans particularly covet.”—Seattle Post-Intelligencer
“[A] triumphant return to large-scale SF . . . beautifully written.”—Publishers Weekly, A Best Book of the Year
“[City at the End of Time] has the flavor of weird fantasy, closer in its feel to the works of Neil Gaiman or China Miéville than anything Bear has done before. It . . . has an epic depth.”—Sci Fi Weekly
“A gripping, original tale.”—NewScientist
“Powerful and evocative.”—Analog
“Superlative . . . an excellent, excellent work.”—Harlan Ellison
“Compelling . . . a remarkable tour de force of sustained visionary writing . . . one of Bear’s best novels, perhaps even the very best.”—Locus
--This text refers to the paperback edition.
“[A] triumphant return to large-scale SF . . . beautifully written.”—Publishers Weekly, A Best Book of the Year
“[City at the End of Time] has the flavor of weird fantasy, closer in its feel to the works of Neil Gaiman or China Miéville than anything Bear has done before. It . . . has an epic depth.”—Sci Fi Weekly
“A gripping, original tale.”—NewScientist
“Powerful and evocative.”—Analog
“Superlative . . . an excellent, excellent work.”—Harlan Ellison
“Compelling . . . a remarkable tour de force of sustained visionary writing . . . one of Bear’s best novels, perhaps even the very best.”—Locus
--This text refers to the paperback edition.
About the Author
Greg Bear is the author of more than twenty-five books, which have been translated into more than a dozen languages. He has been awarded two Hugos and five Nebulas for his fiction. He is married to Astrid Anderson Bear, and they are the parents of two children, Erik and Alexandra.
www.gregbear.com
--This text refers to the paperback edition.
www.gregbear.com
--This text refers to the paperback edition.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
Seattle
The city was young. Unbelievably young.
The moon rose sharp and silver-blue over a deck of soft gray clouds, and if you looked east, above the hills, where the sun would soon rise, you saw a brightness as yellow and real as natural butter.
The city faced the coming day with dew cold and wet on new green grass, streaming down windows, beaded on railings, chill against swiping fingers.
Waking up in the city, no one could know how young it was and fresh; all had activities to plan, living worries to blind them, and what would it take to finally smell the blessed, cool newness, but a whiff of something other?
Everyone went about their business.
The day passed into dusk.
Hardly anyone noticed there was a difference.
A hint of loss.
With a shock that nearly made her cry out, Ginny thought she saw the old gray Mercedes in the wide side mirror of the Metro bus-stopped the next lane over, two car lengths behind, blocking traffic. The smoked rear windows, the crack in its mottled windshield-clearly visible.
It's them-the man with the silver dollar, the woman with flames in her palms.
The bus's front door opened, but Ginny stepped back into the aisle. All thoughts of getting out a stop early, of walking the next few blocks to stretch her legs and think, had vanished.
The Metro driver-a plump black woman with ivory sclera and pale brown eyes, dark red lipstick, and diamonds on her incisors, still, after a day's hard work, lightly perfumed with My Sin-stared up at Ginny. "Someone following you, honey? I can call the cops." She tapped the bus's emergency button with a long pearly fingernail.
Ginny shook her head. "Won't help. It's nothing."
The driver sighed and closed the door, and the bus drove on. Ginny took her seat and rested her backpack in her lap-she missed the weight of her box, but for the moment, it was someplace safe. She glanced over her shoulder through the bus's rear window.
The Mercedes dropped back and turned onto a side street.
With her good hand, she felt in the pack's zippered side pocket for a piece of paper. While unwrapping the filthy bandage from her hand, the doctor at the clinic had spent half an hour gently redressing her burns, injecting a big dose of antibiotics, and asking too many questions.
Ginny turned to the front of the bus and closed her eyes. Felt the passengers brush by, heard the front door and the middle door open and close with rubbery shushes, the air brakes chuffing and sighing.
The doctor had told her about an eccentric but kind old man who lived alone in a warehouse filled with books. The old man needed an assistant. Could be long-term. Room and board, a safe place; all legit. The doctor had not asked Ginny to trust her. That would have been too much.
Then, she had printed out a map.
Because Ginny had no other place to go, she was following the doctor's directions. She unfolded the paper. Just a few more stops. First Avenue South-south of the two huge stadiums. It was getting dark-almost eight o'clock.
Before boarding the bus-before seeing or imagining the gray Mercedes- Ginny had found an open pawnshop a block from the clinic. There, like Queequeg selling his shrunken head, she had hocked her box and the library stone within.
It was Ginny's mother who had called it the library stone. Her father had called it a "sum-runner." Neither of the names had ever come with much of an explanation. The stone-a hooked, burned-looking, come-and- go thing in a lead-lined box about two inches on a side-was supposed to be the only valuable possession left to their nomadic family. Her mother and father hadn't told her where they had taken possession of it, or when. They probably didn't know or couldn't remember.
The box always seemed to weigh the same, but when they slid open the grooved lid-a lid that only opened if you rotated the box in a certain way, then back again-her mother would usually smile and say, "Runner's turned widdershins!" and with great theater they would reveal to their doubting daughter the empty interior.
The next time, the stone might stick up from the padded recess as solid and real and unexplained as anything else in their life.
As a child, Ginny had thought that their whole existence was some sort of magic trick, like the stone in its box.
When the pawnbroker, with her help, had opened the box, the stone was actually visible-her first real luck in weeks. The pawnbroker pulled out the stone and tried to look at it from all directions. The stone- as always-refused to rotate, no matter how hard he twisted and tugged. "Strong sucker. What is it, a gyroscope?" he asked. "Kind of ugly-but clever."
He had written her a ticket and paid her ten dollars.
This was what she carried: a map on a piece of paper, a bus route, and ten dollars she was afraid to spend, because then she might never retrieve her sum-runner, all she had to remember her family by. A special family that had chased fortune in a special way, yet never stayed long in one place-never more than a few months, as if they were being pursued.
The bus pulled to the curb and the doors sighed open. The driver flicked her a sad glance as she stepped down to the curb.
The door closed and the bus hummed on.
In a few minutes the driver would forget the slender, brown-haired girl-the skittish, frightened girl, always looking over her shoulder.
Ginny stood on the curb under the lowering dusk. Airplanes far to the south scraped golden contrails on the deep blue sky. She listened to the city. Buildings breathed, streets grumbled. Traffic noise buzzed from east and west, filtered and muted between the long industrial warehouses. Somewhere, a car alarm went off and was silenced with a disappointed chirp.
Down the block, a single Thai restaurant spilled a warm glow from its windows and open door.
She took a hungry half breath and looked up and down the wide street, deserted except for the bus's dwindling taillights. Shouldering her pack, she crossed and paused in a puddle of sour orange glow cast by a streetlight. Stared up at the green slab wall of the warehouse. She could hide here. Nobody would find her. Nobody would know anything about her.
It felt right.
She knew how to erase trails and blank memories. If the old man turned out to be a greasy pervert-she could handle that. She had dealt with worse-much worse.
On the north end of the warehouse, an enclosure of chain-link fence surrounded a concrete ramp and a small, empty parking lot. At the low end of the ramp, a locked gate barred access from the sidewalk. Ginny looked for security cameras, but none were visible. An old ivory- colored plastic button mounted in green brass was the only way to attract attention. She double-checked the address on the map. Looked up at the high corner of the warehouse. Squeezed her finger through the chain link.
Pushed the button.
A few moments later, as she was about to leave, the gate buzzed open. No voice, no welcome.
Her shoulders slumped in relief-so tired.
But after all she had been through, no hope could go unchallenged. Quickly, she probed with all her strength and talent for a better way through the confused tangles of outcome and effect. None appeared. This was the only good path. Every other led her back to the spinning, blue-white storm in the woods.
For months now she had felt her remaining options pinch down. She had never pictured this warehouse, never known she would end up in Seattle, never clearly foreseen the free clinic and the helpful doctor.
Ginny pulled the gate open and walked up the ramp. The gate swung back with a rasping squeak and locked behind her.
Today was her eighteenth birthday. --This text refers to the paperback edition.
Seattle
The city was young. Unbelievably young.
The moon rose sharp and silver-blue over a deck of soft gray clouds, and if you looked east, above the hills, where the sun would soon rise, you saw a brightness as yellow and real as natural butter.
The city faced the coming day with dew cold and wet on new green grass, streaming down windows, beaded on railings, chill against swiping fingers.
Waking up in the city, no one could know how young it was and fresh; all had activities to plan, living worries to blind them, and what would it take to finally smell the blessed, cool newness, but a whiff of something other?
Everyone went about their business.
The day passed into dusk.
Hardly anyone noticed there was a difference.
A hint of loss.
With a shock that nearly made her cry out, Ginny thought she saw the old gray Mercedes in the wide side mirror of the Metro bus-stopped the next lane over, two car lengths behind, blocking traffic. The smoked rear windows, the crack in its mottled windshield-clearly visible.
It's them-the man with the silver dollar, the woman with flames in her palms.
The bus's front door opened, but Ginny stepped back into the aisle. All thoughts of getting out a stop early, of walking the next few blocks to stretch her legs and think, had vanished.
The Metro driver-a plump black woman with ivory sclera and pale brown eyes, dark red lipstick, and diamonds on her incisors, still, after a day's hard work, lightly perfumed with My Sin-stared up at Ginny. "Someone following you, honey? I can call the cops." She tapped the bus's emergency button with a long pearly fingernail.
Ginny shook her head. "Won't help. It's nothing."
The driver sighed and closed the door, and the bus drove on. Ginny took her seat and rested her backpack in her lap-she missed the weight of her box, but for the moment, it was someplace safe. She glanced over her shoulder through the bus's rear window.
The Mercedes dropped back and turned onto a side street.
With her good hand, she felt in the pack's zippered side pocket for a piece of paper. While unwrapping the filthy bandage from her hand, the doctor at the clinic had spent half an hour gently redressing her burns, injecting a big dose of antibiotics, and asking too many questions.
Ginny turned to the front of the bus and closed her eyes. Felt the passengers brush by, heard the front door and the middle door open and close with rubbery shushes, the air brakes chuffing and sighing.
The doctor had told her about an eccentric but kind old man who lived alone in a warehouse filled with books. The old man needed an assistant. Could be long-term. Room and board, a safe place; all legit. The doctor had not asked Ginny to trust her. That would have been too much.
Then, she had printed out a map.
Because Ginny had no other place to go, she was following the doctor's directions. She unfolded the paper. Just a few more stops. First Avenue South-south of the two huge stadiums. It was getting dark-almost eight o'clock.
Before boarding the bus-before seeing or imagining the gray Mercedes- Ginny had found an open pawnshop a block from the clinic. There, like Queequeg selling his shrunken head, she had hocked her box and the library stone within.
It was Ginny's mother who had called it the library stone. Her father had called it a "sum-runner." Neither of the names had ever come with much of an explanation. The stone-a hooked, burned-looking, come-and- go thing in a lead-lined box about two inches on a side-was supposed to be the only valuable possession left to their nomadic family. Her mother and father hadn't told her where they had taken possession of it, or when. They probably didn't know or couldn't remember.
The box always seemed to weigh the same, but when they slid open the grooved lid-a lid that only opened if you rotated the box in a certain way, then back again-her mother would usually smile and say, "Runner's turned widdershins!" and with great theater they would reveal to their doubting daughter the empty interior.
The next time, the stone might stick up from the padded recess as solid and real and unexplained as anything else in their life.
As a child, Ginny had thought that their whole existence was some sort of magic trick, like the stone in its box.
When the pawnbroker, with her help, had opened the box, the stone was actually visible-her first real luck in weeks. The pawnbroker pulled out the stone and tried to look at it from all directions. The stone- as always-refused to rotate, no matter how hard he twisted and tugged. "Strong sucker. What is it, a gyroscope?" he asked. "Kind of ugly-but clever."
He had written her a ticket and paid her ten dollars.
This was what she carried: a map on a piece of paper, a bus route, and ten dollars she was afraid to spend, because then she might never retrieve her sum-runner, all she had to remember her family by. A special family that had chased fortune in a special way, yet never stayed long in one place-never more than a few months, as if they were being pursued.
The bus pulled to the curb and the doors sighed open. The driver flicked her a sad glance as she stepped down to the curb.
The door closed and the bus hummed on.
In a few minutes the driver would forget the slender, brown-haired girl-the skittish, frightened girl, always looking over her shoulder.
Ginny stood on the curb under the lowering dusk. Airplanes far to the south scraped golden contrails on the deep blue sky. She listened to the city. Buildings breathed, streets grumbled. Traffic noise buzzed from east and west, filtered and muted between the long industrial warehouses. Somewhere, a car alarm went off and was silenced with a disappointed chirp.
Down the block, a single Thai restaurant spilled a warm glow from its windows and open door.
She took a hungry half breath and looked up and down the wide street, deserted except for the bus's dwindling taillights. Shouldering her pack, she crossed and paused in a puddle of sour orange glow cast by a streetlight. Stared up at the green slab wall of the warehouse. She could hide here. Nobody would find her. Nobody would know anything about her.
It felt right.
She knew how to erase trails and blank memories. If the old man turned out to be a greasy pervert-she could handle that. She had dealt with worse-much worse.
On the north end of the warehouse, an enclosure of chain-link fence surrounded a concrete ramp and a small, empty parking lot. At the low end of the ramp, a locked gate barred access from the sidewalk. Ginny looked for security cameras, but none were visible. An old ivory- colored plastic button mounted in green brass was the only way to attract attention. She double-checked the address on the map. Looked up at the high corner of the warehouse. Squeezed her finger through the chain link.
Pushed the button.
A few moments later, as she was about to leave, the gate buzzed open. No voice, no welcome.
Her shoulders slumped in relief-so tired.
But after all she had been through, no hope could go unchallenged. Quickly, she probed with all her strength and talent for a better way through the confused tangles of outcome and effect. None appeared. This was the only good path. Every other led her back to the spinning, blue-white storm in the woods.
For months now she had felt her remaining options pinch down. She had never pictured this warehouse, never known she would end up in Seattle, never clearly foreseen the free clinic and the helpful doctor.
Ginny pulled the gate open and walked up the ramp. The gate swung back with a rasping squeak and locked behind her.
Today was her eighteenth birthday. --This text refers to the paperback edition.
From Publishers Weekly
Starred Review. In his triumphant return to large-scale SF, Nebula and Hugo–winner Bear (Quantico) links three young drifters in present-day Seattle with an unimaginably distant future. When the drifters answer an odd newspaper advertisement, they soon find themselves caught up in a war between mysterious and powerful forces. Two not-quite-humans, creations of a million-year experiment, have discovered that their ancient fortress/city, perhaps the last refuge of intelligence in a dying universe, is about to fall before the onslaught of chaos. They have been chosen by beings evolved far beyond mere matter to undertake a dangerous mission to preserve the universe's last vestiges of consciousness. Somehow the two groups engage in telepathic communication despite the eons that separate them. Something of an homage to William Hope Hodgson's classic The Night Land, this complex, difficult and beautifully written tale will appeal to sophisticated readers who prefer thorny conundrums to fast-paced action. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate kindle_edition edition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate kindle_edition edition.
From Booklist
In a post-human future, one city, guarded by reality generators and surrounded by the terrible maelstrom of Chaos, is the sole bastion of order. In our time, three people who can alter the course of fate, a murky past, and the dreams of a decaying city at the end of time are brought together by a newspaper ad and into the hands of collectors of their kind. Back in the future, the strange characters include keepers and the Librarian, who seek to protect history, and others who welcome Chaos. As the lines of fate and possibility collapse toward inevitability, the three fateshifters resort to the tenuous protection of a Seattle warehouse full of books as a storm that threatens to destroy everything approaches. If the trio survives and holds onto memory through the disaster, memory will begin again, the long decay of reality will end, and mysteries will be solved in the eye of the storm. Fascinating. --Regina Schroeder
--This text refers to an alternate kindle_edition edition.
Product details
- ASIN : B002U3CC74
- Publisher : Gollancz (September 18, 2008)
- Publication date : September 18, 2008
- Language: : English
- File size : 1366 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 484 pages
- Lending : Not Enabled
-
Best Sellers Rank:
#210,383 in Kindle Store (See Top 100 in Kindle Store)
- #895 in Hard Science Fiction (Kindle Store)
- #1,103 in Technothrillers (Books)
- #1,335 in Hard Science Fiction (Books)
- Customer Reviews:
Customer reviews
3.3 out of 5 stars
3.3 out of 5
116 global ratings
How are ratings calculated?
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness.
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Reviewed in the United States on April 19, 2012
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17 people found this helpful
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Reviewed in the United States on October 12, 2010
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I am a huge fan of Greg Bear. Because Mr. Bear hit it out of the park (so to speak) with his novels Eon and Eternity, I am always willing to buy and read his novels. Sometimes Mr. Bear is great (as with Eon, Eternity, Psychlone, Strength of Stones, and Blood Music), sometime he is very good (as with Moving Mars, The Forge of God, Anvil of Stars, Darwin's Radio, and Darwin's Children), and sometimes he is average (as with Legacy, Slant, The Queen of Angels, Vitals, Quantico, Songs of Earth and Power). Of course, Mr. Bear's "average" exceeds the very best works by most writers.
While this novel is brilliant, it was ultimately boring due to its slow, repetitive plotting and its use of well-worn ideas which have been seen in numerous novels previously (including novels by Greg Bear himself). This novel often plods along for scores of pages at a time without anything interesting happening or any advancement in the plot; hence, I was rather bored most of the time. If Mr. Bear had distilled this novel to approximately half its length it would have been much more satisfying. Lastly, I hate that Mr. Bear resorted to a deus ex machina ending (I HATE such endings). I appreciated Mr. Bear's clever use of mythology and symbolism. I also appreciated his writing style in this novel (it reminds me of Samuel R. Delany at his best).
In the end, "City at the End of Time" was brilliant, but boring. Although it was disappointing, I shall continue to buy every Greg Bear book that is published. He is a great writer: I am always hoping he will hit it out of the park (so to speak) one more time again.
While this novel is brilliant, it was ultimately boring due to its slow, repetitive plotting and its use of well-worn ideas which have been seen in numerous novels previously (including novels by Greg Bear himself). This novel often plods along for scores of pages at a time without anything interesting happening or any advancement in the plot; hence, I was rather bored most of the time. If Mr. Bear had distilled this novel to approximately half its length it would have been much more satisfying. Lastly, I hate that Mr. Bear resorted to a deus ex machina ending (I HATE such endings). I appreciated Mr. Bear's clever use of mythology and symbolism. I also appreciated his writing style in this novel (it reminds me of Samuel R. Delany at his best).
In the end, "City at the End of Time" was brilliant, but boring. Although it was disappointing, I shall continue to buy every Greg Bear book that is published. He is a great writer: I am always hoping he will hit it out of the park (so to speak) one more time again.
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Reviewed in the United States on March 6, 2014
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I thought the first Greg Bear book I read was Eon and it blew me away. I work in IT and his concepts of City Memory and partials and use of "internal storage" set my mind on fire. The tragedy of the Death broke my heart. Hey just writing about it make me want to read it again.I became hooked as a fame because I loved his science. I mean this guy isn't just making this stuff up. He doing the work.
But I got to tell the City at the End of Time totally captivated me. The first time I was exposed to it was through the audio book (which I also highly recommend). But audio books for all the drama of the spoken word still limits you in that you really have to listen. Well duh right? But what I mean is that if you miss something you have to rewind yadi yada and try to pick up what you lost.
But with the printed work you can actually dwell of something. Really get your head around it. There is a LOT to get your head around in City. These are some of the most amazing concepts. I won't ruin for you. But read the damn book. If you like anything he has written, I have got to believe you will love this book.
I'm a cat lover. Hey I like dogs too, but I identify with cats. Cats play an amazing role in this book and not in the way you expect. There are fantastic heros. Astounding villains and gods and demons you have never seen before. And amazing cats!
My most favorite book about the end of all things. But is it REALLY the end? With Mr. Bear you never know. Thank you Greg Bear for this marvelous voyage into what may happen and the view of love and devotion and courage in the places you would least expect it. If you really like the unknown and unexpected and views of worlds never before seen you will love this this book. Watch out for the cats!!
But I got to tell the City at the End of Time totally captivated me. The first time I was exposed to it was through the audio book (which I also highly recommend). But audio books for all the drama of the spoken word still limits you in that you really have to listen. Well duh right? But what I mean is that if you miss something you have to rewind yadi yada and try to pick up what you lost.
But with the printed work you can actually dwell of something. Really get your head around it. There is a LOT to get your head around in City. These are some of the most amazing concepts. I won't ruin for you. But read the damn book. If you like anything he has written, I have got to believe you will love this book.
I'm a cat lover. Hey I like dogs too, but I identify with cats. Cats play an amazing role in this book and not in the way you expect. There are fantastic heros. Astounding villains and gods and demons you have never seen before. And amazing cats!
My most favorite book about the end of all things. But is it REALLY the end? With Mr. Bear you never know. Thank you Greg Bear for this marvelous voyage into what may happen and the view of love and devotion and courage in the places you would least expect it. If you really like the unknown and unexpected and views of worlds never before seen you will love this this book. Watch out for the cats!!
6 people found this helpful
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Reviewed in the United States on September 11, 2008
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I am a huge GB fan and always read his new stuff as soon as it comes out so I pre-ordered CIty. As usual with Bear really interesting ideas wrapped inside a somewhat difficult story to follow. I usually read GB with the thoughts that I will at least get one new, way out idea about time/space/ evolution etc. CatEoT doesn't disappoint in this regard but if your looking for a fun, easy read with a great plot and engaging characters - look some place else.
3 people found this helpful
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Reviewed in the United States on June 6, 2019
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I had to stop reading it after trying hard (I got thru 20%)
Reviewed in the United States on October 21, 2016
Verified Purchase
Solid story, kinda weird and quirky but fun. ...right up until the ending, which reminded me of Diamond age. Leaves you with a weird aftertaste, but you'll enjoy it until then .
Top reviews from other countries

Jeremy Minton
1.0 out of 5 stars
An astonishingly dull book
Reviewed in the United Kingdom on December 20, 2013Verified Purchase
Having read and been blown away with previous Greg Bear novels such as Eon and Eternity, and having been enticed by the reviews with which this page is decorated, I had high hopes for this book. Sadly, the reader scores tell a different story and to my mind a much more accurate one. This is a ludicrously tedious, pointless and disappointing book. If I could award a minus score I would do: I feel as if some small part of my soul has actually been killed by reading it.
There is a moment in it where one of the characters observes that, "the universe was running down; all the hope and joy draining out of it." The problem is that this comment does not just apply to the multiple universes within the book. It applies to the book itself. There is no zest here, no life.
Bear's vision may indeed be vast (as the reviewer from "The Guardian" asserts) spanning billions of years and multiple universes. Sadly, the imaginative energy with which this vision is delivered feels as if it would struggle to illuminate a dull Sunday afternoon in a 1970s bed-sit. Nothing happens. And nothing keeps on happening for page after page.
We are told repeatedly that monstrous forces are at work, that lives uncounted hang in the balance, and yet it never feels like it. The story trundles along, providing no actual evidence, no actual events, to justify the claims of the text. There is no terror, no tension, just an overwhelming feeling of drabness. Having created a context in which he has an infinite range of times, places, cultures and environments to pick from Bear has unaccountably decided to set the action is a series of locations which posses all the depth, colour, vibrancy and life of a provincial airport at four o'clock in the morning. And peopled it with characters to match.
This book is draining to read. I stuck it out for three hundred pages hoping that something would happen to justify my investment of time and attention, and then I realised that even if it got ten times better it still wouldn't be good enough of a pay back for what I'd already read. It would not be enough to make me care. I gave up, and it felt so good to not have to read it any more.
There is a moment in it where one of the characters observes that, "the universe was running down; all the hope and joy draining out of it." The problem is that this comment does not just apply to the multiple universes within the book. It applies to the book itself. There is no zest here, no life.
Bear's vision may indeed be vast (as the reviewer from "The Guardian" asserts) spanning billions of years and multiple universes. Sadly, the imaginative energy with which this vision is delivered feels as if it would struggle to illuminate a dull Sunday afternoon in a 1970s bed-sit. Nothing happens. And nothing keeps on happening for page after page.
We are told repeatedly that monstrous forces are at work, that lives uncounted hang in the balance, and yet it never feels like it. The story trundles along, providing no actual evidence, no actual events, to justify the claims of the text. There is no terror, no tension, just an overwhelming feeling of drabness. Having created a context in which he has an infinite range of times, places, cultures and environments to pick from Bear has unaccountably decided to set the action is a series of locations which posses all the depth, colour, vibrancy and life of a provincial airport at four o'clock in the morning. And peopled it with characters to match.
This book is draining to read. I stuck it out for three hundred pages hoping that something would happen to justify my investment of time and attention, and then I realised that even if it got ten times better it still wouldn't be good enough of a pay back for what I'd already read. It would not be enough to make me care. I gave up, and it felt so good to not have to read it any more.
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J. Magee
1.0 out of 5 stars
THE MOST BORING BOOK I'VE EVER READ
Reviewed in the United Kingdom on July 12, 2012Verified Purchase
Normally, boring, plot-less stories are written by terrible writers, but unfortunately Mr Bear is eminently readable even when the story is utter tripe. I struggled with this right to the bitter end and it was bitter.
I think the main criticism for me was that I couldn't identify with the characters as well as the fact that so much of the story was pointless. Its a good job I have already read brilliant stories written by Greg Bear but the next time I'll read the revues before buying one.
I think the main criticism for me was that I couldn't identify with the characters as well as the fact that so much of the story was pointless. Its a good job I have already read brilliant stories written by Greg Bear but the next time I'll read the revues before buying one.
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Mr. A. Taylor-Bennett
1.0 out of 5 stars
How disappointing
Reviewed in the United Kingdom on October 5, 2008Verified Purchase
I agree with one of the other reviewers; I wanted to like this book. I enjoyed SF some years ago and, reading a good account of this novel in a sunday newspaper, invested in the hardback as a holiday read feeling that it could reawaken some of my enjoyment of the genre. I found it unspeakably pretentious and remarkably poorly constructed. It completely lost its way about three quarters the way through! How damning is it when you are desperate to finish a book, but not because of any enjoyment, its narrative thrust or a sense of 'wow, how's it going to end?!' but because you've already invested so much into it that you simply will not let the last 30 pages beat you. But, oh dear, those 30 tedious last pages took their toll. I really couldn't have given a damn if the whole universe came to an end by the last few chapters - in fact I remember wishing it was going to be sooner rather than later.
Too many good ideas and virtually no literary merit.
Too many good ideas and virtually no literary merit.
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Ed Monteray
2.0 out of 5 stars
Lacklustre, a possibly epic tale without any substance
Reviewed in Germany on June 22, 2010Verified Purchase
Though a bit confusing, the start of the book starts to weave an interesting tale of time, science, and perhaps a bit of religion. Tales of alternate time lines, mystical characters, strange artefacts and the city at the end of time. The material is rich in fantasy and compels you to read further.
At least for the first half of the book. Slowly but surely you notice that half of the questions in the book will never be answered. The characters have a tendency to never remember anything and indicate they never will. Any notion of science fiction becomes lost to a tale of haphazard tale of fantasy. Lots of jumbled pieces get mixed about and ultimately never fit together.
And certainly the last quarter of the book you're basically just dragged through the same material. The same people remembering and forgetting things and just not understanding. It really isn't surprising though, since at the half-way point it was pretty clear what the story was building up to. And as you continue reading you get the feeling that Greg Bear didn't have a good ending (and he doesn't) but feels that if he keeps throwing up new imagery and new mysteries it'll somehow make for a great story. It doesn't.
This is a story that starts with promise and degenerates into a bumbling mess of nonsense.
At least for the first half of the book. Slowly but surely you notice that half of the questions in the book will never be answered. The characters have a tendency to never remember anything and indicate they never will. Any notion of science fiction becomes lost to a tale of haphazard tale of fantasy. Lots of jumbled pieces get mixed about and ultimately never fit together.
And certainly the last quarter of the book you're basically just dragged through the same material. The same people remembering and forgetting things and just not understanding. It really isn't surprising though, since at the half-way point it was pretty clear what the story was building up to. And as you continue reading you get the feeling that Greg Bear didn't have a good ending (and he doesn't) but feels that if he keeps throwing up new imagery and new mysteries it'll somehow make for a great story. It doesn't.
This is a story that starts with promise and degenerates into a bumbling mess of nonsense.
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Mr. Allan P. Gay
1.0 out of 5 stars
Dreadful
Reviewed in the United Kingdom on October 2, 2011Verified Purchase
A dreadful, vain, self-indulgent, amateurish book.
Thinly-characterised, filled with mere anecdote, drowned in scenery, and devoid of plot. As an entertainment, it is an utter failure.
Greg Bear has written many strikingly good books, and this disaster is in marked contrast to them all.
If you are new to this author, read his perfectly-realised "Heads" and its sequel, "Moving Mars". If you have a taste for spectacle, read his wonderful "Eon" and "Eternity".
No stars. Not even one.
Thinly-characterised, filled with mere anecdote, drowned in scenery, and devoid of plot. As an entertainment, it is an utter failure.
Greg Bear has written many strikingly good books, and this disaster is in marked contrast to them all.
If you are new to this author, read his perfectly-realised "Heads" and its sequel, "Moving Mars". If you have a taste for spectacle, read his wonderful "Eon" and "Eternity".
No stars. Not even one.
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