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City of Quartz: Excavating the Future in Los Angeles Paperback – March 10, 1992
| Mike Davis (Author) Find all the books, read about the author, and more. See search results for this author |
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- Print length462 pages
- LanguageEnglish
- PublisherVintage
- Publication dateMarch 10, 1992
- Dimensions5.25 x 1 x 8 inches
- ISBN-100679738061
- ISBN-13978-0679738060
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Product details
- Publisher : Vintage; Reprint edition (March 10, 1992)
- Language : English
- Paperback : 462 pages
- ISBN-10 : 0679738061
- ISBN-13 : 978-0679738060
- Item Weight : 15.2 ounces
- Dimensions : 5.25 x 1 x 8 inches
- Best Sellers Rank: #766,265 in Books (See Top 100 in Books)
- #899 in Sociology of Urban Areas
- Customer Reviews:
About the author

Mike Davis is the author of several books including City of Quartz, Ecology of Fear, Late Victorian Holocausts, Planet of Slums, and Magical Urbanism. He was recently awarded a MacArthur Fellowship. He lives in Papa'aloa, Hawaii.
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Having worked for several of the major downtown LA movers and shakers (Bank of America, Atlantic-Richfield, the Chandler-era Los Angeles Times (for Vance Stickle), Federated Department Stores, Carter-Hawley-Hale, the Los Angeles Central City Association (for former deputy mayor Steve Gavin)) as well as several of the major residential and commercial developers of the surrounding communities (American-Pacesetter (for John Klug), Pacific Mutual Life Insurance, Ernest W. Hahn, Cadillac-Fairview Ltd., the Alaska Teamsters Union Pension Fund, MCO Properties (for Charles Hurwitz), Landmark Land Company (for Ernie Vossler), Kohlberg-Kravis-Roberts via KSL Land) as a paid informer -- and dis-informer -- during the Central Business District Redevelopment campaign in 1975 and numerous municipal approval campaigns before and after, I was far enough inside to know that Davis was, as well.
Money talks, BS walks. The Big Boys knew this then, and they know it now. No one that I know of, however, has Pieced It All Together as elegantly and definitively, however rambling, tangential and (possibly) difficult to follow Davis's prose becomes at times. I respect the fact that having been there helps, but for the graduate -- or even upper-division undergrad -- student Looking for Clues, this is a gold mine... and not just about Los Angeles or even southern California. In most ways, this =is= the way things work pretty much everywhere.
The main problem with this tome is it's poorly edited. Take, for example, this sample sentence: "They described the Culture Industry not merely as political economy, but as a specific spatiality that vitiated the classical proportions of European urbanity, expelling from the stage both the 'masses' (in their heroic, history-changing incarnation) and the critical intelligensia." Besides swallowing the dictionary on this one (and many others) Davis shows he has yet to learn the Orwellian principle of writing clear, concise and well-constructed sentences.
Another major problem is his research seems to have been done mostly in the library. There are quotes that head sections within chapters but for someone presenting a broad social history and criticism of L.A., why not interview a few of the people who live there about the issues he brings about? Take the first chapter--72 pages of text, 168 footnotes. Let me repeat that--that's 168(!) footnotes. Are there any original thoughts in that chapter given the number of footnotes?
Also, for someone who rightly criticizes the L.A. Times for its political machinations, he certainly uses the Times as source material especially for statistics. If, on the one hand, he portrays the Times as a right-wing organ throughout pretty much most of its history, wouldn't you think, from a socialist's point of view, that quoting or reporting anything the Times says is counter to that?
Davis only truly writes well in the chapter "The Hammer and the Rock" which focuses on the LAPD's aggressive policing policy of ghetto areas. This chapter is as good as the excellent Miles Corwin book "The Killing Season" on the lives of two LAPD homicide detectives over one summer.
The last chapter on an area inland called Fontana seems to fit the Davis agenda. It's the place he grew up in but explain to me how relevant it is when it still remains a fringe area in L.A. history? Interesting but certainly not needed in this book. There are so many things Davis could have touched on in this book. In fact, when he focuses on the entertainment industry, it's on the Hollywood movie scene and about such sad things as how it devoured such talents as Fitzgerald and Faulkner when they came out West. Yet Hollywood is just one part of LA's entertainment history.
With his focus on the importance of land deals, it's surprising he left out the sports industry altogether. There is a goldmine of boondoggles in the Dodgers move from Brooklyn, the Oakland Raiders move south then back north, the Rams to Anaheim and then St. Louis, the growth of minor league baseball in the Inland Empire, etc. He does touch on music but doesn't get into it enough. And what of pop culture trends, fads, and wacko religions. Or even a focus on the drive-in religious temples that sprouted in L.A. He does get in his digs at L. Ron Hubbard, but that's it.
In other hands this could have been a tremendous book. All that was needed was a little objectivity and less socialist rancor (and I'm not saying this because I'm some kind of right-wing Nazi, I enjoyed Howard Zinn's "People's History of the US" as that was well-written and felt like I wasn't being lectured to.).









