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The City We Became: A Novel (The Great Cities, 1) Hardcover – March 24, 2020
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An instant NYT Bestseller!
Four-time Hugo Award-winning author N.K. Jemisin crafts her most incredible novel yet, the first book in The Great Cities Duology, a crackling tale of culture, identity, magic, and myths in contemporary New York City. "A glorious fantasy." —Neil Gaiman
In Manhattan, a young grad student gets off the train and realizes he doesn't remember who he is, where he's from, or even his own name. But he can sense the beating heart of the city, see its history, and feel its power.
In the Bronx, a Lenape gallery director discovers strange graffiti scattered throughout the city, so beautiful and powerful it's as if the paint is literally calling to her.
In Brooklyn, a politician and mother finds she can hear the songs of her city, pulsing to the beat of her Louboutin heels.
And they're not the only ones.
Every great city has a soul. Some are ancient as myths, and others are as new and destructive as children. New York? She's got six.
One of TIME Magazine's 100 Best Fantasy Books of all time
One of TIME Magazine's 100 Must-Read Books of 2020
One of Vanity Fair's 15 Best Books of 2020
One of Amazon's Best Books of 2020
The Great Cities Duology
The City We Became
The World We Make
- Print length448 pages
- LanguageEnglish
- PublisherOrbit
- Publication dateMarch 24, 2020
- Dimensions6.4 x 1.85 x 9.9 inches
- ISBN-100316509841
- ISBN-13978-0316509848
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Editorial Reviews
Amazon.com Review
Review
"The City We Became takes a broad-shouldered stand on the side of sanctuary, family and love. It's a joyful shout, a reclamation and a call to arms."―The New York Times
"Jemisin is now a pillar of speculative fiction, breathtakingly imaginative and narratively bold."―Entertainment Weekly
"A love letter, a celebration and an expression of hope and belief that a city and its people can and will stand up to darkness, will stand up to fear, and will, when called to, stand up for each other."
―NPR
"The City We Became is a raucous delight, a joyride, a call-to-arms, a revolution with plenty of dancing. Eat your heart out, Lovecraft."―Alix E. Harrow, author of The Ten Thousand Doors of January
"Some of the most exciting and powerful fantasy writing of today... Jemisin's latest will attract ... even those who don't typically read genre fiction."―Booklist (starred review)
"The most important speculative writer of her generation...She's that good."―John Scalzi
"A love/hate song to and rallying cry for the author's home of New York... Fierce, poetic, uncompromising."―Kirkus (starred review)
"The City We Became is a wonderfully inventive love letter to New York City that spans the multiverse. A big middle finger to Lovercraft with a lot of heart, creativity, smarts and humor. A timely and audacious allegorical tale for our times. This book is all these things and more."―Rebecca Roanhorse, author of Trail of Lightning
"N. K. Jemisin has captured the living, breathing soul of New York City in a way that only a writer of her skill can. The City We Became is a masterpiece that plays by no rules-beautiful, musical, joyfully weird, and as impossibly fantastical as it is deeply true."―Peng Shepherd, author of The Book of M
"Without a doubt, one of the most brilliant books I have ever had the honor of reading. An homage to New York City, packed with all its love and harshness, and so incredibly inventive that I felt my own imagination and the boundaries of what fantasy can be expand."―S. A. Chakraborty, author of City of Brass
"The greatest fantasy novelist currently writing turns her magnificent eye and ear and heart on New York City, and the result is every bit as full of love and rage and crazy compelling characters as my beloved city deserves."―Sam J. Miller, Nebula-Award-Winning author of Blackfish City
"One of the most celebrated new voices in epic fantasy."―Salon.com
About the Author
Product details
- Publisher : Orbit; First Edition (March 24, 2020)
- Language : English
- Hardcover : 448 pages
- ISBN-10 : 0316509841
- ISBN-13 : 978-0316509848
- Item Weight : 1.48 pounds
- Dimensions : 6.4 x 1.85 x 9.9 inches
- Best Sellers Rank: #46,559 in Books (See Top 100 in Books)
- #1,977 in Fantasy Action & Adventure
- #2,648 in Paranormal & Urban Fantasy (Books)
- #3,803 in Literary Fiction (Books)
- Customer Reviews:
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About the author

N. K. Jemisin is a Brooklyn author who won the Hugo Award for Best Novel for The Fifth Season, which was also a New York Times Notable Book of 2015. She previously won the Locus Award for her first novel, The Hundred Thousand Kingdoms, and her short fiction and novels have been nominated multiple times for Hugo, World Fantasy, and Nebula awards, and shortlisted for the Crawford and the James Tiptree, Jr. awards. She is a science fiction and fantasy reviewer for the New York Times, and you can find her online at nkjemisin.com.
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Severe, brutal, blatant commentary on society, racism, prejudice, the default nature of humanity to form cliques and to hell with those unlike you. And at the same time, full of unfettered joy and unrestrained pride and the beauty of humanity in all their flaws and triumphs. Unique in story and also so familiar in other ways that I found myself laughing out loud even as I had tears on my cheeks from the truth of the words. If you've ever been to New York, you'll feel the pulse of the city in every word of this book, and if you haven't, you'll still feel it because that pulse can be found in all cities, in all towns, in all groups of people. This book is every bit a glorious love letter to the city that never sleeps, and truly all cities and humanity itself. I've rarely read something this incredibly distinctive, with each character's voice so special in its own way. Yes, it will force you to confront your internal prejudice (and we've all got it, even you) and yes, it does not hide the message in some soft, easy metaphor. This is a clear, vibrant, loud call to arms, merciless in many ways as it shows the vitriol that minorities face, as well as the environments that foster and fuel and create that narrow minded culture that The Woman in White personified so well throughout this book. Truly a masterpiece and I'm so eager to read more by N K Jemisin now. Read this.
What makes no sense to me, however, is to throw all these things into a bag together and call them "Dallas". Partly, of course, that is because I sense how much is missing -- how much of Dallas I (or any one person) did not appreciate because of who I am and what I do. But it's more that those are separate things -- they don't combine into an identity. If you asked me to compare New York to Dallas, I would scarcely know how to start. It's like being asked to compare the Atlantic Ocean to Shakespeare's Hamlet -- it just doesn't make any sense to me.
**N.K. Jemisin has entered the chat **
NKJ: Hey there, L. I'm not a *bleep*ing idiot. I'm 'way ahead of you. Your objection is basically the whole premise of the book. As the publisher's blurb says, "Every great city has a soul... She's got six." Besides -- Dallas -- Pfft. Doesn't have a soul and never will.
L: Yeah, OK. I admit you did in some degree anticipate my point, even though you dumbed it down. I don't buy that the Bronx, for instance, is a single thing.
NKJ: I have a story to tell. There's not space for every *bleep*ing last real-world detail.
L: Fair enough.
A book like this inevitably lives or dies by its portrayal of The City. I am ill-equipped to judge Jemisin's New York, for reasons already described. I wish now I could ask my Aunt Althea's opinion. Aunt Althea was a nurse in Europe in World War II. She came home to the USA, where she worked at Sloan-Kettering Cancer Center on Manhattan for many years. Besides saving lives, she read and read and read. If she were still available for consultation I would ask her, "Have you read The City We Became? [A mere formality -- of course she'd have read it.] What did you think?" In a way, though, she pre-answered the question. She gave us Winter's Tale by Mark Helprin, another novel that personifies the soul of New York.
Our world is desperately cruel and beautiful. Consequently, so too are its cities. It is inevitable in novels such as City We Became and Winter's Tale that the cruelty of The City becomes evident. Helprin's New York differs from Jemisin in making beauty and joy more prominent. Helprin's portrayal is also more explicitly historical, and also more white. City We Became shows a side of New York that is difficult to discern in Winter's Tale.
I think Aunt Althea would have liked it.
Let me back up and give a quick synopsis for the book before we dive in to the review:
Five New Yorkers must come together in order to defend their city in the first book of a stunning new series by Hugo award-winning and NYT bestselling author N. K. Jemisin. Every city has a soul. Some are as ancient as myths, and others are as new and destructive as children. New York City? She’s got five. But every city also has a dark side. A roiling, ancient evil stirs beneath the earth, threatening to destroy the city and her five protectors unless they can come together and stop it once and for all.
This book excels on every front: it has characters that are simultaneously totally real and complete stereotypes of the boroughs they represent. It has such solid world building in its use of NYC, you can see the sights, smell the streets, feel the living, breathing city ooze off the pages. The plot is such a great tale of unification, a celebration of a city but also just humans as a whole, of the strength of evil and what it takes to overcome it. The writing is, of course with N.K. Jemisin, of the highest caliber.
This book is a legitimate piece of art. It’s heart and soul are bared for the world to see and it absolutely shines. What has been crafted and so tightly, excellently written here is nothing short of brilliance. There have been so very few books that have left me with this feeling, I can’t even think of what the last one was.
There is so so much I want to say about this book. The use of diverse, real people in a city like NYC is entirely perfect and fitting but stands out for how well written and used they are, especially when their nemesis brings out the alt-right, shitty racist cops and gentrification as a form of its evil. The evils that really face NYC and, to an extent, all big cities in real life are superbly used and fit in to the narrative effectively. There’s a sequence towards the end of the book – around the 75% mark – that by total coincidence feels oddly prescient of current conditions with Covid19. You know no one could have seen this coming but, like, how is it so scarily accurate? And it just feels wonderful to say I finally feel like someone has given Lovecraft and all his horrible racist views the justice and send off he deserves.
Something small but also super awesome I wanted to point out that shows the level of care and craft Jemisin has put in to this novel – the one character from England, Bel, is so realistically written. Jemisin has him using language and slang I haven’t heard since I was a kid living in England, and it was surreal to see it so accurately used. I’ve read plenty of English authors who haven’t used slang so well.
I honestly don’t know where to go with this review from here other than to say to anyone at all that may read this: please please please go buy this book. It is absolutely astonishing and wonderful and you won’t regret a second of the time you spend with it. It is one of my personal favorite books I’ve ever had the pleasure of reading. I will be talking to anyone and everyone I can about this story for a long, long time to come.

















