Other Sellers on Amazon
+ $3.99 shipping
96% positive over last 12 months
& FREE Shipping
96% positive over last 12 months
+ $5.97 shipping
92% positive over last 12 months
Image Unavailable
Color:
-
-
-
- Sorry, this item is not available in
- Image not available
- To view this video download Flash Player
Classic Albums - Lou Reed: Transformer
- Free returns are available for the shipping address you chose. You can return the item for any reason in new and unused condition: no shipping charges
- Learn more about free returns.
- Go to your orders and start the return
- Select the return method
- Ship it!
Enhance your purchase
| Genre | Rock, Music Video & Concerts |
| Format | Multiple Formats, Color, Dolby, NTSC, Widescreen |
| Contributor | Bob Smeaton |
| Language | English |
| Number Of Discs | 1 |
Frequently bought together

- +
- +
Customers who viewed this item also viewed
Product Description
Product Description
This episode of the CLASSIC ALBUMS series takes a track-by-track look at the making of the record with both Reed and his engineer Ken Scott poring over the original multi-tracks for the album. Additionally, there is archival footage of the Velvet Underground, an interview with the Eurythmics' Dave Stewart and a discussion with bassist Herbie Flowers about the origins of the famous bassline for "Walk on the Wild Side."
Amazon.com
This installment of the Classic Albums series looks at the making of Lou Reed's seminal glam-rock solo album, Transformer, featuring a relaxed Reed (though decidedly less glam than he was in '72) looking like he's having the time of his life as he reminisces and isolates separate tracks to illustrate how the album came together. Bassist Herbie Flowers demonstrates how he recorded the swingy, impossibly catchy bass riff in "Walk on the Wild Side," and coproducer David Bowie makes a brief appearance, as do many of Reed's contemporaries and fellow musicians. Many express delight that the tracks sound as fresh as they did when they were recorded, especially "Vicious" and "Perfect Day." DVD bonus interviews include a fascinating tale from Reed on how he first met Andy Warhol--while he and the Velvet Underground were playing in a seedy Village café, being attacked by drunken sailors offended by one of their songs. --Anne Hurley
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 3.94 Ounces
- Item model number : 3276655
- Director : Bob Smeaton
- Media Format : Multiple Formats, Color, Dolby, NTSC, Widescreen
- Run time : 1 hour and 20 minutes
- Release date : December 4, 2001
- Language : Unqualified (DTS ES 6.1)
- Studio : Eagle Rock Entertainment
- ASIN : B00005QJIB
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #124,216 in Movies & TV (See Top 100 in Movies & TV)
- #1,788 in Performing Arts (Movies & TV)
- #3,660 in Music Videos & Concerts (Movies & TV)
- #3,766 in Pop Singer-Songwriters
- Customer Reviews:
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonTop reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Wenger into the garbage can.
And you can't deny that there's something new to be learned from this doc. I mean, "Walk On the Wild Side," was famously about Warhol habitues, but what always puzzled me was the focus on people like Holly Woodlawn, Joe Dallesandro and Candy Darling, who to my knowledge, were relative latecomers to the Factory scene and were not the likely the people Lou hung around with in '67. Lou, famously, claimed to write about the people he KNEW--a claim that's reiterated a few times in the course of this film. BUT when D'Alessandro and Woodlawn are actually interviewed on the camera here, they maintain that that--honored as they were to have inspired the song's composer--they scarcely knew the guy. Turns out, that he knew them--and their personae--mainly from the movies that they made with Warhol wannabe, Paul Morrissey. In other words, Lou scarcely wasn't REALLY writing about people he knew: he was writing about people he's seen in the movies. He scarcely knew them any better than we did. Difference is, he got a great song out of it.
I never thought that "Satellite Of Love" was about a stalker either. Well, that's mainly ROLLING STONE critic David Fricke maintains. Lou's a little more circumspect in his own interpretation of his own work. He thinks it's about jealousy, BUT he says, "I could be wrong." Well, I personally always thought the satellite going "up to Mars" and that he "love(d) to watch things on TV" (which is SOO Warhol) was a shy man's way of focusing on something else when the object of his love is making time with "Harry, Mark and John." Jealousy? Sure! Stalker City? I doubt it. The narrator seems more likely to turn on the TV rather than stalk his beloved.
The passages on how "Walk On the Wild Side" came into being are just fascinating. The bassist, studio musician Herbie Flowers (great name!) didn't know anything about Lou or the Velvet Underground and came up with the elaborate bassline (stand up AND electric) pretty much on his own--and never complained that he got paid overtime for doing both parts. It fell together just right, of course. And Lou Reed was long overdue for at least some level of commercial success. Yeah, audiences might NOT have fully understood it. Or maybe we understood it better than we cared to admit. The world was pretty much ready for "Wild Side" by '72. Maybe we had to feign an ignorance we did not really possess. But we had an inkling.
But I never DID like "Andy's Chest" all that much. I did like individual lines, I'll admit, but the fact that the lyrics didn't hang together all that well always bothered me. So hearing Lou Reed the lyrics pretty much as a POEM--well, I just didn't care for it. Don't really want to learn that much more about a goof track like "New York Telephone Conversation" either. Cute song, but doesn't matter all that much in the final analysis.
Speaking of off-the-wall interpretations, someone just the other day criticized the Pope (the current one) for quoting "Perfect Day" in a Tweet. Well, I can see someone getting all in a tizzy if ANY Pope is quoting ANY rock star. But they claimed that it's all about "Heroin," and not just a love song. I don't wanna know from it. When Lou addressed drug themes directly, I accepted it. But I prefer to see "Perfect Day" as a love song to an idealized love object, who makes the narrator feel like "someone else, someone good." So pretty. And so sad.
The true highlight of this DVD is the input of Reed himself, who seems to be completely enjoying himself, talking about the making of the album, sitting at the mixing board isolating various tracks, and playing some of the tunes solo. His dry wit will break you up, guaranteed. On top of this, there is plenty of concert footage from the early seventies, although sadly with no audio. Bowie fans should also take note that there is some very rare Ziggy Stardust footage here, but unfortunately the only Bowie interview clips to be found are few and far between, taken from the PBS biography of Reed produced five years ago. But this is a small gripe. If you have any interest in Reed you should see this.\
Now.. If they would only do Ziggy Stardust....
Top reviews from other countries
Transformer is Lou's best known statement by far. This program takes you through the tracks & looks at how they
Were Made. It even has Barry Wom ( of Ruttles fame ) behind the drum kit & Herbie Flowers on bass & anecdotes.
I'm not sure why Bowie gets a production credit, as he doesn't appear in the program to explain his role. He sings
Back up vocals, but the arrangement's ,strings & guitar work are all Ronson, who we know is a good Producer.
Even if your not a huge Lou Reed fan ( and I'm not ) it's well worth a view as most of this series is.
Highly recommended!

![Classic Albums - U2: The Joshua Tree [DVD]](https://images-na.ssl-images-amazon.com/images/I/81V3HFL2Q5L._AC_UL116_SR116,116_.jpg)





