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Condition: Used: Good
Comment: exlibrary hardcover book with mylar jacket, usual library marks;light reader wear
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Close Hardcover – July 1, 2008

4.2 out of 5 stars 36 customer reviews

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Editorial Reviews

From Publishers Weekly

Cole, one of the U.K.'s top-selling authors, brings her gritty brand of crime fiction across the Atlantic, and veteran British actress Nicola Duffett takes on the considerable task of juggling the large cast of characters. Duffett especially shines as Lily, the matriarch of the Brody clan, a crime family whose capacity for violence on the streets seems tame compared to their sordid domestic dramas. Duffett also manages to nail the characterizations of sons Patrick and Lance and their complicated brotherly relationship, yet the other siblings and various underworld associates blur in the dizzying pace. The abridgment makes the listening experience grow increasingly choppy as the story progresses. Transitions between decades lack discernable cues, and the span of time is more episodic than epic. The raw creative talent in both the writing and narration remain evident, and dedicated fans of the gangster-on-the-couch concept of The Sopranos will appreciate the motif. But the finished product feels like a 10-CD title forcefully squeezed into five disks. A Grand Central hardcover (Reviews, May 5).(July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Best-sellers don’t always translate from one country to another, even when they’re written in the same language. Cole has 14 chart-topping novels in the UK and yet remains largely unknown in the U.S. Her publisher hopes to change that by making Close (first published in 2006) her American debut. A committed marketing effort may well generate interest in Cole, but the question remains whether Americans will stick with her book. It seems unlikely. This sprawling family saga of London gangsters is sometimes violent yet curiously bloodless, marred by repetition and cliché, and—although Cole clearly knows her turf—devoid of the specifics that might make it come alive for readers unfamiliar with the milieu. Worse, she tends to cut away from scenes just as they get interesting, instead lingering endlessly on her characters’ thoughts. This impressionistic approach leaves readers looking for solid anchors of plot, time line, and telling detail. It’s a brick-size book that could have been cut by half without serious loss, and though things improve somewhat after the 100-page mark, the question is whether readers not on assignment will get that far. Bad books sometimes do become best-sellers, usually because they tap into our psyche in a particular way; this one obviously has strong appeal at home but, despite the strength of the pound versus the dollar, doesn’t seem likely to travel. --Keir Graff
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Product Details

  • Hardcover: 512 pages
  • Publisher: Grand Central Publishing (July 1, 2008)
  • Language: English
  • ISBN-10: 0446179965
  • ISBN-13: 978-0446179966
  • Product Dimensions: 6.4 x 1.5 x 9.2 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (36 customer reviews)
  • Amazon Best Sellers Rank: #4,882,803 in Books (See Top 100 in Books)

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Customer Reviews

Top Customer Reviews

Format: Paperback Verified Purchase
Faceless is my second favorite Martina Cole novel, and I have read them all. The various characters just seem to come alive on the page; especially the sadness of Marie Carter's crazy life. It just makes you want to weep for her; and at the same time you fall in love with her likeable and strong personality. The lurking sense of danger which is Marie's life makes this book so satisfying, because she rises above all of the challenges that life throws her way.
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Format: Kindle Edition Verified Purchase
Faceless is a fast-paced story about a woman released from prison after serving time for double murder....the book is filled with characters-some good,most of them not-so-good-the fact that there were so many characters was a little bit off-putting for me as it was difficult to keep track of who was who. Martina did a good job of describing what it must be like to be released from jail after a long sentence-the struggle that you would probably have to fit in with a different world. I did at times,feel like I wanted to slap Marie,as she had a very annoying(in my opinion)habit of self-blame for everything that happened-in fairness,it would probably be normal but it just irritated me when she would automatically blame herself every time something unpleasant happened.The plot was fairly standard in that it all turned out well(except for the bad guys)and there was a bit of a twist at the end which I did'nt see coming.I wished that there had been a bit more gory detail regarding the baddies' demise but still a very good read.And yes, I read it in one go.
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Format: Kindle Edition Verified Purchase
Faceless is a wonderful story about a beautiful, self-loathing woman named Marie Carter who no matter what she does causes problems for herself, friends and family. Believe me it won't take you long to feel for her and root for her to succeed where she has failed before in her life.
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Format: Hardcover
This is the worst book I have read in as long as I can remember, and I usually read 2 or 3 books a week. This is the first time I have ever been motivated to write a negative review of a book, but maybe I can save someone from spending $20 and 8 hours of their life struggling through this miserable story.

There is not a single character in the story that the average reader can relate to. In most novels the reader can figuratively stand in the shoes of a character and ride the emotional roller-coaster with them, hoping things turn out for the best. I know it is the criminal underworld, but the characters in this book are such thoroughly despicable human beings that I never felt like I could empathize with them, and not one of them inspires the hope that things might work out well for them.

The story itself is bland and predictable. There are no twists, no turns, no development in the plot that the reader won't see coming a mile away. In fact, there's not really a plot, exactly; it's more like you get a "day-in-the-life" kind of snapshot of the life of this crime family, only it spans 40 years or so, and gives the sense that the next 40 will continue in the same predictable manner.

The writing style is droll and actually interferes with the telling of the story. The writer is excruciatingly long-winded - the book could've been improved by editing it from 500 to 250 pages. The author will clearly descrbe something in a few sentences, then spend another page describing it some more, often repeating what was said before but in slightly different words, then she'll close the topic by saying, "in short," and instead of following with a brief recap, will go on for another couple of paragraphs saying the same things again. I found myself doing a lot of scanning to get past it.

In short, it was awful.
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Format: Audio CD Verified Purchase
i HAVE not finished it so I don't know if I will continue to like it. I don't like unrealistic or incomplete endings. One thing I did not like was all of the characters that were introduced. I had to start over and write them down. So far she has mentioned 31 characters.
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Format: Paperback
Beneath the Face ...

While this book presents a convoluted storyline with many diverse overlapping characters, the over-riding theme for me was the embedded misogyny exhibited not only by predatory characters in the sex industry but also by women themselves. (Be warned, the overriding misogynistic insult throughout is "c..t!")
Here you will find a tangible portrayal of mothers who favour sons and resent and hate daughters, create false realities, engage in spite and jealousy, and would wilfully destroy their daughters to maintain their delusions. I know of several women whom I would give this book to on that basis alone - they will see their own mothers in these portrayals and better understand their marginalisation. The message of addicts relationships with drugs also precludes a healthy relationship with the self or others, a powerful message for those touched by addictions, and offers a deeper understanding of the ensnarement of young impulsive women seeking approval from 'attractive' predators who would seek to exploit them.
In many ways the storyline obscures the depth of these messages, but how else to carry it? Deeper editing may have helped, and the endings while superficially satisfying were somewhat trite in the 'happily ever after' sense, for those characters who survived. If you don't mind entering the dark world of sociopaths, mindless violence, misogyny, corruption (what did happen to those high ranking killers?), self-abasement, and dysfunctional families, you'll find some punishing hard reality in these pages.
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