- Paperback: 297 pages
- Publisher: University of California Press; First Edition, Tenth Anniversa ed. edition (August 2, 2004)
- Language: English
- ISBN-10: 0520238915
- ISBN-13: 978-0520238916
- Product Dimensions: 6 x 0.8 x 9 inches
- Shipping Weight: 1.2 pounds
- Average Customer Review: 5.0 out of 5 stars See all reviews (5 customer reviews)
- Amazon Best Sellers Rank: #1,256,622 in Books (See Top 100 in Books)
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Closely Watched Films: An Introduction to the Art of Narrative Film Technique First Edition, Tenth Anniversa ed. Edition
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From Publishers Weekly
Why exactly was Citizen Kane such a revolutionary film? What are the hallmarks of Italian Neorealism? How do directors sew together a smooth scene from five or six different shots? Fabe answers these questions and more in this primer on the narrative structure of filmmaking, which analyzes 14 benchmark movies from D.W. Griffiths The Birth of a Nation to Mike Figgiss Timecode. (Since each film was selected to represent a significant cinematic movementexpressionism, postmodernism, French New Wave, etc.the book also doubles as a concise history of films most innovative storytellers.) Fabe teaches film theory at the University of California, Berkeley, and her chapters maintain the conversational feel of lecture notes: each one gives some background on and a plot synopsis of the film discussed then provides a close analysis of a particular sequence. Antonio Riccis decision to steal in De Sicas The Bicycle Thief, for example, is broken down to show how moral conflict can be encapsulated in a split second. Fabes analysis proves most engaging when it shows how each cinematic element works to add subtext and depth to story and character. Her explication of Hitchcocks camera work in Notorious, for example, shows how his use of space in a frame could evoke either freedom or claustrophobia. Fabes book is best suited for the classroom, but even general readers may enjoy her insights, which allow one to read a chapter, pop in the corresponding DVD and experience the satisfaction of knowing how a classic film was put together. 74 b/w photos.
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"Writing in a clear prose that is nevertheless based on a complex awareness of film history, criticism, and technique, Fabe takes us through the diverse film strategies of exemplary classic directors who have significantly shaped the history of film and made it into a potent cultural force." - Claire Kahane, author of Passions of the Voice; "I am deeply impressed by this book and in awe of its scope. It imparts its wisdom about film with such seeming effortlessness, illuminating the ways that films work. It is an extremely informed book and an extraordinary achievement." - Madelon Sprengnether, author of Crying at the Movies; "Fabe approaches her material in an original and stimulating manner. The writing is fluid and down to earth, yet also addresses relevant issues." - Tim Shively, De Anza College; "In Closely Watched Films revered film teacher Marilyn Fabe brings to life on the page the many lessons proffered in her legendary courses." - Linda Williams, University of California, Berkeley"
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Top customer reviews
Marilyn Fabe, an experienced teacher of film at the Universitiy of California, Berkeley, has picked wonderfully captivating, classic films that represent each genre. She explains the genre, the director's personal passion that drove him to make this film and the historical context of the each film. But then, in part because each film she has chosen helped move film making forward in some important way or represents new techniques, she takes us on a closer, scene by scene tour of key parts of each film. The combination of breadth and specificty help raise intriguing questions about how filmmakers and story tellers work their magic on us.
For teachers this book is an entire course in a box. All you have to do is show these great films, have students read the book and your class will have fascinating issues to discuss. For book groups who want to watch these films together after they've read each chapter, this book will provoke great discussions.
But this book also takes ordinary filmgoers on an enlightening tour through the scope and history of film making, not in some abstract purely theoretical way, but by examing each wonderful film closely. The fun is you get to watch the films and snoop behind the scenes to catch a glimpse of how these great films get you so worked up. But the other benefit is that by broadening your context and understanding of films, this book will probably help you enjoy the movies you see even more. It did for me. It's a really great read that's also an ideal reason to go back and look at some classic films you may have seen, as well as discover a lot of great ones you might have missed. For school teachers, book groups and everyone else, there's lots of eye-opening enjoyment in reading this book and in seeing its films - what a delight.