Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Collected Poems Paperback – March 8, 2011
|New from||Used from|
Everything We Keep: A Novel
On the day of her wedding, she buried her fiancé—and unearthed shocking secrets. Learn More
Frequently Bought Together
Customers Who Bought This Item Also Bought
From the Back Cover
Edna St. Vincent Millay (1892-1950), winner in 1923 of the second annual Pulitzer Prize for Poetry, was a daring, versatile writer whose work includes plays, essays, short stories, songs, and the libretto to an opera that premiered at New York's Metropolitan Opera House to rave reviews.
Millay infused new life into traditional poetic forms, bringing new hope to a generation of youth disillusioned by the political and social upheaval of the First World War. She ventured fearlessly beyond familiar poetic subjects to tackle political injustice, social discrimination, and women's sexuality in her poems and prose. In the 1920s and '30s, Millay was considered a spokesperson for personal freedom in America, particularly for women, and we turn to her lines to illuminate the social history of the period and the Bohemian lifestyle she and her friends enjoyed.
Yet Millay's poetry is still decisively modern in its message, and it continues to resonate with readers facing personal and moral issues that defy the test of time: romantic love, loss, betrayal, compassion for one another, social equality, patriotism, and the stewardship of the natural world.
Collected Poems features Millay's incisive and impassioned lyric poetry and sonnets, many of which are considered among the finest in the language, as well as the poet's last volume, Mine the Harvest, compiled and published in 1956 by her sister Norma Millay.
About the Author
After graduating in 1917 she lived in Greenwich Village in New York for a few years, acting, writing satirical pieces for journals (usually under a pseudonym), and continuing to work at her poetry. She traveled in Europe throughout 1921-22 as a "foreign correspondent" for Vanity Fair. Her collection A Few Figs from Thistles (1920) gained her a reputation for hedonistic wit and cynicism, but her other collections (including the earlier Renascence and Other Poems ) are without exception more seriously passionate or reflective.
In 1923 she married Eugene Boissevain and -- after further travel -- embarked on a series of reading tours which helped to consolidate her nationwide renown. From 1925 onwards she lived at Steepletop, a farmstead in Austerlitz, New York, where her husband protected her from all responsibilities except her creative work. Often involved in feminist or political causes (including the Sacco-Vanzetti case of 1927), she turned to writing anti-fascist propaganda poetry in 1940 and further damaged a reputation already in decline. In her last years of her life she became more withdrawn and isolated, and her health, which had never been robust, became increasingly poor.
She died in 1950.
If you buy a new print edition of this book (or purchased one in the past), you can buy the Kindle edition for only $2.99 (Save 68%). Print edition purchase must be sold by Amazon. Learn more.
For thousands of qualifying books, your past, present, and future print-edition purchases now lets you buy the Kindle edition for $2.99 or less. (Textbooks available for $9.99 or less.)
Top Customer Reviews
Old and wise beyond her years, Edna St. Vincent Millay wrote the majority of her most beautiful and famous works at a startlingly young age. One of few moments of comedy in Millay's otherwise (too) serious, brief life, was that as a published and award-winning poet while still in her teens, Millay entered college literature courses, taught by older teachers there to `instruct' her, even though they, themselves, had in most cases never published a line of verse or captured a single award!
"I burn my candle at both ends/ It will not last the night...."
This famous and oft quoted line about living the hectic life was Millay's, but many have forgotten that. A half-century after her passing, she is largely unremembered, lost among a crowd of later, lesser writers, ignored by subsequent ages that placed scant value on poetry. Hers was a life often lived invisibly behind her words. Though the events of her personal life, with her promiscuity and radical ideals, at times gained notoriety beyond even her professional achievements, Millay the poet is the force this book celebrates. Even the biographical section in this anthology is terse and respectful, which I found befitting. Edna St.Vincent Millay's poems, from the startlingly powerful Renascence, to her sonnets (the best composed in the English language in centuries) to her final experimental output at the time of World War Two, everything Millay achieved succeeds in taking the consciousness of an attentive reader into a higher realm, where the mind and soul are meditatively fused as at few other times in the human lifetime, and the voyage is one of utter transcendence.
The startling and passionate depth of Millay's vision is of the parallel between the individual and the natural and sometimes not-so natural environment, as well as to the universe and all its complexities. It is also connected to the Divine realm. However, they are not individually exclusive; they are intermixed, for the Divine can be violent and awe inspiring. Yet, the natural world can be that way, too. The individual with his or her fierceness of independence and willfulness is caught in the bewildering and tumultuous vortex of life, death and limbo. The issues that brought that person to that particular state may vary in degrees, from the loss of a loved one in the poem "Interim" to defiance of life and the Divine in "Suicide" to a whole lot of others. The lyrical flow of the poems makes them almost come off as flowery and light. However, there is a heavy undercurrent of uncertainty, rage, resentment and violence that shine through the "prettiness" and the fluidity of the language. It can catch readers off guard, because when you reread them and understand what lies beneath the surface, a whole new comprehension develops that there was something far more agonizing and serious that was the catalyst for why the poems were originally written.
There is a lyrical beauty in all the poems, but there is also a savage tumultuousness, even a bleakness, to some extent.Read more ›
Most Recent Customer Reviews
A little more damaged than I expected, but it was very inexpensive so I have little to complain about.Published 3 months ago by Marilyn Pronovost
I have discovered a poet that sings to me. She is incredibly thought provoking.Published 3 months ago by Eclectic
This is a comprehensive collection, essentially a reprint of the 1980s edition with some welcome extra info added. Read morePublished 5 months ago by MSP Rose
It's a great book - however, the copy I got is misprinted. Definitely certain pages in the index are omitted or duplicated - hopefully it's not missing any poems, I haven't been... Read morePublished 15 months ago by _Rebecca_
This was the collection of poems that took me through adolescence. Same edition. Same poems that shined a light on my path for many years. I was thrilled to find it again.Published 18 months ago by StarShine