Review
“Sparkling and informative.”—Meghan Cox Gurdon, Wall Street Journal (Holiday Gift Book selection)
“A great addition to the collection of anyone who is, to some degree, passionate about color.”—Angelica Frey, Hyperallergic
“[A] scholarly yet highly entertaining book.”—Natalie Angier, New York Times
“An entertaining philosophical tract that searches for the meaning of color . . . A personal and opinionated book, which engages the reader and stimulates an internal discussion . . . A gift book, beautifully produced with fine illustrations . . . A book to be kept on your night table to be read episodically.”—Ana Daniel, East Hampton Star
“Masterful . . . Kastan demonstrates the weight of color through beautiful, persuasive prose while weaving through multifarious concepts.”—Stephanie Osmanski, Dan’s Papers (Long Island)
“Remarkably beautiful, original, and engaging . . . A stunningly attractive object, replete with brilliant illustrations that bring to life the insightful, lyrical, and perceptive commentary . . . An enthralling read.”—Gina Barreca, Psychology Today
“A gorgeously illustrated in-depth exploration of color on all of its symbolic, visual, literary, political, historic, and scientific registers . . . conversational, personal, witty in tone . . . an optimistic and essential reminder of the ever-shifting meanings and functions of color.”—Stefanie Sobelle, Los Angeles Review of Books
“In discussions ranging from Homer’s ‘wine-dark sea’ to the exact red of the Hungarian flag, the authors make a convincing case that ‘color inevitably exceeds language.’ In this readable, carefully written, and handsomely illustrated book, colors are discussed individually. Highly recommended for all readers.”—R. M. Davis, Choice
“Dense with references, the chapters move rapidly through incidents and ideas. . . . Kastan and Farthing are fascinated by the way we make colour mean things in spite of itself, by the possibilities it provides in its expressive ambiguities and the consequences of the material histories that go along with it.”—Ruth Jones, Literary Review of Canada
"Brilliantly written, exhaustively researched, beautifully produced, On Color is a tour-de-force, a creative feast for the eyes, mind, and heart. It not only delights and entertains, it will illuminate your understanding and appreciation of color. And that will enliven your life.”—Jeffrey B. Rubin, Ph.D., Psychology Today
“Brilliant . . . Consumed all at once, Kastan and Farthing’s book is a revelation . . . On Color maps meaning onto the hues we see every day . . . It’s about seeing the world clearly, while retaining the ability to enjoy a good illusion.”—Katy Kelleher, Athenaeum Review
“A focused and engaging study…[an] enchanting use of artwork and literary references…I strongly recommend On Color to anyone who is interested in color and in its many forms of expression.”—Jag Williams, AC Review of Books
Winner of the Outstanding Academic Title for 2018 award sponsored by Choice
“Here is a subtle and imaginative insight into the slippery phenomenon we call colour – and how variously we perceive and emblemise it: a wise and fascinating study.”—Colin Thubron
"Like the best works of cultural criticism, On Color changes how we see the world. I mean that quite literally. After reading this brilliant book, the mundane appears sharper, richer, and more meaningful."—James Shapiro, author of 1599: A Year in the Life of William Shakespeare
“This lively, erudite, and far-reaching introduction to the poetics of color combines anecdotal art history with cultural and literary studies to illustrate a fundamental truth: that color is relational as well as subjective. This entertaining and humane book effortlessly deepens our engagement with the visual world.”—David Salle
“On Color is a deliciously readable, gloriously illumined work of meditation and exploration, written in high resolution.”—Jay Parini, author of The Last Station and Empire of Self: A Life of Gore Vidal
About the Author
David Scott Kastan, the George M. Bodman Professor of English at Yale University, is one of the general editors of the Arden Shakespeare. Stephen Farthing is an artist, an elected member of the Royal Academy of Arts in London, and an Emeritus Fellow of St. Edmund Hall, the University of Oxford.
