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Color Mixing Recipes for Portraits: More than 500 Color Combinations for Skin, Eyes, Lips & Hair Spiral-bound – Illustrated, November 1, 2006
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This convenient guide details three simple steps to mix virtually any skin tone:
- Match a palette of skin tones from this book to your portrait subject.
- Create the Master Skin Tone Recipe for this palette using the Color Mixing Grid to measure each paint color.
- Follow the recipes to create all the skin tones you'll need to complete your portrait—from light values to shadows.
- Color theory
- Tinting, toning, and shading
- Graying skin tones naturally
- Identifying facial planes
- Mouth, nose, and ear color tones
- Eye and hair color tones
- Watercolor skin tone recipes
- Part of series
- Length
48
Pages
- Language
EN
English
- PublisherWalter Foster Publishing
- Publication date
2006
November 1
- Dimensions
6.8 x 0.4 x 9.9
inches
- ISBN-101560109904
- ISBN-13978-1560109907
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About the Author
William F. Powell was an internationally recognized artist and one of America’s foremost colorists. A native of Huntington, West Virginia, Bill studied at the Art Student’s Career School in New York; Harrow Technical College in Harrow, England; and the Louvre Free School of Art in Paris, France. He was professionally involved in fine art, commercial art, and technical illustrations for more than 45 years. His experience as an art instructor included oil, watercolor, acrylic, colored pencil, and pastel—with subjects ranging from landscapes to portraits and wildlife. He also authored a number of art instruction books, including several popular Walter Foster titles. As a renowned master of color, Bill conducted numerous “Color Mixing and Theory” workshops in various cities throughout the U.S. His expertise in color theory also led him to author and illustrate several articles and an educational series of 11 articles entitled “Color in Perspective” for a national art magazine. Additionally, he performed as an art consultant for national space programs and for several artist’s paint manufacturers. Bill’s work also included the creation of background sets for films, model making, animated cartoons, and animated films for computer mockup programs. He produced instructional painting, color mixing, and drawing art videos.
Product details
- Publisher : Walter Foster Publishing; Spiral edition (November 1, 2006)
- Language : English
- Spiral-bound : 48 pages
- ISBN-10 : 1560109904
- ISBN-13 : 978-1560109907
- Item Weight : 13.3 ounces
- Dimensions : 6.75 x 0.38 x 9.88 inches
- Best Sellers Rank: #57,856 in Books (See Top 100 in Books)
- #12 in Art Portraits
- #15 in Acrylic Painting
- #97 in Graphic Design Color Use
- Customer Reviews:
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About the author

William F. Powell is an internationally recognized artist and one of Americas foremost colorists. A native of Huntington, West Virginia, Bill studied at the Art Students Career School in New York; Harrow Technical College in Harrow, England; and the Louvre Free School of Art in Paris, France. He has been professionally involved in fine art, commercial art, and technical illustration for more than 45 years. His experience as an art instructor includes oil, watercolor, acrylic, colored pencil, and pastelwith subjects ranging from landscapes to portraits and wildlife. He has also authored a number of art instruction books, including several popular Walter Foster titles. As a renowned master of color, Bill has conducted numerous "Color Mixing and Theory" workshops in Los Angeles and San Diego, California. His expertise in color theory also led him to author and illustrate an educational series of 11 articles entitled, "Color in Perspective" for Painting Magazine. Additionally he has been consulted for his color expertise on telescope and satellite images for national space programs, and he has served as a color and pigment consultant for several artists paint manufacturers. Bill's work also includes the creation of background sets for films, model making, animated cartoons, and animated films for computer mockup programs.
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- numerous additional mixes for light, medium, and dark values
- the highlight value
- warm shadow color
- cool shadow color
- appropriate graying color
A number of different ethnic complexions are represented in the book...and some with multiple options. For example, there are 3 options for Caucasian (creamy, cool tone, and ruddy) and 2 for Asian (light and medium tones).
A small section of the book deals with mixing eye color and offers suggestions for paint blends for various parts of the iris, the highlight, and the pupil (and, no, the pupil isn't just "black" paint in any of the eye colors represented). A small hair section provides recipes for main color, shadows, and highlights for 16 different hair shades.
Of course, the final mixed colors will differ somewhat for all of us since there is a fair amount of color variance in the paints produced by the various manufacturers...even in the very top of the line, professional makers. Still, I find it a handy point to start with some complexions with which I'm less familiar. That can be a big savings of wasted, expensive oil colors.
There is a section at the back for watercolor recipes. As I only use oil (and occasionally acrylic), I can offer no opinion on what value this book might be to watercolorists.
That was the case until I found this book. The author provides a framework of how to paint various skin tones. He shows how to mix colors to get exactly the tone needed for the subject of the portrait and for the overall painting.
The author is so detail oriented, I suspect he might have had some engineering in his background. But that level of detail only makes it easier to adapt and use his basic approach.
For example, don't happen to have Indian Yellow? Perhaps you can mix a color that's close. And off we go. Within minutes,I mixed colors that were more pleasing than those I had spent hours trying to mix.
I don't actually use the plastic measuring guide provided with the book. I prefer mixing the colors in my palette. I learn more each time I try to reproduce the correct colors.I also enjoy the "happy accidents" that often occur. I'm fairly certain that my visual cortex often guides me away from a specific color toward one that better fits with the overall portrait.


















