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In the Company of Angels: A Novel (Copenhagen Quartet) Hardcover – March 16, 2010
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Thomas E. Kennedy
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Print length288 pages
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LanguageEnglish
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PublisherBloomsbury USA
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Publication dateMarch 16, 2010
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Dimensions6.56 x 1.16 x 9.58 inches
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ISBN-101608190161
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ISBN-13978-1608190164
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Editorial Reviews
From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“In the Company of Angels is powerful and of the moment … Kennedy writes clean, evocative prose, and an occasional note of humor leavens this dark novel. He is a writer to be reckoned with, and it's about time the reckoning got underway in the country of his birth.” ―Jonathan Yardley, The Washington Post
“[An] ensnaring and original novel…. Kennedy doesn't heap on the misery in order (or not only) to create a compelling psycho-melodrama. He is serious about wanting to get at -- dig down to -- what it is that makes people do unspeakable things…. caring about characters' fates makes a hands-down more engaging read than most of the desperately cool ego trips published these days. "In the Company of Angels" is simply an unforgettable novel. Its tongue is not tucked up safely in its cheek.” ―Kai Maristed, Los Angeles Times
“[A] wide-ranging and assured novel….The stories of torture that emerge…offer, in their horror and dignity, a quiet criticism of the characters with more prosaic problems.” ―The New Yorker
“In the Company of Angels is a novel about grown-ups, people battered and dinged by life, painfully aware of their own responsibility, whose understanding of their past never stops evolving. It's the dignity of their adulthood -- the elusive prize at stake in any midlife crisis -- that makes them so admirable and, above all, so moving.” ―Laura Miller, Salon.com
“Thomas E. Kennedy is nothing if not a risk-taker…and (In the Company of Angels) is a gripping read…Kennedy's book is a brave one.” ―Emily Carter, Star Tribune (Minneapolis)
“It probably doesn't reflect glowingly on American expat Kennedy's native country that this watershed novel is the first to be published in the U.S. after a decade of acclaim abroad. Why it's taken so long is anyone's guess, as there's plenty to admire in the serpentine unwinding of troubled protagonists adrift in contemporary Copenhagen.” ―Publishers Weekly (starred review)
“This is the first volume of the series to be published in the U.S. If its stellar quality is any indication, the entire quartet promises to be an exceptional reading experience … This novel offers much more than just a beautiful writing style. Each character's story is so undeniably interesting that the reader gains a sense of the wonder of disparate lives with unpredictable but intriguing connections.” ―Booklist (starred review)
“Kennedy writes with unusual insight and compassion, depicting the best and the worst of the human experience. His work may be new to U.S. readers, but it merits greater attention, and we should look forward to seeing the other three books in his quartet published here. A great choice for readers of literary fiction.” ―Library Journal
“Expatriate American author Kennedy finally gets the major U.S. release merited by his European reviews with this third volume of his Copenhagen Quartet … An artfully written story with a conscience.” ―Kirkus Reviews
“[This novel] lacks nothing … Kennedy is a master craftsman.” ―Books Ireland
“Tragic, wise, comic, profound … An epic of the human heart struggling for meaning and redemption.” ―Literary Review
“A glorious novel by a modern master.” ―Irish Edition
“Rich and intense… There are no literary pyrotechnics here, just good storytelling that we all have a right to demand from our authors. [It is] a performance you will seldom come across, and one that will stay with you for some time.” ―Michael Lee, The Barnstable Patriot
“Although it is a novel about loss, In the Company of Angels is also about the redemption of hope through love… (Kennedy's) many admirers will welcome this first mainstream U.S. novel publication. This is a matter for celebration and surely marks the beginning of another stage in his distinguished career.” ―Thomas McCarthy, New Letters: A Magazine of Writing & Art
“Redemptive and powerful storytelling… In the midst of a heartless world, this story has heart.” ―Dave Moyer, New York Journal of Books
“Thomas E. Kennedy is an astonishment, and In the Company of Angels is as elegant as it is beautiful, as important as it is profound. A marvel of a read.” ―Junot Díaz, author of The Brief Wondrous Life of Oscar Wao
“With generous and elegant prose, Kennedy takes us from the darkest, most violent regions of our collective behavior to our most exalted...A deeply stirring novel, suffused with intelligence, grace, and that rarest of qualities--wisdom.” ―Andre Dubus III, author of House of Sand and Fog
“A terrible, wonderful, horrible, truthful, heartbreaking, and heart-mending book. The word masterpiece should never be used lightly, but [In the Company of Angels] is exactly that, a masterpiece written by a master. How can anyone know so much about the human heart?” ―Duff Brenna, author of The Book of Mamie, The Willow Man, Too Cool, The Altar of the Body, and The Holy Book of the Beard
“In the Company of Angels is both a riveting examination of the violence we've come to take for granted, and an unsentimental, morally complex love story. Thomas Kennedy tackles the darkest of subjects, but with searing precision and grace, and with such feeling for ordinary humanity, that this book is full of light. It's the sort of novel that reminds me why novels are important.” ―Rene Steinke, author of Holy Skirts
“Thomas E. Kennedy's In the Company of Angels is a beautiful love story, a testimony to the human spirit, an important message to our world of darkness that the spark of light cannot be extinguished.... The setting, the descriptions, the complex relationship between Michela and Voss, Michela's love for her parents, the professional dedication of Thorkild Kristensen... All of this, the many brilliantly interwoven plot lines, the composition of the chapters, contribute to making the book truly difficult to put down. And the writing is stunning.” ―Susan Tiberghiehn, Founder and Director, Geneva Writers Conference; Author of One Year to a Writing Life and Looking for Gold
About the Author
Thomas E. Kennedy was born in New York City and has lived in Copenhagen for over two decades. He has written over twenty books, mostly published by small presses, including novels, short stories, and essays. He has won numerous awards, including the Eric Hoffer Award in 2007 for In the Company of Angels (Danish ed.), the Pushcart Prize and the O. Henry Prize for short stories, and the National Magazine Award in 2008. In the Company of Angels is one of four novels comprising the Copenhagen Quartet, which Duff Brenna called "a masterpiece." Kennedy wrote the Quartet in English and translated it himself for Danish publication. The Quartet was also published in a small Irish edition. Kennedy is a member of Fairleigh Dickinson University's Global Virtual Faculty.
www.thomasekennedy.com
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Product details
- Publisher : Bloomsbury USA; 1st edition (March 16, 2010)
- Language : English
- Hardcover : 288 pages
- ISBN-10 : 1608190161
- ISBN-13 : 978-1608190164
- Item Weight : 1 pounds
- Dimensions : 6.56 x 1.16 x 9.58 inches
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- #170,021 in Literary Fiction (Books)
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The case rattles the shrink and his family life. Doubts creep in. What good is this therapy? Does it achieve anything? The patient despises the shrink, his Northern freedom and liberality, his atheism.
Parallel story: A Danish woman has lost her teenage daughter to suicide, then her abusive husband has left her. Her boyfriend hits her. She wonders why men hit her. Her mother is in a home with Alzheimer's, while her father is in the same home with terminal cancer. Despite all that, she is an attractive, fun loving person who even thinks she might have another child.
Sounds like a handful, doesn't it. Despite the whole load of bad stuff, the book doesn't seem depressed, just serious, appropriately so. The author doesn't hit a wrong tone, but handles the difficult troubles well.
Then the two story threads stop being parallel, they intersect. The two victims meet. Can that be good for either of them? We wouldn't expect it to be a good idea. But what do we know. The power of Tango. However, no kitschy miracles here. Just angels. This could easily have descended into sentimentality, but it doesn't.
American exile Kennedy, an expatriate in Denmark since many years, wrote this convincing and engaging novel as first of a four volume project, the Copenhagen Quartet. One of the coming volumes is said to be structured like Coltrane's Love Supreme. Can't wait for that. Coltrane and Miles Davis ('So what?') are also much present in this one. I always fall for texts with these guys.
Nardo Greene is a Chilean teacher who is in Copenhagen receiving treatment for PTSD (post-traumatic stress disorder). He was tortured during Pinochet's regime for educating his pupils about "a poet who sang dangerous songs," a poet who was captured and died in a dungeon. Nardo's wife and child are joined with the *desaparecido*, the disappeared.
"The poets were captured, but not their songs. For a song, once it is let loose in the air, can only be captured by one person at a time and cannot be stopped, for there are not ever enough policeman, will never be enough policemen or enough soldiers to stop a song. Even all the money of the rich cannot stop a song from reaching the ears of those who will hear it. If only one person hears it and learns it, others will, too, and others again. And they will teach the song to others."
This beautiful passage points to the essence of the story, connecting with others to heal wounds, and about the power of human souls to surmount horrifying ordeals and ultimately prevail. Throughout the novel, Kennedy weaves in beautiful poetry, by authors such as Pablo Neruda, one of my cherished poets, and poignant Scandinavian poetry. Moreover, this is the first time that Matthew Arnold's "Dover Beach" mesmerized me with its rousing expression and eloquent sound and rhythm.
When this novel opens, psychotherapist Dr. Kristensen is trying to bring Nardo back to the land of the living. Nardo is emotionally, psychically, and spiritually dead. Kristensen is an enthusiastic and diligent doctor, facile at his work. But with Nardo he has hit a wall. His ability to maintain a professional and therapeutic distance is threatened by the fact that Nardo's demons are visiting him. Moreover, he is losing his grip with his family. The chapters from the doctor's perspective are the only chapters written in first person. It is as if he is the center, from which all others radiate outward and back, even the characters that don't personally interact with him. And, yet, he remains the most enigmatic, the most difficult character to pin down. His character feels disembodied at times, as he is woven in as the literal healing force.
Michela Ibsen is a lovely woman, an ordinary woman, burdened with unresolved grief. Her much younger boyfriend is Voss, a boyishly handsome and emotionally stunted individual. He is suffocating her with his perverse needs and possessiveness.
Michela's parents are both seriously ill. They live in separate rooms in a facility for the aged and infirm. Her relationship with them is complex and crucial to the novel's themes, and they furnish subtext and context to Michela's private agony. Michela's love-hate bond with her father is deftly rendered with intense color and character. Her mother, who suffers from Alzheimer's, bestows an echoing impact that is ceaseless and ultimately full of wonder.
The chapters alternate seamlessly from one character to another, as the circle shrinks and all their fates ineluctably entwine. The angels, who appear with a stunning literary presence, represent the figurative healing force, the deep consciousness shared by all humanity.
There is violence, but it is measured and never gratuitous. The story unfolds with a noble and elegant symmetry, leaving the reader exalted and wanting more. It imbues you like a penetrating symphony; and, like a symphony in four movements, this is the first of Kennedy's quartet. I eagerly anticipate the US release of the remaining three books.