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The Complete Mr. Arkadin (The Criterion Collection)
Criterion Collection
Box Set
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October 17, 2000
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June 18, 2002
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Product Description
A shady financier pays a man to research his past, in order to erase it with murder.
Amazon.com
Will the "real" Mr. Arkadin please stand up? Probably not. However, thanks to the folks at the Criterion Collection, we may now have a version of Mr. Arkadin that is as close as it's going to get to Orson Welles's original vision. Part Citizen Kane, part The Third Man, Mr. Arkadin is another Wellesian Post-War Noir tale about the unraveling of the defining secret of a powerful and wealthy tycoon. Welles plays the ruthless financier Mr. Arkadin who hires small time smuggler Guy Van Stratten (Robert Arden) to investigate the amnesiac Arkadin's lost past and create a confidential report of his findings. Did the mysterious and elusive Mr. Arkadin simply want his criminal past uncovered? Or is his motive to erase a key missing piece of his past? As many fans know, the story of Mr. Arkadin's post-production and ascertaining which of the many versions is the most "Wellesian" is almost as mysterious as Guy Van Stratten's search for Gregory Arkadin's identity. Since the film is unfinished it does have an incomplete feel to it. For instance, it is very choppy with a few awkward jump cuts, there are lots of annoying overdubs that are not cleanly matched, the supporting cast is fairly weak and some scenes clearly needed to be reshot. However, the gems of the films are so precious, such as Welles's picturesque shots, unique camera angles, flashback story telling, and intricate plot, it's easy to overlook the shortcomings and classify Mr. Arkadin as essential Orson Welles.
Mr. Arkadin may have been written, directed and starred Orson Welles, but it sure wasn't edited by him. So the story goes, since it took Welles too long to complete the editing process, producer Louis Dolivet banned him from the editing room and never allowed Orson to get the final cut. Welles, who was known to say "All of the eloquence of my film is created in the editing room" disowned the film claiming it was the most butchered of all his works. There were many cuts made of the Mr. Arkadin film stock over the years, none of which are considered "definitive", all of which contain pieces to the overall puzzle. Fueled by their passion for film, along comes the Criterion Collection. Their mission, to take all the pieces of Mr. Arkadin's troubled past (the best available versions of the films, documented timelines, a reprinted version of the novel, scholarly documentaries and feature length commentaries), compile it and present it to fans in one incredibly comprehensive set letting them decide which is the real Arkadin. The Complete Mr. Arkadin (A.K.A. Confidential Report) includes digitally restored transfers of the two well known versions of the film (the flashback "Corinth" (99 minutes) version and the notorious linear "Confidential Report" (98 minutes)). In addition, there is a newly edited "comprehensive" version (105 minutes) pieced together by top Welles scholars who have an intimate understanding of his style, his creative direction, and thought process in the editing room. This new "comprehensive" version is the crown jewel of the set and without a doubt the best version of Mr. Arkadin ever released. While no one will ever know what Welles intended, you cant help but feel this comprehensive version has got to be pretty darn close. Inevitably, purists may feel this is another instance of someone mucking with Welles's film stock, but in all honesty, the end result is stunning. So who is the real Mr. Arkadin? No one may ever know, but with the help of this set you have all you need to piece together the puzzle and draw your own conclusion. Enjoy. --Rob Bracco
Product details
- Aspect Ratio : 1.33:1
- Is Discontinued By Manufacturer : No
- MPAA rating : s_medNotRated NR (Not Rated)
- Product Dimensions : 7.5 x 5.5 x 1.75 inches; 1.55 Pounds
- Item model number : CRRNARK010DVD
- Director : Welles, Orson
- Media Format : Multiple Formats, Box set, Black & White, Full Screen, NTSC
- Run time : 1 hour and 33 minutes
- Release date : April 18, 2006
- Actors : Welles, Orson, Peter van Eyck, Michael Redgrave, Patricia Medina, Akim Tamiroff
- Subtitles: : English
- Producers : Welles, Orson, Louis Dolivet
- Language : Unqualified, English (Dolby Digital 1.0)
- Studio : Criterion Collection
- ASIN : B000E1OI80
- Writers : Welles, Orson
- Number of discs : 3
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And, even though it came out years later, Welles has been quoted as liking the American release version, the one on this disc,titled "Mr. Arkadin", better (although it was a best fo two evils situation for him).
Welles was never allowed to complete this film. While he was (endlessly) editing, the film was taken from him by his European backers and completed without his participation (he found out the hard way that Hollywood didn't have a monopoly on raping his art). So there is no definitive Welles version.
"Mr. Arkadin", which we have here on this disc, has a more linear storyline. "Confidential Report" (available on a better-quality VHS than this disc) opens with a "flashback within a flashback" which was obviously imposed on the piece in postproduction. The dubbing here is not just odd, as it is in all of Welles' European productions, which were filmed silent with all sound added in postproduction. In "Report" it is obvious that the actors dubbed in totally different dialoge so that the 2nd flashback would work. Compare the scenes with protagonist VanStratten and crazy old criminal Zouk in "Report" with those in "Arkadin" and you can tell the Arkadin scenes contain the original dialoge, unaltered. So, despite being a few minutes shorter that the available "Report" version, I consider Mr.Arkadin superior in many ways. Too bad it's a crappy print.
In any case, for $5, I think this Arkadin is a good buy, despite the poor picture.
Perhaps Criterion will release a DVD with a 3 major versions: Spanish Arkadin, Confidential Report, and American Arkadin.
Now THAT I'd pay 39.99 for!
1. Akim Tamiroff in his sad, pathetic, enormously brave and heartbreaking portrayal of the indignities of old age and poverty. At one point he pleads to be allowed to put on his trousers (to cover up his soiled underwear?). I have a feeling that was an improvised line.
2. Mischa Auer and the flea circus. It is not just the human actor but the insect performers who made my jaw drop as I stared obsessively at the screen in this unbelievable gothic and unforgettable cameo.
3. Michael Redgrave. I have seen Michael Redgrave in many British films of the 1940's, but I did not recognize him as the weird Hitchcockian antiques dealer. THAT WAS MICHAEL REDGRAVE??? I thought reading the credits. I can watch this scene over and over again and never get tired of it.
4. Last -- the most incredible and most marvelous Katina Paxinou. If the movie contained nothing else but Katina Paxinou as Sophia, it would rate five stars. Six stars. Maybe ten stars.
Of course there are other things in Mr. Arkadin. The penitentes. The masquerade ball. The German street (reminiscent of The Third Man's Vienna). The tale of the scorpion and the frog. (Which one is Arkadin? Maybe he's both. Maybe he's Aristotle Onassis. Who cares. Watch the movie.)
I lived by Maltin as my bible. And in many cases, that was a very bad choice. Because of his reviews of this and 'Lady from Shanghai' I stayed away from them. When I saw this for the first time I thought I'd lost my mind. This is such a rich, wonderful film. Sure, Welles didn't get to finish editing it, but that doesn't bother me much at all. What is left is still one of the most ambitious and interesting movies of all time. The sheen of it may not match Citizen Kane, but there is much more going on in the film itself. (Perfect explanation of why Americans slighted it and Europeans rightly voted it one of the most important films of all time.)
In a lot of ways, Mr. Arkadin is a recapitulation of the Kane theme, but this time, the truth of the character doesn't elude its pursuers only to be revealed to the viewer (Rosebud), the secret is that there was no secret and the whole tangle just disappears in a puff of smoke. There is so much going on in this film, it takes many viewings just to sort it out. There are also some of the greatest moments of Welles career like his telling of the parable of the scorpion and the frog. Sorry Lenny, you are CLUELESS on this one, Dude.
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Film particolare x amanti cinema di nicchia.
Non si scorda, da rivedere






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