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take the padding from your ears,
and confess you’ve heard me crying,
and admit you’ve seen my tears.
Hear the tempo so compelling,
hear the blood throb in my veins.
Yes, my drums are beating nightly,
and the rhythms never change."
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The Complete Poetry Hardcover – Deckle Edge, March 31, 2015
by
Maya Angelou
(Author)
|
Maya Angelou
(Author)
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Print length336 pages
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LanguageEnglish
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PublisherRandom House
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Publication dateMarch 31, 2015
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Dimensions6.5 x 1.1 x 9.51 inches
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ISBN-109780812997873
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ISBN-13978-0812997873
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Editorial Reviews
About the Author
Maya Angelou was raised in Stamps, Arkansas. In addition to her bestselling autobiographies, including I Know Why the Caged Bird Sings and The Heart of a Woman, she wrote numerous volumes of poetry, among them Phenomenal Woman, And Still I Rise, On the Pulse of Morning, and Mother. Maya Angelou died in 2014.
Excerpt. © Reprinted by permission. All rights reserved.
They Went Home
They went home and told their wives,
that never once in all their lives,
had they known a girl like me,
But … They went home.
They said my house was licking clean,
no word I spoke was ever mean,
I had an air of mystery,
But … They went home.
My praises were on all men’s lips,
they liked my smile, my wit, my hips,
they’d spend one night, or two or three.
But …
The Gamut
Soft you day, be velvet soft,
My true love approaches,
Look you bright, you dusty sun,
Array your golden coaches.
Soft you wind, be soft as silk,
My true love is speaking.
Hold you birds, your silver throats,
His golden voice I’m seeking.
Come you death, in haste, do come,
My shroud of black be weaving,
Quiet my heart, be deathly quiet,
My true love is leaving.
A Zorro Man
Here
in the wombed room
silk purple drapes
flash a light as subtle
as your hands before
love-making
Here
in the covered lens
I catch a
clitoral image of
your general inhabitation
long and like a
late dawn in winter
Here
this clean mirror
traps me unwilling
in a gone time
when I was love
and you were booted and brave
and trembling for me.
To a Man
My man is
Black Golden Amber
Changing.
Warm mouths of Brandy Fine
Cautious sunlight on a patterned rug
Coughing laughter, rocked on a whorl of French tobacco
Graceful turns on woolen stilts
Secretive?
A cat’s eye.
Southern. Plump and tender with navy-bean sullenness
And did I say “Tender”?
The gentleness
A big cat stalks through stubborn bush
And did I mention “Amber”?
The heatless fire consuming itself.
Again. Anew. Into ever neverlessness.
My man is Amber
Changing
Always into itself
New. Now New.
Still itself.
Still.
Late October
Carefully
the leaves of autumn
sprinkle down the tinny
sound of little dyings
and skies sated
of ruddy sunsets
of roseate dawns
roil ceaselessly in
cobweb greys and turn
to black
for comfort.
Only lovers
see the fall
a signal end to endings
a gruffish gesture alerting
those who will not be alarmed
that we begin to stop
in order simply
to begin
again.
No Loser, No Weeper
“I hate to lose something,”
then she bent her head,
“even a dime, I wish I was dead.
I can’t explain it. No more to be said.
’Cept I hate to lose something.
“I lost a doll once and cried for a week.
She could open her eyes, and do all but speak.
I believe she was took, by some doll-snatching sneak.
I tell you, I hate to lose something.
“A watch of mine once, got up and walked away.
It had twelve numbers on it and for the time of day.
I’ll never forget it and all I can say
Is I really hate to lose something.
“Now if I felt that way ’bout a watch and a toy,
What you think I feel ’bout my lover-boy?
I ain’t threatening you, madam, but he is my evening’s joy.
And I mean I really hate to lose something.”
When You Come to Me
When you come to me, unbidden,
Beckoning me
To long-ago rooms,
Where memories lie.
Offering me, as to a child, an attic,
Gatherings of days too few,
Baubles of stolen kisses,
Trinkets of borrowed loves,
Trunks of secret words,
I CRY.
Remembering
Soft grey ghosts crawl up my sleeve
to peer into my eyes
while I within deny their threats
and answer them with lies.
Mushlike memories perform
a ritual on my lips
I lie in stolid hopelessness
and they lay my soul in strips.
In a Time
In a time of secret wooing
Today prepares tomorrow’s ruin
Left knows not what right is doing
My heart is torn asunder.
In a time of furtive sighs
Sweet hellos and sad goodbyes
Half-truths told and entire lies
My conscience echoes thunder.
In a time when kingdoms come
Joy is brief as summer’s fun
Happiness its race has run
Then pain stalks in to plunder.
Tears
Tears
The crystal rags
Viscous tatters
of a worn-through soul.
Moans
Deep swan song
Blue farewell
of a dying dream.
The Detached
We die,
Welcoming Bluebeards to our darkening closets,
Stranglers to our outstretched necks,
Stranglers, who neither care nor
care to know that
DEATH IS INTERNAL.
We pray,
Savoring sweet the teethed lies,
Bellying the grounds before alien gods,
Gods, who neither know nor
wish to know that
HELL IS INTERNAL.
We love,
Rubbing the nakednesses with gloved hands,
Inverting our mouths in tongued kisses,
Kisses that neither touch nor
care to touch if
LOVE IS INTERNAL.
To a Husband
Your voice at times a fist
Tight in your throat
Jabs ceaselessly at phantoms
In the room,
Your hand a carved and
Skimming boat
Goes down the Nile
To point out Pharaoh’s tomb.
You’re Africa to me
At brightest dawn.
The Congo’s green and
Copper’s brackish hue,
A continent to build
With Black Man’s brawn.
I sit at home and see it all
Through you.
They went home and told their wives,
that never once in all their lives,
had they known a girl like me,
But … They went home.
They said my house was licking clean,
no word I spoke was ever mean,
I had an air of mystery,
But … They went home.
My praises were on all men’s lips,
they liked my smile, my wit, my hips,
they’d spend one night, or two or three.
But …
The Gamut
Soft you day, be velvet soft,
My true love approaches,
Look you bright, you dusty sun,
Array your golden coaches.
Soft you wind, be soft as silk,
My true love is speaking.
Hold you birds, your silver throats,
His golden voice I’m seeking.
Come you death, in haste, do come,
My shroud of black be weaving,
Quiet my heart, be deathly quiet,
My true love is leaving.
A Zorro Man
Here
in the wombed room
silk purple drapes
flash a light as subtle
as your hands before
love-making
Here
in the covered lens
I catch a
clitoral image of
your general inhabitation
long and like a
late dawn in winter
Here
this clean mirror
traps me unwilling
in a gone time
when I was love
and you were booted and brave
and trembling for me.
To a Man
My man is
Black Golden Amber
Changing.
Warm mouths of Brandy Fine
Cautious sunlight on a patterned rug
Coughing laughter, rocked on a whorl of French tobacco
Graceful turns on woolen stilts
Secretive?
A cat’s eye.
Southern. Plump and tender with navy-bean sullenness
And did I say “Tender”?
The gentleness
A big cat stalks through stubborn bush
And did I mention “Amber”?
The heatless fire consuming itself.
Again. Anew. Into ever neverlessness.
My man is Amber
Changing
Always into itself
New. Now New.
Still itself.
Still.
Late October
Carefully
the leaves of autumn
sprinkle down the tinny
sound of little dyings
and skies sated
of ruddy sunsets
of roseate dawns
roil ceaselessly in
cobweb greys and turn
to black
for comfort.
Only lovers
see the fall
a signal end to endings
a gruffish gesture alerting
those who will not be alarmed
that we begin to stop
in order simply
to begin
again.
No Loser, No Weeper
“I hate to lose something,”
then she bent her head,
“even a dime, I wish I was dead.
I can’t explain it. No more to be said.
’Cept I hate to lose something.
“I lost a doll once and cried for a week.
She could open her eyes, and do all but speak.
I believe she was took, by some doll-snatching sneak.
I tell you, I hate to lose something.
“A watch of mine once, got up and walked away.
It had twelve numbers on it and for the time of day.
I’ll never forget it and all I can say
Is I really hate to lose something.
“Now if I felt that way ’bout a watch and a toy,
What you think I feel ’bout my lover-boy?
I ain’t threatening you, madam, but he is my evening’s joy.
And I mean I really hate to lose something.”
When You Come to Me
When you come to me, unbidden,
Beckoning me
To long-ago rooms,
Where memories lie.
Offering me, as to a child, an attic,
Gatherings of days too few,
Baubles of stolen kisses,
Trinkets of borrowed loves,
Trunks of secret words,
I CRY.
Remembering
Soft grey ghosts crawl up my sleeve
to peer into my eyes
while I within deny their threats
and answer them with lies.
Mushlike memories perform
a ritual on my lips
I lie in stolid hopelessness
and they lay my soul in strips.
In a Time
In a time of secret wooing
Today prepares tomorrow’s ruin
Left knows not what right is doing
My heart is torn asunder.
In a time of furtive sighs
Sweet hellos and sad goodbyes
Half-truths told and entire lies
My conscience echoes thunder.
In a time when kingdoms come
Joy is brief as summer’s fun
Happiness its race has run
Then pain stalks in to plunder.
Tears
Tears
The crystal rags
Viscous tatters
of a worn-through soul.
Moans
Deep swan song
Blue farewell
of a dying dream.
The Detached
We die,
Welcoming Bluebeards to our darkening closets,
Stranglers to our outstretched necks,
Stranglers, who neither care nor
care to know that
DEATH IS INTERNAL.
We pray,
Savoring sweet the teethed lies,
Bellying the grounds before alien gods,
Gods, who neither know nor
wish to know that
HELL IS INTERNAL.
We love,
Rubbing the nakednesses with gloved hands,
Inverting our mouths in tongued kisses,
Kisses that neither touch nor
care to touch if
LOVE IS INTERNAL.
To a Husband
Your voice at times a fist
Tight in your throat
Jabs ceaselessly at phantoms
In the room,
Your hand a carved and
Skimming boat
Goes down the Nile
To point out Pharaoh’s tomb.
You’re Africa to me
At brightest dawn.
The Congo’s green and
Copper’s brackish hue,
A continent to build
With Black Man’s brawn.
I sit at home and see it all
Through you.
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Product details
- ASIN : 0812997875
- Publisher : Random House; Illustrated edition (March 31, 2015)
- Language : English
- Hardcover : 336 pages
- ISBN-10 : 9780812997873
- ISBN-13 : 978-0812997873
- Item Weight : 1.3 pounds
- Dimensions : 6.5 x 1.1 x 9.51 inches
-
Best Sellers Rank:
#20,722 in Books (See Top 100 in Books)
- #30 in Black & African American Poetry (Books)
- #55 in Poetry by Women
- #88 in Literary Criticism & Theory
- Customer Reviews:
Customer reviews
4.8 out of 5 stars
4.8 out of 5
1,452 global ratings
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Reviewed in the United States on December 19, 2018
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Reviewed in the United States on February 20, 2018
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Amazing poetry, and all in one place. The reason for four instead of five stars is not related to the writing. What I would like to be included with each poem is the date and, if known, the occasion of the writing. The poems are put in sections but one has no way of knowing the time frame, therefore the time in Maya Angelou's life that she wrote them.
Highly recommended.
Highly recommended.
34 people found this helpful
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Reviewed in the United States on August 19, 2018
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The book quality is A+ I love the edges of the pages. I have waited to get a book of her poetry and glad I did because here it now is - a complete collection in one place. I have loved Maya since I read “I Know Why the Caged Bird Sings” as a girl.
20 people found this helpful
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Reviewed in the United States on September 19, 2017
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This posthumous collection gathers together 180 poems of Maya Angelou. A collection of collections, it amasses six of Angelou’s collections as well as four stand-alone poems, and is said to represent the entirety of Angelou’s published and publically-released poetry. (Actually, it’s said be all of her poetry, but I suspect even a poetic genius like Angelou had notebooks of fragments and pieces with which she never made peace.) Her famed collections: “Just Give Me a Cool Drink of Water ‘Fore I Diiie,” “Oh Pray My Wings Are Gonna Fit Me Well,” “And Still I Rise,” “Shaker, Why Don’t You Sing,” and “I Shall Not Be Moved” are presented as released.
Angelou’s poetry tends toward the playful and melodious even when its topics are angry or distressing. She favors short pieces that have rhyme and rhythm that please the ear—at least in those early collections for which she is most recognized. Reading the poetry chronologically, I noticed a shift toward a little bit longer free verse poetry—though always with attention to the issue of sound (if not to creating song-like sound.) As this was my first reading of this collection, some of this perception of shifting length and style may be an illusion created by the fact that the freestanding pieces are toward the end, and they tend to have been released for special occasions that called for longer runtimes. But maybe she felt that poems of dissent and social commentary ultimately called for a more discordant quality. Delivering a jeremiad with pop tune catchiness can feel as though it undermines the message—though it also makes a commentary about the nature of being underdog.
I don’t want to suggest that Angelou’s work doesn’t capture the happy and hopeful as well as the daunting, because it is. But poets deal in emotion, and that means confronting dark topics such as slavery, racism, domestic violence, etc. Her use of dialect language breathes authenticity into her poems and builds the emotional weight of them, which often supports the song-like quality. And there is plenty of precedent in music for delivering hard material in a melodious package.
I’d recommend this collection to poetry readers. It’s powerful and poignant, and makes a beautiful sound.
Angelou’s poetry tends toward the playful and melodious even when its topics are angry or distressing. She favors short pieces that have rhyme and rhythm that please the ear—at least in those early collections for which she is most recognized. Reading the poetry chronologically, I noticed a shift toward a little bit longer free verse poetry—though always with attention to the issue of sound (if not to creating song-like sound.) As this was my first reading of this collection, some of this perception of shifting length and style may be an illusion created by the fact that the freestanding pieces are toward the end, and they tend to have been released for special occasions that called for longer runtimes. But maybe she felt that poems of dissent and social commentary ultimately called for a more discordant quality. Delivering a jeremiad with pop tune catchiness can feel as though it undermines the message—though it also makes a commentary about the nature of being underdog.
I don’t want to suggest that Angelou’s work doesn’t capture the happy and hopeful as well as the daunting, because it is. But poets deal in emotion, and that means confronting dark topics such as slavery, racism, domestic violence, etc. Her use of dialect language breathes authenticity into her poems and builds the emotional weight of them, which often supports the song-like quality. And there is plenty of precedent in music for delivering hard material in a melodious package.
I’d recommend this collection to poetry readers. It’s powerful and poignant, and makes a beautiful sound.
24 people found this helpful
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Reviewed in the United States on February 6, 2021
Verified Purchase
These are just a few photos of the contents, this is a bountiful book with about 6 pages of table of contents. I love Maya Angelou and this book is agreeable. The front is a younger maya and the back is a few years before her passing. Her life and wisdom is worth more than $20 but I am happy to have an accessible $20 book for a lifetime of work. She is inspiring and her name lives on, inside of me and inside of others who have yet to discover her
5.0 out of 5 stars
Yes
By Etta on February 6, 2021
These are just a few photos of the contents, this is a bountiful book with about 6 pages of table of contents. I love Maya Angelou and this book is agreeable. The front is a younger maya and the back is a few years before her passing. Her life and wisdom is worth more than $20 but I am happy to have an accessible $20 book for a lifetime of work. She is inspiring and her name lives on, inside of me and inside of others who have yet to discover her
By Etta on February 6, 2021
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2 people found this helpful
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Reviewed in the United States on January 18, 2021
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This is an outstanding collection of poetry by one of America's foremost poets. Angelou's eloquence and lyrical ability is just breathtaking. Obviously most of the poems are written from the point of view of an African American woman. Many are sad such as "Tears" and "Song for the Old Ones." Some are defiant such as "Riot: 60's" and "Still I Rise." A few have humor such as "The Health-Food Diner" and "Harlem Hopscotch." "Times-Square-Shoeshine-Composition" defies categorization but was one of my very favorites. "Our Grandmothers", "Sons and Daughters", "Human Family," and "Man Bigot" are poignant and are my very favorites in this collection. All Americans should read Angelou's poetry. It's all just beautiful. Highly recommended.
Reviewed in the United States on February 3, 2019
Verified Purchase
My daughter loves poetry. I got her this book for Xmas because she had it on her Xmas list and on the cart. She loves it, can't put it down. She also like that it has been sign by Magela Angelo.
7 people found this helpful
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Reviewed in the United States on March 27, 2017
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The content is wonderful. The quality of this hardcover book is not very good.
9 people found this helpful
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sarah
5.0 out of 5 stars
There is No Other...
Reviewed in the United Kingdom on May 3, 2016Verified Purchase
Nina Simone once said "an artist's duty, as far as I'm concerned, is to reflect the times.” Without a doubt, Maya Angelou's work did just that. With singular grace and style, she penned lyrical poems and rhythmic prose. And she captured the complex dimensions of life--love, loss, separation, abuse, joy, intimacy, liberation, oppression. Her work is deeply political. From the necessary critiques of American democracy ("America," "Family Affairs," "These Yet to Be United States") to her carefully painted depiction of Black women's unique isolation within the American body politic ("Our Grandmothers"), Angelou's work shows the various ways in which the personal is always political. As one reads the collection, it becomes clear that Black Southern Womanhood served as a source of inspiration for much her work. Images of Blackness, womanhood, and the South are visceral throughout. When I was in elementary school, I memorized the poem "Woman Work" and recited it at a contest. All these years later, reading this poem within the larger collection gave me a whole new perspective and appreciation of it. Angelou's writing is an anthology of Black feminist liberation texts, a productive actor within itself. What a blessing.
I tried to select a favorite poem or line, and it was impossible to do. So I'll quote one that left an indelible mark on me:
The Memory
Cotton rows crisscross the world
And dead-tired nights of yearning
Thunderbolts on leather strops
And all my body burning
Sugar cane reach up to God
And every baby crying
Shame the blanket of my night
And all my days are dying.
I tried to select a favorite poem or line, and it was impossible to do. So I'll quote one that left an indelible mark on me:
The Memory
Cotton rows crisscross the world
And dead-tired nights of yearning
Thunderbolts on leather strops
And all my body burning
Sugar cane reach up to God
And every baby crying
Shame the blanket of my night
And all my days are dying.
12 people found this helpful
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MH
5.0 out of 5 stars
Savour every single word
Reviewed in the United Kingdom on December 2, 2020Verified Purchase
Every aspect of life explained and not a single word without love and meaning. Every woman should read this but if you find a man reading it keep him....... A beautiful book to keep by the bedside.
3 people found this helpful
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ELLIE
5.0 out of 5 stars
HANDY TO PICK UP ON RAINY DAYS
Reviewed in the United Kingdom on June 29, 2020Verified Purchase
Nice complete edition of Maya's works. Very handy to pick up & put down as & when you feel like,
3 people found this helpful
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happy customer !
5.0 out of 5 stars
Beautiful book by a beautiful soul!
Reviewed in the United Kingdom on December 13, 2020Verified Purchase
Can't go wrong with Maya Angelou! Such a beautiful book of poetry written by a strong, amazing, inspirational and wise woman.
Packaged well and swift delivery.
Packaged well and swift delivery.
One person found this helpful
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Beej68
5.0 out of 5 stars
Beautifullly bound hardback edition of the complete collection of Dr Maya Angelou's work
Reviewed in the United Kingdom on February 27, 2021Verified Purchase
Wonderful to have all the poems by Dr Maya Angelou in one collection, beautifully bound, hardback edition perfect for multiple reads. I will revisit this book many times.
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