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The Complete Works of Johann Sebastian Bach - Bachakademie 10th Anniversary Special Collection Box set

4.7 out of 5 stars 21 customer reviews

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Audio CD, Box set, September 28, 2010
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Product Description

Globally recognized as the ONLY authoritative edition
of Bach's works NOW AVAILABLE at a NEW
competitive price - a celebration of a lifetime's work
- and sought-after throughout the World hänssler
CLASSIC's Complete Works of Bach, produced in
cooperation with the International Bach Academy.
172 CDs - recorded under the direction of Professor
Helmuth Rilling from 1975 to 2000!
Helmuth Rilling was awarded the Grand Prix du
Disque for his landmark recordings of cantatas and
they now enjoy benchmark status. They feature the
great names of the singing world: including Arleen
Augér, Julia Hamari, Aldo Baldin, Dietrich Fischer-
Dieskau, Wolfgang Schöne, Peter Schreier, Andreas
Schmidt accompanied by Gächinger Kantorei, Bach
Collegium Stuttgart, Helmuth Rilling and others.
172 CDs - over 175 hours
1 CD-ROM with 5000 page eBook
(includes all song texts, introductions,
and biographical notes)
2 books with BWV- (288 pages) and
CD- (144 pages) number listing and
additional information
includes the complete:
Chamber Music, Cantatas,
Orchestral Works,
Passions & Oratorios,
Chorales & more.


Do you need 172 CDs of Bach's music? Well, some of us do; some of us need even more. This Bach-itis has led me to collect more than 1,000 discs of Bach, and, while I've slowed down on purchases in recent years, I do pick up some new Bach recordings every now and then, notably the recently concluded set of cantatas recorded by John Eliot Gardiner (review). But do you really need all this music? Perhaps you're a casual fan of Bach's music and you want more. You could buy individual CDs, filling your collection slowly, looking for the best versions of each work. This is time-consuming and expensive. Or you could buy a complete set of Bach's music, offering you the ability to sample all of this great composer's works, then, if you find affinities with specific works and want to seek out other versions, do so. I've long been a fan of the latter approach, especially since Brilliant Classics has shaken up the classical music business with their very low priced box sets of complete (or collected) works of various composers. In fact, the first big Brilliant Classics box I got was their set of Bach recordings, released back in 2001. (review). This is a mixed bag, with some excellent recordings, but quite a few mediocre discs. While I initially felt the cantata recordings to be good, more recent recordings (by Gardiner, Suzuki and others) have put them near the back of the pack. This brings me to the subject at hand:, the Hänssler set of Bach recordings, which the label organized around 2000, during the celebrations for the 250th anniversary of Bach's death. At first, Hänssler set out to fill out their Bach recordings, which were built around Helmuth Rilling's set of the sacred cantatas. They enlisted Rilling to oversee the set, and came up with a wonderful collection of 172 CDs in 140 volumes (a number of the volumes contain 2 or 3 discs). After releasing them individually, they then sold a box set, at what was then considered a normal price, but since the advent of Brilliant Classics pricing, seemed expensive. Hänssler has now re-issued this set in a space-saving box at a "nice" price, or 299. The set is currently available for around $300 in the US, less than £200 in the UK, and around 225 elsewhere in the EU. Let's start by looking at what you get in the box. It's a big box, sleek and well-designed, and, as you can see in the illustration to this review, opens to show the CDs in three sections. Each CD is in a paper and glassine sleeve, and is well labelled. The CDs have colour coding for the different types of works (cantatas, sacred music, organ, keyboard, instrumental), and each bears a large volume number and a title. The discs are therefore easy to find and choose from the box. There are also two booklets: one is a full catalogue of the set, by disc, with track-listings; this runs to nearly 300 pages. The second is an index by BWV number, which then points you to specific discs. Finally, there is a CD-ROM with complete texts of the vocal music, extensive notes and detailed track and artist information. These are provided in 14 PDF files that you can view on any computer. They contain the full notes that you would expect to receive with CDs, in German, English, French and Spanish, and total some 5,000 CD-sized pages. Hänssler has clearly not scrimped on the documentation, and one should actually expect this with any big box set. In reality such high-quality documentation is, alas, rare. There are nearly 178 hours of music in this box, which is a daunting prospect for anyone. Even fans of Bach will find some works that don't interest them much - perhaps the eight discs of chorale settings, which have not been recorded often, yet contain some gems - but choosing either to traverse the set in order, or at random, yields many excellent recordings. Back in 2000, during the wonderful Bach year, I bought a number of the individual Hänssler discs to fill out my collection. This was in part because, at the time, there were not a lot of choices for some of the less common works, but also because of the excellent quality of these recordings. I notably purchased many of the keyboard recordings, and some of them have become my favourites. I'd note especially Trevor Pinnock's superlative recording of the Partitas; Peter Watchorn's great Toccatas disc; and the Well-Tempered Clavier recorded by Robert Levin in a unique manner, with different works played on harpsichord, clavichord, organ and fortepiano. Naturally, at nearly one-third of the box, the sacred cantatas are form the biggest chunk here. They are arguably Bach's finest works, together with the secular cantatas (eight discs) and the other sacred vocal works (passions, masses, motets and oratorios) which cover 16 discs. This is where this box is simply a bargain. Helmuth Rilling is an excellent conductor and interpreter of Bach's sacred music. While I have a preference for John Eliot Gardiner's cantata recordings, because of his forces and his more HIP choices, there is no doubt that Rilling's recordings are excellent. Recorded from 1969 to 1985, over a longer period of time than most other sets, there is a lot of change throughout the series. Rilling's recordings are more dense and lush than others, and his tempi are often slower than HIP recordings - no "original instruments" for Rilling. But he creates such a detailed sound-world that any fan of these works should want to hear Rilling's versions to compare with others. This said, Rilling often uses a technique that I find a bit disturbing. He'll have one instrument or group of instruments sequestered to one track, and others on the other track, giving a sound similar to that of early Beatles' stereo mixes, where vocals were on one track and instruments on the other. This is something you never hear in live performance; while one instrument may be on one side, you still hear it on the other side. This tends to make some of the movements sound as though there's no blend among the singers and musicians. It's worth noting that, in some cases, re-takes were made months after initial recordings of some movements of the cantatas, and the sound can vary from one part of a cantata to another. But this doesn't detract from the overall tone. One more point: the actual recording quality of these works varies, and is generally not as clean as that of more recent cantata recordings using newer technology. While this is a minor detail, it can be obvious if you compare different recordings of a given cantata. Rilling notably has an excellent collection of singers in the sacred works. To name but a few that stand out: Dietrich Fischer-Dieskau, Arleen Augér, Helen Watts, Edith Wiens, Peter Schreier, Philipp Huttenlocher, Matthias Goerne, Juliane Banse, Thomas Quasthoff, Christoph Prégardien and many more. And Rilling's choirs are always top-notch. The same can be said for the other sacred works, the passions, oratorios and masses. So far I've barely scratched the surface, even though the sacred vocal works are the heart of the collection. The organ works fill 20 CDs, the keyboard works 32, 11 discs of chamber music, 11 discs of orchestral music, and 4 discs of alternate versions of cantatas. There's a very attractive recording of the Musical Offering, on a variety of instruments: fortepiano, harpsichord, viola da gamba, flute and violin. Robert Hill's recording of The Art of Fugue on harpsichord is brilliant, and includes early versions of some of the fugues; the notes explain the different versions, and tell you how you can program the tracks in such a way as to listen to the two different versions of the work. One disc contains reconstructed violin concertos performed by Isabelle Faust. Another fine recording, again by Robert Hill, shows off the rarely recorded lute-harpsichord. Hille Perl and Michael Beringer play the sonatas for viola da gamba and harpsichord. And the Oregon Bach Festival Chamber Orchestra, led by Helmuth Rilling, plays the Brandenburg Concertos and Orchestral Suites; certainly not my favourite versions, but fine ones nevertheless. One of the only elements I find missing is versions of The Art of Fugue for organ and for chamber orchestra. Some criticisms are in order, though. Boris Pergamenschikow's cello suites are ponderous; Dmitry Sitkovetsky's solo violin recordings are a bit better, but not up to the competition. These are two of my favourite groups of Bach's works, and I turn to other recordings when I want to listen to them. The organ works are performed by seven different organists, playing in different locations. Organ recordings often try to vary their sound by using different organs, and the sound is different from one to another, as is the style. In some ways I would have preferred a single organist, even at different locations, but this isn't a deal-breaker. So, back to my initial question: do you need this set? It depends on how Bach-obsessed you are. If you're familiar with Rilling's cantata recordings, and appreciate them, then this set is worth getting if only for those discs - which do make up more than a third of the set. If you have a lot of Bach and want more, then the answer is obvious. And if you don't have a lot of Bach, and want to discover all of his works in recordings that range from very good to excellent you can't go wrong. Comparing this set to the Brilliant Classics box, I would certainly give higher grades to Hänssler. It is more expensive, but I think it's a much more worthwhile investment than the more uneven Brilliant Classics set. No matter what, at about $1.50, £1 or 1.30 a disc, if you care about Bach enough to want this much music, you owe it to yourself to get this set. Add it to your Christmas list, perhaps, or buy yourself a present. -- MusicWeb International, Kirk McElhearn, November 2010

Product Details

  • Performer: Arleen Auger, Julia Hamari, Also Baldin, Dietrich Fischer-Dieskau, Wolfgang Schone, et al.
  • Orchestra: Gachinger Kanotrei, Bach Collegium Stuttgart
  • Conductor: Various, Helmuth Rilling
  • Composer: Bach
  • Audio CD (September 28, 2010)
  • Number of Discs: 172
  • Format: Box set
  • Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
  • Label: Haenssler Classics
  • ASIN: B003LR4QPE
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Best Sellers Rank: #138,770 in Music (See Top 100 in Music)

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Customer Reviews

Top Customer Reviews

Format: Audio CD
All indications are that this latest iteration of the hänssler CLASSIC Edition Bachakademie is a gussied up repackaging of the super budget version released in 2004 (and available at one time from Berkshire Record Outlet for just $199.99). The new packaging is an attractive up-grade over the earlier bare bones version but I do not know if that justifies the higher price point.

That said, it has been ten years since the hänssler/Rilling edition saw the light of day. At that time, the folks at hänssler and Warner were engaged in a war of words over whose "Complete Bach" was MOST complete. The hänssler/Rilling edition DID have more discs when completed - but this additional material, not presented in the Warner Bach 2000 consisted primarily of 12 discs of chorales. Lovely? Yes. A legitimate part of Bach's oeuvre? Yes. Yet 12 discs of hymn tunes was not a major incentive for this collector, at least.

Caveat lector! I personally prefer period instrument performances, and while boy sopranos and male falsettists may bother some listeners, the fact IS that this was the sound world that Bach dealt with; these were the musicians he wrote for. It is fighting the straw man to argue that had Bach ACCESS to female singers and modern orchestral instruments, he would have used them. To carry that line of reasoning to its logical extreme, Bach's music should simply just be performed on digital synthesizers.

At the heart of this massive collection are Bach's immortal works for the Lutheran Church - 60 discs of sacred cantatas and about 20 more worth or oratorios, Passions, Missae brevis (Lutheran masses, sans "Credo"), and a handful of smaller individual movements, all under the direction of Helmuth Rilling.
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I don't think that I can add more of substance on this collection. You either like or dislike modern instruments and you eith like or dislike Rilling's work. For myself, I have been waiting an awefully long time to get this set at a reasonable price. Having purchased the Brilliant complete set a couple of years ago, I really only wanted the sacred cantatas by Rilling and his forces. I would gladly have paid $250 for these alone. To receive the whole of Bach for the same price is a windfall indeed.

My only comment of Rilling vs. more modern approaches is to moan the passage of time. There was a time when Klemperer's recordings rested supreme among Bach sacred works. Now he is considered sluggish and overblown. But then, tastes change.

A note on the packaging. I am a little disappointed that Hassler falls short in the disc sleeves. Where Brilliant provided studry heavy paper sleeves, color coded by type of music, and provided detailed recording information on teh back of each sleeve, Hassler is satisfied to provide thin, black paper sleeves with a clear front to view the disc (of course, Hassler also provides much more documentation elsewhere than does Brilliant).

One recommendation: given 172 discs and black sleeves with no information on them, I suggest you purchase a pack of white sleeves, also with clear fronts, so that you can replace sleeves, black for white, as you listen to the CDs. Doing this offeres a visual record at a glace as to your progress throughout the set.
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By B on January 23, 2012
Format: Audio CD Verified Purchase
I've found lots of great deals on Amazon over the years, but this is easily the most worthwhile purchase I have made in the last ten years. To record all of Bach is obviously an epic undertaking and Haenssler, Rilling et. al. have rendered us a great service by packaging such sublime music into an astoundingly cheap box set. Listeners know Rilling mostly for his superb renditions of the choral repertory, but will find that the instrumental recordings on offer here are are very good and in some cases equal to the choral works. I've just received my box today and am working my way through the keyboard works; as other reviewers have noted, I myself was a bit dubious about the seeming lack of star quality--I had never heard of Robert Hill, Peter Watchhorn and others and scoffed at the idea that they would hold a candle to the Bach specialists I have in my collection (Goode, Gould and Schiff, among others). While they might not match these others, they are more than competent--I also like that the set includes Bach performed on multiple keyboard instruments (clavichord, harpsichord, modern piano, etc.) as they've done with the Well-Tempered Klavier. Even connosieurs of Bach will find little played gems in this set--there are three CDs alone of early Bach keyboard works which I'd never heard but are fascinating to listen to. If you even like Bach you simply have to get this set. I'd give it six stars if I could.
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Format: Audio CD
Like the former reviewer, I was waiting for the original edition to become affordable.
After listening to multiple interpretations of the cantatas, and coming back to Rilling after quite a few years, I find his realizations interesting, valid and good. Naturally,one has to bear in mind that they are far from the authentic style.
The other groups were also sampled, and the instrumental and orchestral music is excellently performed, again remembering that the orchestra does not play on authentic instruments. The keybord works are interpreted, for sure, in line with the best.
The only serious drawback is poor hard-copy documentation, and to get the names of the soloists in individual cantatas one has to go to the cd-rom.
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