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The New Yorker Print Magazine
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From the manufacturer
Started as a weekly in 1925, The New Yorker is an American magazine known for its reporting, political and cultural commentary, fiction, poetry, humor, and more.
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ReportingPulitzer Prize-winning journalism, reports, and analysis on Washington and the world. |
CultureThe latest in TV, movies, and music, as well as each week’s Goings On About Town. |
The New Yorker CrosswordNow available in every issue, with the solution arriving the following week. |
HumorThe cartoons and other funny stuff you need to get through the day. |
Product details
- Date First Available : February 27, 2009
- Manufacturer : Condé Nast Publications
- ASIN : B001U5SPJW
- Customer Reviews:
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Most importantly, the editors of The New Yorker seem to uphold a sacred oath not to sacrifice the precision of a statement's words for the sake of readability. Words like "aegis," "lagniappe," and "folderol" are not slashed away and replaced with the active voice, food-time phrases given us by the art of marketing. The New Yorker respects its readers by not simplifying its articles for the least educated person who could possibly afford the magazine.
Throughout the magazine's history its contributing artists have taken journalism to strange new places. According to Ronald Weber (1978), "Especially during the sixties and seventies, The New Yorker... allowed nonfiction writers both the reporting time to develop their subjects in depth and the editorial space to shape them in fresh and inventive ways" (p 487). Like N.P.R., this periodical is not afraid to dedicate a lot of content to an obscure subject: Tony Bennett's favorite suit, T.S. Eliot, or even a rabbi's disdain for postmodern decor.
The research methods of these journalists are diverse. Some are obsessive, some are tangential. Some lunge into battle zones, like Dexter Filkins recording the words of the doomed Pakistani reporter Syed Shahzad (2011): "Look, I'm in danger. I've got to leave Pakistan" (p. 50). Others like Alec Wilkinson report on native obscurities. In his article about Drew Eckmann's pop star house concerts in New Jersey, Wilkinson (2011) admits, "Really, though, it's just Drew's house" (p. 52). The magazine thrives on any approach that can be nurtured through exposition.
Robert Rounds, a composition professor, defended his use of The New Yorker as a textbook in the Journal of College Composition and Communication (1968): "What text comes out, as mine does, with a fresh edition weekly, impeccably edited, full of stimulating writing of all kinds, all of it top-notch but none of it yet `literature' that must perforce be appreciated" (p. 223)? A year-long subscription of fifty-two issues costs no more than the average English textbook, and the bonus of receiving pleasant mail at least once a week brings a joy which age cannot dull.
Bill Osgerby (2001) found that The New Yorker in its earliest years "Appealed to moneyed, young, liberal aesthetes who were providing a ready market for the growing constellation of theatres and galleries" (p. 546), thus creating a forum for men and women loyal to the arts and immune to controversy. After ninety years this highly attuned journal is still there to fund the most clever analysis of whatever new school of Artistic thought may emerge.
I recommend The New Yorker with vehemence to all readers, but especially to those who wish to write for a living. Its style may not fit with the blunt technicality of a press release, and its vocabulary may not behoove a writer for a local paper; but it is an excellent weekly tool for helping a writer see how ideas can develop, what is being admired in the artistic domain, and who is about to release a rather sassy art book of photographs detailing various playgrounds of Europe.
The reason I favor the New Yorker is their coverage of economics, sociology, and current events. If I want to know what is happening on the ground in the Arab Spring, this is where I turn. If I want to learn something shocking overlooked tidbit of history, I open the New Yorker. For example, in the 7/25/11 issue, there are articles about the Freedom Riders, tiny houses, the value and purpose of going to college, and the world of hedge funds. These are the things I value; writing that challenges my beliefs and informs me, that isn't politically correct or afraid of offending. These main articles, which are the meat of the magazine, are why I read.
As the the rest: the sports articles can be good, but it's hit or miss for me (not one of my biggest interests). The short fiction section can be good, but lately I've been skipping it due to lack of time. The theatre or classical music articles tend to be fawning and pretentious, full of name-dropping and obscure references. For people who are unacquainted with those topics, it amounts to a waste of space. It's not the topics themselves I'm disinterested in; for example, if someone were to write a biographical style piece on Mahler, then I can enjoy it because I don't need to know anything previously to enjoy it.
Update Jan 2014: The cartoons have been getting better lately. Before I felt they fell flat a bit, but there's wittier material now.
Definitely check out the magazine, and if you are interested in it long-term, call the CSR to get a discounted subscription. Look into Harper's as well, it's just as good writing.
By God, is it too much to ask for a magazine that I can flip through in 30 minutes or so and be done?!?
Okay, seriously, it’s got good content. The NYC stuff isn’t of interest to me but there’s usually a half dozen weighty, relevant, and thought provoking articles in each week’s edition. I don’t deter too much of a political lean to most of the articles. The cartoons are funny. Most of the articles aren’t exactly current events stuff, but current enough. It’s not current events because the substance of the articles is too hefty to be dashed off each week. These articles are researched and nuanced.
So, yeah, only subscribe if you want to do some semi-serious reading and expand your brain. It’s gonna take time out of your life but it’s probably gonna improve you in some way.
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