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The Cook, The Thief, His Wife, and Her Lover [DVD]
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| Additional DVD options | Edition | Discs | Price | New from | Used from |
|
DVD
March 14, 2016 "Please retry" | — | 1 | $7.94 | $10.60 |
|
DVD
August 5, 2016 "Please retry" | — | 1 | $14.51 | $15.24 |
| Format | NTSC, DVD, Anamorphic, Widescreen, Color |
| Contributor | Howard, Mirren, Bohringer, Gambon |
| Language | English |
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Product Description
Product description
GET MONEY INCORPORATED PRESENTS THE COOK, THE THIEF, HIS WIFE AND HER LOVER DVD MINT CONDITION DVD RARE AND HARD TO FIND IN THIS CONDITION!! SAME DAY SHIPPING IF PURCHASED BEFORE 5 PM ALL SALES ARE FINAL NO EXCHANGES NO RETURNS NO REFUNDS CHECK OUT ALL OF OUR RARE BLU RAYS, DVDS AND MORE!
Amazon.com
Few directors polarize audiences like Peter Greenaway, a filmmaker as influenced by Jacobean revenge tragedy and 17th century painting as by the French New Wave. The Cook, the Thief, His Wife and Her Lover is both adored and detested for its combination of sumptuous beauty and revolting decadence. A vile, gluttonous thief (Michael Gambon, The Singing Detective) spews hate and abuse at a restaurant run by a stoic French cook (Richard Bohringer, Diva), but under the thief's nose his wife (the ever-sensuous Helen Mirren, Prime Suspect) conducts an affair with a bookish lover (Alan Howard, Strapless). Clothing (by avant-garde designer Jean-Paul Gaultier) changes color as the characters move from room to room. Nudity, torture, rotting meat, and Tim Roth (Reservoir Dogs) at his sleaziest all contribute the atmosphere of decay and excess. Not for everyone, but for some, essential. --Bret Fetzer
Product details
- Aspect Ratio : 2.35:1
- Is Discontinued By Manufacturer : No
- MPAA rating : NC-17 (Adults Only)
- Product Dimensions : 7.75 x 5.5 x 0.5 inches; 3.2 ounces
- Media Format : NTSC, DVD, Anamorphic, Widescreen, Color
- Release date : March 13, 2001
- Actors : Mirren, Bohringer, Gambon, Howard
- Language : English (Dolby Digital 2.0 Stereo)
- Studio : Starz / Anchor Bay
- ASIN : B000059LGL
- Best Sellers Rank: #114,049 in Movies & TV (See Top 100 in Movies & TV)
- #19,118 in Drama DVDs
- Customer Reviews:
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Feminists (which I am not) should love the ending.
The production is flawless. Each cast member is matched perfectly to each part: a wry, clever, wise Cook (Bohringer), a violent, unpleasant, loud Thief (Gambon), a suffering quiet Wife (Mirren) and a discrete Lover (Howard). Look also for a young Tim Roth playing his usual delinquent role. The photography is carefully planned, right down to the red water melons with green rinds split open on the cutting table. All the kitchen shots look like masterful 19th century still life paintings. There are interesting visual tricks: the costumes change color as the characters move from the dining room (red) to the kitchen (green).
But be warned, this is not a pleasant movie. The film begins and ends with two unmentionable scenes. The thief insults his wife throughout the movie and it's soon difficult not to cringe at the sight of him. There is spitting and graphic vomiting. Make sure you've eaten some time before seeing this. And don't plan a dinner aftewards; you'll be too dizzy.
The visual curiosity of having different hued settings was clever enough but lost it's appeal as the movie dragged on. The inevitable isolation and demise of the villain was predictable and formulaic. The story offered no novel insights or revelations about human debauchery. The heroine was rather unsympathetic and vacuous, the lover shallow and the cook was merely another background set piece.
There are many who might object to the content and consider it base and vulgar, though I take no issue with that. I have no problem with artistic expression in all of it's forms. My primary critique is the pervading since of arrogance on the part of the director who presumes this to be a work of genius. If a heavy handed jackhammer can be considered art, than so too can this movie. Helen MIrren is a very versatile actress and she did her naked best to make this movie work. Such was the garishness of this nightmare that even her lovely soft curves couldn't rescue it.
But, as I trust Helen Mirren's (and that of her agent) judgement, I pressed "pause" for a moment to change my perspective, and plunged back in.
Omg, it is so good.
Michael Gambon is a huge, domineering talent, and that spills forth in this film, soaking everyone and everything in his Thief's boorishly gluttonous and capitalistic narcissism.
Helen Mirren is...oh god, there are no words for what she is. Her range is simply unbelievable, and her Georgina (the Thief's wife) grows and develops and unfurls into facets of Woman we seek, and so seldom find, within ourselves.
This is a film fueled by, consumed by, about, and for Rage.
It is difficult to watch.
But so, SO worth it.
As I write this, the tears are still wet on my face.
I hated this movie-at the beginning, I felt betrayed...but I consciously altered my p.o.v. to see it as art, and then-
I hated it again.
Because it ended.
And I wanted-needed-it to go on.
I will be thinking about this film for days, perhaps for the rest of my life.



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