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The Copland Collection: Orchestral & Ballet Works, 1936-1948
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The Copland Collection: Orchestral & Ballet Works 1936-1948
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MP3 Music, August 19, 2014
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Track Listings
Disc: 1
| 1 | El Salón México |
| 2 | An Outdoor Overture |
| 3 | I. Introduction. The Open Prairie - London Symphony Orchestra |
| 4 | II. Street in a Frontier Town - London Symphony Orchestra |
| 5 | IV. Prairie Night. Card Game at Night - London Symphony Orchestra |
| 6 | V. Gun Battle - London Symphony Orchestra |
| 7 | VI. Celebration. After Billy's Capture - London Symphony Orchestra |
| 8 | VII. Billy's Death |
| 9 | VIII. The Open Prairie Again - London Symphony Orchestra |
| 10 | Quiet City |
| 11 | John Henry |
| 12 | Our Town Suite |
| 13 | Las Agachadas - New England Conservatory Chorus |
| 14 | Fanfare for the Common Man |
Disc: 2
| 1 | I. Buckaroo Holiday |
| 2 | II. Corral Nocturne |
| 3 | III. Saturday Night Waltz |
| 4 | IV. Hoe Down |
| 5 | I. New England Countryside (From "The City") |
| 6 | II. Barley Wagons (From of "Mice and Men") |
| 7 | III. Sunday Traffic (From "The City") |
| 8 | IV. The Story of Grovers Corners (From "Our Town") |
| 9 | V. Threshing Machines (From "Of Mice and Men") |
| 10 | I. Very Slowly |
| 11 | II. Allegro |
| 12 | III. Moderato |
| 13 | IV. Quite Fast |
| 14 | V. Subito allegro |
| 15 | VI. Meno mosso |
| 16 | VII. Doppio movimento |
| 17 | VIII. Coda. Moderato |
| 18 | Letter from Home |
| 19 | Danzón Cubano - London Symphony Orchestra |
Disc: 3
| 1 | Lento |
| 2 | Subito Allegro |
| 3 | Fellow Citizens, We Cannot Escape History - Henry Fonda |
| 4 | I. Molto moderato - With Simple Expression |
| 5 | II. Allegro molto |
| 6 | III. Andantino quasi allegretto |
| 7 | IV. Molto deliberato |
| 8 | Concerto for Clarinet, Strings & Harp - Benny Goodman |
Editorial Reviews
Amazon.com
Aaron Copland made numerous recordings of his own music, including an extensive series for CBS during the 1960s and '70s, mostly with London orchestras. He was not an especially proficient conductor--consequently, the performances he conducted often lacked pace and rhythmic punch. His last recordings of his most popular scores have been reissued by Sony on an exceptionally well-remastered 3-CD set. These accounts do a good job of conveying the overall shape of the pieces, and they deliver telling characterizations of many episodes. Details emerge that are lost in some other accounts, and there is an appealing gentleness and sweetness to the approach. But the readings do not have as much grip as those of Bernstein and Slatkin, among others, and in spite of the authority they automatically possess, they are not necessarily preferable. --Ted Libbey
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 5.69 x 5 x 1 inches; 11.68 Ounces
- Manufacturer : Sony Classical
- Item model number : 2010993
- Original Release Date : 1991
- Run time : 3 hours and 45 minutes
- Date First Available : February 13, 2007
- Label : Sony Classical
- ASIN : B0000027BJ
- Number of discs : 3
- Best Sellers Rank: #70,784 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #23 in Classical Marches
- #48 in Classical Overtures
- #150 in Ballets
- Customer Reviews:
Customer reviews
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Learn more how customers reviews work on AmazonTop reviews from the United States
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Saw the Copland collection and bought it.
BUT
I like to listen to the music while on the computer and I load ALL my albums into my laptop and desktop.
Imagine my surprise when I found you can't do it. Not completely. It seems that one disc will overwrite the other and even though there are song titles on the disc and brochure that comes with it all you get when you do load to the computer are TRACKS- 2,3,4 etc. NO titles of songs, just tracks.
So You can't load Appalachian spring into your computer and then load Billy the Kid because one will overwrite the other and leave you with unnamed tracks for your time. In this day and age you would think that this would not be a magic trick to get the CDs right so this doesn't happen, in fact I have never had this happen before and my experience with the Copland Collections album is that THEY BOTH ARE DOING IT! Years 1936-1048 and then 1948-1971.
Great music but save yourself the frustration and know now you will not be able to load the entire albums into your laptop or PC because after a couple of hours of trying every trick I could think of ... I give up.
When I here Copeland, I feel like I am in America. He has a distinct sound that epitomizes that American feel.
His recordings from movies or broadway are wonderful and recognizable.
I feel very American (and that's odd for me to say) when I hear his recordings and very moved by the music itself.
I don't listen to a lot of classical music, but I love Copeland. I would love some day to attend a ballet to his music.
Top reviews from other countries
As a whole, the orchestral performances are good, with the LSO shining (personal bias intrudes here: my favourite performances of Copland are by the Pittsburgh Symphony). Mastering is solid if bright, with a leaning towards clarity at the treble end.
In the end what we have here is one of the most melodic of composers drawing out his own very American music. It can be scenic, patriotic without being over the top and on a very human scale by turns.
The rest is a veritable feast of Copeland's better known works. My preference is for the LSO recordings but when you get Copeland, Fonda and Benny Goodman on recordings this good, this 3 disc set is an absolute must-buy, especially at the £15 I paid.
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