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Country Girl: A Memoir Hardcover – April 30, 2013
| Edna O'Brien (Author) Find all the books, read about the author, and more. See search results for this author |
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When Edna O'Brien's first novel, The Country Girls, was published in 1960, it so scandalized the O'Briens' local parish that the book was burned by its priest. O'Brien was undeterred and has since created a body of work that bears comparison with the best writing of the twentieth century. Country Girl brings us face-to-face with a life of high drama and contemplation.
Starting with O'Brien's birth in a grand but deteriorating house in Ireland, her story moves through convent school to elopement, divorce, single-motherhood, the wild parties of the '60s in London, and encounters with Hollywood giants, pop stars, and literary titans. There is love and unrequited love, and the glamour of trips to America as a celebrated writer and the guest of Jackie Onassis and Hillary Clinton.
Country Girl is a rich and heady accounting of the events, people, emotions, and landscape that have imprinted upon and enhanced one lifetime.
- Print length368 pages
- LanguageEnglish
- PublisherLittle, Brown and Company
- Publication dateApril 30, 2013
- Dimensions6 x 1 x 9.5 inches
- ISBN-10031612270X
- ISBN-13978-0316122702
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Editorial Reviews
From Booklist
Review
"Ms. O'Brien has long and correctly been recognized as among the greatest Irish writers of the 20th century. She's had an outsize life to match her outsize talent."--Dwight Garner, New York Times
"O'Brien's account of her life is completely irresistible."--Kate Tuttle, Boston Globe
"O'Brien's religion has been literature; to it she has remained devout, with a fervor that is contagious...She is no saint. She is an icon."--Stacy Schiff, New York Times Book Review
"In prose as lyrical and exacting as any in O'Brien's fiction, Country Girl evokes both the solitariness and the adventure of a life devoted to writing."--Megan O'Grady, Vogue
"Edna O'Brien has made of her memories something of both precision and depth, a book that, letting us see her as she was, jumps with an all-consuming curiosity from one lucidly narrated event to another."--Philip Roth
"In Country Girl there is great honesty and struggle, and joy and sorrow leaping together--pure life!"--Alice Munro
"You must suffer to become yourself, and it doesn't get easier. I took heart from Country Girl, both as the self-portrait of a great prose stylist, and an exemplary female survivor."--Judith Thurman, "Best Books of 2012," The New Yorker
"Flashes of prodigious beauty and power."--Hilary Mantel
"The doyenne of contemporary Irish letters did not enjoy a straight-line rise to international fame and critical regard. . .Now, of course, O'Brien's fiction (brilliant short stories as well as novels) is seen for what it always was, richly illuminating and, yes, candid depictions of women's needs and desires, rendered with no sentimentality or salaciousness. . . .Her book is a beautifully expressed testament to a writer's tenacity."-Brad Hooper, Booklist (starred review)
"Demure reflections on her celebrated literary life well lived comprise this lovely memoir....O'Brien always returns to the enduring heart of her writing."-Publishers Weekly (starred review)
"Country Girl is a book of magics, truths, stories, and quiet immensity. No one else could have written it, and no one else could have lived it."-Andrew O'Hagan, author of Be Near Me
"Get ready to applaud, ladies and gentlemen, because there is no one like her. O'Brien, in her 80s, may look like an icon and talk like an icon, but she writes like the thing itself, with prose that is scrupulous and lyrical, beautiful and exact...."-Anne Enright, Guardian (UK)
"When sex fails you, there's always gossip. An excellent memoir, Country Girl provided it in shedloads, along with some moral seriousness to boot."-Louise Doughty, Observer (UK)
"Edna O'Brien's Country Girl shimmers with heart, soul and literary brilliance."-Nancy R. Ives, Library Journal
"After dazzling readers and reviewers around the world for decades, O'Brien, now 82, finally turns her attention to her own life. Country Girl is as dramatic as any novel."-O, the Oprah Magazine
"O'Brien is skilled at snatching triumph from melancholy....Thrilling, sensuous, unblinking."-Lisa Shea, Elle
"Edna O'Brien had to exile herself, like Joyce and Beckett, to become herself. Mad Ireland hurt her into prose the way Auden said it had hurt Yeats into poetry....Literature-O'Brien's most faithful companion, her deepest faith-brings what consolation it can. She returns the favor by adding her extravagant lyricism to its trove."-Charles McNulty, Los Angeles Times
"A wonderful, lively memoir."-Katie Roiphe, Slate.com
"Edna O'Brien, for whom the word 'redoubtable' may well have been coined, has lived a long and quite remarkable life...Anyone who knows and loves her work, as I do, will want to read Country Girl from start to finish."-Jonathan Yardley, Washington Post
"We follow O'Brien through convent school, love affairs, motherhood, the banning of her books, and her working years in London and New York. Along the way, we encounter Günter Gras, Joseph Brodsky, Jackie Onassis, and other luminaries. O'Brien beautifully renders her remarkably rich life, her 'many me's.'"-The New Yorker
"This is a big, robust life, and though one might come for the literary gossip, the lucid prose and sharp insight command one's attention. It's with good reason that this memoir has been placed on so many lists of best books of 2013...We're in the thrall of one of the most beguiling and resilient contemporary writers, a stylist and a survivor...through it all, she's an exuberant literary pioneer." -Elizabeth Taylor, Chicago Tribune (Editor's Choice)
About the Author
Product details
- Publisher : Little, Brown and Company; Reprint edition (April 30, 2013)
- Language : English
- Hardcover : 368 pages
- ISBN-10 : 031612270X
- ISBN-13 : 978-0316122702
- Item Weight : 1.45 pounds
- Dimensions : 6 x 1 x 9.5 inches
- Best Sellers Rank: #662,222 in Books (See Top 100 in Books)
- #2,770 in Author Biographies
- #6,010 in Women's Biographies
- #19,223 in Memoirs (Books)
- Customer Reviews:
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About the author

Recognised as one of ‘the greatest Irish writers of the twentieth century’ (Dwight Garner, New York Times) Edna O’Brien, DBE is a bestselling novelist, memoirist, playwright, poet and short story writer. She has written over 20 novels, including her most recent novel, Girl, set amid the atrocities of Boko Haram which was published in September 2019. She has also written over five works of drama and four works of non-fiction including her memoir, Country Girl.
Edna O'Brien is the recipient of many awards including the Irish Pen Lifetime Achievement Award, the American National Art's Gold Medal and the Ulysses Medal. Born and raised in the west of Ireland she has lived in London for many years.
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Her memoir is lush and brimming with bucolic landscapes and urban bustle that take us on a journey from O’Brien’s ancestral home, Drewsboro in County Clare, Ireland, to the toniest capitals in the world, including the literary bastions of New York City and London, and enchanting guest villas on the Mediterranean. Aside from writing novels, nonfiction books, short stories and poetry, O’Brien is also an accomplished dramatist and screenwriter. She does time in tawdry Hollywood as if it is a jail sentence. Being a cog in the Hollywood machine is often demeaning to talented writers; here, Edna O’Brien is no exception.
Despite all of O’Brien’s gallivanting to foreign ports, one has the sense that no place is really good enough for her, not London where she has lived most of her life, not even her beloved Ireland. Her only real home is in her head, and she would proffer to keep it there except her pen frees her to make Mother Ireland accessible to all of us. (Edna O’Brien still writes book manuscripts by hand in the cursive penmanship she perfected as a young Irish lass.)
Edna O’Brien has a sotto voce literary voice that is both gravelly and haunting with the melodic fluidity of aging wine. Her anecdotes are vivid but holier than thou and at times pompous. If her story telling has to be categorized according to the definition of being about the “Lace Curtain Irish” or the “Shanty Irish,” then without a question, she hangs a wooly curtain over our eyes. Something might be missing from her artful storytelling, but if there is, we will never know. The most banal of human activity always feels somehow proper … too proper in fact, yet she always gives us true insight into the rich emotional complexity of the Irish character.
Her relationships with lovers, especially married men, are steeped in fantasy. She is fixated on the notion of unrequited love, yearning for her lover who is never there when she wants him, but she rather enjoys that anguish. The potent imaginary lover is much more blissful than enduring day-to-day drudgery with a steadfast suitor who commits to her. For a writer who dwells in the rich tapestry of her mind, it is far preferable to love intensely from afar, rather than to bring a passionate love affair down to earth and into the realm of the predictable and the mundane.
There is a price to pay for living in one’s head. Edna O’Brien would agree— that a terrible, aching loneliness is the price one must pay for being one of Ireland’s greatest writers. Her memoir is a celebration of her life, a life steeped in literature, and it is a glorious place to be. You can never go home again, not even to Ireland, but in literature you can dwell there forever.
Ms O’Brien’s lack of interest in writing this book is clear. Being a memoir it need not be any of the things a biography should be. Sequential, based on fact, complete all not here or not consistently. We do get what seems like her honest point of view about herself and her first husband, but the rest of her people who matter come in and out of focus or have their names obscured. For example there is a second husband, I think or maybe three, she is not as exacting in tell about her loves as the failed love that produced her children.
That we only get her side of that first marriage is understandable. I am not certain that she intended for his every negative prediction about how Ms O’Brien would live and raise her kids would prove true. Not to give away too much, she admits to a hedonistic lifestyle, it was the 1960’s after all, and the kids are sent away to British Boarding schools. Her version of herself is better than these two facts suggest but for years at a time we read little of substance about her kids, and almost nothing about who they became as adults.
The writing itself is in the school of assemble pieces as they emerge from a fog. Detailed set ups that trail into incomplete finishes. Too many famous names with too many of them passing by rather than listed for a reason. She will form friendships with many unlikely people including at least one I will not mention hoping to surprise you as it did me.
Having finished Country Girls, I can say that the person rather than the events are informative about O’Brien’s inner self. I tend to believe she is telling us her truth, warts and all. I am not sure but that you would know her better from her fiction.
Top reviews from other countries
What is this book providing me with?
Will I learn or reflect about anything?
Will i discover a good life lesson?
Will the book hook me arising curiosity in me?
Will I find deep reflections on it?
No.
I'll come back to the classics every time I try to read something recently released it's a disappointment.
It is not. Since it is by Ms. O'Brien, it is exquisitely written, but it does not deliver what it promises. She is wonderful at writing about Ireland and her childhood and the escape from her own country that launched her in England, then the World. But the rest.... oh my.... it did feel as if her agent was holding a gun to her head and demanding "Tell us a bit about your love affairs, the famous people you knew.... the gossip.....!!!"
So she ekes out a tiny taste of the end of a love affair, the friendship with Jackie Onassis, the near love affair with Marlon Brando, but not nearly enough to satisfy one's genuine curiosity.
This is like a trailer for an autobiography, and it is very disappointing indeed.I finished it a very dissatisfied admirer of Edna O'Brien.














