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Crackpot Palace Paperback – August 14, 2012
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“Jeffrey Ford is one of the few writers who uses wonder instead of ink in his pen….A rare and wonderful talent.”
—Jonathan Carroll, author of The Wooden Sea
Eclectic is certainly an adjective that can be used to describe the work of the phenomenal Jeffrey Ford—along with imaginative, provocative, mesmerizing, and brilliant. His powerful dark fantasy, The Physiognomy, was a New York Times Notable Book of the Year; his novel, The Girl in the Glass, won the Edgar® Award, mystery and crime fiction’s most prestigious prize. Crackpot Palace is Ford’s fourth superb collection of short fiction, and in it, his prodigious talent shines as brightly as ever. Here are twenty tales both strange and wonderful, filled with mad scientists, vampires, lost souls, and Native American secrets, from an author who has been glowingly compared to Kafka, Dante, and Caleb Carr (The Alienist).
- Print length338 pages
- LanguageEnglish
- PublisherWilliam Morrow Paperbacks
- Publication dateAugust 14, 2012
- Dimensions1 x 5.2 x 7.9 inches
- ISBN-100062122592
- ISBN-13978-0062122599
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Editorial Reviews
From Publishers Weekly
Review
“Unusual and provocative…sometimes shocking, sometimes mesmerizing, sometimes humorous, this collection will please fans of Raymond Carver and Flannery O’Connor. Recommended.” — School Library Journal on THE DROWNED LIFE
“We should be grateful that alongside the firm of Updike, Cheever, Ford & Company there exists, in both fiction and film, an American tradition that depicts the suburbs as places of wonder rather than stultification, discovery rather than predictability.” — New York Newsday
“Think Ray Bradbury’s Green Town stories, Harper Lee’s To Kill a Mockingbird and Stephen King’s The Body (made into the film Stand by Me) and you get an idea of the tone of Ford’s latest fine work. Grade: A” — Rocky Mountain News
“The trilogy [The Physiognomy, Memoranda, and The Beyond] is simply brilliant and constitutes a modern masterwork of fantasy.” — Terri Windling, "Top Twenty Fantasy Novels of 2001" from Year's Best Fantasy & Horror vol. 15
“The Shadow Year captures the totality of a lived period, its actualities and its dreams, its mundane essentials and its odd subjective imperatives; it is a work of episodic beauty and mercurial significance.” — Nick Gevers, Locus
“Surreal, unsettling, and more than a little weird. Ford has a rare gift for evoking mood with just a few well-chosen words and for creating living, breathing characters with only a few lines of dialogue.” — Booklist
“Spooky and hypnotic...Recommended for all public libraries.” — Library Journal
“Properly creepy, but from time to time deliciously funny and heart-breakingly poignant, too.” — Kirkus Reviews (starred review)
“Properly creepy, but from time to time deliciously funny and heart-breakingly poignant, too. For those of you―and you know who you are―who think the indispensable element for good genre fiction is good writing, this is not to be missed.” — Kirkus Review, Starred
“Jeffrey Ford’s latest triumph, THE SHADOW YEAR, is as haunting as it is humorous…readers will recognize real talent in Ford’s vivid, unerring voice.” — Louisville Courier Journal on THE SHADOW YEAR
“Ford travels deep into the wild country that is childhood in this novel …the observations and adventures of these sharp, wayward children provide more than enough depth to be satisfying.” — New York Times on THE SHADOW YEAR
“Children are the original magic realists. The effects that novelists of a postmodern bent must strive for come naturally to the young, a truth given inventive realization in this wonderful quasi-mystery tale by Jeffrey Ford.” — Boston Globe on THE SHADOW YEAR
“A collection of surreal, melancholy stories dealing with everything from worlds of the drifting dead to drunken tree parties. Ford is the author of the superlative, creepy Well-Built City trilogy and his writing is both powerful and disturbing in the best possible way.” — Gawker on THE DROWNED LIFE
“[Ford’s] writing is both powerful and disturbing in the best possible way.” — io9 on Jeffrey Ford
“The 16 stories in this collection are a perfect introduction to Ford’s work and illustrate the vast range of his imagination…If you haven’t discovered Ford, it’s time you did. His carefully crafted novels and short stories are all top-notch. Grade: A.” — Rocky Mountain News
From the Back Cover
From the unparalleled imagination of award-winning author Jeffrey Ford come twenty short stories (one, "The Wish Head," written expressly for this collection) that boldly redefine the world. Crackpot Palace is a sumptuous feast of the unexpected—an unforgettable journey that will carry readers to amazing places, though at times the locales may seem strangely familiar, almost like home. Whether he's tracking ghostly events on the border of New Jersey's mysterious Pine Barrens or following a well-equipped automaton general into battle, giving a welcome infusion of new blood to the hoary vampire trope or exposing the truth about what really went down on Dr. Moreau's Island of Lost Souls, Jeffrey Ford has opened a door into a dark and fantastic realm where dream and memory become one.
About the Author
Jeffrey Ford is the author of the novels The Physiognomy, Memoranda, The Beyond, The Portrait of Mrs. Charbuque, the Edgar Award–winning The Girl in the Glass, The Cosmology of the Wider World, The Shadow Year, and The Twilight Pariah, and his collections include The Fantasy Writer’s Assistant, The Empire of Ice Cream, The Drowned Life, Crackpot Palace, and A Natural History of Hell. He lives near Columbus, Ohio, and teaches writing at Ohio Wesleyan University.
Product details
- Publisher : William Morrow Paperbacks; Original edition (August 14, 2012)
- Language : English
- Paperback : 338 pages
- ISBN-10 : 0062122592
- ISBN-13 : 978-0062122599
- Item Weight : 9.3 ounces
- Dimensions : 1 x 5.2 x 7.9 inches
- Best Sellers Rank: #2,429,965 in Books (See Top 100 in Books)
- #31,496 in Contemporary Literature & Fiction
- #35,930 in Short Stories (Books)
- #100,780 in Literary Fiction (Books)
- Customer Reviews:
About the authors

Jeffrey Ford is the author of the novels, Vanitas, The Physiognomy, Memoranda, The Beyond, The Portrait of Mrs. Charbuque, The Girl in the Glass, The Cosmology of the Wider World, and The Shadow Year, The Twilight Pariah, Ahab's Return, Or The Last Voyage, and Out of Body. His story collections are The Fantasy Writer's Assistant, The Empire of Ice Cream, The Drowned Life, Crackpot Palace, A Natural History of Hell, and The Best of Jeffrey Ford from PS, Big Dark Hole, 2021, from Small Beer Press. Ford has published well over 100 short stories, which have appeared in numerous journals, magazines and anthologies, from The Magazine of Fantasy & Science Fiction to The Oxford Book of American Short Stories. He is the recipient of the World Fantasy Award, Nebula, Shirley Jackson Award, Edgar Allan Poe Award, Grand Prix de l'Imaginaire (France), Hayakawa Award (Japan). His fiction has been translated into about 20 languages. In addition to writing, he’s been a professor of literature and writing for 30 years and has been a guest lecturer at Clarion Writing Workshop, The Stone Coast MFA Program, The Richard Hugo House in Seattle, and the Antioch University Writing Workshop. He lives in Ohio and currently teaches part time at Ohio Wesleyan University.
Link to Ford's homepage -- http://www.well-builtcity.com/

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Top reviews from the United States
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Different strokes for different folks, I guess. I'll certainly be interested in Mr. Ford's next offering, though I might check it out of the library instead of just buying it when Amazon suggests it to me.
My favorites include:
86 Deathdick Road
The Hag's Peak Affair
The Double of My Double Is Not My Double
Daltharee
Every Richie There Is
The Dream of Reason
Relic
The Wish Head
Daddy Longlegs of the Evening
If you've not yet read Jeffrey Ford, I envy you.
Top reviews from other countries
The inside of Jeffrey Ford’s head must be a strange, disturbing and slightly scary place. Crackpot Palace, his fourth collection, gathers together 20 stories published between 2008 and 2012, including one original to this collection, prefaced by a brief introduction and all but one followed by an author’s note.
From the first story, ‘Polka Dots and Moonbeams’, we are firmly in Dream Country, that odd place where logic follows its own internal rules which appear to make perfect sense at the time but twist your brain into knots when you wake or step back and try to unravel them from the perspective of the ‘real’ world. This is continued in ‘86 Deathdick Road’ in which the narrator who has gone with his wife to see “The Smartest Man in the World”, stepping outside for a smoke, finds himself lost in the grounds outside the house, variously attacked by owls and lost in a blizzard.
Relic, the longest story, is told as a number of intersecting and overlapping narratives (which, it harly needs to be mentioned, are often contradictory and unreliable), by a priest (who isn’t really a priest), a Sister (who isn’t really a nun) and a student of antiquities (who isn’t really a student), centred around the mummified foot of a saint (who may not really be a saint) housed in the shrine of a remote dilapidated church.
The uncorrupted body of a beautiful young woman fished from a creek which bears a striking resemblance to a portrait painted nearly half a century earlier poses a mystery for the coroner in the haunting tale ‘The Wish Head’, while the doppelganger games of ‘The Double of my Double is Not my Double’ move subtly and gradually between playful farce and unsettling violence.
‘Dalathree’ one of the more overt SFnal stories in the collection, features a miniaturised city in a bottle that nods towards Sturgeon’s classic ‘Microcosmic God’ and, when the inhabitants of the miniaturised city discover how to make their own bottled cities, also to Flann O’Brian’s The Third Policeman or Greg Egan in its dizzying infinite regression of ever smaller Mariochka worlds. If that isn’t enough to make your brain start to leak out your ears, in ‘The Dream of Reason’ a scientist searches for a method to slow light down to walking pace, convinced that when trapped, it will crystallise out the diamond of which is convinced the stars are formed.
Hugely recommended.





