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The Craft Sequence: (Three Parts Dead, Two Serpents Rise, Full Fathom Five, Last First Snow, Four Roads Cross) Kindle Edition
This discounted ebundle of The Craft Sequence includes: Three Parts Dead, Two Serpents Rise, Full Fathom Five, Last First Snow, Four Roads Cross
“Stunningly good. Stupefyingly good.” —Patrick Rothfuss
Set in a phenomenally-built world in which lawyers ride lightning bolts, souls are currency, and cities are powered by the remains of fallen gods, MAX GLADSTONE's Craft Sequence introduces readers to a modern fantasy landscape and an epic struggle to build a just society.
Three Parts Dead — A god has died, and it's up to Tara, first-year associate in the international necromantic firm of Kelethres, Albrecht, and Ao, to bring Him back to life before His city falls apart.
Two Serpents Rise — Caleb Altemoc—casual gambler and professional risk manager—is sent by Red King Consolidated to cleanse shadow demons from the Dresediel Lex city water supply, and uncovers a scheme to forever alter the balance of power in the city.
Full Fathom Five — On the island of Kavekana, Kai nearly loses her life trying to save one of her creations, a god built to order. But when Kai starts digging into the reasons her creations die, she uncovers a conspiracy of silence and fear—which will crush her, if Kai can't stop it first.
Last First Snow — Craft lawyer Elayne Kevarian and warrior-priest Temoc must fight dark magic, secret agendas, and their own demons to save the peace between the citizens and rulers of Dresediel Lex, before hell opens to swallow the city whole.
Four Roads Cross — Protests rock the city of Alt Coulumb, Kos Everburning's creditors attempt a hostile takeover of the fire god's church, and Craftswoman Tara Abernathy must defend the church against the world's fiercest necromantic firm.
Tor books by Max Gladstone
The Craft Sequence
Three Parts Dead
Two Serpents Rise
Full Fathom Five
Last First Snow
Four Roads Cross
The Ruin of Angels
Other Books
The Highway Kind
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- LanguageEnglish
- PublisherTor Books
- Publication dateMarch 14, 2017
- File size3472 KB
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Product details
- ASIN : B01MUG3DLM
- Publisher : Tor Books (March 14, 2017)
- Publication date : March 14, 2017
- Language : English
- File size : 3472 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 1597 pages
- Best Sellers Rank: #101,354 in Kindle Store (See Top 100 in Kindle Store)
- #645 in Action & Adventure Fantasy (Kindle Store)
- #2,721 in Fantasy Action & Adventure
- #5,392 in Paranormal & Urban Fantasy (Kindle Store)
- Customer Reviews:
About the author

MAX GLADSTONE is a fencer, a fiddler, and Hugo Award Finalist. He has taught English in China, wrecked a bicycle in Angkor Wat, and been thrown from a horse in Mongolia. Max lives and writes in Somerville, Massachusetts, near Boston. He is the author of the Craft Sequence (Three Parts Dead, Two Serpents Rise, Full Fathom Five, Last First Snow, Four Roads Cross, and Ruin of Angels).
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Many fantasies imitate (or respond to) Lord of the Rings, with a hero/savior from West-European mythologies. They often mirror Tolkien’s yearning for a pastoral idyll, hate of modernity and technology, and his views of ‘lesser races’. I do not want to belittle LOTR, because I love that book, but Tolkien was a man of his time, with its prejudices and worldviews.
Grimdark’s main innovation is deleting the hope that defines LOTR and mistaking cynism for realism. Urban fantasy is set in a city environment and is much more genre bending. But it too has become pretty generic.
Where is a truly original new fantasy? One with its own invented mythology? With cultures and settings that are rich and deep, not templates? With a true sense of wonder? With realistic and diverse characters? With a manageable size instead of doorstopping bloat? With precise descriptions and good dialogue? With relevance to our lives, not mealy allegory nor yearning for a past that never was?
This is all that and more. Max Gladstone writes about a world remade by rebels after a war against gods. A world in wich disruptors have become inhumanly rich and powerful, by building huge companies and creating dehumanizing webs of law, finance, and bureaucracy. Seems familiar?
Gladwell is not interested in a prophesied savior. He writes about little people who try to make do, who incrementally, collaboratively, try to engage their world’s ills – one personal choice after another. Seems familiar?
Gladwell writes about filosophy, religion and atheism, about ideologies similar, but not identical, to our own. A powerful person’s rant about reaching for other worlds and discarding this one before it is used up: seems familiar?
Places in this world are old, huge and diverse, with palpable histories. They are theaters of repression and riots; of refugees and indentured workers; of rich and poor lives; of cultures, religions and communities; of tourists and demons; of water shortages, interdependencies and environmental collapse; of tears and laughter, hope and despair, and love in many forms.
Despite their regular size, these books are dense reads, worth rereading, and I was so invested in the characters that I sometimes even had to stop reading.
The omnibus arranges 5 books in order of publication instead of chronologically – an explanation of sorts is in the foreword. It made sense to me: as a father, I was stuck in book 4 (chronologically part 1) because I could not bear what a father does to his son. It is done with the best intentions, always the road to hell. However, because I had read book 1 (chronologically part 3), I knew what became of these people. Therefore I could continue – after dealing with the heartache, that is. Yes, there is heartache and horror here and if you don’t want that in your fiction, this is not for you. But if you want intense, relevant and moving reads... Well, you are in for a treat.
Upon rereading my descriptions seemed rather dry, which these books are not at all! They are thrilling and shivery, full of sleeping gods, undead kings, horse golems, obsidian knives, eagle knights, chain-smoking saints, animated statues, hive mind policewomen, beggar children, demonic infestations, necromantic accountants, miracles, sacrifice and strife!
-> Urban fantasy setting. Forget elves-riding-motorcycles, though... The Craft Sequence takes place in a fully-realized, breathing, living, DIFFERENT world. Oh yeah, and it has a deep history as well.
-> Three-dimensional characters complete with emotional baggage, histories, desires, and fears. They're real people.
-> Here's the hardest part to wrap your head around: in this world, there's no money. Instead, they labor and hustle and connive and steal soul, or soulstuff. And yes, that's the same intangible undying part of a person you're familiar with from religion generally. The mega-wealthy in this world are either GODS who have worshippers and a priesthood to give them soul, or CRAFTSMEN.
All right, let's go deeper... Gods are sort of like the modern-day Vatican: a combination religious order, corporation, and nation-state. Because they're vast financial entities, they're interconnected with the rest of the world through loans and guarantees (it gets more complicated but unless you're a finance nerd you won't really care).
On the other side, craftsmen. The top of the pyramid are individuals of Dr. Strange-level powers, usually but not always divested of flesh due to age and walking around in their bones. Think of them as the plutocrats and robber barons of the world. See, in the fairly recent past, within living memory of older characters, craftsmen discovered magic and rose up and went to war against the gods, killed many, enslaved a few. Now they're virtual gods themselves but not capital-G Gods.
Weird right? Get this: craftsmen get their power from complex negotiations with reality and demons and stuff. They're basically SUPER-LAWYERS. Gods are like the colossal monopolistic companies of the 19th Century (Ma Bell, Standard Oil, ...). The super-craftsmen are opportunistic vulture capitalists (George Soros?).
Don't get me wrong -- there's also vampires and zombie debt-slavery and demons and dragons-as-mass-transit. It goes deeper than you'd expect. There's no window-dressing on set. Everything serves a purpose.
Finally: these books are elegantly written. Wrought might be a better word. The prose is paring-knife sharp. Despite their length I don't feel like there's any wasted space.
Try these books. Don't worry about the magic-as-business stuff, just sink into the setting and let yourself be lulled into an incredibly interesting, mortally dangerous, absolutely fascinating world.
Can't wait to finish, can't wait for more to be published. Except that I need to wait for my own mental health.
Top reviews from other countries
Gladstone's novels defy those clichés on every conceivable level, without ever losing any entertainment value. They are relevant AND thrilling, political AND exciting. And they address contemporary problems without ever feeling forced or preachy: Gladstone offers no easy answers, no simplistic solutions. His plots are as complex as his characters, and bona fide villains without any redeeming qualities or valid/ "good" motivations are virtually non-existent. In fact, you'll find it hard to root for anyone in some of the presented conflicts, seeing the point of view of all parties as valid-but-incompatible.
These novels deserve to become "canon", not only in the SFF genre!
Craft Sequence is a beast of its own. While your typical run of the mill urban fantasy takes place in our world, Max Gladstone daringly undertake a brand new series of urban fantasy in a secondary world. The Craft world is a mirror to ours in some ways, but it has its own complex rules and bizarre denizens.
Flavoured with strong poetic flair and philosophy, Craft Sequence explores different facets of humanity and their relation to urban space and society. Gods and religion are also major themes in this body of work, and each book in this series explores unique relationship between Gods and mortals. With compelling characters and strong world building, this series is perfect for readers who crave both style and substance.






