The Crane Wife
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The Crane Wife
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The Decemberists' album, "The Crane Wife," is thematically based on a tragic Japanese folk tale, but band leader Colin Meloy promises a fair dose of rock'n'roll, rape, murder and violence as well. The set is the fivesome's fourth full-length and their first since moving over to a major label from Kill Rock Stars. Recruiting Death Cab For Cutie's Chris Walla and Seattle mainstay Tucker Martine to man the decks.
Capitol raised a few eyebrows when they signed indie stalwarts the Decemberists. There's nothing blatantly commercial about the Portland quintet, from Colin Meloy's quavery voice and hyper-literate lyrics to the band's wide-ranging music, which encompasses baroque pop, prog rock, and dozens of other styles. Then again, he did once sing, "I was made for the stage," and those who've seen the group live know this to be true. Sure, they're storytellers, but they're entertainers, too--just not in the Top 40 sense. Never ones to play it safe, their major label debut takes its inspiration from a Japanese folk tale. It travels from the Replacements-style balladry of "The Crane Wife 3"--which joins words like "Each feather it fell from skin/'Til threadbare while she grew thin" to the melody from "Here Comes a Regular"--to the ELP hoedown of three-part epic "The Island" to the haunting duet between Meloy and Laura Veirs on "Yankee Bayonet (I Will Be Home Then)." It's an impressively eclectic effort that somehow manages to avoid sounding scattered. Co-produced by Chris Walla (Death Cab for Cutie) and Tucker Martine (the Long Winters), the Decemberists' fourth full-length is richer, less immediately catchy than its predecessor (there's nothing as bouncy here as Picaresque's "Sixteen Military Wives"). It's also a deeper work that resists snap judgments. Some records hit you over the head with their brilliance, others need time to percolate. Time will tell if The Crane Wife is the Decemberists' best album--it's certainly their most ambitious so far. --Kathleen C. Fennessy
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The Office really hooked me with their playing of Sons and Daughters near the end of the series. I also liked the song Architect which I first heard on HIMYM.
Now that I've listened to it enough to have a ridiculous number of the lyrics memorized. Mostly the music was pretty mellow compared to a lot of the things that I listen to. The lyrics are generally smart and interesting. Overall, I really like the CD and enjoy listening to it. It flows together really nicely and is nice to have in the background when I'm doing something like writing a blog entry. My favorite songs are "O Valencia!", "Shankhill Butchers" and "The Crane Wife 1 and 2".
Honestly, I pretty much think it's awesome.
My only disappointment was, after being so impressed with Laura Veirs' voice on "Yankee Bayonet," searching out some YouTube examples of her own material only to find it bland, pretentious and utterly forgettable.
I keep searching my mind for some other act to which this group compares; I can find none. Unique and wonderful!