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Creative Composites: Modernism, Race, and the Stieglitz Circle (The Phillips Book Prize Series) Hardcover – September 6, 2012
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From the Inside Flap
Describing the associations between immigrant critics and artists enmeshed in the New York art world in the early twentieth century, Kroiz skillfully demonstrates that American modernism reached beyond its European influences and was a deeply hybrid enterprise with multiple, global, and overlapping roots. Kroiz is sure-footed when seriously addressing works of art and marvelous at working through the issues around the ethnic identities of many of the key figures. Illuminating a crucial and oft-overlooked aspect of the history of American modernismthis peripatetic and shifting multiculturalismCreative Composites is a timely, deeply researched text that highlights the wealth of mixed ancestry in our cultural heritage.”Jessica May, author of American Modern: Documentary Photography by Abbott, Evans, and Bourke-White
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