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Creedence Clearwater Revival
Audio CD | Extra Tracks, Remastered, Box Set
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Even the most in-depth exploration of Creedence Clearwater Revival s Fantasy Records catalog wouldn t necessarily reveal that they hailed from the Bay Area. Their glorious brand of stripped-down roots rock seemed to emanate straight from the murky swamps of Louisiana and smoky juke joints dotting the outskirts of Memphis, with a fierce musical attack that was raw and primal. CCR was one of the most important and commercially popular bands of the late 1960s and early 70s, defined by John Fogerty s whipsaw vocals, slashing lead guitar, and prolific muse. Their seminal albums for Fantasy Records (six platinum, the other gold) are loaded with timeless hits.
Set for reissue on November 11, Creedence Clearwater Revival: Boxed Set contains everything the rockers cut in the studio for Fantasy from 1967 to 1972 their seven studio albums (Creedence Clearwater Revival, Bayou Country, Green River, Willy and the Poor Boys, Cosmo s Factory, Pendulum, and Mardi Gras) packed with smashes ( Proud Mary, Bad Moon Rising, Down on the Corner, Fortunate Son, Green River, Travelin Band, Up Around the Bend, Lookin Out My Back Door ). There s nearly a disc-and-a-half of live material from concerts at the Oakland Coliseum and across the European continent as well, proving that CCR was as explosive onstage as within the confines of the studio.
Also on board are 25 1961-1967 rarities from the days when John, his brother Tom (on rhythm guitar and some lead vocals), bassist Stu Cook, and drummer Doug Clifford did business as Tommy Fogerty & the Blue Velvets and then the Golliwogs. These hard-rocking garage band gems, collectors items all, comprise the entire first disc of this box.
The big difference between this edition of the CCR box and its acclaimed 2001 predecessor is its sleeker, highly attractive packaging. The artwork highlights the band s strong affinity for Kustom amplifiers in all their Naugahyde-covered glory, paying clever tribute to CCR s gritty garage rock roots in the process. Its amplified cover looks like a Kustom rig; prominently featured elsewhere is a photo of John and Doug sharing an onstage high-five with one of those distinctive amps in the background. It s featured on the inner sleeve of each disc, divided into six sections. When laid out together in the correct order, those six individual sleeves create the full photograph. The joyous image is as powerful as the music itself.
Comprehensive liner notes by well-known rock journalists Ben Fong-Torres, Robert Christgau, Ed Ward, Joel Selvin, Craig Werner, Alec Palao and Dave Marsh expertly detail CCR s career in the deluxe accompanying booklet, which contains a plethora of vintage photos of the iconic band. No box set will ever cover CCR s history more comprehensively than this one or do it more attractively.
Popular but not hip, basic but not shallow, rooted but not retro, Creedence Clearwater Revival distinguished themselves in the late 1960s and early 1970s through these contradictions. This six-disc set is the definitive Creedence collection, offering superbly remastered versions of all of their studio and live albums and adding a disc's worth of pre-Creedence material. The ultimate blue-collar rock band, John Fogerty and CCR found success by wholly giving in to their fascination with the American South (despite hailing from Northern California) and exploring the turf that connected R&B and country--the same turf that their heroes at Sun studios tilled at rock's birth. As the songs on the first disc prove, they hadn't always taken this approach though perhaps they should have: The first four songs from 1961 (by Tommy Fogerty and the Blue Velvets), original compositions in the classic '50s rock & roll style they loved, hold up better than subsequent Golliwogs tracks that attempt to replicate the British Invasion sound in vogue at the time. Still, the Golliwogs tracks offer hints of John Fogerty's menacing growl and biting guitar that would fully blossom later on.
When diving into CCR's entire body of work, many myths dissipate and a more well-rounded view comes into focus: the quintessential singles band that dominated AM radio was also quite an album band, releasing solid records from top to bottom even though half of the songs were saturating radio long before the LP would hit. Also, they weren't quite as far removed from their Bay Area brethren (who were reared on the same roots music) as is often stated, offering a number of long and loose jams that, while not overtly psychedelic, gave them and their fans a chance to stretch out. Without question, though, CCR were the kings of the three-minute rock single, and it's these now-ubiquitous gems--the consummate AM band now dominates FM radio--that will always define them. --Marc Greilsamer
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Top Customer Reviews
Each successful band carves out a niche for themselves, every good artist stands the test of time. John Fogerty had a talent for what he did and his brother and fellow band members remain one of the tightest rhythm sections of their time. Like any band they had their problems and egos, but the music STANDS!
I'm grateful for the other reviewers and their insights. Like one remarked The Chronicles/ Greatest Hits is just a taste of what's there. He nailed it. Get this box set and enjoy!
I just ripped the entire set to my computer so I can listen to it straight-through and it's been one great ride!
As has been the case with so many recent (re)issues, the producers have opted for packaging that is attractive (in this case, certainly slimmer), but fails in it's primary purpose - protecting the CDs. Cardboard sleeves and many of the other 'clever' methods of packaging CDs being used these days, such as slipping them into pockets on the inside covers of books or cardboard pages within books, expose the playing surfaces of the discs to wear which may ultimately affect playability. Presumably, producers are doing this to cut costs.
Jewel boxes may not be sexy, and they certainly take up more space, but they're still the best option for disc storage, with digi-paks a close second.
Of course, you could take the CDs out of the sleeves and put them in your own jewel cases, but then you'll have to buy jewel cases that should have been supplied in the first place, and the clever attractive packaging that you've paid for will have become superfluous. How often will you take the time to pull out and enjoy the artwork and liner notes, when they are stored separately from the discs themselves?
If record companies are going to package CDs in cardboard sleeves, they should provide inner sleeves (preferably scratchproof, like those used in the Beatles Mono set) to protect the discs.
We've all heard the hits that have rotated on classic rock stations, but this give you the whole CCR in context. Even though these songs were crafted in the late 60's and the early 70's they do not sound dated. Great social commentary of the time (Fortunate Son) that can still resonate today.
Packaging is great. All the inner sleeves create a whole picture of a stage shot when the puzzle is put together and the booklet is informative reading.
If you don't have yet the complete studio and live 'CCR' collection, here it is.
There are not included the bonus tracks of the '40th. Anniversary' edition of 2009, it's a pity because by this way, ALL of ALL could be included in this great 'Box Set'.