A lot of the complaints about this movie I've seen come from the misconception that this is a horror movie. Horror and everything Gothic are absolutely related, but they are not the same. The point of this movie isn't to scare, it's to unsettle and provoke thought. We see characters butting up against the supernatural, against other people, against desires, and misconceptions, and fears, and then working through those things. The house itself is another character provoking the main three and shaping the narrative. And as a Gothic, this movie is practically a love letter. The music, the colors, everything about the composition and the writing sink the viewer into the world. It is absolutely, definitely not chewing gum for the brain, but you can still watch it just to have a fun, creepy time.
**Spoilers beyond this point**
We know from the start that there's something very wrong about the Sharpes, but we still want to know what, AND we still care about Thomas Sharpe, despite the implications. The twisted relationship between the siblings, and I do actually mean the psychological one, not the physical, it remarkably well written. It's intense and raw and thoroughly disturbing. For people complaining about the incest-- it was right there in the trailer, and you missed it. It's also a common theme in this genre, one used to strengthen and further the plot of the movie. Maybe people with less familiarity with Gothics might enjoy this less. I think it'd be a fun way to get to know the genre.
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Crimson Peak
Format: DVD
IMDb6.5/10.0
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Product details
- Aspect Ratio : 1.85:1
- Is Discontinued By Manufacturer : No
- Package Dimensions : 7.1 x 5.42 x 0.58 inches; 2.88 Ounces
- Subtitles: : French, Spanish
- Language : English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1), French Canadian (Dolby Digital 5.1)
- Studio : Universal
- ASIN : B016HHRCRS
- Number of discs : 1
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Best Sellers Rank:
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4.5 out of 5 stars
4.5 out of 5
5,855 global ratings
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Top reviews from the United States
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Reviewed in the United States on January 10, 2018
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60 people found this helpful
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Reviewed in the United States on February 2, 2019
In many ways, Crimson Peak is a throwback to the gothic horrors of 1950s and 1960s, for example the output of Hammer studios and especially the Roger Corman’s Edgar Allen Poe films. Any fan of those will find a lot to enjoy here.
If you’re looking for the body horror, torture porn or jump scares prevalent in modern franchises like the “Saw” or “Conjuring” films, you’ll be disappointed. There are brief gory and violent moments in “Crimson Peak”, but the movie is more concerned with atmosphere and story than being scary. “Crimson Peak” has atmosphere galore and art direction on a par with GdT’s very best films.
As for Arrow’s limited Blu-ray edition, the packaging alone is almost worth the price of admission. The packaging is very attractive and includes a hardbound book, a poster and postcards. The presentation is easily up to the standard of previous Arrow limited editions and will look great sitting in anybody’s collection. Add in the excellent film and the abundance of special features, and purchasing this seems like a no brainer for fans of GdT or gothic horror.
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Unfortunately “Crimson Peak” is underrated by audiences, due in large part to being marketed as a horror film, rather than a gothic romance with strong horror elements. Frequently Del Toro’s best films are genre defying hybrids, so this should not come as any great surprise. It is unfortunate though, because Crimson Peak is an intriguing film that deserves to be seen.
In many ways, Crimson Peak is a throwback to the gothic horrors of 1950s and 1960s, for example the output of Hammer studios and especially the Roger Corman’s Edgar Allen Poe films. Any fan of those will find a lot to enjoy here.
If you’re looking for the body horror, torture porn or jump scares prevalent in modern franchises like the “Saw” or “Conjuring” films, you’ll be disappointed. There are brief gory and violent moments in “Crimson Peak”, but the movie is more concerned with atmosphere and story than being scary. “Crimson Peak” has atmosphere galore and art direction on a par with GdT’s very best films.
As for Arrow’s limited Blu-ray edition, the packaging alone is almost worth the price of admission. The packaging is very attractive and includes a hardbound book, a poster and postcards. The presentation is easily up to the standard of previous Arrow limited editions and will look great sitting in anybody’s collection. Add in the excellent film and the abundance of special features, and purchasing this seems like a no brainer for fans of GdT or gothic horror.
In many ways, Crimson Peak is a throwback to the gothic horrors of 1950s and 1960s, for example the output of Hammer studios and especially the Roger Corman’s Edgar Allen Poe films. Any fan of those will find a lot to enjoy here.
If you’re looking for the body horror, torture porn or jump scares prevalent in modern franchises like the “Saw” or “Conjuring” films, you’ll be disappointed. There are brief gory and violent moments in “Crimson Peak”, but the movie is more concerned with atmosphere and story than being scary. “Crimson Peak” has atmosphere galore and art direction on a par with GdT’s very best films.
As for Arrow’s limited Blu-ray edition, the packaging alone is almost worth the price of admission. The packaging is very attractive and includes a hardbound book, a poster and postcards. The presentation is easily up to the standard of previous Arrow limited editions and will look great sitting in anybody’s collection. Add in the excellent film and the abundance of special features, and purchasing this seems like a no brainer for fans of GdT or gothic horror.
5.0 out of 5 stars
Underrated film, excellent limited edition
By Scott Lehmann on February 2, 2019
Unfortunately “Crimson Peak” is underrated by audiences, due in large part to being marketed as a horror film, rather than a gothic romance with strong horror elements. Frequently Del Toro’s best films are genre defying hybrids, so this should not come as any great surprise. It is unfortunate though, because Crimson Peak is an intriguing film that deserves to be seen.By Scott Lehmann on February 2, 2019
In many ways, Crimson Peak is a throwback to the gothic horrors of 1950s and 1960s, for example the output of Hammer studios and especially the Roger Corman’s Edgar Allen Poe films. Any fan of those will find a lot to enjoy here.
If you’re looking for the body horror, torture porn or jump scares prevalent in modern franchises like the “Saw” or “Conjuring” films, you’ll be disappointed. There are brief gory and violent moments in “Crimson Peak”, but the movie is more concerned with atmosphere and story than being scary. “Crimson Peak” has atmosphere galore and art direction on a par with GdT’s very best films.
As for Arrow’s limited Blu-ray edition, the packaging alone is almost worth the price of admission. The packaging is very attractive and includes a hardbound book, a poster and postcards. The presentation is easily up to the standard of previous Arrow limited editions and will look great sitting in anybody’s collection. Add in the excellent film and the abundance of special features, and purchasing this seems like a no brainer for fans of GdT or gothic horror.
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Reviewed in the United States on April 8, 2016
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First off, I have to say this is a stunningly gorgeous movie, at least in parts. Other times, it is visually stunning, but probably “gorgeous” would not be the best word to apply. The costumes are spectacular, the Crimson Peak estate is beyond fantastic, and the photography is magnificent. The earlier scenes, in particular, are bathed in a rich, golden glow. It is reminiscent of an old sepia print, but with brilliant tints. But then, the movie becomes darker, much darker.
If you’ve read and loved any old gothic novels, you will recognize the plot of this movie. It’s the one about the wealthy young woman (Mia Wasikowska) , left alone in the world (here through disturbing circumstances), and obviously falling for the wrong man, an English baronet with title and with mansion but without cash. We know from the start that he is too smooth, too slick and not what he seems, but to her, at least, he’s more interesting that her wannabe boyfriend. Who can explain love?
She has a secret, as well – she can see ghosts. One of them, her very spooky dead mother, makes a startling appearance to warn her to “beware of Crimson Peak.”
By the way, I know that’s what she said because I replayed the scene over and over until I could make it out. And I only recognized the words “Crimson Peak” because, well, that is the title of the movie. Really, if you are going to have a sinister warning, shouldn’t it be intelligible?
So off she goes to the isolated estate, where no one can hear her scream. Frankly, I would have thought a bit longer before I rushed off to marry the guy because of his very possessive and domineering sister (Jessica Chastain); the brother may really love the woman, or he may just be a superficially charismatic schemer, but the sister just comes across as a schemer, and neither a charismatic nor a pleasant schemer. She has “in-law trouble” written all over her, and, worse, the three are going to be living together. Alone. Just the three of them. Day after day. That seems like trouble enough.
And then the estate. You know those creepy old mansions in old movies? Those are kiddy playhouses compared to this place. The scope and detail are a visual feast. But then she finds out that the place is nicknamed “Crimson Peak.” Woman, your mother came back from the dead to warn you. Run, run, you fool. Oh, but then we would have had a very short movie.
There are a lot of spooky and often gruesome moments (she still sees dead people, and they are not pretty – so don’t watch this while eating dinner, like I did).
At this point, the pace slows. S-l-o-o-w-s. But it picks up again and builds to an epic battle of good versus evil. Well, maybe not epic since there’s no cast of thousands, but quite stunning, nonetheless.
So, final verdict: A darn good movie; unforgettable. Not the greatest movie I’ve ever seen, although one of the most visually amazing. I had to go back and watch it again later. The plot is pure gothic novel, all dark romanticism. But all in all, it was very enjoyable and well worth a watch, or, in my case, two. I especially enjoy the novelty of having not one, but two, strong women in one movie. Yes, two! Quick, name all the other movies made in the past 60 years with two strong female characters.
I’m probably going back to watch it a third time.
If you’ve read and loved any old gothic novels, you will recognize the plot of this movie. It’s the one about the wealthy young woman (Mia Wasikowska) , left alone in the world (here through disturbing circumstances), and obviously falling for the wrong man, an English baronet with title and with mansion but without cash. We know from the start that he is too smooth, too slick and not what he seems, but to her, at least, he’s more interesting that her wannabe boyfriend. Who can explain love?
She has a secret, as well – she can see ghosts. One of them, her very spooky dead mother, makes a startling appearance to warn her to “beware of Crimson Peak.”
By the way, I know that’s what she said because I replayed the scene over and over until I could make it out. And I only recognized the words “Crimson Peak” because, well, that is the title of the movie. Really, if you are going to have a sinister warning, shouldn’t it be intelligible?
So off she goes to the isolated estate, where no one can hear her scream. Frankly, I would have thought a bit longer before I rushed off to marry the guy because of his very possessive and domineering sister (Jessica Chastain); the brother may really love the woman, or he may just be a superficially charismatic schemer, but the sister just comes across as a schemer, and neither a charismatic nor a pleasant schemer. She has “in-law trouble” written all over her, and, worse, the three are going to be living together. Alone. Just the three of them. Day after day. That seems like trouble enough.
And then the estate. You know those creepy old mansions in old movies? Those are kiddy playhouses compared to this place. The scope and detail are a visual feast. But then she finds out that the place is nicknamed “Crimson Peak.” Woman, your mother came back from the dead to warn you. Run, run, you fool. Oh, but then we would have had a very short movie.
There are a lot of spooky and often gruesome moments (she still sees dead people, and they are not pretty – so don’t watch this while eating dinner, like I did).
At this point, the pace slows. S-l-o-o-w-s. But it picks up again and builds to an epic battle of good versus evil. Well, maybe not epic since there’s no cast of thousands, but quite stunning, nonetheless.
So, final verdict: A darn good movie; unforgettable. Not the greatest movie I’ve ever seen, although one of the most visually amazing. I had to go back and watch it again later. The plot is pure gothic novel, all dark romanticism. But all in all, it was very enjoyable and well worth a watch, or, in my case, two. I especially enjoy the novelty of having not one, but two, strong women in one movie. Yes, two! Quick, name all the other movies made in the past 60 years with two strong female characters.
I’m probably going back to watch it a third time.
93 people found this helpful
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Top reviews from other countries
Mr. D. L. Rees
2.0 out of 5 stars
SERIOUSLY?
Reviewed in the United Kingdom on August 31, 2019Verified Purchase
In the 1860s, a beautiful young American heiress instantly falls for a handsome impoverished English baronet. Needless to say, he has a secret agenda. Soon she is whisked off to his dilapidated stately home. There snow comes through the roof and butterflies incongruously flutter. Parts of the house are unsafe, best avoided. Add a creepy sister, an over the top ghost, candlelit explorations at night, a lift with a mind of its own, increasing awareness of a devish plot being hatched. Meanwhile, back in the States, a would-be suitor (again handsome of course) suspects something is very wrong and decides to investigate. Will he arrive in time...?
Visually stylish, but this is practically the only thing to be said in the film's favour. Normally such offerings are enjoyed, anticipation great for an entertaining shudder or two. Not this time. Cliches abound. Several sequences are almost like a spoof of the genre - not least the ludicrous climax.
In short? A bitter disappointment, all the more so because of some of names involved.
Visually stylish, but this is practically the only thing to be said in the film's favour. Normally such offerings are enjoyed, anticipation great for an entertaining shudder or two. Not this time. Cliches abound. Several sequences are almost like a spoof of the genre - not least the ludicrous climax.
In short? A bitter disappointment, all the more so because of some of names involved.
8 people found this helpful
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Valerie J.
4.0 out of 5 stars
Horror story with extreme violence
Reviewed in the United Kingdom on January 18, 2018Verified Purchase
I bought the Bluray of Crimson Peak although I had previously seen the movie. It was certainly worth a second viewing. The Bluray is excellent in quality both sound and video, and there are a few extras like a Feature Commentary, some deleted scenes, and more.
It's 1887, Buffalo, New York. Edith Cushing (Mia Wasikowska) is a beautiful young woman with a mind of her own. She likes to write ghost stories and her sights are on being a successful author, not a wife. Her doting father (Jim Beaver), an affluent businessman, accepts her single-mindedness although he does point out that Dr Alan McMichael (Charlie Hunnam) is an admirer. Then along comes Baronet Thomas Sharpe (Tom Hiddlestone) and sister Lucille (Jessica Chastain). Edith is soon besotted by Thomas' sophistication and old-world charm. He has a mansion back in Cumberland, England, just waiting for them.
Crimson Peak (2015) is a romantic gothic horror mystery. It's stylish and aesthetically pleasing, gloriously colourful but with scenes of bloody violence that are beyond anything I recall seeing in a Quentin Tarantino movie. The costume designers deserved an Oscar for this one but, shock horror, Crimson Peak did not receive one single Oscar nomination. Guillermo del Toro would have been justified in feeling snubbed. Everything about this movie—locations, settings, costumes—is a sight for sore eyes and even though I agree totally with the critic who said that beautiful settings and costumes did not necessarily make a good movie, I thought the storyline was engaging, the casting and acting spot on but, sadly, there are events which are highly implausible (even for a horror story), particularly towards the end. It is definitely not for children, as the classification of 15 indicates. It's dark, nastily violent at times, and there is a short scene of sexual horizontal tango between Wasikowska and Hiddleston (nothing shocking—just a glimpse of Tom's bum). There's very little by way of strong language. Believe it or not I watched the whole of Crimson Peak thinking that Mia Wasikowska was Gwyneth Paltrow! Yep. I did.
It's 1887, Buffalo, New York. Edith Cushing (Mia Wasikowska) is a beautiful young woman with a mind of her own. She likes to write ghost stories and her sights are on being a successful author, not a wife. Her doting father (Jim Beaver), an affluent businessman, accepts her single-mindedness although he does point out that Dr Alan McMichael (Charlie Hunnam) is an admirer. Then along comes Baronet Thomas Sharpe (Tom Hiddlestone) and sister Lucille (Jessica Chastain). Edith is soon besotted by Thomas' sophistication and old-world charm. He has a mansion back in Cumberland, England, just waiting for them.
Crimson Peak (2015) is a romantic gothic horror mystery. It's stylish and aesthetically pleasing, gloriously colourful but with scenes of bloody violence that are beyond anything I recall seeing in a Quentin Tarantino movie. The costume designers deserved an Oscar for this one but, shock horror, Crimson Peak did not receive one single Oscar nomination. Guillermo del Toro would have been justified in feeling snubbed. Everything about this movie—locations, settings, costumes—is a sight for sore eyes and even though I agree totally with the critic who said that beautiful settings and costumes did not necessarily make a good movie, I thought the storyline was engaging, the casting and acting spot on but, sadly, there are events which are highly implausible (even for a horror story), particularly towards the end. It is definitely not for children, as the classification of 15 indicates. It's dark, nastily violent at times, and there is a short scene of sexual horizontal tango between Wasikowska and Hiddleston (nothing shocking—just a glimpse of Tom's bum). There's very little by way of strong language. Believe it or not I watched the whole of Crimson Peak thinking that Mia Wasikowska was Gwyneth Paltrow! Yep. I did.
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Kevin S.
5.0 out of 5 stars
Crimson Peak - Arrow Special Edition Blu-ray
Reviewed in the United Kingdom on January 20, 2019Verified Purchase
A great new release of Guillermo Del Toro’s visually sumptuous gothic romance.
When young American Edith Cushing is swept off her feet by older British Aristocrat Sir Thomas Sharpe she is torn between him and her father. But when her father dies in a terrible accident she finds herself transported to Allerdale Hall, the Sharpe family seat to live with Thomas and his sister Lucille. But amidst the towering, crumbling, remote mansion lie secrets and mysteries to be discovered.
The film itself was slightly, I think, mislabelled as a horror film when it came out, but in fact it’s a gothic romance with some elements of the supernatural. Outright horror it isn’t. While the plot may by the end be straightforward (Del Toro admits in the commentary he favours simple plot married to complex characters and creating an in-depth world) enough the reason I enjoy it so much is actually the astonishing level of detail Del Toro presents visually. From it’s first scene to its last it’s a feast for the eyes and every frame has the mark of the genuine artist Del Toro is. That may not work for everyone, obviously, but it works for me.
The beauty of this new release here lies in the presentation - a hard cardboard outer box which resembles a bound book, complete with fabric bookmark inside with the Blu-ray disc at the bottom and on top a folded art poster, postcards, and a cardboard bound hardback book. When unfolded out it’s absolutely terrific to admire.
The extras are a mix of what was present on the original Universal Blu-ray (so, a Guillermo Del Toro commentary which is well worth a listen as he gets quite detailed about the themes and context of his choices, alongside just over an hour of featurettes) and new material which runs over 90 minutes and includes a newly edited making of documentary (from archival material though), and interviews and video essays which cover the films context in the literary and cinematic history of gothic romance incarnations.
I already had the original release to be honest but don’t regret paying for this new edition and if ‘Crimson Peak’ is a particular favourite, then I’d argue it’s worth it.
When young American Edith Cushing is swept off her feet by older British Aristocrat Sir Thomas Sharpe she is torn between him and her father. But when her father dies in a terrible accident she finds herself transported to Allerdale Hall, the Sharpe family seat to live with Thomas and his sister Lucille. But amidst the towering, crumbling, remote mansion lie secrets and mysteries to be discovered.
The film itself was slightly, I think, mislabelled as a horror film when it came out, but in fact it’s a gothic romance with some elements of the supernatural. Outright horror it isn’t. While the plot may by the end be straightforward (Del Toro admits in the commentary he favours simple plot married to complex characters and creating an in-depth world) enough the reason I enjoy it so much is actually the astonishing level of detail Del Toro presents visually. From it’s first scene to its last it’s a feast for the eyes and every frame has the mark of the genuine artist Del Toro is. That may not work for everyone, obviously, but it works for me.
The beauty of this new release here lies in the presentation - a hard cardboard outer box which resembles a bound book, complete with fabric bookmark inside with the Blu-ray disc at the bottom and on top a folded art poster, postcards, and a cardboard bound hardback book. When unfolded out it’s absolutely terrific to admire.
The extras are a mix of what was present on the original Universal Blu-ray (so, a Guillermo Del Toro commentary which is well worth a listen as he gets quite detailed about the themes and context of his choices, alongside just over an hour of featurettes) and new material which runs over 90 minutes and includes a newly edited making of documentary (from archival material though), and interviews and video essays which cover the films context in the literary and cinematic history of gothic romance incarnations.
I already had the original release to be honest but don’t regret paying for this new edition and if ‘Crimson Peak’ is a particular favourite, then I’d argue it’s worth it.
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Richard Morton
4.0 out of 5 stars
Ghosts are Real....
Reviewed in the United Kingdom on August 4, 2016Verified Purchase
Crimson Peak is an old school haunted house horror fantasy filtered through the fertile mind of Guillermo Del Toro.
Plot wise all you really need to know going in are the basics - sweet and innocent Edith (Mia Wasikowska) goes to live with her charming new beau Thomas (Tom Hiddleston) and his enigmatic, cold sister Lucille (Jessica Chastain) in a crumbling old English mansion back in 1887. Then things start to go bump in the night - they always do.....
From here we veer from gothic melodrama to ghost story to moments of sudden, intense violence and back again. There's plenty of the crimson stuff to keep us going alongside quieter moments of nerve bothering creepiness. It all looks fantastic with some imaginative, memorable visuals and the house itself oozes and creeks like an almost living breathing character all of its own. The cast are game for it all and there's just about enough plot to compliment the arresting imagery. Recommended for a bit of stylish, glossy horror.
Plot wise all you really need to know going in are the basics - sweet and innocent Edith (Mia Wasikowska) goes to live with her charming new beau Thomas (Tom Hiddleston) and his enigmatic, cold sister Lucille (Jessica Chastain) in a crumbling old English mansion back in 1887. Then things start to go bump in the night - they always do.....
From here we veer from gothic melodrama to ghost story to moments of sudden, intense violence and back again. There's plenty of the crimson stuff to keep us going alongside quieter moments of nerve bothering creepiness. It all looks fantastic with some imaginative, memorable visuals and the house itself oozes and creeks like an almost living breathing character all of its own. The cast are game for it all and there's just about enough plot to compliment the arresting imagery. Recommended for a bit of stylish, glossy horror.
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mihos
3.0 out of 5 stars
Striking, but shallow.
Reviewed in the United Kingdom on June 5, 2018Verified Purchase
Visually striking,as you would expect from a director of the quality of del Toro but sadly lacking in the depth achieved in his earlier films such as "Cronos""The Devils Backbone" and the sublime "Pans Labyrinth". This just seems to be an uninspired haunted house affair embellished by plentiful CGI effects woven around an implausible plot and mostly set in an unrecognizable England. A disappointment, it feels lightweight and rushed, a pity because Guillermo del Toro is one of the finest directors around this is just not one of his best.
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