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Crooked Little Vein Paperback – July 2, 2008
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Burned-out private dick Michael McGill needs to jump-start his career. What he gets instead is a cattle prod to the crotch. The president's heroin-addicted chief of staff wants McGill to find the Constitution—the real one the Founding Fathers secretly devised for the time of gravest crisis. And with God, civility, and Mom's homemade apple pie already dead or dying, that time is now. But McGill has a talent for stumbling into every imaginable depravity—and this case is driving him even deeper into America's darkest, dankest underbelly, toward obscenities that boggle even his mind.
- Print length288 pages
- LanguageEnglish
- Publication dateJuly 2, 2008
- Dimensions5 x 0.72 x 7.13 inches
- ISBN-100061252050
- ISBN-13978-0061252051
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Editorial Reviews
Review
“A heart-shredding work of scatological brilliance that gleefully annihilates private-eye tropes and pole-vaults over taste lines.” — Los Angeles Times Book Review
“[A] brilliantly nasty and weird detective novel.” — Entertainment Weekly, EW 100 Pick
“[C]ompletely compulsive, impossible to put down.” — Globe and Mail (Toronto)
“CROOKED LITTLE VEIN...is a book readers will not soon forget.” — Chicago Tribune
“Not for the faint of heart...surprisingly funny (with shades of Lamb author Christopher Moore).” — Entertainment Weekly
“[M]ay be destined to become one of the great underground classics of the 21st century.” — Lansing State Journal
“A relentlessly fascinating page-turner...brilliantly and effervescently subversive.” — The Gazette (Montreal)
“Ellis is a formidable talent whose wit and insight fit perfectly into the crime genre.” — Los Angeles Times
“[A] much-needed kick in the butt for a genre that may be more stagnant than its enthusiasts realize.” — Philadelphia Inquirer
“Packed with exciting, hilarious, and disturbing events...outrageously entertaining.” — Winnipeg Free Press
“So funny you may just laugh out loud.” — Toronto Star
“If you’re looking for an antidote to the stifling formulae of genre fiction, this could be your book.” — New York magazine
“Get ready for a wonderful kick in the teeth that’ll make you lick your bloody lip with masochistic joy. ” — Brad Meltzer, New York Times bestselling author of THE BOOK OF FATE and writer of The Justice League series
“Stop it. You’re frightening me.” — William Gibson, author of Spook Country
“[L]augh-out-loud funny...a deeply inventive look at the undercurrents beneath the mainstream popular culture.” — Charlotte Observer
“Funny, inventive and blithely appalling, this book is Dante on paint fumes.” — Joss Whedon, creator, writer and director of the Buffy the Vampire Slayer series
“[S]omewhere between the noir of Frank Miller and dark comedy of Chuck Palahniuk.” — Forbes.com
“A high-energy joyride.” — Library Journal
“CROOKED LITTLE VEIN is a gem of a book -- angry, hilarious, and just plain weird...compulsively so.” — Kevin J. Anderson, New York Times bestselling co-author of HUNTERS OF DUNE
“Warren Ellis writes like a bi-polar Raymond Chandler.” — Kinky Friedman, author of Ten Little Indians
“There’s at least one surprise, laugh, and genius turn of phrase per page here. ” — Myspace Books
“Think Kurt Vonnegut having tea with William Burroughs and a bipolar Raymond Chandler...Ellis takes your breath away.” — Madison County Herald (Mississippi)
“[A] snappily paced homage to William Burroughs’ Naked Lunch.” — Publishers Weekly
“[A] fast-paced and funny read...unforgettable.” — Boise Weekly
“CROOKED LITTLE VEIN is a wild, rambling, funny look at the dark alleys of the American sexual landscape.” — Neal Bohl for Crimespree
“Rich, dark humor and biting look at the world.” — PopMatters.com
From the Back Cover
Burned-out private dick Michael McGill needs to jump-start his career. What he gets instead is a cattle prod to the crotch. The president's heroin-addicted chief of staff wants McGill to find the Constitution—the real one the Founding Fathers secretly devised for the time of gravest crisis. And with God, civility, and Mom's homemade apple pie already dead or dying, that time is now. But McGill has a talent for stumbling into every imaginable depravity—and this case is driving him even deeper into America's darkest, dankest underbelly, toward obscenities that boggle even his mind.
About the Author
Warren Ellis is one of the most prolific, read, and admired graphic novelists in the world and the creator of Transmetropolitan and The Authority. He lives in southern England with his partner, Niki, and their daughter, Lilith. He never sleeps.
Excerpt. © Reprinted by permission. All rights reserved.
Crooked Little Vein
A NovelBy Warren EllisHarperCollins Publishers, Inc.
Copyright © 2008 Warren EllisAll right reserved.
ISBN: 9780061252051
Chapter One
I opened my eyes to see the rat taking a piss in my coffee mug. It was a huge brown bastard; had a body like a turd with legs and beady black eyes full of secret rat knowledge. Making a smug huffing sound, it threw itself from the table to the floor, and scuttled back into the hole in the wall where it had spent the last three months planning new ways to screw me around. I'd tried nailing wood over the gap in the wainscot, but it gnawed through it and spat the wet pieces into my shoes. After that, I spiked bait with warfarin, but the poison seemed to somehow cause it to evolve and become a super-rat. I nailed it across the eyes once with a lucky shot with the butt of my gun, but it got up again and shat in my telephone.
I dragged myself all the way awake, lurching forward in my office chair. The stink of rat urine steaming and festering in my mug stabbed me into unwelcome wakefulness, but I'd rather have had coffee. I unstuck my backside from the sweaty leatherette of the chair, fought my way upright, and padded stiff-legged to the bathroom adjacent to my office. I knew that one of these days someone was going to burst into the office unannounced to find a naked private investigator taking a piss with the bathroom door open. There was a time where I cared about that sort of thing. Some time before I started living in my own office, I think.
My suit and shirt were piled on the plastic chair I use for clients. I stole it from a twenty-four-hour diner off Union Square, back in my professional drinking days. I picked up the shirt and sniffed it experimentally. It seemed to me that it'd last another day before it had to be washed, although there was a nagging thought at the back of my mind that maybe it actually reeked and my sense of smell was shot. I held up the sleeve and examined the armpit. Slightly yellowish. But then, so was everything else in the office. No one would see it with the jacket on, anyway.
I rifled the jacket for cigarettes, harvested one, and went back to my chair. I swabbed some of the nicotine scum off the window behind the chair with the edge of my hand and peered down at my little piece of Manhattan street.
Gentrification had stopped dead several doors west of my spot overlooking Avenue B. You could actually see the line. That side of the line; Biafran cuisine, sparkling plastic secure window units, women called Imogen and Saffron, men called Josh and Morgan. My side of the line; crack whores, burned-out cars, bullets stuck in door frames, and men called Father-Eating Bastard. It's almost a point of honor to live near a crackhouse, like living in a pre-Rudy Zone, a piece of Old New York.
Across the street from me is the old building that the police sent tanks into, about five years back, to dislodge a community of squatters. The media never covered the guys in the crackhouse down the street a little way, hanging out of their windows, scabs dropping off their faces onto the heads of the rubberneckers down below, cheering the police on for getting those cheapass squatter motherfuckers off their block. You think the tanks ever came for the crackhouse? Did they hell.
I was new there, back then. All tingly with the notion of being a private detective in the big city. I was twenty-five, still all full of having been the child prodigy at the local desk of the main Pinkerton office in Chicago since I was twenty. But I was going to fly solo, do something less corporate and more real, make a difference in lives.
It started going wrong on the second day, when the signpainter inscribing my name on the office door made a mistake and took off before I noticed. To the world at large I am now Michael Mgil Private Invest Gator. . It's always the first line of a consultation. "No, it's McGill."
Some asshole scraped the I out of investigator with their keys six months ago. I simply can't be bothered to fix that one. For all the work I get, I may as well be an invest gator. Every two days, I actually go down to the pay phone on the corner to call my own phone and leave a message on the answering machine to make sure it's all still working.
I don't have a secretary. Sometimes I flip on a phone voice-changer I got for five bucks on eBay and pretend to be my own secretary. It is very sad.
I blew stale-tasting cigarette smoke at the windowglass, looked down at people moving around the street, and debated what to do. I was fairly sure it was Saturday, so I didn't need to be there pretending I had a career. On the downside, I didn't have anywhere else to go. I could have coaxed my old laptop into life and gone on the Web to read about someone else's life, but I feared my email.
Maybe, I thought, it was time to leave the office, go out into the sunlight, and give the hell up.
Kids were playing in the street, which isn't something I ever saw often from my window. I considered, and watched, reaching for my coffee mug by reflex as I idly chased trains of thought around my head.
It occurs to me now that if I hadn't seen the man in black on the far side of the street at that exact second, I would probably still be brushing my teeth with bleach.
But I did. The absolute stereotypical man in black, with the shades and the earpiece and the stone face.
And another, down the street.
I leaned over. A third was outside the door to my building.
Continues...
Excerpted from Crooked Little Veinby Warren Ellis Copyright © 2008 by Warren Ellis. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : MorrowPb; Reprint edition (July 2, 2008)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 0061252050
- ISBN-13 : 978-0061252051
- Item Weight : 2.31 pounds
- Dimensions : 5 x 0.72 x 7.13 inches
- Best Sellers Rank: #330,200 in Books (See Top 100 in Books)
- #590 in Lawyers & Criminals Humor
- #18,435 in Literary Fiction (Books)
- #21,270 in Suspense Thrillers
- Customer Reviews:
About the author

Warren Ellis is the author of the Amazon Top 100 2016 book NORMAL and the New York Times- bestselling GUN MACHINE, the writer of award-winning graphic novels like TRANSMETROPOLITAN, PLANETARY and FELL, and is the creator and writer of global top ten streaming hit show CASTLEVANIA on Netflix.
The movie RED is based on his graphic novel of the same name, its sequel having been released in summer 2013. His GRAVEL books are in development for film at Legendary Pictures. IRON MAN 3 is based on his Marvel Comics graphic novel IRON MAN: EXTREMIS. He's also written extensively for VICE, WIRED UK and Reuters on technological and cultural matters.
Read and subscribe to his free weekly newsletter with updates on work and likes at https://buttondown.email/orbitaloperations and orbitaloperations.com.
Warren Ellis lives outside London, on the south-east coast of England, in case he needs to make a quick getaway.
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With the democratization of information, what was once only whispered about is now available to anyone who wants to see it. What few people knew, they can now share with the world. This is certainly true of science and history, culture and arts, but what concerns most people on the internet is not the finer, more cerebral aspects of culture.
It's the porn.
Have you heard of Rule 34, for example? The Rule states that, if it exists then there is porn of it somewhere on the internet. Remember your favorite childhood TV show? The one that you used to look forward to every week, and which perhaps you watched with your parents and/or siblings? You have fond memories of those times, I'm sure, and cherish the characters in your heart - characters that you grew to love and thought of as, dare I say it, family.
Well somewhere on the internet there's a picture of them engaged in acts that would make the Baby Jesus weep. Weep, I tell you. [1]
And that's not the worst of it. Warren Ellis is arguably one of the current superstars of the internet, with a huge online following. He produces content every day, and it's followed by thousands of readers all over the world. Much of the time it's talk about fiction and the industry of fiction, perhaps promoting up and coming artists or talking about the projects he's working on. Sometimes it'll be a commentary on the World Today, though that's less often. His output is varied and always interesting, and occasionally comes with a link that says, simply, "Don't look."
Well when Warren sends one out, the consequences are much more severe. He links to people who are doing things - usually to their bodies - that I would shudder to describe. There are graphic photographs and descriptions by people who willingly cut, mar, mark and sever things that (in my opinion) really shouldn't be cut, marred, marked or - and I'd like to stress this - severed. Should you be so brave as to click on one of Warren's links (these days usually reading as, "Conan! What is best in life?"), you will see something that you probably never wanted to see, and which you most certainly cannot un-see.
Keep in mind that Warren doesn't create these people. He doesn't find them and put them on the internet, unless he is far, far more diabolical than we give him credit for. He simply shows us where they are and lets us make up our own minds. To look, or not to look. To condemn, or not to condemn. Regardless, what he's showing us is a side of the world that most of us never knew existed, and were probably happy to have been ignorant of. The question then becomes, what are we going to do about it?
In his book, Crooked Little Vein, the U.S. government has the answer to the rising tide of deviation that seems to have engulfed the country in the latter days. There exists a book - a Secret Constitution of the United States. It was allegedly bound in the skin of an extraterrestrial and is weighted with exotic meteorite stones. The act of opening the book creates a sonic pulse that resonates with the human eyeball and forces you to read it. In it you will find the secret Constitution and its twenty-three invisible amendments that tells Presidents what the true intent of the Founders was. For nearly two centuries this hidden document governed the country, until it was lost in the 1950s. Since then, America has slid into perversion and degradation, and the White House Chief of Staff wants private investigator Michael McGill to track it down.
For his part, McGill wants nothing to do with it. Despite the huge amount of money that he stands to earn, he knows that taking this case will refocus the Universe's attention on him and he'll start to draw the freaks like iron filings to a magnet. And since finding the book is all about stopping the freaks, Mike is in for all of the weirdness that America can throw at him. Before he can find the book, Mike will have to confront the twisted, kinky and perverted side of the country and decide what is to become of it.
This book works on a lot of layers. For one, it's a fun read, and you'll probably get through it pretty quickly. Ellis is an accomplished writer, with a vivid imagination and an excellent ear for dialogue. He also has a very good sense of written rhythm, which probably comes from his main gig as a writer of comic books. Some of the chapters are single sentences, meant to be read and absorbed in a moment, but also to be thought on. When you get to Chapter 6, which simply reads, "I wish I still had that photo," you're meant to take a moment to think about what that means, both to the character and to the story.
What this means is that not only does Ellis know that he's telling us a story, he's vividly aware of the medium through which he is doing it and exploits that very well. It shows an awareness that most authors lack, or at the very least don't often take advantage of.
I have only one nit to pick about Ellis' writing, though, and I'm sure he will subject me to Horrors the likes of which you cannot fathom for pointing them out, but not to do so would mean I was shirking in my duties. This is how much I love you all.
While it is set in the United States, and is something of a dirty love letter to the country, there is a distinctly British English tone to some of the writing. Not too much, just enough to make you notice, if you're the kind of person who notices these things. His narrator uses the verb "trod" at one point, as in "I trod on her foot," which doesn't sound very American to my ears. Likewise, he refers to wainscot and leatherette, words which ring with a certain amount of Britishness. Maybe it's just me, but they kind of stood out. Your experience may vary. [2]
Anyway, beyond the simple entertainment of reading the book, there are some very real things to think about in there. For example, in an age where anyone can put up a webpage, what does it mean to be "mainstream?" What's more, what does it mean to be "underground" these days? Fifty years ago, homosexuality was something that most decent, God-fearing people didn't even know about, much less experience. Now there are openly gay actors, athletes and politicians, and the "gay next-door neighbor" is already a character so common that it's become a cliche. Is S&M, for example, "underground" when we've been making jokes about it in TV and movies for years? How about swingers? Hell even the pedophiles are mainstream, which you'd know if you were a viewer of Family Guy. How long with it be until we see saline injection fetishists, macroherpetophiles or functioning heroin addicts as being simply part of the endlessly variegated crazy quilt that is American culture?
What's more, should we allow all these people into the cultural mainstream? Is there a kink limit for society? Is there something that people can do to themselves, or to other consenting adults, that is just so Out There that we have to draw the line and say "No further, weirdo!" For those of us who are a bit more open-minded than most, can we turn around and decry the whitebread people who like their vanilla lives and sexual predictability?
Who will make that judgment call, and how? In this book, it's the U.S. Government that's trying to do it, and they'll roll the country back to the Fifties if they can. One of the wonderful and scary things about living in the Internet Age is that these cultural rules have yet to set in. We're looking around and seeing all the strangeness that we never knew was there and deciding in the moment what's acceptable and what isn't. Should we appreciate these unusual practices for their creativity and for the flavor they lend our culture, or should we snuff them out in the name of some notion of "Decency?"
Ellis' answer is pretty clear once you get through the book, and I have to agree with him. I've always been on the side of personal liberty, so long as you're not hurting anyone who doesn't want to get hurt. As for those of us who might be a little weirded out by knowing what it is that people get up to in their bedrooms, remember - you don't have to click on the link.
Either way it's a serious philosophical issue for the 21st century, and Ellis has done a very fine job of presenting it to us. Beyond the book, I have no doubt he will continue to do so.
-------------------------------------------------------
"You don't get to keep the parts of the country you like, ignore the rest, and call what you've got America."
- Mike McGill, Crooked Little Vein
-------------------------------------------------------
[1] Rule 35, by the way, states that the if no porn is found of it, it will be made.
[2] Warren's eels are doubtless on their way for me now. Run! Save yourselves!!
Top reviews from other countries
What follows is a journey through the corrupted cesspool of America, following lead after lead to the Secret Constitution that has become a currency of its own for the powerful and the corrupted. Mike's lucky though, because he's accompanied by Trix, a stunningly hot grad student writing her thesis on 'Extremes of Self-Inflicted Human Experience'...
...and she, too, will get her money's worth on this trip into America's abyss.
I really enjoyed this roller-coaster ride, even though at times the change in locations and settings seemed abrupt and in the end it was over way too fast. But for those of you interested in a shocking little adventure, I can only recommend 'Crooked Little Vein'...
So Mike gets hired, he then has to trawl the sexual underground of the US to follow the trail that this document has left in its wake. If you have followed Warrenellis.com (or diepunyhumas.com prior to that) then you know where Warren's reseach interests lie. Expect to see lots of things from modblog (a body modification blog), dark sexual undercurrents and Godzilla Bukkake!!! All of this makes the book sound completely dark, but it is the most insanely funny wok of fiction I have read this year - my wife did ask what was so funny about it, but I didn't have the heart to tell her about the saline testicle injections (remember ignorance is bliss).
It is superb - 10/10
Este livro conta a história de Mike McGill e Trix em suas loucas aventuras pelas veias tortas dos EUA. O legal é que muito pouco deste livro é realmente ficção, pois Ellis tirou essas histórias e experiências de fatos que aconteceram e que ouviu de amigos.
A aventura começa logo com Mike sendo convocado para uma missão de resgate de um livro antigo, uma raridade escrita pelos fundadores do país. Ele recebe uma grande quantia de dinheiro como pagamento e logo parte em sua jornada.
Evidentemente acaba conhecendo Trix, uma linda garota que o acompanha em sua jornada e o auxilia em muitos casos.
O livro é bem corrido e tem uma escrita simples. Ellis tem essa facilidade de nós escancarar coisas do cotidiano que sempre estão lá mas ninguém tem coragem pra falar. Como na jornada do Preacher, do Garth Ennis, a história é repleta de pessoas estranhas que praticam algum tipo de perversidade, na percepção de Mike, e sempre resulta em mais problemas para resolver.
A mente de Ellis desmembra o começo dos anos 2000 nos EUA em forma de prosa. Procedimentos estéticos, novos tipos de práticas sexuais, corrupção, abuso de poder, famílias conturbadas e até um caso de macroherpetophilia. (Procure no google).
Enfim, para quem é familiar com outros trabalhos de Ellis, é um livro fantástico e muito aclamado por diversos autores e jornais. Para quem gosta da insanidade e irreverência do Medo e Delírio em Las Vegas do Hunter Thompson, vai curtir isso com certeza.





