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Original Atlantic pressing. SD 8229. Not a new reissue. VG+ vinyl and cover. Light wear. Writing on label with marker. Great album. Nice copy.

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Crosby, Stills & Nash

180 grams, Import

Crosby, Stills & Nash Format: Vinyl

4.7 2,482 ratings

Amazon's Choice for "crosby stills and nash vinyl records"

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MP3 Music, May 29, 1969

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Audio CD, Import, Original recording remastered, August 16, 1994

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Track Listings

Disc: 1

1	Suite: Judy Blue Eyes (2005 Remaster)
2	Marrakesh Express (2005 Remaster)
3	Guinnevere (2005 Remaster)
4	You Don't Have to Cry (2005 Remaster)
5	Pre-Road Downs (2005 Remaster)
6	Wooden Ships
7	Lady of the Island
8	Helplessly Hoping
9	Long Time Gone
10	49 Bye-Byes

Disc: 2

1	Wooden Ships (2005 Remaster)
2	Lady of the Island (2005 Remaster)
3	Helplessly Hoping (2005 Remaster)
4	Long Time Gone (2005 Remaster)
5	49 Bye-Byes (2005 Remaster)

Editorial Reviews

Originally released in 1969, Crosby, Stills & Nash was the threesome's stunning debut, climbing to #6 on Billboard and delivering two Top 40 Pop singles, "Marrakesh Express" and "Suite: Judy Blue Eyes." Also features the CSN classics "Guinnevere," "Wooden Ships," "Helplessly Hoping," and "Long Time Gone."

Product details

Is Discontinued By Manufacturer ‏ : ‎ No
Language ‏ : ‎ English
Product Dimensions ‏ : ‎ 12.32 x 12.36 x 0.31 inches; 8.32 Ounces
Manufacturer ‏ : ‎ Atlantic Catalog Group
Item model number ‏ : ‎ 28930386
Original Release Date ‏ : ‎ 2009
Date First Available ‏ : ‎ September 23, 2009
Label ‏ : ‎ Atlantic Catalog Group
ASIN ‏ : ‎ B002F3BOSM
Country of Origin ‏ : ‎ USA
Number of discs ‏ : ‎ 1

Best Sellers Rank: #12,161 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #308 in Folk Rock (CDs & Vinyl)
- #319 in Soft Rock (CDs & Vinyl)
- #416 in Pop Singer-Songwriters

Customer Reviews:
4.7 2,482 ratings

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4.7 out of 5

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FON

Decent Re-release. Worth it

Reviewed in the United States on September 3, 2022

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First, some of the reviews here seem to be for a different version based upon their comments. I am reviewing the one I purchased, the 2009 Atlantic Records R1 8229 release.It is on 180 Gram Vinyl. The Gatefold Cover is pretty true to the original with the back cover showing Dallas Taylor's image in the door (Factoid, his picture was added/superimposed as the actual photo of the door showed it boarded up). Apparently there are some Re Releases of this Album where his image is not on the back cover. The Gatefold Cover Material is slightly different from the original which is to be expected. There is a Lyric/Credits Bi-Fold Insert which is a nice inclusion. I honestly do not remember if there one was with my original copy, it's beem a while.

Now for the sound.... I have my original 1969 Album so I am able to give an honest comparison. Mind you my original album has definitely been played and not always on the best turntable/stylus so there is quite a bit of surface noise, pops and clicks but still palyable and not too bad to listed to.

Note: My comparison is being done playing both on a U-Turn Turntable with built in Preamp and with an Ortofon 2M Red Cart/Stylus, running through a Tascam Model 12 Mixer feeding a pair of JBL 308P Mk II Powered Speakers. Also for what it is worth I was a Professional Recording Engineer in NYC for more than 20 years, so I thin k I know a bit about sound.

1- The version is cut at a slightly lower volume not too low but there is a difference when played at the same settings.

2- My 1969 version is brighter, this version is still a very good remastering but it definitely is not as bright at the top end frequencies. It is NOT dull or muffled sounding at all just not as bright. My personal opinion, I always felt that my 1969 version was cut a bit too bright anyway, a little too piercing sometimes. I tweaked the EQ on my Tascam and this rerelease acutally sounds better than the original, IMO.

3- There were a few very minor "pops" in the very low sections, this is not surprising, even for a Brand New Vinyl. Static does get caught in the grooves from the manufacturing and packaging process. I did clean the Vinyl with my Pro-ject Record Cleaning Machine before playing it so I think the little bit of surface noise I did hear was due to Static and not bad vinyl.

4- This is supposed to be 180 Gram vinyl but it feels even heavier than any other 180 Gram Vinyl that I own. This is not a bad thing. BTW, 180 Gram Vinyl is a marketing ploy, heavier vinyl does not play any better than lighter vinyl. The real advantage is 180 Gram vinyl is much less prone to warping over time.

5- Best that I can tell this is an Atlantic Catalog Group Release from the USA Not a Rhino Records Release from Europe as others have reviewed.

Conclusion, if you are like me and have the original, worn out album this one is a decent replacement at a fair price.

21 people found this helpful

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Kevin C. McKinney

CD&N

Reviewed in the United States on July 8, 2023

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Great music!

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jose g. orsua

One lot the Best CD ever...jgo

Reviewed in the United States on June 19, 2023

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I've been wanting this CD for years, finally got off my seat and bought it. It did not disappoint. One of the First, so called Super Groups...jgo

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Tim Lookingbill

Reviewing Joe Gastwirt Mastered 1996 Green/Red Atlantic label CD Used.

Reviewed in the United States on January 14, 2023

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Been wanting to get this album for over 30 years and was concerned about the mastering from Youtube samples of the more recent Rhino remaster.

I lucked out buying used for under $2 plus shipping and got the older Atlantic 1996 mastering. The overall sound texture is less boomy on some songs with the bass having a more dispersed by reverb head space tonality that blends well with the low end organ and doesn't distort cranking it up. Suite: Judy Blue Eyes vocal harmonies still sound as if recorded in a small sound proof booth with dampened walls but the acoustic guitars are quite detailed listening on Sony MDR V6 headphones. It's as if all it needs is a nudge in the highs to bring out the peaks in the vocals to sound more clear. Most of the songs don't have murky vocals. That's why I gave it 5 stars. It's still quality music with decent sound for a recording as old as it is.

My Atlantic CD copy states it was mastered by Joe Gastwirt from the original analogue tapes. It doesn't suffer from loudness war issues.

5 people found this helpful

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Linda Major

Best Music of all Tiime

Reviewed in the United States on June 22, 2023

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Guitar with perfect harmonies

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Dante Rondo

A classic folk rock album for all time from C.S.N!

Reviewed in the United States on May 21, 2023

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If you only buy one Crosby, Stills, & Nash C.D. In my opinion, this is the one! I had it on vinyl when I was 18 in 1969! Wore it out! Good to have this awesome trio back with the timeless songs from that era!

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Photoscribe

Hmmm...maybe I'm wrong.

Reviewed in the United States on April 25, 2005

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Maybe you CAN get folk-rockier than "Buffalo Springfield Again", because THIS album is a true milestone in the annals of post-war pop culture. Crosby, Stills and Nash came from three excellent groups of the era of the late 60s/early seventies: The Byrds, Buffalo Springfield and The Hollies, and created a group that was actually better than any of the three feeds! David Crosby was the smirking, mink hat-wearing lead singer of the Byrds, Stephen Stills was the elder-statesman/master songwriter for the Buffalo Springfield, (a group literally named after an earthmoving equipment company,) and Graham Nash was one of the elfin harmonizing voices of the Hollies, a British group whose music bore no resemblance to the country-flavored folk-rock of Stills' and Crosby's groups.

When I first heard "Marrakesh Express", I could have sworn it was Simon & Garfunkel releasing a new single, post "Bridge Over Troubled Waters". Imagine my shock when I heard that David Crosby and the Springfield's Stephen Stills had hooked up with the George Harrison-esque Nash to form the very first "supergroup", (others would follow, like Led Zeppelin, Emerson, Lake & Palmer, Renaissance and Fleetwod Mac,) of the 70s.

The harmonies on this album were what made CSN legendary....although there is a HUGE Buffalo Springfield influence as far as that's concerned...(they sounded NOTHING like the Byrds or the Hollies!) but it is the songwriting, (again, most of the best work is by Stills,) that really makes it stand out.

Stills' "Suite: Judy Blue Eyes" is a song praising and cajoling the great Judy Collins, a lover of his at the time. It is THE anthem of the album, and the one most DJs slap in the old console when they want a hit of ol' CS&N. His "Helplessly Hoping" is an easygoing declension of what two lovers are to each other. "You Don't Have To Cry" and "49 Bye-Byes" are the sod-kickers on the album, immediately catchy and full of Stills' trademarks, (intricate guitar-picking and aw-shucks vocals.) Crosby is a VERY close second with his songwriting, collaborating with Stills on "Wooden Ships", having also written "Guinevere" and "Long Time Gone". He easily knocks right on Stills' door with his talent as a tunesmith. Nash, on the other had, produces one of the most sickening rock tunes I've ever heard, with "Lady of the Island", an extremely gooey number that makes him sound incredibly conceited and corny. However, he must have been listening to Crosby's and Stills' jam sessions very closely, because "Pre-Road Downs", (even the TITLE sounds like something Crosby or Stills would have come up with,) pays an obvious homage to his bandmates. He almost redeems himself with this and "Marrakesh Express", probably the OTHER trademark CS&N tune besides "Suite". Yes, "Marrakesh" is the song I thought was a Simon & Garfunkel tune initially.

I wonder just what possessed Stills and Crosby to recruit Nash....the Hollies were British...VEDDY British....fond of baroque guitar work, musical sampling from former British holdings like Jamaica and other, purely European influences in their music, while S & C were EXTREMELY American in their sound, both in their former groups and their songwriting on this and the "Deja Vu" albums. Was Roger McGuinn busy? Dewey Martin? Jimmy Page? Why Nash?

Anyway....this album, probably more than any other, symbolized the whole "Love" generation, encapsulating the folk-country flavor favored by the lion's share of music-lovers back then...not to mention a sanitized "hippie" image that made them palatable to parents and "weekenders" who had one toe in the establishment world and another in the counterculture. No matter what walk of life you come from, you'll find yourself tapping your foot to the rockers on this album and singing along to the harmonies...

And your harlequin will most definitely hover nearby....

11 people found this helpful

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Pougizma

PURE JOY

Reviewed in the United States on June 1, 2023

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This is PURE JOY!

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csn

Reviewed in Mexico on May 25, 2023

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muy buen album recomendado

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Courcelles

Si on ne l’a pas dans sa discothèque on a raté l’avion

Reviewed in Belgium on March 14, 2023

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Bruce

Masterpiece

Reviewed in the United Kingdom on February 19, 2023

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The sad recent passing of David Crosby you just have to feel privileged they created this masterpiece of an album with Guienevere my favourite..

One person found this helpful

ゲニオール

歴史的名盤の中の一枚と配達の遅れ

Reviewed in Japan on May 29, 2019

Verified Purchase

当時LPレコードが擦り切れる程聴いた。自分で思う歴史的名盤が何枚かあるが、これも間違いなくその中に入る。
当時、オープンチューニングによる音の広がりと三人の歌声のハーモニーの良さにはショックを受けた。
また、個人的にはスティーヴンスティルスはギタリストとしてもジョンレンバーンやバートジャンシュと同じくらい好きだった。
オープンチューニングは随分とコピーしたものだ。
CD音源となって、その音の違い云々よりも私にとってのこのアルバムは多感な思春期に影響を受けた一枚なのだ。

ちなみに、オーダーは5/11で『5/24までにはお届け』ということだったが、届いたのはこれに遅れること7日間の5/31だった。この間、アマゾンさんのカスタマーサービスに連絡し販売店からの説明メールも頂いたので安心して待つことが出来た。それぞれのご対応には満足している。
海外からの取り寄せには遅着は珍しいことではないが、お急ぎのムキにはご一考頂きたいことを申し添える。

6 people found this helpful

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Moonlight on the waters

Super Groupe (a t-on dit et c'est vrai) - HDCD OK

Reviewed in France on November 13, 2015

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Toute une histoire et la grande, d'un genre mineur ou majeur (comme on veut)
Le "Rock", la "Pop" (quelque soit le mot, où ici "Folk-rock" ) a déjà quelques années en cette année 1969 et il y a eu des ruptures et de nouvelles unions
Pour ce qui est du nom (et non de la pochette, il fut justement indiqué certaines choses à ce propos) : ex-Byrd + ex-Buffalo Springfield + ex-Hollies = Super groupe disait-on
Et ça marche, ça marchait entre eux, tant leurs voix s'harmonisaient bien pas
Pas besoin de Mama Cass qui de toutes les façons renonça, il y aurait pu avoir John Sebastian (une idée de Stills), l'ex Lovin Spooful aurait pu ajouter tout son talent (voire selon Steve jouer de la batterie, en tout cas dans l'optique de ce premier album, peu rock d'une certaine manière)
Mais Sebastian préféra se produire en solo
Donc, les harmonies de Crosby et Nash et tout le talent musical de Stills, lui aussi apportant de magnifiques compositions
Je serais plus sceptique quand à Nash
Affaire de goût
Pour moi, l'ex-Hollies sera au niveau (je fais allusion à l'apport des compositions et ceci d'un point de vue général surtout sur le CSN de 1977, le plus complet du groupe pour cette raison)
"Déjà vu", l'album, magnifique pour quelques titres, est un autre cas : à mon avis le quatuor puisque Neil Young avait rejoint, en avait gardé pour leurs excellentes productions solo, il suffit de s'y référer
A noter que Stills pour le quatuor aurait souhaité SYNC
Donc sur ce premier album : la plus part des titres de Stills, ceux de Crosby (ou avec Stills et Kantner) et un peu moins Nash
Cette version remasterisée HDCD vaut l'achat, d'ailleurs j'ai eu le vinyle lors de la parution en 1969 et le CD "normal" depuis pas mal de temps
Cette musique était magique et l'est restée, autre temps ... !

4 people found this helpful

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