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Crossroads of Twilight (The Wheel of Time, Book 10) (Jordan, Robert) Hardcover – Bargain Price, January 7, 2003
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- Print length704 pages
- LanguageEnglish
- PublisherTor Fantasy
- Publication dateJanuary 7, 2003
- Dimensions6.42 x 1.9 x 9.62 inches
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Editorial Reviews
From Publishers Weekly
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From Booklist
Copyright © American Library Association. All rights reserved
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
1
Time to Be Gone
The Wheel of Time turns, and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth comes again. In one Age, called the Third Age by some, an Age yet to come, an Age long past, a wind rose in the Rhannon Hills. The wind was not the beginning. There are neither beginnings nor endings to the turning of the Wheel of Time. But it was a beginning.
Born among the groves and vineyards that covered much of the rugged hills, the olive trees in evergreen rows, the ordered vines leafless till spring, the cold wind blew west and north across the prosperous farms dotting the land between the hills and the great harbor of Ebou Dar. The land lay winter fallow still, but men and women were already oiling plowshares and tending harnesses, preparing for the planting to come. They paid little mind to the trains of heavily laden wagons moving east along the dirt roads carrying people who wore odd clothes and spoke with odd accents. Many of the strangers seemed to be farmers themselves, familiar implements lashed to their wagon boxes, and in their wagons unfamiliar saplings with roots balled in rough cloth, but they were heading on toward more distant land. Nothing to do with life here and now. The Seanchan hand lay lightly on those who did not contest Seanchan rule, and the farmers of the Rhannon Hills had seen no changes in their lives. For them, rain or the lack of it had always been the true ruler.
West and north the wind blew, across the broad blue-green expanse of the harbor, where hundreds of huge ships sat rocking at anchor on choppy swells, some bluff-bowed and rigged with ribbed sails, others long and sharp-prowed, with men laboring to match their sails and rigging to those of the wider vessels. Not nearly so many ships still floated there as had only a few days before, though. Many now lay in the shallows, charred wrecks heeled over on their sides, and burned frames settling in the deep gray mud like blackened skeletons. Smaller craft skittered about the harbor, slanting under triangular sails or crawling on oars like many-legged waterbugs, most carrying workers and supplies to the ships that still floated. Other small vessels and barges rode tethered to what appeared to be tree trunks shorn of branches, rising out of the blue-green water, and from those men dove holding stones to carry them down swiftly to sunken ships below, where they tied ropes to whatever could be hauled up for salvage. Six nights ago death had walked across the water here, the One Power killing men and women and ships in darkness split by silver lightnings and hurtling balls of fires. Now the rough rolling harbor, filled with furious activity, seemed at peace by comparison, the chop giving up spray to the wind that blew north and west across the mouth of the River Eldar, where it widened into the harbor, north and west and inland.
Sitting cross-legged atop a boulder covered with brown moss, on the reed-fringed bank of the river, Mat hunched his shoulders against the wind and cursed silently. There was no gold to be found here, no women or dancing, no fun. Plenty of discomfort, though. In short, it was the last sort of place he would choose, normally. The sun stood barely its own height above the horizon, the sky overhead was pale slate gray, and thick purple clouds moving in from the sea threatened rain. Winter hardly seemed winter without snow--he had yet to see a single flake in Ebou Dar--but a cold damp morning wind off the water could serve as well as snow to chill a man to the bone. Six nights since he had ridden out of the city in a storm, yet his throbbing hip seemed to think he was still soaked to the skin and clinging to a saddle. This was no weather or time of day for a man to be out by his own choice. He wished he had thought to bring a cloak. He wished he had stayed in bed.
Ripples in the land hid Ebou Dar, just over a mile to the south, and hid him from the city, as well, but there was not a tree or anything more than scrub brush in sight. Being in the open this way made him feel as though ants were crawling under his skin. He should be safe, though. His plain brown woolen coat and cap were nothing like the clothes he was known by in the city. Instead of black silk, a drab woolen scarf hid the scar around his neck, and the collar of his coat was turned up to hide that, as well. Not a bit of lace or a thread of embroidery. Dull enough for a farmer milking cows. No one he needed to avoid would know him to recognize if they saw him. Not unless they were close. Just the same, he tugged the cap a bit lower.
"You intend to stay out here much longer, Mat?" Noal's tattered dark blue coat had seen better days, but then so had he. Stooped and white-haired, the broken-nosed old fellow was squatting on his heels below the boulder, fishing off the riverbank with a bamboo pole. Most of his teeth were missing, and sometimes he felt at a gap with his tongue as though surprised to find the empty space. "It's cold, in case you haven't noticed. Everybody always thinks it's warm in Ebou Dar, but winter is cold everywhere, even places that make Ebou Dar feel like Shienar. My bones crave a fire. Or a blanket, anyway. A man can be snug with a blanket, if he's out of the wind. Are you going to do anything but stare downriver?"
When Mat only glanced at him, Noal shrugged and went back to peering at the tarred wooden float bobbing among the sparse reeds. Now and then he worked one gnarled hand as though his crooked fingers felt the chill particularly, but if so, it was his own fault. The old fool had gone wading in the shallows to scoop up minnows for bait with a basket that now sat half-submerged and anchored by a smooth stone at the edge of the water. Despite his complaints about the weather, Noal had come along to the river without urging or invitation. From things he had said, everyone he cared about was long years dead, and the truth of it was, he seemed almost desperate for any sort of company. Desperate, indeed, to choose Mat's company when he could be five days from Ebou Dar by now. A man could cover a lot of ground in five days if he had reason to and a good horse. Mat had thought on that very subject often enough himself.
On the far side of the Eldar, half-hidden by one of the marshy islands that dotted the river, a broad-beamed rowboat backed oars, and one of the crew stood up and fished in the reeds with a long boathook. Another oarsman helped him heave what he had caught into the boat. At this distance, it looked like a large sack. Mat winced and shifted his eyes downriver. They were still finding bodies, and he was responsible. The innocent died along with the guilty. And if you did nothing, then only the innocent died. Or as bad as died. Maybe worse than, depending on how you looked at it.
He scowled irritably. Blood and ashes, he was turning into a bloody philosopher! Taking responsibility drained all the joy out of life and dried a man to dust. What he wanted right then was a great deal of mulled wine in a snug common room full of music, and a plump, pretty serving maid on his knee, somewhere far from Ebou Dar. Very far. What he had were obligations he could not walk away from and a future he did not fancy. There seemed no help at all in being ta'veren, not if this was how the Pattern shaped itself to you. He still had his luck, anyway. At least, he was alive and not chained in a cell. Under the circumstances, that counted as luck.
From his perch, he had a fairly clear view down past the last low marshy river islands. Wind-caught spray drifted up the harbor like banks of fine mist, but not enough to hide what he needed to see. He was attempting to do sums in his head, counting ships afloat, trying to count wrecks. He kept losing his place, though, thinking he had counted vessels twice and starting over. The Sea Folk who had been recaptured intruded on his thoughts, too. He had heard that gibbets in the Rahad, across the harbor, displayed more than a hundred corpses, with placards listing "murder" and "rebellion" as their crimes. Normally, the Seanchan used the headsman's axe and the impaling stake, while the Blood got the strangling cord, but property had to settle for being hanged.
Burn me, I did what I could, he thought sourly. There was no use feeling guilty that that was all he could do. Not a bit of use, None! He had to concentrate on the people who escaped.
The Atha'an Miere who got away had taken ships in the harbor for their flight, and while they might have seized some smaller craft, anything they could board and overwhelm in the night, they had intended to carry off as many of their people as possible. With thousands of them laboring as prisoners in the Rahad, that would have meant big ships, by choice, and that meant Seanchan greatships. Many of the Sea Folk's own vessels were large enough, for certain, but they all had been stripped of their sails and rigging by that time, to be fitted out in the Seanchan fashion. If he could calculate how many greatships remained, he might have some notion of how many Atha'an Miere had actually reached freedom. Freeing the Sea Folk Windfinders had been the right thing to do, the only thing he could do, but aside from the hangings, hundreds and hundreds of bodies had been fished out of the harbor in the last five days, and the Light only knew how many had washed out to sea with the tides. The gravediggers labored from sunup to sundown, and the graveyards were filled with weeping women and children. Men, too. More than a few of those dead had been Atha'an Miere, with no one to weep while they were dumped into mass graves, and he wanted some idea of the number he had saved to balance his bleak suspicions of the number he had killed.
Estimating how many ships had made it out into the Sea of Storms was difficult, though, quite apart from losing the count. Unlike Aes Sedai, Windfinders had no strictures against using the Power as a weapon, not when the safety of their people was at stake, and they would have...
Product details
- ASIN : B000FFJRI6
- Publisher : Tor Fantasy (January 7, 2003)
- Language : English
- Hardcover : 704 pages
- Item Weight : 2.2 pounds
- Dimensions : 6.42 x 1.9 x 9.62 inches
- Best Sellers Rank: #6,108,353 in Books (See Top 100 in Books)
- #16,068 in Deals in Books
- #63,656 in Epic Fantasy (Books)
- Customer Reviews:
About the author

Robert Jordan was born in 1948 in Charleston. He was a graduate of the Citadel, the Military College of South Carolina, with a degree in physics, and served two tours in Vietnam. His hobbies included hunting, fishing, sailing, poker, chess, pool and pipe collecting. He died in September 2007.
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The Wheel of Time is simply the best fantasy story ever told.
I have read many, and have found others enjoyable but nothing compares to the rich detail and unbounded imagination of the world Mr Jordan has created. It is that, a world, living and breathing, evolving and growing of the course of the story. Filled with such grand detail that you feel you know the charactors and are in this world with them.
I began to read some of the reviews and quickly realized that many of the readers out there seem to have a negative opinion of the latter books of the series.
I propose that this negative feeling may be due to the time between new releases, given that Mr Jordan tends to write with great detail on the subject at hand, be it action or building. This level of detail, seems to be causing difficulty with readers whom are expecting a quick resolution or movement of plot. It is my opinion that this detail is good and infact necessary to due to the vastness of the scope of this story.
Honestly if you are expecting a fast paced , get to the final resolution and end it with a bang kind of story, this isnt for you. This story takes its time to unfold and there are many sub plots and directions the story takes that dont reveal themselves in any great hurry. But that is what happens when you weave a grand epic of a tale. The time is well worth the out come, and if the nay sayers give the series that time to develop, they wont be disappointed. I see on the horizon at least 2 books to cover the colliding of charactors and plots in an action packed pages that the past several books have been leading up to. You must have faith that Mr Jordan actually knows what he is doing and he wont let his fans down.
I find it rather funny that the majority of the negative reviews also indicated that they will buy the next release. It must not have been that bad then.
This story is big, and it runs over a great length and depth. I can fully understand some of the impatience expressed in the reviews, but only if you have pre conceived expectations on what you thought should be happening. Look at the series of books as a single story, not sequels. Each is building on the last and advancing the story. Let the story be told at its own pace. Maybe not as fast as some would like, but it is advancing and with the same richness and detail. In time the story will be told and the lenghts taken to do it with be all that more rewarding.
Some have expessed that Mr Jordan isnt a great writer and that he has stolen ideas from others.....Well, if you listen to or read the interviews with Mr Jordan he flat out says that his inspiration was from the age old idea of someone being told that they were born to be the savior of all mankind, but he wondered if they would really except this just because they were told so and go run off to save the world. Or would they be reluctant and have great difficulty in accepting their fate, more having their fate thrust upon them and the manner they come to terms with it.
He also stated that givin the concept he chose to use, time being a wheel instead of being linear, that he wanted to use a sort of metling pot of many popular mythologies and relegions to give them a possible source and the reader something to relate to.
So you see, he didnt steal anything, he rewrote it in a very imaginative manner and made it his own, by redefining what was into something new and believable. In essence, he created a world.
If you like great story telling, then this series is a good choice. I do recommend though, that you read all of the books, back to back, as a single story in its entirety. You will appreciate the telling alot more that way.
If you can afford it buy the CD's and listen to it. I just did that and I have to say that you get alot more out of it than by reading, especially if you read causally.
Having now completed Book 10, Crossroads of Twilight I have my answer. Jordan's going to make this a 14 book series by painfully dragging this out with a whole lot of filler. Books 7 through 10 haven't really moved the main plot along at all, and nothing really important has occurred with the exception of Rand cleansing the male half of the true source at the end of Book 9. Crossroads of Twilight feels just like the last few WoT volumes. There's all kinds of yawn inducing political maneuverings featuring the Aes Sedai and among the noble houses of Caemlyn to help Elayne claim the throne. Yes I understand it's necessary and will pay off in the end, but it's so dull to read about and stretches on for what feels like years.
To put it into context, you can look at all of the stuff the blurb mentions, and nothing is resolved, so we'll be reading all about it for another book at least.. Perrin spends what feels like a decade tracking the renegade Aiel who kidnapped his wife, but she's still a captive at the end of the book. Mat's still travelling with the Daughter of the Nine Moons. Elayne's still not the Queen of Andor. Egwene's still laying siege to Tar Valon. Rand, who doesn't even make an appearance here until about 400 pages in, is still hearing voices in his head and I can't remember him doing anything of significance. It just goes on and on. The only bright spots for me here were the welcome return of Loial (albeit briefly) and.... honestly that's about it. Not much else happens of any real interest. A few minor characters are killed off, but with literally hundreds to choose from, I'd forgotten who they were and why they were important by the time they died.
In the end I guess it doesn't matter. Being so close to the end I'm going to continue on, and I'm sure anyone reading this will as well. My enthusiasm for the WoT has definitely lessened though. I can only hope the last few books in this series will make this slog worthwhile. It's starting to feel more like a chore then a pleasure to read this.
Top reviews from other countries
Just 5 minutes ago, I made myself read a whole 4 pages of text dedicated exclusively to the seating order of the sitters of the hall.
Jordan seems to have switched his style. In earlier books he was progressing the plot at an acceptable rate. Things were happening fast, but and the level of detail was good; not too much, not too little. Things have changed. I shall explain:
Jordan has written entire pages going into extremely rich detail about minor characters nobody cares about nor is likely to remember 5 minutes later. It's just pointless. And the level of detail he goes into is SO high that you just get bored after you've read an entire 2 pages describing the interior of a single room or the appearance of a character that won't be mentioned ever again. I mean, why should I care what personality type some random Aes Sedai has when she plays no significant role aside from filling some pages for the sake of filling them?
I think this is possibly the most boring book in the entire series. It could be compressed into a few chapters and still deliver the same message! It's like Jordan felt he needed to rationalise every single thought and idea that went through a character's head.
It's just boring.
It can have two stars because I find the book is a good medicine for going to sleep. I normally have trouble getting to sleep, but this book is so boring that by reading it I can put myself out in less than 15 minutes.
What lets this book down is endless, pointless descriptions of what the characters are wearing, what the room looks like, and we even get somewhat detailed descriptions of the personalities of what are clearly minor characters. Egwene's chapters are incredibly dull and frankly boring.
I get what Robert Jordan was doing, and he does a brilliant job of describing the location and characters in each chapter so you can picture it all in your head. Furthermore, his habit of 'reintroducing' near on every relatively important character is actually quite helpful as 10 books, 100s of characters and 1000s of pages into the series, it is easy to get some mixed up or forget who they are.
But way too often it's just too much, and some basic descriptions would get the job done. I honestly would rather have some more action and intrigue than the endless descriptions.
Even the very last chapter is incredibly boring. Unlike the previous books, this one ends with a bit of a cliffhanger, but nothing exciting or explosive. The most interesting plot development is when Perrin comes across a haunted(?) village. It could have been the saving grace of this book, but instead it's left open and vague and I can only hope it gets more attention in the next book.
I feel like even 3/5 is generous but this series does have me engaged enough to finish off the last 4 books and learn where the story ends.
There is very little progress on any of the main (or minor) treads of the story and I find myself wondering what was the actual point of this book, and if I'd skipped straight from Winter's Heart (book 9) to Knife of Dreams (book 11) would I really have missed anything significant? I don't actually think I would have.
I would say that Robert Jordon is a very good writer and if this book had been written by a lesser man it probably would have struggled to the bang average 3 stars I rated it. One thing that does irk me a bit about Jordon's style is the chapter after chapter after chapter from the same character view point, especially when it is a not particularly exciting character (Egwene, Elaine, Nyneave, you know the ones!). I much prefer a new character view point with each new chapter, so I'm really hoping Brandon Sanderson changes this with The Gathering Storm (book 12) and the final 2 books in the series.
Love the entire WoT series though. I've invested a lot of time in the series I'm getting excited now I'm just about onto the last 4 books and a conclusion to this monster epic is in sight, but I'll also be a bit sad when it's done. I doubt the next series I move onto will be as grand or epic! I mean, WoT make Lord the Rings look small!
For all his faults as a writer and the contradictions of his plot, there is something magnificent about Jordan’s history and if you’ve got this far you are going to need to know what happens next. So bite the bullet and keep reading!








